Bibliografías temáticas / Theatre organ

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Literatura académica sobre el tema "Theatre organ"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Theatre organ"

1

Smith, Geoff, and David L. Junchen. "Encyclopedia of the American Theatre Organ. Volume 1." Notes 43, no. 4 (1987): 789. http://dx.doi.org/10.2307/898161.

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Owen, Barbara, and David L. Junchen. "Encyclopedia of the American Theatre Organ. Vol. 1." American Music 5, no. 3 (1987): 321. http://dx.doi.org/10.2307/3051742.

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Shenoy, Anitha. "Care of the brain dead organ donor." Indian Journal of Respiratory Care 05, no. 02 (2022): 705–12. http://dx.doi.org/10.5005/jp-journals-11010-05202.

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Organ donation is becoming more common but there is still a large gap between the number of people requiring transplants and the organs donated. There are set criteria for organ donation. When organ donation is considered after brain death, the physician must ensure that the prerequisites for testing are met and proceed to establish brain death using standard guidelines. The pathophysiological changes that occur after brain death must be borne in mind and utmost care should be given to counter those changes that would result in dysfunction of the donated organs. The brain dead patient must be
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4

Germay, Robert. "DO NASCIMENTO DA ASSOCIAÇÃO INTERNACIONAL DE TEATRO NA UNIVERSIDADE, OU QUANDO UMA NECESSIDADE DO TU CRIA O ÓRGÃO AITU." O Teatro Transcende 21, no. 1 (2016): 30. http://dx.doi.org/10.7867/2236-6644.2016v21n1p30-41.

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RESUMO Do nascimento da Associação Internacional de Teatro na Universidade, ou Quando uma necessidade do TU cria o órgão AITUDesde a criacão das primeiras universidades na Idade Média, a atividade teatral universitária esteve diretamente ligada às matérias ensinadas como um auxiliar do ensino, e essencialmente praticada intra muros. Após a 2a. guerra mundial (1945), o teatro universitário iria acentuar o fenômeno de sua abertura e de sua internacionalização. Rompendo os muros da universidade, o teatro conquistaria cada vez mais visibilidade, e inúmeros grupos universitários se veriam tentados
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Presseisen, Filip. "Organ accompaniment in silent films, part 1 – the process of cinematic art creation." Notes Muzyczny 2, no. 14 (2020): 59–72. http://dx.doi.org/10.5604/01.3001.0014.5748.

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The idea to write music for silent films, both in a form of written-down scores and composed live has experienced its renaissance for more than ten years. Thanks to a quite decent number of preserved theatre instruments and also due to the globalisation and wide data flow options connected with it, the knowledge and interest in Anglo-Saxon tradition of organ accompaniment in cinema were able to spread away from its place of origin. The article is the first part of four attempts to present the phenomenon of combination of the art of organ improvisation with cinematography and it was based on th
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Presseisen, Filip. "Organ accompaniment to silent films, part 3 – the activity of Robert Hope-Jones and its importance." Notes Muzyczny 2, no. 16 (2021): 87–100. http://dx.doi.org/10.5604/01.3001.0015.5491.

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The idea to write music for silent films, both in a form of written-down scores and composed live has experienced its renaissance for more than ten years. Thanks to a quite decent number of preserved theatre instruments and also due to the globalisation and wide data flow options connected with it, the knowledge and interest in Anglo-Saxon tradition of organ accompaniment in cinema were able to spread away from its place of origin. The article is the third part of four attempts to present the phenomenon of combination of the art of organ improvisation with cinematography and it was based on th
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7

Kent, Frederick James, and John W. Landon. "Behold the Mighty Wurlitzer: The History of the Theatre Pipe Organ." American Music 5, no. 2 (1987): 225. http://dx.doi.org/10.2307/3052173.

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Randall, Nathan A., and John W. Landon. "Behold the Mighty Wurlitzer: The History of the Theatre Pipe Organ." Notes 41, no. 4 (1985): 715. http://dx.doi.org/10.2307/940860.

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Hussain, Abid. "Brain Death: The Dilemma Continues." Anaesthesia, Pain & Intensive Care 28, no. 1 (2024): 1–4. http://dx.doi.org/10.35975/apic.v28i1.2386.

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Despite being introduced over half a century ago and having undergone multiple refinements, the debate surrounding brain death persists within the medical community. Acknowledging the premise that brain death is not synonymous with actual death[i] but rather a novel construct introduced to meet societal demands gives rise to a series of quandaries for Muslim physicians. If brain death is not acknowledged as death under Islamic law, the harvesting of organs from individuals declared brain dead would be construed as an act of homicide. Additionally, granting consent for "deceased" organ donation
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Kitchen, John. "The Organ Music of William Russell." Nineteenth-Century Music Review 12, no. 1 (2015): 9–25. http://dx.doi.org/10.1017/s1479409815000026.

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William Russell (1777–1813) came from a London family of organists and organ builders. He published two sets of voluntaries: in 1804 and 1812. As well as his liturgical duties at St Anne's Limehouse, and in the Foundling Hospital Chapel, Russell worked as pianist and composer at the Sadler's Wells Theatre; the influence of opera and theatrical music can be strongly felt in some of the voluntaries. He was also particularly interested in the development of the organ itself, and had ‘progressive’ ideas regarding early nineteenth-century organ design.Russell's music fascinatingly blends, or someti
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Tesis sobre el tema "Theatre organ"

1

Ismaili, Arziana, Malle Kaas, and Gertrud Ovesson. "Perioperativa sjuksköterskors upplevelser av att medverka vid en uttagsoperation." Thesis, Högskolan i Halmstad, Sektionen för hälsa och samhälle (HOS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-24372.

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I samband med att en organdonation ska genomföras görs en uttagsoperation, där organen tas från donatorn. Inför detta ingrepp vårdas patienten på intensivvårdsavdelningen och det finns god tillgång på forskningom hur personalen där upplever vårdandet av en tilltänkt donator. Däremot brister forskningen om hur den perioperativa personalen upplever sitt medverkande vid uttagsoperationen. Syftet med studien var att beskriva perioperativa sjuksköterskors upplevelser av att medverka vid en uttagsoperation från en avliden inför organdonation. Studien genomfördes som en kvalitativ deskriptiv studie o
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2

Santos, João Ricardo da Cunha. "Cia. Espaço em BRANCO = processos híbridos de criação." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284935.

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Orientador: Mário Alberto de Santana<br>Acompanha 2 DVD's com o seguinte conteúdo: DVD 1- Gravação do espetáculo teatral Teresa e o Aquário da Cia. Espaço em BRANCO POA - RS; DVD 2 - Documentação do processo de pesquisa: Fotos e Videos dos Casulos, Processo de Ensaios de Teresa e o Aquário, oficina Processos Híbridos de Criação e documentação dos espetaculos anteriores da Cia. Espaço em BRANCO: Extinção e ANDY/EDIE<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-17T10:38:10Z (GMT). No. of bitstreams: 1 Santos_JoaoRicardod
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Schreiner, Florian. "Laut, Ton, Stärke." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2010. http://dx.doi.org/10.18452/16126.

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Historisch wird die Arbeit von zwei Daten her begrenzt, von den ersten hör-physiologischen Experimenten seit 1850, und von den massenwirksamen akustischen Inszenierungen der 1930er Jahre in „real auditory perspective“. Die Arbeit beginnt in Kapitel I mit dem tragischen Fall des Regisseurs und langjährigen Psychiatrie-Patienten Antonin Artaud, der die Sprache zugunsten von Lauten, Gebärden und Schreien verlässt. Seine Experimente zum Theater geben zu einer ersten Korrektur von Bildlichkeit Anlass. In Kapitel II wird der Vorrang der Bildlichkeit grundsätzlich in Frage gestellt, die Differenz von
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Zatloukalová, Veronika. ""Hudební scéna" - koncertní sál pro město Brno." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-394032.

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The subject of this thesis is the design concept of the architectural study of a concert hall, namely the proposal for a "MUSIC SCENE" - the concert hall for the city of Brno. As part of this study is therefore designed a hall for 591 visitors. Hall enables performances to 90-member orchestra or choir. The solution is also operating and maintenance facilities necessary facilities like auditorium. The main emphasis was put on the acoustic solution, then the overall transparency in the operation of the building and the continuity of the building and the surrounding development mainly to the exis
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Csákayová, Nina. "Kruté zvuky." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-311198.

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The presented diploma work brings the theory of noise music with the main reason to clarify the pragmatics of its forming and effects. The base of the theory in construct ob the ideas of Antonin Artaud, their reflections and externalizations in the post-structuralist philosophical discourse and intermedial fine arts. Because of the topic, work also observes trends in artictic comunication trough the noise. The aim of work is to formulates the own theory of noise music trough the postulation of cruelty in the artistic speech with emphasis on the explanation of transgresive experience during the
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Ferreira, Ruben Miguel Faria. "O último Tarahumara." Master's thesis, 2021. http://hdl.handle.net/10362/131194.

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O presente relatório aborda o processo de criação da performance “O Último Tarahumara”, cuja estreia teve lugar no Fórum Grandela em maio de 2021. O resultado deste projeto performativo é marcado pela oposição ao “textocentrismo” e guiou-se por um conjunto de referências teóricas sobre a “declaração de guerra contra os órgãos”, por Antonin Artaud (1947), e pela prática do “corpo-sem-órgãos” de Deleuze e Guattari (1972). Também se moldou pelas intenções com que Artaud tencionava renovar o teatro ocidental europeu. Essas mesmas intenções já o tornavam o grande percursor da Arte da Performance, o
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Libros sobre el tema "Theatre organ"

1

Strony, Walter. The secrets of theatre organ registration. 2nd ed. W. Strony, 1991.

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Eddington, Jelani. The art of theatre organ arranging. RJE Productions, 2009.

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3

Sanderson, John. Frank Olsen: Theatre organ virtuoso : a memoir. Sanmar Marketing, 1985.

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John, Sanderson. Frank Olsen, theatre organ virtuoso: A memoir. Sanmar Marketing, 1985.

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Inkster, Donald. Union Cinemas Ritz: A story of theatre organs and movie variety shows. Wick Book Publishers, 1999.

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M, Hall Ben, ed. The best remaining seats: The golden age of the movie palace. Da Capo Press, 1988.

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7

Thiele, John. When the mighty Wurlitzer reigned in the Regent. J. D. Thiele, 2011.

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8

Schütz, Karl. Theater- und Kinoorgeln in Wien. Verlag der Österreichischen Akademie der Wissenschaften, 1991.

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9

Schamberger, Fiona Claire. Hermann Nitsch: Das Gesamtkunstwerk des Orgien Mysterien Theaters und seine Disziplinen = The Orgian Mysterian Theatre and its disciplines as a total art work. Museum moderner Kunst Kärnten, 2012.

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Turley, Fred. Mighty music at the movies: The cinema organ in Sheffield and the surrounding area. Sheaf Pub., 1990.

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Capítulos de libros sobre el tema "Theatre organ"

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Aston, Elaine. "From Orlan to Bernhardt: Recycling French Feminism, Theatre and Performance." In Contemporary French Theatre and Performance. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305663_11.

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Mitchell, James. "Other Types of Organ." In The Pipe Organ. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197645284.003.0006.

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Abstract This chapter talks about the most common variants of organ outside of the typical pipe organ: the chamber organ, harmonium, theatre organ, and the Hammond organ. Each instrument has a dedicated section explaining in depth their sound, notation, and value for composers, while musical examples are used where possible to provide starting points for further exploration. Most of these instruments are rarely discussed at the same time as regular pipe organs, so this chapter links together the various musical worlds these instruments inhabit, encouraging composers not only to explore these r
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Komlós, Katalin. "Clavier Instruments and Textures." In Fortepianos and their Music. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198164265.003.0004.

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Abstract In this manner we kept on a loquacious intercourse the whole day, during which, he not only played a great deal on the Harpsichord, Organ, Piano forte, and Clavichord; but shewed me the theatre, and all the curiosities of Ludwigsburg, as well as wrote down for me, a character of all the musicians of that court and city.1
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Mohi Ud Din, Mr Mudasir. "ADVANCEMENTS IN OPERATION THEATRE AND ANAESTHESIA: THE ROLE OF AI." In Artificial Intelligence and Emerging Technologies. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/nbennurch308.

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The field of medicine, particularly surgery and Anaesthesia, has witnessed remarkable advancements over the years. This article explores the evolution of the operation theatre and Anaesthesia, emphasizing the transformative impact of technology and Artificial Intelligence (AI) on these critical medical domains. In the realm of surgery, technological progress has led to the expansion of minimally invasive procedures, such as laparoscopic surgery and robotic-assisted surgeries. These innovations contribute to reduced patient discomfort, faster recovery, and improved precision. 3D printing techno
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Menchero, Juan, and Juan Menchero. "Habit, Suggestion, and Imitation in Fin-de-siècle Spanish Theater." In Daring Adaptations, Creative Failures and Experimental Performances in Iberian Theatre. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781802078015.003.0008.

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This chapter analyses changing attitudes towards actors and live performers in the context of emergence of organicism, and in relationship to one of its main tenets: the idea that form follows function, or that "function" makes the organ. Closely related to the process of nationalization, insofar as imitation of the right models was believed to help spread a common sentiment, this idea is also partly responsible for the persistent negative bias against the poorly paid, overworked actors of the teatro por horas. An important but frequently overlooked dimension of theatrical “degeneration” (“deg
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Woodson, Lee C. "Anaesthesia: preoperative management of patients with acute burns." In Burns (OSH Surgery). Oxford University Press, 2019. http://dx.doi.org/10.1093/med/9780199699537.003.0014.

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Major burn injuries affect every organ system and present challenges for every aspect of perioperative anaesthetic care. Although anaesthetists possess skills and experience that match the needs of these critically ill patients, perioperative decisions require consideration of unique pathophysiological changes associated with large burns along with knowledge of predictable technical challenges. Careful preoperative evaluation and preparation is critical. Initial care of patients with inhalation injury may involve management of difficult airways including bronchoscopic examination. Preoperative
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Collett, Guillaume. "Theatres of Terror and Cruelty: From Noise to the Voice." In The Psychoanalysis of Sense. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474409025.003.0003.

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While, for many, Deleuze’s philosophy is synonymous with his concept of the ‘body without organs’, and even though he first explicitly develops this concept in The Logic of Sense, a large part of the present book argues that it is rather the organ-ised body – here figuring specifically as incarnated structure, building explicitly on Leclaire – on which his onto-logic of sense hinges. Nonetheless, this body only emerges later on in the ‘dynamic genesis’, the psychoanalytic portion of The Logic of Sense which provides a psycho-sexual account of language acquisition and of the emergence of sense,
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Galea, Marco. "Bodies without Organs and Organs without Bodies:." In Redefining Theatre Communities. Intellect Books, 2020. http://dx.doi.org/10.2307/j.ctv36xw38z.12.

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Hilscher, Elisabeth. "Musik und ihre Akteure. Zur musikalischen Praxis sozialer Gruppen." In Niederösterreich im 18. Jahrhundert, Band 2: Gesellschaft, Kultur und Religion. NÖ Institut für Landeksunde, 2024. http://dx.doi.org/10.52035/noil.2024.18jh02.12.

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Music and its Actors. On the Musical Practice of Social Groups. Musical life in the Land unter der Enns was in flux in several respects in the 18th century. If one contrasts the four main stakeholders – the Church, town/civil society, the nobility, and “the people”/peasantry – one can discern shifts in emphasis over the course of the century. This can be seen most clearly in the sphere of the Church. The Catholic Enlightenment and Josephinism brought a temporary end to the flourishing piety of the Baroque period and broadened the pastoral base through the foundation of new parish churches and
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"II.3. Körperlose Organe." In Postspektakuläres Theater. transcript-Verlag, 2009. http://dx.doi.org/10.14361/9783839412190-009.

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Actas de conferencias sobre el tema "Theatre organ"

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Chiciuc, Natalia. "THE CATALOG OF THE AUTOCHTHONOUS COMPOSERS’S MUSIC IN THE ORGAN HALL LIBRARIES: EDITORIAL APPEARANCE." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.04.

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This article presents a summary of the results obtained after processing the musical materials found in the Organ Hall’s libraries within the institutional scientific project Valorization and Conservation through digitization of the academic and traditional music collections from the Republic of Moldova of the Academy of Music, Theater and Fine Arts. The two collections — one of the National Chamber Choir of the Republic of Moldova and the other of the National Chamber Orchestra of the Republic of Moldova — include approximately 300 scores of national significance signed by 49 autochthonous co
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Dekhici, Latifa, and Khaled Belkadi. "Bi-objective Operating Theater scheduling case of the paediatric hospital of Oran." In 2014 International Conference on Logistics and Operations Management (GOL). IEEE, 2014. http://dx.doi.org/10.1109/gol.2014.6887438.

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