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Artículos de revistas sobre el tema "Tragic lamentation"

Autor: Grafiati

Publicado: 23 de noviembre de 2024

Última modificación: 31 de julio de 2025

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1

Shoemaker, Karl. "The King’s Two Bodies as Lamentation." Law, Culture and the Humanities 13, no. 1 (2016): 24–35. http://dx.doi.org/10.1177/1743872114547006.

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The King’s Two Bodies is, as has long been recognized, a genealogy of modern state power. But it is also something else less clearly recognized. The King’s Two Bodies is a lamentation. In Kantorowicz’s poignant eulogy, the sovereign that medieval lawyers had made in the imago dei, was revealed at last to be an idol. Profound reverence for the rule of law crumbled into absent-minded legality. The lawful sovereign became diabolical power, forever deciding exceptions but incapable of justice or grace. In The King’s Two Bodies, Kantorowicz mournfully shows how the death and tragic afterlife of a p

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2

Seaford, Richard. "Aeschylus and the unity of opposites." Journal of Hellenic Studies 123 (November 2003): 141–63. http://dx.doi.org/10.2307/3246264.

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AbstractThe idea of the ‘unity of opposites’ allows one to see important connections between phenomena normally treated separately: verbal style, ritual, tragic action and cosmology. The stylistic figure of Satzparallelismus in lamentation and mystic ritual expresses the unity of opposites (particularly of life and death) as oxymora. Both rituals were factors in the genesis of tragedy, and continued to influence the style and action of mature tragedy. The author advances new readings of various passages of the Oresteia, which is seen to advocate the replacement of a Herakleitean model of the u

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3

Jay, Jeff. "Spectacle, Stage-Craft, and the Tragic in Philo’s In Flaccum." Journal of Ancient Judaism 8, no. 2 (2017): 222–40. http://dx.doi.org/10.30965/21967954-00802007.

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This article provides a literary analysis of how references to spectacle and stage-craft function in Philo’s In Flaccum, which is a valuable text for understanding Philo’s complex and seemingly contradictory attitudes toward the theater, stage-craft, and drama. After marching Jews into the theater of Alexandria for punishment during the pogrom, Flaccus becomes a spectacle himself when Philo portrays Flaccus’s deportation to exile as a procession. By staging an elaborate textual spectacle starring the deposed Flaccus, Philo exploits the well-attested punitive dimension of spectacles. Through ex

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4

Tolubaeva, Ch, and N. Zhumashova. "Psychologism in The Long March Section of The Epic of Manas." Bulletin of Science and Practice, no. 2 (February 15, 2023): 394–99. http://dx.doi.org/10.33619/2414-2948/87/48.

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The article deals with some issues related to psychologism The Long March in section of The Epic of Manas. In this section of The Epic of Manas there are often monologues, speeches of characters, dialogues, psychological descriptions, which are considered as actively used artistic means of expressing psychologism. In addition, such types of monologues as dying instruction and lamentation are noted. Examples of the description of the psychological states of the characters were also given. In particular, a separate fragment was considered and analyzed in connection with the issues of psychologis

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5

Korablova, Nadiia. "The “event-tragedy” of war in the figures of Badiwan’s reflections as a condition of philosophy." Culturology Ideas, no. 23 (1'2023) (2023): 27–37. http://dx.doi.org/10.37627/2311-9489-23-2023-1.27-37.

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Claiming our share in discursive positions, ideas and assessments of Russian aggression in Ukraine, reflections on it, we investigate this tragic event through heuristic value and "social relevance", influences on internal determinants — "life of mind" and spirit of man and communities, the formation of which is determined by the course of the war. Hegel's work "Phenomenology of the Spirit" was used to operationalize his position on the gestalts of the spirit, the appeal to which was stimulated by Slavoj Žižek's analysis and evaluation of the Russian aggression against Ukraine, in which he app

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6

Voitkevich, Svetlana G. "The Image of Parfen Rogozhin in «The Idiot», the Opera by M. Weinberg and A. Medvedev." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (2022): 133–40. http://dx.doi.org/10.17516/1997-1370-0883.

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The article is to commemorate the 200th anniversary of Fedor Mikhailovich Dostoyevsky; it concerns a musical version of his novel, «The Idiot». The Russian writer’s work has attracted attention of many composers. In 1986 Mieczysław Weinberg completed the eponymous opera. The librettist Aleksandr Medvedev follows the logic of the original story and constructs the musical drama preserving the specific features and versatility of each character, which is also reflected in the music. The image of Parfen Rogozhin reveals the development of his contradictory nature. The character is represented with

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7

Zolyan, Suren T. "Mechanisms of Constructing National History and Historical Memory in Movses Khorenatsi’s “History of Armenia”." Critique and Semiotics, no. 1 (2024): 32–63. http://dx.doi.org/10.25205/2307-1753-2024-1-32-63.

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The creation of national histories is considered to be a characteristic feature of modernity, associated with the processes of creating national states. These narratives intend to trace the origins of the nation to mythologized antiquity and legitimize the existence of the nation-state. Meanwhile, “History of Armenia” by Movses Khorenatsi shows that similar narrative practices could have arisen even in the early Middle Ages. It is assumed that in addition to the historical context, the principles of historical narration and semantization apply, which give meaning to the events described. Histo

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8

Волчков, А. "(Un)rejected Bible: The Legend of the Greek Translation of the Bible (LXX) in the Rabbinic Tradition." Библия и христианская древность, no. 2(18) (August 15, 2023): 177–201. http://dx.doi.org/10.31802/bca.2023.2.18.004.

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Считается, что в традиции раввинов перевод еврейской Библии на греческий язык расценивался как трагическое событие с роковыми для Израиля последствиями. В память об этом ошибочном начинании даже был установлен специальный день для поста и сетований, а сам перевод сравнивался с созданием золотого тельца. На основании некоторых раввинистических свидетельств в европейской науке возникло представление о свершившемся на рубеже I и II веков н. э. отказе иудеев от использования Септуагинты. Новейшие исследования свидетельствуют о полной неадекватности этой концепции по отношению к исторической реальн

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9

Khaninova, Rimma M. "Жанровое своеобразие калмыцкой поэзии конца ХХ – начала XXI в.: тема картофеля в сибирской ссылке". Бюллетень Калмыцкого научного центра Российской академии наук, № 1 (1 серпня 2023): 170–99. http://dx.doi.org/10.22162/2587-6503-2023-1-25-170-199.

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Introduction. The article deals with the theme of potatoes in the Siberian exile of Kalmyks (1943–1957) and focuses on representative poems by Kalmyk poets of different generations written in the native and Russian languages. The texts were created by authors who survived the Siberian exile (i.e. were born during or after the latter) to convey personal and collective memories of the twentieth-century tragedy of the ethnos. Goals. The paper seeks to reveal the genre originality of such poems from the late twentieth through the early twenty first centuries, consider syntheses of genres, articul

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10

Shumilo, Svіtlana. "THE SPIRITUAL VERSE "LAMENT OF JOSEPH THE BEAUTIFUL" AND ITS SYRIAN LITERARY SOURCE." Siverian chronicle (2022) 3 (October 24, 2022): 104–8. https://doi.org/10.5281/zenodo.7245051.

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<em>     The paper provides a comparative analysis of the spiritual verse “Lament of Joseph the Beautiful” and Ephrem the Syrian’s sermon about the Old Testament righteous Joseph. The author uses comparative <strong>method</strong> to conduct research. <strong>The article’s novelty</strong> is in discovering the literary source for Old Rus spiritual verse, which is the translated text of Ephrem the Syrian’s sermon. A favorite writer of Rusiches, Ephrem the Syrian was so popular in medieval Rus, that his works are c

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11

Репина, А. С. "Biblical quotations in Prayer to the Lord God by Euphemia of Smolensk." Вестник Рязанского государственного университета имени С.А. Есенина, no. 2(83) (August 13, 2024): 97–102. http://dx.doi.org/10.37724/rsu.2024.83.2.010.

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Особое место стихотворной молитвы в системе жанров духовной поэзии XVII века объясняется ее эмоциональным пафосом и возможностью личного переосмысления библейского текста. Молитвенное слово не теряет для авторов сакральной силы и произрастает из особого языка, называемого М. Гардзанити церковной книжной коллективной памятью, сформированного в большей степени в литургии. Данный способ исследования библейских цитат лежит в основе интерпретации замысла «Молитвы Господу Богу», написанной русской женщиной-автором XVII века Евфимией Смоленской, чье произведение из-за малоизученности условно отнесено

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12

Tymoshenko, A. V. "Comprehension of specifics of lyricism in Ukrainian and French songs as a component of work with the students-vocalists of Popular Music and Jazz specialization." Aspects of Historical Musicology 14, no. 14 (2018): 74–91. http://dx.doi.org/10.34064/khnum2-14.06.

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Background. In recent years, there has been an increasing interest in the phenomenon of lyricism in Ukrainian musicology. This growth is more so conspicuous given that in the Soviet Musical Encyclopedia this term was omitted, and now it is the pivot of various researches, up to Ph. D. dissertations [7]. There is also a tendency to use this term regarding not only to vocal, but to instrumental music as well, including works lacking noticeable traits of lyrical mood. Works devoted to literature contain valuable information on lyricism, including remarks on the apprehension of this phenomenon in

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13

Demchenko, Alexander I. "The Imperishable Johann Sebastian: Sapiens." Problemy Muzykal'noj Nauki / Music Scholarship, no. 3 (2022): 17–28. http://dx.doi.org/10.56620/2782-3598.2022.3.017-028.

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In J. S. Bach’s artistic legacy an absolutely special position is held by what is connected with the conception of sapiens, defining therewith the sphere of meditativeness in its extremely broad range: from the unpretentious pages of light reflection to profound philosophical revelations. The article examines the most capacious spectrum of the boundaries of interpretations of this figurative system along the line of acceleration of intensification of the corresponding states of being and their saturation of the presence of problems. This includes the moods of pastoral contemplation, reflectivi

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14

Mills, Sophie. "“Look At It Carefully Now”: Athenian Tragedy And The “Talking Cure”." Transcultural Psychiatry 57, no. 6 (2020): 753–62. http://dx.doi.org/10.1177/1363461520970678.

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It is often suggested that the Greek tragedians present clinically credible pictures of mental disturbance. For instance, some modern interpreters have compared the process by which Cadmus brings Agave back to sanity in Euripides’ Bacchae with modern psychotherapy. But a reading of medical writers’ views on the psychological dimension of medicine offers little evidence for believing that these scenes reflect the practices of late fifth-century Athenian doctors, for whom verbal cures are associated with older traditions of non-rational thought, and thus are scorned in favor of more “scientific

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15

Afoláyan, Michael Oladejo. "Iconic Celebration of Charms and Friendship in Poetry: Fálétí’s “Adébímpé Ọ̀jẹ́dòkun”". Yoruba Studies Review 3, № 2 (2021): 1–23. http://dx.doi.org/10.32473/ysr.v3i2.129979.

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“Adébímpé Ọ̀jẹ́dòkun” is a heroic poetry with the resemblance of a tragic history. It is a hunter’s dirge, where the griot happens to be a friend to a friend of the fallen hunter. In essence, it is a chant that laments a deep loss of an idol and celebrates the sacred cult of friendship. Here, a friend whose name is unknown, narrates the demise of his friend, Adébímpé Ọ̀jẹ́dòkun. The latter gave his life in pursuit of the killer of his own friend, Inaolaji. The story is that of the mythical character, Adébímpé Ọ̀jẹ́dòkun, eulogized as a great hunter with cult following. His death takes on the a

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16

"Aristophanes and Tragic Lamentation: The Case of Acharnians 1069-142 and 1174-234." Mnemosyne 60, no. 4 (2007): 550–64. http://dx.doi.org/10.1163/156852507x169564.

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AbstractThe influence exerted by tragedy on the comedies of Aristophanes has attracted much attention and this article examines one of its manifestations—his preoccupation with tragic lamentation. Focusing, in particular, on Acharnians 1069-142 and 1174-234, I attempt to examine how he exploits some of the basic features of tragic laments in the context of the comic plot and to discuss how this parodic juxtaposition of the polar worlds of tragedy and comedy functions within the play. A detailed consideration of parallels from tragedy suggests that Aristophanes had in mind specific tragic patte

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17

Boloje, Blessing O. "‘The godly person has perished from the land’ (Mi 7:1–6): Micah’s lamentation of Judah’s corruption and its ethical imperatives for a healthy community living." HTS Teologiese Studies / Theological Studies 77, no. 4 (2021). http://dx.doi.org/10.4102/hts.v77i4.6757.

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Micah 7:1–6 represents the prophet’s lamentation of the deficiency of moral value in a beloved nation. The oracle is a watershed in the Book of Micah that is aptly characterised by certain degrees of socio-economic and religious unfaithfulness, especially in privileged circumstances. The oracle unit (Mi 7:1–6) forms the darkest descriptions of degrees about the apparent moral wasteland of ancient Judah. The prophet’s metaphors are used to describe the miserable moral morass of society form a kind of compendium with a progression of thoughts and coherence of moral depravity. This article unders

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18

Sarballina, Arailym, Lazzat Adilbekova та Aidana Ibraimova. "ОПИСАНИЕ "ЭПОХИ" В ПРОЗЕ ТОЛЕНА АБДИКОВА (DESCRIPTION OF THE ERA IN THE PROSE OF TOLEN ABDIKOV)". Вестник, 30 вересня 2020. http://dx.doi.org/10.47649/vau.2020.v58.i3.02.

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The article describes the features of the creative style, philosophical concept, psychology in the works of the writer, publicist, state and public figure Tolena Abdika. National cognition in the novels and short stories by Tolen Abdikov is projected from the peculiarities of national mentality, national consciousness, sense of nation, and the language of the Kazakh nation. The uniqueness of imagery is scrutinized as the symbol of national traits. In his works Tolen Abdikov singles out the transformations and violations of the national consciousness which the Kazakh society has undergone, emph

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19

Alemany Ferrer, Rafael. "«La intensificació retòrica del elements morbosos en les faules mitològiques de Joan Roís de Corella: de la imitatio a la innovació estètica»." Revista de Literatura Medieval, December 2, 2016, 71–97. http://dx.doi.org/10.37536/rlm.2016.28.0.62049.

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Resumen: Les faules mitològiques, amb les quals Roís de Corella inicia la seua carrera literària, són exercicis escolars destinats a l’ensinistrament en l’escriptura en prosa. Cadascun d’aquests textos reescriu, amb trets originals, un tema ja tractat anteriorment per autors prestigiosos. Una de les innovacions que hi aporta Roís de Corella és l’amplificació retòrica de les seqüències més morboses d’aquestes faules, dins d’una proposta estètica caracteritzada per l’exacerbació sentimental i l’efectisme. Així es dedueix de l’acarament d’algunes de les seqüències més tràgiques d’una selecció d’a

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