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Tesis sobre el tema "Televisión y literatura"

Autor: Grafiati

Publicado: 28 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Alarcón, Sánchez Silvana Jacqueline. "Matar para (sobre)vivir : construcción dramática de los universos de violencia instrumental en las series "Dexter" y "Breaking Bad", una mirada desde la escritura del guión televisivo." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/12775.

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Este trabajo se centra en analizar el proceso de construcción dramática, desde la creación del guión televisivo, de los universos de violencia instrumental en Dexter y Breaking Bad. Dichas series son hitos para la renovación de la escritura dramática en televisión, ya que la creación de mencionado universo permite repensar las formas de representación de los villanos desde un nuevo enfoque moral, a través de una compleja narrativa violenta. La investigación será abordada desde un enfoque comunicacional y centrará su estudio en la construcción del mensaje, principalmente, y en la interven

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2

Gómez, Salazar Mariana Patricia. ""Conocer es comunicar" : recursos comunicacionales para apreciar la literatura desde la escuela." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2016. http://tesis.pucp.edu.pe/repositorio/handle/123456789/6938.

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La presente investigación tiene como objetivo principal analizar el potencial de dos recursos de comunicación, el programa radial “Mi Novela Favorita” y el programa televisivo “Historias de Papel”, para ser recursos idóneos para complementar y reforzar la dinámica educomunicacional (entiéndase como el proceso de aprendizaje y comunicación en el aula que tiene como fin el conocimiento) orientada a la enseñanza de literatura universal así como el disfrute de esta para niñas, niños y adolescentes, contribuyendo al logro de los propósitos del Plan Lector en la escuela pública peruana. El es

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3

González-Gosálbez, Rafael. "Actores españoles en primera persona: el oficio de cómico en sus testimonios." Doctoral thesis, Universidad de Alicante, 2015. http://hdl.handle.net/10045/54170.

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El testimonio de los actores, presente en autobiografías y memorias, en biografías de las que fueron partícipes, en entrevistas, espacios audiovisuales y otro tipo de documentos, constituye un instrumento de gran valor para conocer de primera mano cómo desempeñaron su oficio y otras cuestiones de interés relacionadas con la historia teatral y la historia cinematográfica de la España contemporánea. Esta tesis doctoral se ha centrado en el desarrollo del oficio actoral a partir de los argumentos de veinte intérpretes que sobresalieron en la profesión a partir de 1939, alcanzando los más en activ

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4

Souza, Maria Isabel Amphilo Rodrigues de. "O AUTO DA COMPADECIDA: DA CULTURA POPULAR À CULTURA DE MASSA: UMA ANÁLISE A PARTIR DA FOLKMÍDIA." Universidade Metodista de São Paulo, 2003. http://tede.metodista.br/jspui/handle/tede/813.

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Made available in DSpace on 2016-08-03T12:30:40Z (GMT). No. of bitstreams: 1 Maria Isabel Amphilo Rodrigues de Souza.pdf: 840615 bytes, checksum: d8d53fc4286e16f3ce24a166e8bc884e (MD5) Previous issue date: 2003-02-18<br>El presente trabajo consiste en una analisis sistemática de la obra de Ariano Suassuna Auto da Compadecida , escrita en 1955, y sus transcodificacioes para la televisión y cine. En esta pesquisa procuramos presentar la apropriación de la cultura popular por la cultura de masas en un processo folkmediático, donde Guel Arraes realizo la adaptación mas elogiada por la crítica,

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5

Ma, Eric Kit-Wai. "Television ideologies and cultural identities : the case of Hong Kong television." Thesis, Goldsmiths College (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294793.

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6

Kroener, Oliver. "Engaging television characters : a cognitive approach to contemporary television." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30875/.

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To what degree is the viewer’s engagement with a television character triggered by the distinct narrative context of a programme? As with other types of storytelling (e.g. film, literature), engaging with a television character is an integral part of the overall experience of watching television. More specifically, television characters provide an emotional focal point for the audience. They invite us to imagine ourselves in their situation, challenge our sense of morality, and encourage us to consider how we would react if we were to encounter them in our everyday life. Whereas in the past re

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7

Mullin, Romano Francis. "Reimagining the Renaissance : afterlives in literature, film and television." Thesis, Queen's University Belfast, 2017. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.728197.

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8

Dela-Silva, Silmara Cristina [UNESP]. "A realidade-ficção do discurso televisivo." Universidade Estadual Paulista (UNESP), 2004. http://hdl.handle.net/11449/86583.

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Made available in DSpace on 2014-06-11T19:22:20Z (GMT). No. of bitstreams: 0 Previous issue date: 2004-07-12Bitstream added on 2014-06-13T20:48:45Z : No. of bitstreams: 1 delasilva_sc_me_sjrp.pdf: 318962 bytes, checksum: 859aee9c6ff0710e1441a9de4debb380 (MD5)<br>O objetivo deste trabalho é realizar, com base na teoria e nos métodos adotados pela escola francesa da Análise do Discurso, uma análise de discursos que compõem mesmos trajetos temáticos, formulados em telejornais e telenovelas, programas que têm como proposta apresentar, respectivamente, o factual e a ficção na televisão. Como obje

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9

Lecomte, Monia Rolande Marie. "L'Europeanisation de la television Francaise." Thesis, University of Bath, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268193.

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10

Dela-Silva, Silmara Cristina. "A realidade-ficção do discurso televisivo /." São José do Rio Preto : [s.n.], 2004. http://hdl.handle.net/11449/86583.

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Orientador: José Horta Nunes<br>Banca: Mónica Graciela Zoppi-Fontana<br>Banca: Suzy Lagazzi<br>Resumo: O objetivo deste trabalho é realizar, com base na teoria e nos métodos adotados pela escola francesa da Análise do Discurso, uma análise de discursos que compõem mesmos trajetos temáticos, formulados em telejornais e telenovelas, programas que têm como proposta apresentar, respectivamente, o factual e a ficção na televisão. Como objetos de análise, foram selecionados a telenovela O Clone, de Glória Perez (transmitida entre os meses de outubro de 2001 e junho de 2002, no horário das 20 horas,

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11

Keirstead, Phillip O. "Changing television news : a comparative historical study of the automation of British and American television newsrooms." Thesis, City University London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307870.

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12

Kreuz, Jill. "Shakespeare on South African television." Master's thesis, University of Cape Town, 1992. http://hdl.handle.net/11427/21692.

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This study undertakes the analysis of the eight productions of Shakespeare that were produced for television by the South African Broadcasting Corporation (SABC) between 1977 and 1988. The plays that were selected for production are Much Ado About Nothing (1977) Macbeth (1980) Twelfth Night (1981), A Midsummer Night's Dream (1982), Hamlet (1983), and The Merchant of Venice (1987). The SABC has also televised two stage productions by performing arts councils; these are Romeo en Juliet (1982) and The Winter's Tale (1988). The approach I have taken is a cultural materialist one. The television pr

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13

West, Sarah. "Say It: The Performative Voice in the Dramatic Works of Samuel Beckett." Doctoral thesis, Universitat Pompeu Fabra, 2008. http://hdl.handle.net/10803/7483.

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La investigación se centra en la 'performative voice' en la obra dramática de Beckett. El término 'performative' es usado para abarcar: (a) la 'intencionalidad' de las voces, la voluntad que las lleva a expresarse, y (b) la 'materialidad' de estas voces, como suenan en realidad. Se incluyen en el análisis tanto el discurso dramático como los aspectos técnicos relativos al sonido.<br/>El estudio de la 'performative voice' abarca las siguientes áreas:<br/>·La génesis de la 'performative voice' en las primeras obras de ficción de Beckett. <br/>·La manera en que la voz es tratada en medios distin

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14

Giaccardi, Chiara. "Advertising on television : a comparative sociosemiological analysis." Thesis, University of Kent, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303325.

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15

Alves, Stefanie Hesse. "A vida como ela é : Nelson Rodrigues no palimpsesto televisivo." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284598.

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Orientador: Gilberto Alexandre Sobrinho<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-21T07:34:39Z (GMT). No. of bitstreams: 1 Alves_StefanieHesse_M.pdf: 1981641 bytes, checksum: dac84046436f38b8c4b1f63ef6400538 (MD5) Previous issue date: 2012<br>Resumo: Este estudo busca compreender o processo de adaptação de textos de Nelson Rodrigues para a televisão, por meio da análise dos episódios da série A Vida como ela é, dirigida por Daniel Filho, roteirizada por Euclydes Marinho, a partir de textos extraídos da coluna homô

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16

Kurz, Lindsey H. "The Queer "Third Species": Tragicomedy in Contemporary LGBTQ American Literature and Television." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1525170405649783.

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17

Wang, Yi. "From revolutionary culture to popular culture: Chinese literature and television 1987-1991." Thesis, Wang, Yi (1996) From revolutionary culture to popular culture: Chinese literature and television 1987-1991. PhD thesis, Murdoch University, 1996. https://researchrepository.murdoch.edu.au/id/eprint/50714/.

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For over forty years since 1949, the People's Republic of China adapted to a unified and homogeneous "revolutionary cultural" identity that was deeply inscribed with communism and socialist ideals, which was located in a fixed relationship to the culture of the past and the culture of the West. The emergence of an elite culture in the 1980s and then a popular culture in the 1990s were significant historical breakthroughs. It not only highlighted the changes in the co-existence of different cultural domains but also, more significantly, provided sites for new discourses of elite culture and pop

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18

Jacobs, Jason. "Early British television drama : aesthetics, style and technology." Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296562.

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19

McNair, Brian. "Television news coverage of defence and disarmament issues." Thesis, University of Glasgow, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333600.

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20

Carrie, Douglas George. "Patterns of audience appreciation ratings for television programmes." Thesis, London Business School (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266082.

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21

Adamou, Christina. "Screening the unrepresentable : Samuel Beckett's plays for television." Thesis, University of Reading, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288772.

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22

Felix, José Carlos. "Film and television adaptation." Florianópolis, SC, 2004. http://repositorio.ufsc.br/xmlui/handle/123456789/87828.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente<br>Made available in DSpace on 2012-10-22T02:29:14Z (GMT). No. of bitstreams: 0<br>A presente pesquisa tem como objetivo principal investigar o processo de adaptação de filmes baseados em textos literários em relação ao contexto histórico e social em que eles foram produzidos. Desta forma, a pesquisa apresenta uma análise comparativa de duas versões cinematográficas da peça do dramaturgo Tennessee Williams A Streetcar Named D

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23

Taylor, Paul Alan. "Theories of laughter and the production of television comedy." Thesis, University of Leicester, 1985. http://hdl.handle.net/2381/8433.

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In order to examine the context of entertainment (through studying the particular form of television situation comedy) it was felt necessary to review the literature referring to humour in general. Chapters 2, 3, and 4 look at contributions from the fields of psychology, philosophy, and sociology. Psychology has little to offer if an understanding of the mass media is sought; philosophy places man in society but concentrates on the individual perception of humour; ‘sociology’ confirms the useful concept of comedy as dealing with values and conventions. The audience may be asked to laugh at wha

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24

Creeber, Glen. "Between two worlds : the television plays of Dennis Potter." Thesis, University of East Anglia, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338060.

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25

Buckingham, David. "The development of television literacy : talk, text and context." Thesis, University College London (University of London), 1993. http://discovery.ucl.ac.uk/10019083/.

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This thesis seeks to contribute to a theory of 'television literacy' - that is, of the understandings and competencies children employ in interpreting and using the medium - which is both social and developmental. The main focus of the research is on the way s in which these competencies are mobilised and defined in small-group talk. The data are drawn from a series of interviews with a core sample of ninety children in three different age groups, aged between seven and twelve. The groups were varied in order to provide for systematic comparisons in terms of age, social class, gender and ethni

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26

Lavender, Andrew Mark. "Thatcher's thrillers : British television thriller serials of the 1980s." Thesis, Goldsmiths College (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.481497.

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27

Souza, Emiliano Daniel de. "Shakespeare, television, and painting." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/93787.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010<br>Made available in DSpace on 2012-10-25T03:24:44Z (GMT). No. of bitstreams: 0<br>Este estudo trata da adaptação de peças de William Shakespeare à televisão. Abrange, em especial, duas produções da BBC Shakespeare Series, a saber, Antony and Cleopatra (1981), dirigida por Jonathan Miller, e Cymbeline (1983), dirigida por Elijah Moshinsky. Ambas foram filmadas numa época em que a maioria dos produtores e

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28

Al-Kheraiji, Fahad Abdulaziz. "The culture of television advertising : an historical and empirical analysis of the content of television commercials and of the Saudi viewers' responses to advertising." Thesis, University of Leicester, 1992. http://hdl.handle.net/2381/34829.

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This exploratory study is to fill in some of the gaps in the current state of knowledge about the cultural exports of Multinational Corporations and Multinational Advertising Agencies. Another primary purpose of this research has been to investigate the nature of the relationship between advertising culture and Saudi television audiences and how this is reflected in both the content of television commercial and audience responses'. This study provides, firstly, a link between the past and present history of advertising in Saudi Arabia; secondly, it follows the detailed development of televisio

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29

Oduko, Olusegun A. "Television drama in a developing society : the case of Nigeria." Thesis, University of Leicester, 1985. http://hdl.handle.net/2381/34604.

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30

Collins, Richard. "Culture, communication and national identity : the case of Canadian television." Thesis, University of Strathclyde, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314576.

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31

Bignell, Jonathan. "The moving image : narrative construction in film and television fiction." Thesis, University of Sussex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303240.

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32

Chen, Jie. "Chinese television broadcasting in transition : between the Party and the market." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262181.

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33

Vasconcellos, Ellen Maria Martins de. "Entre (ou além) (d)o real e a ficção: a televisão em Realidad, de Sergio Bizzio e Bajo este sol tremendo, de Carlos Busqued." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-05042017-090640/.

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Esta dissertação de mestrado apresenta como corpus de análise as obras publicadas em 2009, Realidad, de Sergio Bizzio, e Bajo este sol tremendo, de Carlos Busqued, ambos autores argentinos. O objetivo é fazer uma leitura crítica de como a televisão e determinados formatos televisivos (o reality show e o documentário) possuem sua estrutura e argumento apropriados por essas narrativas literárias. Nelas, arquivos de imagens se armam e se desmontam, se abrem e se articulam, entre fotografias militares oficiais e confissões banais espetacularizadas, implicando, no trabalho do narrador, um posiciona

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34

Han, Heeju. "Galdosian novels adapted in film and television 1970-1998 /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3264320.

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Thesis (Ph.D.)--Indiana University, Dept. of Spanish and Portuguese, 2007.<br>Source: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 1958. Adviser: Maryellen Bieder. "Title from dissertation home page (viewed Jan. 12, 2008)."

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35

Eberts, Jane F. "Adaptation: Is the Book Really Better Than the...Television Series?" Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/105.

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When the topic of ‘adaptation’ is brought up, more often than not the coupling of a novel and its most recent Hollywood hit come to mind. Although it may not be at the forefront of the general population’s mind, adaptation is something that we encounter often, and consciously or not, we all have our own theory on the subject. While it may seem that the evolution of book series, to film adaptation, to booming franchise may be recently trending with the acceleration of blockbusters such as Harry Potter, adaptation has been a fundamental part of the advancement of media. This paper looks at film

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36

Fanthome, Christine Anne. "Channel 5, 1987-2001 : an institutional analysis of Britain's fifth television channel." Thesis, University College London (University of London), 2002. http://discovery.ucl.ac.uk/10020382/.

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37

Huang, Yu. "Media reform and democratization in post-Mao China : a television case study." Thesis, University of Westminster, 1993. https://westminsterresearch.westminster.ac.uk/item/94qv7/media-reform-and-democratization-in-post-mao-china-a-television-case-study.

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Social reform movements in the communist state are a simultaneous, dialectical Process of the revival of socioeconomic dynamism on the one hand, and the abandonment of Party-state praxes on the other. As a result, the Party-controlled media system is bound to proceed to organic transformation. However, by using the medium of television as a key example, this thesis seeks to demonstrate that, under the conditions of Deng Xiaoping's particular and contradictory reform programme and in the context of Chinese society, Chinese mass media have created their own pattern of media transition that is un

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38

Mielke, Christine. "Zyklisch-serielle Narration : erzähltes Erzählen von 1001 Nacht bis zur TV-Serie /." Berlin [u.a.] : Gruyter, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2774827&prov=M&dokv̲ar=1&doke̲xt=htm.

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39

Oxoby, Marc C. "American literary fiction in a televisual age /." abstract and full text PDF (free order & download UNR users only), 2005. http://0-wwwlib.umi.com.innopac.library.unr.edu/dissertations/fullcit/3209131.

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Thesis (Ph. D.)--University of Nevada, Reno, 2005.<br>"August, 2005." Includes bibliographical references (leaves 217-227). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.

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40

Koai, Kuang-Wu. "Television regulation in Taiwan, 1962-1995 : state control, media autonomy and regime transition." Thesis, London School of Economics and Political Science (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244801.

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41

Burnett, Susan E. "A thin blue line : tracing the emergence of the BBC television police series." Thesis, University of East Anglia, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297479.

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42

Lorenzo-Dus, Nuria. "The discursive co-construction of participants' identities in the television talk show Kilroy." Thesis, Cardiff University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269492.

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43

Barker, Christopher John. "The culture industry in contemporary Britain : the possibility of political drama in television." Thesis, University of Leeds, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.280873.

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44

Murrell, Rachel Kerys. "Constructing science for the camera : science and technology programmes on British popular television." Thesis, University of Sussex, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317258.

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45

Vogler, Bianca do Rocio. "AFONSO DA MAIA, DA LITERATURA À TELEVISÃO: O processo de transposição do patriarca Maia do romance eciano para a minissérie global." UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2014. http://tede2.uepg.br/jspui/handle/prefix/467.

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Made available in DSpace on 2017-07-21T14:54:09Z (GMT). No. of bitstreams: 1 Bianca do Rocio Vogler.pdf: 886094 bytes, checksum: db3486c650f01f42b65fc8ee31927a18 (MD5) Previous issue date: 2014-09-26<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>In this dissertation, I analyze how the character Afonso da Maia is built in the novel The Maias, by Eca de Queiroz, and in the eponymous miniseries, originally broadcast in Brazil by Globo TV in 2001, having the playwright Maria Adelaide Amaral as a screenwriter, Luiz Fernando Carvalho as a director and the actor Walmor Chagas as

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46

Ding, Grace T. "The Circuit: An Original Television Series." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/881.

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Between good and evil there's a whole lot of gray: Welcome to The Circuit. A shady private security firm recruits criminals straight out of prison and sells its services to the highest bidder, saint and sinner alike (mostly sinners). Through the trials and tribulations of a diverse ensemble cast, the show explores some of my absolute favorite themes in storytelling: gray morality, found families, and unlikely heroes. Follow our gritty and guarded lead Shaye as she struggles to tame a group of talented and contentious ex-cons under the shadow of her ambitious and manipulative father, all the wh

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47

Tsaliki, Liza. "The role of Greek television in the construction of national identity since broadcasting deregulation." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360590.

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48

Brunsdon, Charlotte Mary. "The feminist, the housewife and the soap opera : feminist television criticism and soap opera." Thesis, University of Birmingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396230.

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Bonner, Frances Jane. "Stories of what is to come : the future in film and television 1959-1989." Thesis, Open University, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304683.

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Ribeiro, Rondinele Aparecido. "De O Berço do Herói a Roque Santeiro : análise da transposição do herói para a teleficção /." Assis, 2019. http://hdl.handle.net/11449/190956.

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Orientador: Francisco Cláudio Alves Marques<br>Banca: Luciana Brito<br>Banca: Gabriela Kvacek Bettella<br>Resumo: No cenário contemporâneo, marcado pela mobilidade, as relações entre literatura e audiovisual ocupam grande importância no ideário da sociedade como destaca Ivete Walty (2011). Podemos afirmar que esse vínculo entre o audiovisual e o literário se notabiliza por um laço profícuo, que, recentemente, adentrou o meio acadêmico sob novas perspectivas por eliminar o arraigado binarismo constitutivo das hierarquizações empregadas para se referir a esse processo. Destaca-se, nesse contexto

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