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Bibliografías temáticas / Time telling itself

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Artículos de revistas

Literatura académica sobre el tema "Time telling itself"

Autor: Grafiati

Publicado: 28 de marzo de 2023

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Artículos de revistas sobre el tema "Time telling itself"

1

Rafael, Vicente L. "Telling Times." positions: asia critique 29, no. 1 (2021): 121–39. http://dx.doi.org/10.1215/10679847-8722810.

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Nick Joaquin (1917–2004) is often regarded as the greatest Filipino writer in English, yet he remains largely unknown outside his country. He published widely in all genres and was awarded the National Artist Award, yet he dropped out of high school and spent much of his youth holed up in libraries and walking Manila’s streets. He wrote some of his most powerful stories between the end of US colonial rule and the beginning of the postcolonial era, at a time when the very craft of storytelling was itself endangered. And he did so in another language, American English, which required setting asi

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2

Lambrou, Ioannis L. "Achilles and Helen and Homer’s Telling Silence." Mnemosyne 73, no. 5 (2020): 705–28. http://dx.doi.org/10.1163/1568525x-12342656.

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Abstract The present study focuses on an episode attested only in Proclus’ summary of the now-lost epic poem Cypria, a suggestively erotic ‘rendezvous’ between Achilles and Helen that appears to heighten the hero’s appreciation of her as a driving force, convincing him to persist in the war for her sake. This most prominently contradicts Homer’s portrayal of an Achilles whose choices are fundamentally motivated by his quest for personal honour. As this paper argues, however, the story, though probably post-Homeric in itself, still has a traditional basis in the way it depicts Achilles’ suscept

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3

Holmes, Diana. "Dancing in the Dark: Immersion and Self-Reflexivity in Nancy Huston's Danse noire." Nottingham French Studies 57, no. 3 (2018): 298–310. http://dx.doi.org/10.3366/nfs.2018.0226.

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Nancy Huston's Danse noire (2014) is a formidably complex novel: multilingual, composed throughout of three connected but separately told stories, highly self-reflexive in its intra-diegetic presentation of the narrative as film scenario and its use of capoeira as framing device and analogy. Some critics and readers have found this intricate structure excessive and confusing. This article, on the other hand, situates the novel within Huston's distinctive project as a contemporary French novelist who is as committed to immersive story-telling as she is to self-aware celebration of narrative for

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4

Morrill, Angie. "Time Traveling Dogs (and Other Native Feminist Ways to Defy Dislocations)." Cultural Studies ↔ Critical Methodologies 17, no. 1 (2016): 14–20. http://dx.doi.org/10.1177/1532708616640564.

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In this article, I analyze a painting by Modoc/Klamath artist Peggy Ball through a Native feminist reading methodology. The painting, Vanport, is named after a city that disappeared in a flood in 1948. The artist survived that flood, and displacement as did thousands of others. The painting is a rememory map of dislocations and hauntings and disappearances. The painting remaps gentrified dislocations, telling stories that focus on the relationship of the present to the past and the past to the future. The painting itself is a Native feminist practice. The travel to places gone, to places that

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5

Young, Jan, and Sandra Regan. "Groups for Children of Separation/Divorce: A Metaphorical Approach." Children Australia 13, no. 1 (1988): 4–6. http://dx.doi.org/10.1017/s0312897000001739.

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AbstractThe use of a metaphorical approach in a time limited group for children whose parents are separating/divorcing is explored. Drawing, “naming the group”, and structured exercises are used metaphorically to help the children tell their own “story”, not their parents version. The metaphorical processing of the media is what counts not the media itself. Every way of using media tells a story and moves children from story telling to story experiencing. When children are able to share feelings, they have taken a step forward.

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6

Raymaker, Dora M. "Reflections of a community-based participatory researcher from the intersection of disability advocacy, engineering, and the academy." Action Research 15, no. 3 (2016): 258–75. http://dx.doi.org/10.1177/1476750316636669.

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This article uses an evocative autoethnographic approach to explore the experience of being an insider-researcher in a community-based participatory research setting. Taking a holistic perspective and using the form of narrative story-telling, I examine the dynamics between the typically marginalizing (but sometimes empowering) experience of being an autistic woman and the typically privileging (but sometimes oppressive) experience of being an engineering professional, during a time of career upheaval. Themes of motivations and mentors, adversity from social services and the academy, belonging

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7

Witz, Klaus G., Sung Ah Bae, Hyunju Lee, Youngcook Jun, and Yongsock Chang. "Colwyn, Age 5 1/2, “Protecting Mom and Dad”." Asian Qualitative Inquiry Association 1, no. 1 (2022): 16–32. http://dx.doi.org/10.56428/aqij.2022.1.1.16.

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The present paper is part of a larger case study of a 5 1/2 year old Korean boy, Colwyn, with his mother, Dr. Bae. Dr. Bae interviewed Colwyn twice, about 2 months apart; the first interview was audiotaped, the second videotaped. The present paper is based primarily on the second interview where Colwyn tells several wildly imaginative stories of himself like a superhero “protecting mom and dad.” Our aim is to communicate a sense of Colwyn’s “feeling, consciousness, state” when he is telling these “stories”, using the portraiture philosophy of Lawrence-Lightfoot and Davis and the “Participant-a

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8

Pile, Steve. "Echo, Desire, and the Grounds of Knowledge: A Mytho-Poetic Assessment of Buttimer's Geography and the Human Spirit." Environment and Planning D: Society and Space 12, no. 4 (1994): 495–507. http://dx.doi.org/10.1068/d120495.

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In Geography and the Human Spirit, Buttimer argues that the history of geographical concern is marked by cyclical time, which is distinguished by three phases: Phoenix, Faust, and Narcissus, By taking a longer look at one of these myths, Narcissus, it is possible to suggest that Buttimer bases her account on some problematic assumptions. Thus, the figure of Echo, absent from Buttimer's telling of the myth, can return to disrupt her story. This mytho-poetic assessment reveals something of the way in which ‘others’ are constituted in her story: I take this erasure to be symptomatic of an ‘otheri

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9

Moala, Kalafi. "A final word: Pasifika solutions for Pacific problems." Pacific Journalism Review 22, no. 2 (2016): 118. http://dx.doi.org/10.24135/pjr.v22i2.73.

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The issues that challenge the stewardship of Pasifika’s peoples are as complex and diverse as the Pacific itself. We have our own conceptual tools that help us understand these complex issues. Our problem has been that we have a hard time using the tools of others and we end up with somewhat distorted understanding of our own issues. No wonder we have problems sometimes in communicating our issues to the people we serve. Telling our own stories, in our own language, with our own conceptual tools, so that we can construct meaning and bring understanding is the aim of Pacific journalism.

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10

Holmes, Brooke. "At the end of the line: on kairological history." Classical Receptions Journal 12, no. 1 (2020): 62–90. http://dx.doi.org/10.1093/crj/clz027.

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Abstract This essay examines, from a position within Classics, different angles on critiques of historicism and the turn to anachronism in History, Art History, Medieval Studies, and Queer Theory before proposing the idea of ‘kairological history’, on the model of the artist Paul Chan’s ‘kairological art’. On this analysis, ‘kairological history’ engages the critical and creative resources of anachronic thinking alongside tools of historicism (e.g. empiricism, successionism, periodization, alterity) in making choices about ‘telling time’. These choices reflect a critical understanding of how t

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