Bibliografías temáticas / Tantric literature

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Literatura académica sobre el tema "Tantric literature"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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Artículos de revistas sobre el tema "Tantric literature"

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Hackett, Paul G. "Re-making, Re-marking, or Re-using? Hermeneutical Strategies and Challenges in the Guhyasam?ja Commentarial Literature." Buddhist Studies Review 33, no. 1-2 (January 20, 2017): 163–79. http://dx.doi.org/10.1558/bsrv.31645.

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This paper presents a case study in the exegesis of Buddhist tantric literature by examining a segment of the corpus of Guhyasam?ja literature and, in doing so, addresses both emic and etic approaches to the hermeneutics of tantric texts. On the most basic level, we discuss the mechanisms for interpreting statements within the root tantra internal to the exegetical tantric literature itself, as exemplified by Candrak?rti’s ‘Brightening Lamp’ (Prad?poddyotana) commentary and the extensive sub-commentary by Bhavyak?rti. On another level, however, these same exegetical moves can be viewed in term
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Nepal, Gopal. "Tantric Buddhism in Nepal." Research Nepal Journal of Development Studies 4, no. 1 (June 25, 2021): 122–26. http://dx.doi.org/10.3126/rnjds.v4i1.38043.

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Tantrism is the science of practical spiritualism. Tantrism is the practical way out of enlightenment. It is the perfect mix of theoretical and empirical knowledge of liberation. Although there are different arguments for and against tantric Buddhism. To find out the basic overview of Tantric Buddhism the study has been conducted. It is a literature review of Tantric Buddhism in Nepal. In conclusion, the study found that there is a great contradiction between Buddhist philosophy with the law of cause and effect. It is difficult to make ritual action conform to such a law, as he demonstrated.
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SUGIKI, Tsunehiko. "Astrology in Mother-Tantric Literature." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 51, no. 2 (2003): 1010–07. http://dx.doi.org/10.4259/ibk.51.1010.

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WATANABE, Hiroki. "Untouchables in Hindu Tantric Literature." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 52, no. 2 (2004): 910–06. http://dx.doi.org/10.4259/ibk.52.910.

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YAMAHATA, Tomoyuki. "Apabhramsa Language in Tantric Literature." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 56, no. 1 (2007): 287–84. http://dx.doi.org/10.4259/ibk.56.1_287.

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Chui, Tony. "Conceptualization of “Taking the Essence” (bcud len) as Tantric Rituals in the Writings of Sangye Gyatso: A Tradition or Interpretation?" Religions 10, no. 4 (March 28, 2019): 231. http://dx.doi.org/10.3390/rel10040231.

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Chülen (bcud len), the practice of “taking the essence”, is an important practice within the Tibetan medical tradition. Through nourishing the body with the so-called depleted “essence”, not only can one extend their lifespan but the practitioner can also restore their physical vitality. In recent years, this practice seems to be shifting away from the traditional religious mode of chülen involving tantric practices and rituals. Among the Tibetan medical literature, chülen is much emphasized in its religious aspects in the two important 17th century Tibetan medical commentaries on the Four Tan
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Serbaeva, Olga. "Feeding the Enemy to the Goddess: War Magic in Śaiva Tantric Texts." Religions 13, no. 4 (March 24, 2022): 278. http://dx.doi.org/10.3390/rel13040278.

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This article deals with the war magic as described in Sanskrit Śaiva tantric texts written between the 5th and the 12th Century A.D. This period marks a shift from the invocation of Aghora/Bhairava as the main war-helping god to the rituals invoking terrible goddesses, mātṛkās, yoginīs. At the same time, tantric religious specialists were invited to exchange their magical knowledge for kings’ patronage in such contexts as war, drought, epidemics and such. The original presupposition was that the rituals related to war shall be most violent and transgressive in the texts of the tantric initiate
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Tsunehiko, SUGIKI. "Tantric Appearances and Non-Tantric Meanings: Four Systems of the “Maṇḍala of Mantra” in the Buddhist Cakrasaṃvara Literature". International Journal of Buddhist Thought and Culture 31, № 1 (30 червня 2021): 217–55. http://dx.doi.org/10.16893/ijbtc.2021.06.30.1.217.

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Williams, Richard David. "Playing the Spinal Chord: Tantric Musicology and Bengali Songs in the Nineteenth Century." Journal of Hindu Studies 12, no. 3 (November 1, 2019): 319–38. http://dx.doi.org/10.1093/jhs/hiz017.

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Abstract Across the nineteenth century, Bengali songbook editors applied musicological theory to their tantric religious practices. Responding to the new possibilities of musical publishing, these editors developed innovative techniques of relating the body to music by tying together tantric tropes with music theory and performance practice. Theories about the affective potential and poetic connotations of rāgas were brought into conversation with understandings of the yogic body, cakras, and the visualization of goddesses. These different theories, stemming from aesthetics and yogic philosoph
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Törzsök, Judit. "The Heads of the Godhead The Number of Heads/Faces of Yoginīs and Bhairavas in Early Śaiva Tantras." Indo-Iranian Journal 56, no. 2 (2013): 133–55. http://dx.doi.org/10.1163/15728536-0000002.

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This paper examines the prescriptions for multi-headed representations of śaiva deities, in particular of yoginīs and Bhairavas, in early tantric or āgamic literature. Multi-headed deities appear mostly in the prescriptions of mantra images, usually without any discussion of their material representation. The paper shows that the four-faced mantric representation of Śiva, Bhairava and other divine creatures precedes the five-headed one, as is observable in epic literature and in art history. The fifth head is associated with tantric or āgamic śaivism, whose supreme deity is the five-headed Sad
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Tesis sobre el tema "Tantric literature"

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Chen, Jinhua. "The formation of early Esoteric Buddhism in Japan, a study of the three Japanese esoteric apocrypha." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ30080.pdf.

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Wright, Pamela. "A language of the body : images of disability in the works of D. H. Lawrence /." Online access for everyone, 2006. http://www.dissertations.wsu.edu/Dissertations/Fall2006/p_wright_011607.pdf.

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Omori, Kyoko. "Detecting Japanese Vernacular Modernism: Shinseinen Magazine and the Development of the Tantei Shosetsu Genre, 1920-1931." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1048620868.

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Soud, William David. "Toward a divinised poetics : God, self, and poeisis in W.B. Yeats, David Jones, and T.S. Eliot." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:331a692d-a40c-4d30-a05b-f0d224eb0055.

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This thesis examines the traces of theological and broader religious discourses in selected works of three major twentieth-century poets. Each of the texts examined in this thesis encodes within its poetics a distinct, theologically derived conception of the ontological status of the self in relation to the Absolute. Yeats primarily envisions the relation as one of essential identity, Jones regards it as defined by alterity, and Eliot depicts it as dialectical and paradoxical. Critics have underestimated the impact on Yeats’s late work of his final and most sustained engagement with Indic trad
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Dark, Jann, University of Western Sydney, College of Arts, and School of Communication Arts. "Relationship in the field of desire." 2006. http://handle.uws.edu.au:8081/1959.7/16867.

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This thesis is divided into two parts. Part One, entitle “Working Through Condensation” describes a type of practice, Part Two, entitled “The Tourist and the Tourist Tout”, unravels and explores what was discovered through that practice. The intersection of two personal discoveries have been formative in my art practice. The first relates to the Indian Hindu and Buddhist concept of formlessness found in certain Tantric cosmogonies. This began, for me, an interest in the phenomenon of emptiness as an ontological awareness of how “art” or “creativity” happens. The second event was the hearing of
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Dark, Jann. "Relationship in the field of desire." Thesis, 2006. http://handle.uws.edu.au:8081/1959.7/16867.

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This thesis is divided into two parts. Part One, entitle “Working Through Condensation” describes a type of practice, Part Two, entitled “The Tourist and the Tourist Tout”, unravels and explores what was discovered through that practice. The intersection of two personal discoveries have been formative in my art practice. The first relates to the Indian Hindu and Buddhist concept of formlessness found in certain Tantric cosmogonies. This began, for me, an interest in the phenomenon of emptiness as an ontological awareness of how “art” or “creativity” happens. The second event was the hearing of
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7

Hernández, Sierra Adriana. "Erotismo, poema y budismo tántrico : Octavio Paz y los caminos del éxtasis." Thèse, 2011. http://hdl.handle.net/1866/7019.

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Cette recherche a comme objectif l’étude d’un des thèmes clef dans la vaste œuvre du poète et essayiste mexicain Octavio Paz (1914-1998) : les analogies entre l’érotisme, le poème et le sacré comme chemins ou voies d’union et de réconciliation humaine, idée qui est particulièrement renforcée dans son œuvre à partir des voyages et du séjour en Orient –spécialement en Inde– entre 1951 et 1968. Pendant la période nommée « cycle indien » (‘ciclo hindú’), Paz s’est intéressé aux différentes traditions de la pensée orientale, particulièrement le bouddhisme, et surtout son orientation tantrique. Ce m
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Thayanithy, Maithili. "The Concept of Living Liberation in the Tirumantiram." Thesis, 2010. http://hdl.handle.net/1807/24384.

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This dissertation examines the concept of living liberation in the Tirumantiram, a work recognised as one of the Tamil Saiva canonical texts composed around the ninth century. Modern scholarship has thus far attempted to comprehend the Tirumantiram in terms of the post-Tirumantiram traditions that developed after the thirteenth century: Tamil Saiva Siddhànta and Tamil Siddha. Consequently, the unity and coherence of the text are subjected to question, and the dual literary and cultural roots of the Tirumantiram remain largely uninvestigated. Besides, the significance of the Tirumantiram as
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Libros sobre el tema "Tantric literature"

1

The Tantric religion of India: An insight into Assam's Tantra literature. Kolkata: Punthi Pustak, 2009.

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Thapa, Shanker. Newār Buddhism: History, scholarship, and literature. Lalitpur: Nagarjuna Publications, 2005.

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editor, Loseries-Leick Andrea, Visva-Bharati. Centre for Buddhist Studies, Visva-Bharati. Department of Indo-Tibetan Studies, Asiatic Society (Kolkata India), and Csoma de Kőrös Society, eds. Tantrik literature and culture, hermeneutics & expositions: Proceedings of the 6th International Csoma de Körös Symposium, Kolkata/Santiniketan, March 2009 : selected papers et al. Delhi: Buddhist World Press, 2013.

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Rje btsun Sa-skya-paʼi bkaʼ srol ltar rgyud ʼchad ñan byed pa la ñe bar mkho baʼi gsuṅ rab rnams bźugs so. [Kathmandu]: Bal-yul Rgyal-yoṅs Sa-chen gyi grwa Gu-ru, 2008.

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Śaivabhāratī-Śodhapratiṣṭhāna, ed. Tantrāgama sāra sarvasva. Vārāṇasī: Śaivabhāratī-Śodhapratishṭhāna, 2005.

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6

Agvaanbaldan. Khutagt Manzushriĭn aldryg u̇nėkhėėr ȯgu̇u̇lėkhu̇ĭn zu̇rkhėn utgyn khuraanguĭ t︡s︡agaan li︠a︡nkhuan i︠a︡ruu u̇gs khėmėėgdėkh. Ulaanbaatar Khot: Admon, 2009.

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Norbu, Thinley. The small golden key to the treasure of the various essential necessities of general and extraordinary Buddhist Dharma. 2nd ed. New York, N.Y: Jewel Publishing House, 1985.

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Sṅa-ʼgyur Bka-maʼi gźugs byaṅ yid bźin rin po cheʼi mdzod źes bya ba bźugs so. [Chʻengtu]: Si-khron dpe tshogs pa, Si-khron mi rigs dpe skrun khaṅ, 2006.

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Norbu, Namkhai. The supreme source: The Kunjed Gyalpo, the fundamental tantra of Dzogchen Semde. Ithaca, NY: Snow Lion Publications, 1999.

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Rnam par rgyal ba dpal Zwa-dmar paʼi chos sde., ред. Ṅes don phyag rgya chen poʼi khrid mdzod dkar chag daṅ bkaʼ babs bźi ʼdzin gyi brgyud paʼi lo rgyus. [New Delhi: Rnam par rgyal ba dpal Źwa-dmar-paʼi chos sde, 1996.

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Capítulos de libros sobre el tema "Tantric literature"

1

Indradjaja, Agustijanto. "The Tantri Relief at The Gunung Kawi Bebitre and Pura Dalem Tampuagan Sites in Comparison." In Proceedings of the Sixth International Conference on Language, Literature, Culture, and Education (ICOLLITE 2022), 28–34. Paris: Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-91-6_6.

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"Meditating Mantras: Meaning and Visualization in Tantric Literature." In Theory and Practice of Yoga, 213–35. BRILL, 2005. http://dx.doi.org/10.1163/9789047416333_010.

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"Buddhism, Kingship and the Protection of the State: The Suvarṇaprabhāsottamasūtra and Dhāraṇī Literature." In Śaivism and the Tantric Traditions, 234–48. BRILL, 2020. http://dx.doi.org/10.1163/9789004432802_012.

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Sauthoff, Patricia. "Introduction." In Illness and Immortality, 1–8. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197553268.003.0001.

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The work begins with an introduction to the Netra and Svacchanda Tantras that locates them within the wider tantric canon. The chapter briefly introduces the main mantra of the texts and offers connections to a wider body of Sanskrit literature. It also introduces the main questions of the work: What do the Netra and Svacchanda Tantras mean by immortality? How does one attain it? How do the rites described within the text alleviate illness? What role does the deity play in the reduction of illness and attainment of immortality? What does that deity look like? Who has access to these rites?
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Mayer, Robert. "gTer ston and Tradent: Innovation and Conservation in Tibetan Treasure Literature." In Dudjom Rinpoche's Vajrakīlaya Works: A Study in Authoring, Compiling, and Editing Texts in the Tibetan Revelatory Tradition, 30–46. Equinox Publishing, 2020. http://dx.doi.org/10.1558/equinox.35848.

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Robert Mayer reviews different levels of innovation witnessed in Treasure revelations, and ways of approaching the conservatism which is often found in the ritual traditions classified as Treasure revelations. He also considers what differentiates Treasure ritual texts from other types of tantric ritual writings.
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Mini, K. V., and H. H. Awasthi. "Study of Nadi’s in Tantric Literature and Their Relation to Neurons." In Recent Developments in Medicine and Medical Research Vol. 1, 127–34. Book Publisher International (a part of SCIENCEDOMAIN International), 2021. http://dx.doi.org/10.9734/bpi/rdmmr/v1/12208d.

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Damrosch, David. "Comparisons." In Comparing the Literatures, 303–33. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691134994.003.0009.

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This chapter explains the literary theory that bridge the divides between national traditions in a balanced assessment of similarities and differences called “perspectivism.” It addresses the question of comparability that grew sharper during the 1980s as comparatists began to give more attention to non-Western literatures and struggled to locate their studies along an expanded spectrum. It also analyzes Claudio Guillén's Entre louno y lo diverso, which asserts the necessity of keeping in mind the constant to and fro between the unity sought by human consciousness and the countless historical–spatial differentiations in the field of literature. The chapter looks into an essay by Robert Magliola that asserts a close comparability of sexualized religious iconography in the European Renaissance and in tantric Buddhism. It also talks about Pauline Yu's “Alienation Effects” as a skeptical discussion of the limits of East/West comparability.
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Garfield, Jay L. "Path as a Structure for Buddhist Ethics." In Buddhist Ethics, 90–108. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190907631.003.0007.

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This chapter examines the use of the path metaphor in Buddhist ethics, connecting it to the emphasis on moral phenomenology and to the particularism of Buddhist ethics. It discusses how the concept of a path is used in Buddhist literature, in both the internal and external sense, as well as how these paths may be both followed and cultivated by practitioners. Various uses of this metaphor are addressed throughout the chapter, as well as the objectives and methods associated with each. Discussion includes the eightfold path, the path of purification, the graduated path, the bodhisattva path, and the tantric path.
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Jarow, E. H. Rick. "Introduction." In The Cloud of Longing, 1–10. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197566633.003.0001.

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This chapter makes a case for the study of the Meghadūta within the study of world literature and literary visions of the environment. It discusses the sensibilities of classical Indian poetry (kāvya) and gives an overview of the history of studies of Indian poetry in the West. The next section summarizes the plot and structure of the Meghadūta, Kālidāsa’s celebrated lyric poem about the imagined journey of a cloud through the landscape of India to deliver a message from the protagonist (Yaksha) to his absent beloved. The “tantric sensibility” of the text is discussed along with the importance of the poem’s vision of the natural world.
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Cabezón, José Ignacio. "Types of Tantras and Their Ancillary Literature." In The Buddha's Doctrine and the Nine Vehicles, 118–34. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199958603.003.0009.

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Actas de conferencias sobre el tema "Tantric literature"

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"THE SERPENT AND THE ROPE SWINGING IN TANTRIC TRANCE." In 2nd National Conference on Translation, Language & Literature. ELK Asia Pacific Journals, 2015. http://dx.doi.org/10.16962/elkapj/si.nctll-2015.26.

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Iksan, Nur, Mayang Anggrian, and Sony Sukmawan. "Spiritual Reposition in Tantri Kamandaka Comic Book and Reliefs of Jago Temple: Story of the Friendship of Swans and Tortoises." In Proceedings of the 1st International Conference on Language, Literature, Education and Culture, ICOLLEC 2021, 9-10 October 2021, Malang, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.9-10-2021.2319679.

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