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Artículos de revistas sobre el tema "The Baptist hymn book"

Autor: Grafiati

Publicado: 25 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Gray, Judith. "Benjamin Lloyd’s Hymn Book: A Primitive Baptist Song Tradition." Journal of American Folklore 116, no. 459 (2003): 117–18. http://dx.doi.org/10.2307/4137946.

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2

Gray, Judith. "Benjamin Lloyd's Hymn Book: A Primitive Baptist Song Tradition (review)." Journal of American Folklore 116, no. 459 (2003): 117–18. http://dx.doi.org/10.1353/jaf.2003.0009.

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3

ABUMERE, Yetunde Olushola. "PREPOSITIONS AS DEICTIC MARKERS IN SELECTED ENGLISH HYMNS." Beyond Babel: BU Journal of Language, Literature and Humanities 9, no. 1 (2025): 255–67. https://doi.org/10.5281/zenodo.15453439.

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This study examines the deployment of prepositions in selected English hymns from the 17<sup>th</sup> and 18<sup>th</sup> Centuries. Despite extensive research on prepositions in language pedagogy and contrastive linguistics, their role in hymns remains underexplored. This knowledge gap serves as the motivation for this study. It focuses on the functional role of prepositions in hymns. Hymns play a vital role in Christian worship, conveying fundamental truths about the Christian faith. Therefore, this study aims to identify and analyse prepositions embedded in five English hymns, examining the

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4

Guenther, Alan M. "Ghazals, Bhajans and Hymns: Hindustani Christian Music in Nineteenth-Century North India." Studies in World Christianity 25, no. 2 (2019): 145–65. http://dx.doi.org/10.3366/swc.2019.0254.

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When American missionaries from the Methodist Episcopal Church arrived in India in the middle of the nineteenth century, they very soon published hymn-books to aid the Christian church in worship. But these publications were not solely the product of American Methodists nor simply the collection of foreign songs and music translated into Urdu. Rather, successive editions demonstrate the increasing participation of both foreigners and Indians, of missionaries from various denominations, of both men and women, and of even those not yet baptised as Christians. The tunes and poetry included were i

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5

Thodberg, Christian. "Grundtvig og Gammel Testamente - den danske Bibel eller Septuaginta." Grundtvig-Studier 49, no. 1 (1998): 61–80. http://dx.doi.org/10.7146/grs.v49i1.16268.

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Grundtvig and the Old Testament - the Danish Bible or the SeptuagintBy Christian ThodbergThe article begins with an account of Grundtvig’s attitude to the Old Testament (OT). Gmndtvig does not have to presuppose the New Testament when dealing with OT, but can read it freely: it is the same God that acts in both books of the Bible, though in different ways, according to how he leads and maintains his people. The same freedom finds expression in Gmndtvig’s sermons where he moves about effortlessly in the whole of the Biblical universe.Some of these sermons are dominated by a solemn, Old Testamen

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6

Haque, Amber. "Unveiling Islam." American Journal of Islam and Society 20, no. 3-4 (2003): 213–15. http://dx.doi.org/10.35632/ajis.v20i3-4.1846.

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Many books have been written on Muslims and Islam since 9/1 I. Amajority of them have tried to show Islam's negative side in an attempt toprove that Islam teaches violence and that Muslims love to engage injihad to become martyrs. Such contentions are generally made by antiMusliminterest groups, certain religious organizations, and politiciansunder the influence of such extremists. These people stir up anti-Muslimsentiments to influence public opinion and bend government policies infavor of such groups. This book is a similar attempt to gain popularity forthe authors and arouse anti-Muslim sen

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7

Petkūnas, Darius. "The 1775 Agenda of Gottfried Ostermeyer: The Last Specifically Lutheran Lithuanian Liturgical Book in the Prussian Kingdom." Senoji Lietuvos literatūra 41 (June 27, 2016): 115–34. https://doi.org/10.51554/sll.2016.28949.

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Up to 1730 Prussian Lithuanian Lutheran pastors used manuscript agendas or liturgical texts published in hymnals and catechisms. These texts were translated from the German-language Prussian agendas printed in 1544, 1558, and 1568. In 1549 Martynas Mažvydas (Martin Moswidius) published his first rhythmic setting of the Ambrosian hymn ‘Te Deum laudamus’, and in 1559 he published the form for Holy Baptism, Forma Chrikstima. The most important of his liturgical works was the two-volume hymnal Gesmes Chriksczoniskas (Christian Hymns) which appeared in 1566 and 1570. Both volumes were published by

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8

Serebryakov, Nikolay. "“Now the voice of Isaiah the prophet…”: on the unusual attribution of Old Testament prophecy in Ancient Church hymnography." St. Tikhons' University Review 114 (August 30, 2024): 9–26. http://dx.doi.org/10.15382/sturi2024114.9-26.

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The article considers an unusual case of "incorrect" attribution of the words of the prophet Malachi to the prophet Isaiah on the example of two hymns of the service of the Nativity of St. John the Baptist (24 June), written by St. John of Damascus (7th – 8th centuries) and St. Kassia (9th century). According to the author, this attribution is due to the fact that the hymnographers did not directly use the text of the prophetic book, but quoted this prophecy in the transmission of Mark 1. 2. The form of the quoted Gospel text corresponded to the Alexandrian text-type of New Testament manuscrip

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9

Ibude, Isaac Osakpamwan. "The Praise of God’s People: A Hymnological and Theological Analysis of ‘Praise to the Lord the Almighty’." East African Journal of Traditions, Culture and Religion 5, no. 1 (2022): 98–103. http://dx.doi.org/10.37284/eajtcr.5.1.960.

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Congregational hymn singing in the praise of God has been a major aspect of liturgy among mission churches in Nigeria since the early nineteenth century. Over time there has been a consistent decline and or neglect in congregational hymn singing among Christian denominations. This paper is a hymnological as well as a theological interpretation and analysis of the hymn ‘Praise to the Lord the Almighty’ which aims at eliciting understanding and fostering congregational hymn singing in Faith Baptist Church Port Harcourt, Rivers State. A historical survey of the life of the author, hymn background

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10

Purnomo, Agus Dody, Agustinus Nur Arief Hapsoro, Angel Brielle Yap, and Chelsea Angelica Kahagi. "Himne sebagai Inspirasi Konsep Redesain Gereja Baptis Efrata di Bandung." Journal of Architecture and Human Experience 1, no. 2 (2023): 175–84. http://dx.doi.org/10.59810/archimane.v1i2.23.

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The Efrata Baptist Church in Bandung was established in 1967 planning renovations to increase the congregation's capacity. Building renovations put more emphasis on optimizing the existing buildings. For this reason, it is necessary to redesign, among others: seating capacity, interior atmosphere, baptismal pool, and building facades. The design objective is to prepare a church design that is functional and has a narrative of Christian values. The method uses a design method with a semiotic approach. The design stage starts from data collection, data analysis stage, synthesis stage to the appl

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11

Hall, Catherine. "A Jamaica of the Mind: Gender, Colonialism, and the Missionary Venture." Studies in Church History 34 (1998): 361–90. http://dx.doi.org/10.1017/s0424208400013759.

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Mary Ann Middleditch, a young woman of twenty in 1833, living in Wellingborough in Northamptonshire and working in a school, confided in her letters her passionate feelings about Jamaica and the emancipation of slaves. The daughter of a Baptist minister, she had grown up in the culture of dissent and antislavery and felt deeply identified with the slaves whose stories had become part of the books she read, the sermons she heard, the hymns she sang, the poems she quoted, and the missionary meetings she attended. In 1833, at the height of the antislavery agitation, Mary Ann followed the progress

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12

Davison, Jeff. "The Lost Hymn Book." Expository Times 96, no. 12 (1985): 364. http://dx.doi.org/10.1177/001452468509601206.

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13

Harting-Corrêa, Alice L. "Make a Merry Noise! A Ninth-century Teacher Looks at Hymns." Studies in Church History 28 (1992): 79–86. http://dx.doi.org/10.1017/s0424208400012389.

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Forty years after Charlemagne’s imperial coronation, Walahfrid Strabo, thirty-three-year-old abbot of the monastery of Reichenau, wrote a history of mid-ninth-century Frankish liturgy: Libellas de exordiis et incrementis quarundam in observationibus ecclesiasticis rerum—A Little Book about the Origins and Development of Certain Aspects of the Liturgy. It was the first account of liturgical development, and the topics ranged widely over thirty-two chapters, from bells to baptism, language to litany. Most of the subjects were in a state of change or expansion. Where there was controversy—for exa

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14

Davie, Donald. "Baroque in the Hymn-book." Studies in Church History 28 (1992): 329–42. http://dx.doi.org/10.1017/s0424208400012535.

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‘Baroque’ is a word that has never yet been thoroughly acclimatized among us. To most English-speakers, I think, the word still smacks of something pretentious and affected—if not, indeed, of special pleading. At best it denotes a category that we may learn about and agree to trust so long as we are dutiful tourists in Italy or perhaps Poland, which we can thankfully discard when we get back to native soil.

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15

Dunstan, Alan. "Book Review: The English Hymn." Theology 101, no. 800 (1998): 151–52. http://dx.doi.org/10.1177/0040571x9810100234.

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16

Triškaitė, Birutė. "Jono Berento giesmyno Is naujo perweizdėtos ir pagerintos Giesmu-Knygos ir maldyno Maldu-Knygelos antrasis leidimas (1735): nežinotas egzempliorius Prahoje." Archivum Lithuanicum, no. 22 (December 3, 2020): 33–82. http://dx.doi.org/10.33918/26692449-22002.

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T he second edition of J ohann B ehrendt ’ s hymn book ISZ naujo pérweizd ėtos ir pagérintos Giesm û-Knygos AND PRAYER BOOK Maldû-Knygélos (1735): an unknown copy in Prague The article presents a 1735 Lithuanian publication from Königsberg (Lith. Karaliaučius) which was believed to not have survived—the hymn book for Prussian Lithuania’s Evangelical Lutherans Iß naujo pérweizdėtos ir pagérintos Giesmû-Knygos (Reviewed and Improved Hymn-book) and the prayer book Maldû-Knygélos (Prayer-book). The only known copy of the second edition of the hymn book and the prayer book was discovered in the Nat

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17

Høirup, Henning. "Nekrolog over Uffe Hansen." Grundtvig-Studier 46, no. 1 (1995): 18–25. http://dx.doi.org/10.7146/grs.v46i1.16174.

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Uffe Hansen 14.12. 1894 - 11.9. 1994By Henning HøirupThe obituary begins with a description of Uffe Hansen’s background as an Independent Congregation clergyman (from 1925) to the Grundtvigian Independent Congregation (Danish valgmenighed, i.e. a congregation within the National Church, claiming the right to employ their own minister) of Ubberup, where the prominent clergymen V.J.Hoff and Carl Koch were his predecessors. Carl Koch’s extensive writings, theologically erudite, but .popular. in their language, and thus accessible to the layman, were to become the model for Uffe Hansen’s studies i

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18

Burns, Robert. "Book Reviews : John the Baptist." Expository Times 115, no. 3 (2003): 105–6. http://dx.doi.org/10.1177/001452460311500334.

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19

Houlden, Leslie. "Book Review: John the Baptist." Theology 101, no. 800 (1998): 144–45. http://dx.doi.org/10.1177/0040571x9810100227.

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20

Briggs, John. "Book Review: Radical Baptist Theology?" Expository Times 121, no. 9 (2010): 475–76. http://dx.doi.org/10.1177/00145246101210090710.

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21

Holm, Jette. "Salmen at sige Verden ret Farvel - belyst ved Grundtvigs samtidige prædikener." Grundtvig-Studier 48, no. 1 (1997): 148–84. http://dx.doi.org/10.7146/grs.v48i1.16249.

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The Hymn To Say the World a Right Farewell - in the Light of Grundtvig 's Contemporary SermonsBy Jette HolmGrundtvig wrote the hymn At sige verden ret farvel (To Say the World a Right Farewell) for himself.The first 5 stanzas and the final stanza were composed in Easter 1843 (2 drafts). Stanzas 6-8 were added around Advent 1844.In Easter 1843 Grundtvig felt immensely moved by the sound of His voice saying: I am the resurrection and the life: he that believeth in me, though he were dead, yet shall he live; And whosoeverr liveth and believeth in me shall never die (John 11). The sermon on Easter

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22

Kaye, Elaine. "Book Reviews : Baptist History Volume 4." Expository Times 112, no. 2 (2000): 64. http://dx.doi.org/10.1177/001452460011200226.

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23

Foster, Paul. "Book Review: Baptist Traditions and Q." Expository Times 117, no. 12 (2006): 525–26. http://dx.doi.org/10.1177/0014524606068984.

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24

Embatau, Lilis Kanuna, Muhammad Rapi, and Nensilianti Nensilianti. "INTERPRETASI GRAMATIKAL TEKS HYMNE MASSOMBA TEDONG DALAM SASTRA TORAJA: KAJIAN HERMENEUTIK SCHLEIERMACHER." Neologia: Jurnal Bahasa dan Sastra Indonesia 4, no. 2 (2023): 206. https://doi.org/10.59562/neologia.v4i2.52768.

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Text of the Hymn Massomba Tedong in Toraja Literature: Schleiermacher's Hermeneutic Study.This study aims to describe the meaning of the text of Massomba Tedong using Schleiermacher's hermeneutic study. This type of research is descriptive qualitative. The data in this study are words or phrases in an array or hymn stanza. The source of this research is the book Passomba Tedong by Moses Eppang, et al (1990). The results showed that Schleiermacher's hermeneutical theory with its two interpretations, namely grammatical interpretation and psychological interpretation of the text of the hymn Masso

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25

Petkūnas, Darius. "Liturgy as a Factor in the Preservation of the Lithuanian and Prussian Ethnic Identity in the Duchy of Prussia in the Sixteenth Century." Senoji Lietuvos literatūra 45 (June 25, 2018): 15–38. https://doi.org/10.51554/sll.2018.28815.

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The introduction of divine services in the language of the people was considered an important task in the Reformation. Implementation of this programme in Prussia began in 1524 when the bishop of Sambia ordered that henceforth baptisms should be conducted in German. The 1525 order of the Prussian church called for divine services in the language of the people and indicated specifically which parts of the service were to remain in Latin and which were to be in German.The German language was already an official language of the land but the Reformation now provided an opportunity for other ethnic

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26

Kosek, Pavel. "Die Interpunktion im Gesangbuch Jesličky Staré nové písničky von Fridrich Bridelius." Studia z Filologii Polskiej i Słowiańskiej 47 (September 25, 2015): 193–222. http://dx.doi.org/10.11649/sfps.2012.010.

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The punctuation of the hymn-book Jesličky. Staré nové písničky by Fridrich BrideliusThe article is focused on analysis of the punctuation of the Early Modern Czech printed hymn-book Jesličky. Staré nové písničky (1658), which was collected by Fridrich Bridelius. The analysis is concerned both with the punctuation inventory in the hymn-book and with the rules that influence their distribution. The development of Czech punctuation, which has been yet analyzed superficially, is characterized by the competition of two principles: grammatical principle that connects punctuation with the syntactic a

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27

Leonard, Bill J. "Book Review: The Southern Baptist Holy War." Review & Expositor 84, no. 3 (1987): 521–23. http://dx.doi.org/10.1177/003463738708400327.

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28

Morgan, Robert. "Book Reviews : Jesus and John the Baptist." Expository Times 109, no. 9 (1998): 277. http://dx.doi.org/10.1177/001452469810900908.

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29

Asamoah-Gyadu, J. Kwabena. "Singing of the Spirit: Wesleyan Hymnody, Methodist Pneumatology, and World Christianity." Wesley and Methodist Studies 16, no. 1 (2024): 1–28. http://dx.doi.org/10.5325/weslmethstud.16.1.0001.

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ABSTRACT ‘Methodism was born in song’, so says the opening sentence of the preface to the 1933 edition of the Methodist Hymn Book. That edition, inherited from the Wesleyan Missionary Society from the early nineteenth century, is still in use in many Methodist Churches of British descent in Africa. Using the West African country of Ghana as a case study, this article reflects on select ‘hymns of the Holy Spirit’ in the hymn book. Through these hymns of the Spirit, we capture some of the main theological underpinnings of Wesleyan pneumatology as understood within an African context in which Met

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30

Richardson, Paul A. "Book Review: The Hymn Texts of Fred Kaan." Review & Expositor 83, no. 4 (1986): 668–69. http://dx.doi.org/10.1177/003463738608300465.

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31

Guenther, Alan M. "The Globalization of Methodist Hymnody." Wesley and Methodist Studies 14, no. 2 (2022): 117–45. http://dx.doi.org/10.5325/weslmethstud.14.2.0117.

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ABSTRACT The growth of Methodism into a global movement after the Wesleys’ lifetimes resulted in a greater global awareness and participation in the Protestant missionary movement beginning with the establishment of the Wesleyan Methodist Missionary Society in 1818. Correspondingly, the supplements and changes introduced to John Wesley’s 1780 hymn book and the production of new hymn books by seceding Wesleyan groups show an increase in songs devoted to the theme of missions. These hymn books demonstrate a shift in theology from a focus on intercession and millennial expectations to exhortation

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32

Lelli, Duccio. "Paippalādasaṃhitā 19.20.15–17. Against Wrinkles". Indo-Iranian Journal 61, № 3 (2018): 203–17. http://dx.doi.org/10.1163/15728536-06103004.

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Abstract This article presents a critical edition, translation and commentary of a tr̥ca found in book 19 of the Paippalādasaṃhitā of the Atharvaveda. The hymn, which consists in a spell against wrinkles, pronounced by a woman who tries to ward off the signs of aging with the help of the goddess Indrāṇī, is remarkable both in term of content and from a linguistic point of view: it is the only hymn directed against wrinkles in the Vedic corpus and the role of the goddess Indrāṇī in the ritual confirms and broadens her sphere of influence related to female charm. Besides providing the earliest a

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33

Mareano, Marcus Aurélio Alves. "THE TIME FOR THE WEDDING OF THE LAMB HAS COME. THE RECAPITULATION OF DIVINE JUSTICE IN THE HYMNS ACCORDING TO REV 19:1-8." Perspectiva Teológica 54, no. 3 (2022): 719. http://dx.doi.org/10.20911/21768757v54n3p719/2022.

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ABSTRACT: In the central part of the Book of Revelation (4:1−22:9), there is a group of hymns (4:8-11; 5:9-14; 7:10-12; 11:15-18; 12:10- 12; 15:3-4; 19:1-8) that synthetizes the theological drama of the book. The plot of this part presents a judgement in which God acts as a fair judge against the enemies. Thus, this paper presents a literary analysis of the narration conclusive hymn (19:1-8). The chosen text sings God’s salvation and invites everyone to praise (19:5), because of God’s reign (19:6) and the nuptials of the Lamb with his wife (19:7), the community of faith, dressed with the Saint

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34

Leonard, Bill J. "Book Review: Principles and Practices for Baptist Churches." Review & Expositor 83, no. 4 (1986): 657–58. http://dx.doi.org/10.1177/003463738608300452.

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35

Leonard, Bill J. "Book Review: The Southern Baptist Mission in Japan." Review & Expositor 89, no. 2 (1992): 295–96. http://dx.doi.org/10.1177/003463739208900228.

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36

Richardson, Paul A. "Book Review: Class and Idol in the English Hymn." Review & Expositor 87, no. 3 (1990): 532–33. http://dx.doi.org/10.1177/003463739008700360.

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37

Richardson, Paul A. "Book Review: Brethren Hymn Books and Hymnals, 1720–1884." Review & Expositor 87, no. 3 (1990): 533–34. http://dx.doi.org/10.1177/003463739008700361.

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38

Ashton, John. "The Transformation of Wisdom. A Study of the Prologue of John's Gospel." New Testament Studies 32, no. 2 (1986): 161–86. http://dx.doi.org/10.1017/s0028688500013047.

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There are two fundamental questions concerning the Prologue, one literary, the other historical. The literary question was raised by Bultmann in his seminal article for the Gunkel Festschrift of 1923:‘Wie weit ist von dem prāexistenten Logos die Rede, von wo ab von dem in der Geschichte auf-tretenden, d.h. von Jesus?’The commentators, remarks Bultmann, disxsxsagree on the answer to this question, and this disagreement has persisted. For Bultmann the main difficulty arises from the fact that although v. 14 offers the firstexplicitstatement of the Incarnation, the Christian reader cannot but tak

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39

Purba, Lola, and Winda Setiasari. "Translation Method of English Hymn Song into Indonesian Version in Kidung Jemaat." TRANSFORM : Journal of English Language Teaching and Learning 11, no. 4 (2023): 219. http://dx.doi.org/10.24114/tj.v11i4.44040.

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This study aimed to find out what, how, and why the translation methods became the most dominant in translating English Hymn song in kidung jemaat. This study used a descriptive qualitative approach. The data of this study were 22 songs lyrics by E.L.Pohan. The source of the data was taken from kidung jemaat Hymn song book. The result of this study showed that there are three types of methods used in translating English Hymn song lyrics in to Indonesian language. The most dominant used by the translator is the Adaptation method (68,18%). The adaptation method is the most dominantly used by the

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40

Peucker, Paul. "The Songs of the Sifting. Understanding the Role of Bridal Mysticism in Moravian Piety during the late 1740s." Journal of Moravian History 3, no. 1 (2007): 51–87. http://dx.doi.org/10.2307/41179833.

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Abstract Moravian piety in the late 1740s was characterized by unusual religious language and practice. Moravians themselves soon called this period a time of "Sifting" and tried to eradicate most textual references to this era. A recently-discovered handwritten hymn book offers a source for the hymns sung by Moravians during the late 1740s. The author discusses the role of communal hymn singing in the common liturgical practice of 18th-century Moravians and places the songs in the context of the older religious tradition of bridal mysticism.

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41

Běhalová, Štěpánka. "The Journey of the Spiritual Song Pozdvihni se duše z prachu [Raise, Thou Soul, Thyself from the Dust] from a Printed Broadside to a Hymn Book." Acta Musei Nationalis Pragae – Historia litterarum 62, no. 1-2 (2017): 58–64. http://dx.doi.org/10.1515/amnpsc-2017-0007.

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The article deals with the publication of the song for the Holy Mass with the incipit Pozdvihni se duše z prachu [Raise, Thou Soul, Thyself from the Dust] in the 19th century. The author of the text of this song is the Premonstratensian Eugen Karel Tupy, also known under the pseudonym Boleslav Jablonsky. This song for the Holy Mass is included in the current unified hymn book in the section of the Ordinary and common chants of the Mass as number 517. In the 19th century, the song was published in several types of printed media. Its earliest extant edition is a broadside from 1845, which was fo

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42

Gouldbourne, Ruth. "Book Review: The European Baptist Federation, Crossing the Boundaries: A History of the European Baptist Federation." Expository Times 111, no. 3 (1999): 102. http://dx.doi.org/10.1177/001452469911100317.

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43

Weber, Timothy. "Book Review: III. Christian Life and Thought Studies: Baptist Successionism: A Crucial Question in Baptist History." Review & Expositor 92, no. 2 (1995): 248–49. http://dx.doi.org/10.1177/003463739509200219.

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44

Olson, Virgil A. "Book Review: A Missions People: The Southern Baptist Pilgrimage." Missiology: An International Review 19, no. 3 (1991): 350. http://dx.doi.org/10.1177/009182969101900309.

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45

Harmon, Steven R. "Book Review: Baptist Theology, written by Stephen R. Holmes." Ecclesiology 11, no. 1 (2015): 123–26. http://dx.doi.org/10.1163/17455316-01101013.

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46

Knowles, Tom. "Book Review: Hymn of Freedom: Celebrating and Living the Eucharist." Pacifica: Australasian Theological Studies 12, no. 2 (1999): 231–33. http://dx.doi.org/10.1177/1030570x9901200211.

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47

Richardson, Paul A. "Book Review: A Hymn Companion: Insight into 300 Christian Hymns." Review & Expositor 84, no. 2 (1987): 347. http://dx.doi.org/10.1177/003463738708400237.

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48

Richardson, Paul A. "Book Review: III. Ministry Studies: Hymn Notes for Church Bulletins." Review & Expositor 85, no. 3 (1988): 600–601. http://dx.doi.org/10.1177/003463738808500367.

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49

Verhoeven, Ursula. "Book Review: The Cannibal Hymn. A Cultural and Literary Study." Journal of Egyptian Archaeology 90, no. 1_suppl (2004): 17–20. http://dx.doi.org/10.1177/030751330409001s08.

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50

Villadsen, Holger. "Nikænum i dansk liturgisk tradition1." Dansk Teologisk Tidsskrift 71, no. 1 (2008): 1–27. http://dx.doi.org/10.7146/dtt.v71i1.112093.

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Resumen

This article examines the use of the Nicene Creed in the Church of Denmark from 1514 to 1992 when a new Service Book, Den Danske Alterbog, was authorized for use in the Evangelical LutheranChurch of Denmark. The Reformation replaced the Nicene Creed with a Danish hymn, but until 1640 the Latin Nicene Creed was sung in some cases. The Latin text was the same as in the medievalmissals and was printed 1573 in the Gradval edited by Niels Jesperssøn. From 1640 to the 19th century the creed was sung only in the hymnal form. In the 19th century the creed as a hymn graduallydisappeared. In 1949 the Da

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