Bibliografías temáticas / Teletubbies (fictitious characters), fiction

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Literatura académica sobre el tema "Teletubbies (fictitious characters), fiction"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2025

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Artículos de revistas sobre el tema "Teletubbies (fictitious characters), fiction"

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Dr., Prakash Eknath Navgire. "A STUDY OF POSTMODERN NARRATIVE TECHNIQUE IN GITA MEHTA'S 'RAJ'." Educreator Research Journal ISSN: P-2455-0515 E- 2394-8450 www.aarhat.com/erj VIII, no. VI (2021): 23–31. https://doi.org/10.5281/zenodo.5931812.

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<strong>Abstract:</strong> <em>Gita Mehta is postmodern historical writer; she intentionally intermingles the history in her fiction. The presentation of history and the political ideologies are presented through her novels. The development of the character and story happens around proper political and historical background. The historical incidents make changes or affects the life of characters in the fiction. This is one type of intermingling historical events in the fiction. The real historical characters and events are used with the fictitious character in the novel.&nbsp; The facts are fi
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Dr., Prakash Eknath Navgire. "A STUDY OF POSTMODERN NARRATIVE TECHNIQUE IN GITA MEHTA'S 'RAJ'." Educreator Research Journal ISSN: P-2455-0515 E- 2394-8450 VIII, no. VI (2022): 23–31. https://doi.org/10.5281/zenodo.6016928.

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<em>Gita Mehta is postmodern historical writer; she intentionally intermingles the history in her fiction. The presentation of history and the political ideologies are presented through her novels. The development of the character and story happens around proper political and historical background. The historical incidents make changes or affects the life of characters in the fiction. This is one type of intermingling historical events in the fiction. The real historical characters and events are used with the fictitious character in the novel.&nbsp; The facts are fictionalised in her work. Th
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3

Salmón, Nathan. "Fictitious Existence versus Nonexistence." Grazer Philosophische Studien 100, no. 4 (2024): 574–85. https://doi.org/10.1163/18756735-00000210.

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Abstract A correct observation to the effect that a does not exist, where ‘a’ is a singular term, could be true on any of a variety of grounds. Typically, a true, singular negative existential is true on the unproblematic ground that the subject term ‘a’ designates something that does not presently exist. More interesting philosophically is a singular, negative existential statement in which the subject term ‘a’ designates nothing at all. Both of these contrast sharply with a singular, negative existential in which the subject term is a name from fiction. I argue that such singular, negative e
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Oktaviani, Danissa Dyah. "Konsep Fantasi dalam Film." REKAM 15, no. 2 (2019): 125–36. http://dx.doi.org/10.24821/rekam.v15i2.3356.

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Fantasy films were born from the development of fiction films that have shown existence since the beginning of its history. Fantasy films have their own charm because they can penetrate time and space compared to other genres. Fiction films develop from their creators both in terms of story and cinematography because fiction films are at the center of the poles: real and abstract. Its greatest strength lies in its ability to integrate and combine with other genres without exception and can be broadly developed unlimitedly. That is because fantasy films contain elements with different character
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Takahashi, Yuka, Toshiyuki Himichi, Ayumi Masuchi, Daisuke Nakanishi, and Yohsuke Ohtsubo. "Is reading fiction associated with a higher mind-reading ability? Two conceptual replication studies in Japan." PLOS ONE 18, no. 6 (2023): e0287542. http://dx.doi.org/10.1371/journal.pone.0287542.

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Previous studies have revealed that reading fiction is associated with dispositional empathy and theory-of-mind abilities. Earlier studies established a correlation between fiction reading habits and the two measures of social cognition: trait fantasy (i.e., the tendency to transpose oneself into fictitious characters) and performance on the Reading the Mind in the Eyes Test (RMET; a test of the ability to identify others’ mental states based on their eyes). Recently, experimental studies have shown that brief exposure to fiction enhances RMET performance. Nevertheless, these studies have been
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Pitt, Jonathan. "1945: Nineteen Forty-Five A Fictional Schooling Short Story Inquiry." Issues in Social Science 7, no. 2 (2019): 1. http://dx.doi.org/10.5296/iss.v7i2.14860.

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This is a work of inquiry study as fiction inspired by the works of Huxley’s Brave New World (published in 1932) and Orwell’s Nineteen Eighty-Four or 1984 (published in 1949) on the basis of what a dystopian schooled society could resemble in the next century. The year 1945 also marked the end of the last global-scale human conflict on planet earth. Names, characters, businesses, places, events, locales, and incidents are either the products of the author's imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
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Zahra, Kanwal, and Aisha Jadoon. "Under Western Eyes: A Critical Consideration of Fictitious Muslim Stereotyping in English Fiction." Global Social Sciences Review IV, no. III (2019): 441–50. http://dx.doi.org/10.31703/gssr.2019(iv-iii).55.

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English fiction pertaining to the British rule in India marked Indian Muslims intovisibility through the portrayal of their stable stereotypical identity, and since itspublication, A Passage to India has gained the status of authentic imagining of Muslims asconservative religious ‘Other’ of the West. As such, they are analyzing this text as an instance ofcolonial fixity necessitates the identification and consideration of those discursive strategies used bythe text for the projection of abrasive Muslim images. The focus of this paper is to critically approachA Passage to India through the appl
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Latham, Monica. "Thieving Facts and Reconstructing Katherine Mansfield’s Life in Janice Kulyk Keefer’s Thieves." European Journal of Life Writing 3 (October 14, 2014): 103–20. http://dx.doi.org/10.5463/ejlw.3.83.

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The aim of this article is to examine how the biographical material that Janice Kulyk Keefer “steals” from Mansfield’s life is used to re-create a “quasi-real” life in a novel which absorbs reality, digests it, and offers an oxymoronic, semi-fictitious product: a biofiction. Keefer selected biographèmes or kernels of truth on which her fictitious details and characters could be grafted: following Mansfield’s physical, emotional and intellectual trail was an imperative part of Keefer’s research plan, as essential as close reading of the modernist author’s letters and journals. Besides seamlessl
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Grigore, Rodica. "Guillermo Cabrera Infante and the Meanings of Literature." Theory in Action 15, no. 1 (2022): 79–88. http://dx.doi.org/10.3798/tia.1937-0237.2205.

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Unanimously considered one of the greatest Latin American writers of the entire 20th century, the Cuban Guillermo Cabrera Infante is also the author who, despite his tendency to ignore the pattern of traditional fiction, also succeeds in establishing a new type of connection to the great tradition of world literature, following the steps of Miguel de Cervantes and, up to a certain point, symbolically going back to the celebrated model of Don Quixote. Cabrera Infante’s masterpiece, Three Trapped Tigers (Tres tristes tigres, 1965) thus questions the place and meanings of literature itself in the
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Shchukina, Zhanna V. "THE ORGANIZATION SPECIFICS OF NARRATION ORGANIZATION IN V.V. EROFEEV’S POEM “MOSCOW - PETUSHKI”." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 10 (2024): 131–39. https://doi.org/10.28995/2686-7249-2024-10-131-139.

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This article analyzes the specifics of narrative organization in V. Erofeev’s poem “Moscow–Petushki”. Thus, in particular, it is proved that the peculiarities of narration in that very fiction text are conditioned by the abnormal state of consciousness of the narrator. Since we have proved that the abnormal can be realized in artistic works in two forms: as an abnormal narrative that presupposes an abnormal depicting consciousness and as a narrative of an abnormal state of consciousness that presupposes a conventionally “normal” narrator whose narrative object is an abnormal consciousness, the
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Libros sobre el tema "Teletubbies (fictitious characters), fiction"

1

Andrew, Davenport, ed. Teletubbies love to roll! Scholastic, Inc., 1999.

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2

Nicholson, Simon. Teletubbies bumper book. World International, 1998.

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3

ill, Youssi John, ed. Here come the Teletubbies. Scholastic, Inc., 1998.

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4

Andrew, Davenport, ed. Four happy Teletubbies. Scholastic, Inc., 1998.

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5

Andrew, Davenport, ed. Teletubbies. Scholastic, 1999.

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6

ill, Thompson Dana, and Thompson Del ill, eds. Teletubbies like to dance! Scholastic, Inc., 1998.

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7

Andrew, Davenport, ed. Teletubbies.: A sticker storybook. Scholastic, 1999.

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8

Andrew, Davenport, ed. Teletubbies Little Miss Muffet: A tubby nursery rhyme book! Scholastic, Inc., 2000.

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9

Davenport, Andrew. Tubby custard mess. Scholastic, Inc., 1998.

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10

Dana, Thompson, and Thompson Del, eds. Teletubbies like to dance! Scholastic, Inc., 1998.

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Capítulos de libros sobre el tema "Teletubbies (fictitious characters), fiction"

1

Rosenberg, Joseph Elkanah. "Vladimir Nabokov’s Identity Papers." In Wastepaper Modernism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198852445.003.0005.

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This chapter examines the disciplinary power of “identity papers,” such as passports and citizenship cards, in Nabokov’s fiction. The loss of such documents does more than alienate so many of Nabokov’s characters from their homelands: it estranges them from their very selves. To be without papers in Nabokov’s fiction is not just to be stateless, but to be without any identity at all. Passports and citizenship cards both reflect their holders and supplant them, becoming papery doubles that, in mirroring the self, take its place. In “fictitious biographies” like The Real Life of Sebastian Knight
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2

Brusberg-Kiermeier, Stefani. "On the Narrative and Moral Functions of Fictitious Portraits in E.A. Poe’s “The Oval Portrait”, M.E. Braddon’s Lady Audley’s Secret, and Oscar Wilde’s The Picture of Dorian Gray." In Literature as an Art Form - Evolving Literary Landscape [Working Title]. IntechOpen, 2025. https://doi.org/10.5772/intechopen.1009288.

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This chapter investigates the functions of portraits in narrative texts and argues that their use helps authors to comment on their characters and that portraits can play an important role for whole plots. The relations between painting and writing are complex and multidirectional and involve questions of style, genre and realism. In reference to A.S. Byatt’s essay Portraits in Fiction, this contribution suggests that a differentiation between “literary portraits”, “portraits in literature” and “fictitious portraits” will prove helpful for future discussions of the interrelations between art a
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