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Literatura académica sobre el tema "Tropaion"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Tropaion"

1

Marciniak, Maciej. "<i>Tropaion</i> – an Ancient Symbol of Victory." Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series, no. 13(49) (May 20, 2025): 201–20. https://doi.org/10.63538/rmnwns.013.12.

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This paper aims to summarize current knowledge on the tropaion. The Warsaw Relief, held in the Gallery of Ancient Art at the National Museum in Warsaw, depicts Emperor Caracalla being crowned with a wreath of victory by his mother, who is shown as Victory. Opposite to the ruler is the title tropaion: a wooden post on which the armour and weapons of defeated enemies were hung (the enemies, in turn, are portrayed at the bottom of the structure). This motif, popular in the Roman world, dates back to at least the fifth century BC. Born in Greece, it was originally linked to the custom of offering

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2

Fromherz, Peter. "The Battlefield of Marathon: The Tropaion, Herodotos, and E. Curtius." Historia 60, no. 4 (2011): 383–412. http://dx.doi.org/10.25162/historia-2011-0016.

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Kim, Hyejin. "Trophy(Tropaion) as the Final Battle Maneuver in Greek Battlefields: Cases from the Fifth Century BCE." Journal of Art Theory & Practice 29 (June 30, 2020): 31–53. http://dx.doi.org/10.15597/jksmi.25083538.2020.29.031.

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Marciniak, Maciej. "Tropajon – antyczny znak zwycięstwa." Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series, no. 13(49) (May 20, 2025): 181–200. https://doi.org/10.63538/rmnwns.013.11.

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Niniejszy artykuł stanowi próbę syntezy obecnej wiedzy dotyczącej tropajonu. Na Reliefie warszawskim znajdującym się w Galerii Sztuki Starożytnej Muzeum Narodowego w Warszawie możemy zobaczyć cesarza Karakallę wieńczonego laurem zwycięstwa przez swoją matkę ukazaną jako Wiktorię. Po przeciwnej stronie cesarza odnajdziemy tytułowy tropajon – drewniany słup, na którym zawieszony został rynsztunek pokonanych wrogów. Ich samych odnajdziemy u podstawy tej konstrukcji. Ten popularny w świecie rzymskim motyw swoimi początkami sięga przynajmniej V w. p.n.e. Narodził się w Grecji i związany był ze zwyc

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5

Frielinghaus, Heide. "Britta Rabe: Tropaia. τροπή und σκυ̃λα – Entstehung, Funktion und Bedeutung des griechischen Tropaions." Gnomon 85, № 3 (2013): 241–46. http://dx.doi.org/10.17104/0017-1417_2013_3_241.

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6

Zhulkovsky, Bohdan. "Intergenred Diffusion in Orthodox Hymnography (On The Example of Canticles of The Troparion Subsystem)." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(50) (March 18, 2021): 64–78. http://dx.doi.org/10.31318/2414-052x.1(50).2021.233116.

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A complex and multifaceted characterization of the phenomenon of intergenre diffusion on the material of the troparion subsystem songs is carried out. A number of general scientific and special methods and approaches have been applied, in particular musicological (comparative and analytical), culturological, historical, philological, liturgical, theological. The method of analysis of individual hymns by eight genre features (developed by Olena Shevchuk on the basis of research by other musicologists, in particular Johann von Gardner and Iryna Bezuglova) was tested. For the first time in Ukrain

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Petrov, Nikolai I. "“Behold, the bridegroom comes at midnight…” On representations of the sacral texts in Synodal Russia." Богословский сборник Тамбовской духовной семинарии, no. 4 (25) (December 28, 2023): 209–24. https://doi.org/10.51216/2687-072x_2023_4_209-224.

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Representation of the sacral texts by redirection of a quote from God to the Tsar was well known in eighteenth-century Russia. By public overcoming of the current sacral tradition, so to say, by “sacral blasphemy”, a contender for religious leadership demonstrated to society his (or her) charisma, he implemented some model of a potestary behavior, which confirmed that he possessed the power and, first of all, the sacral power (to put it simply, a leader should be able to make “blasphemy”). The recognition by society of such contender as a religious leader legalized his “sacral blasphemy”. A br

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Pavlova, Svetlana. "The Nativity of Saint Nicholas Troparia and Kontakia in Russian Handwritten and Printed Sources." Scientific and analytical journal Burganov House. The space of culture 16, no. 4 (2020): 33–57. http://dx.doi.org/10.36340/2071-6818-2020-16-4-33-57.

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The present article emerged due to fortunate circumstances. It happened that an intact notation of a troparion to the Nativity of Saint Nicholas “Chudnoe i slavnoe rozhdestvo tvoe…” was found in the 17th century manuscript from the compendium of Archbishop D. Razumovskiy in the Russian State Library, fund 379, №66. The troparion itself is written in the form of the znamenny chant using kryuki (znamennaya notation). To date, the notation is the only record of both troparion and hymnography to the Nativity of Saint Nicholas. The article provides the chant in its original form “istinno pravoslavn

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9

Mocanu, Daniel. "The Lord’s Birth Troparion, Transylvanian Exegeses." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (2022): 193–213. http://dx.doi.org/10.24193/subbmusica.2022.2.11.

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"Church music of Transylvanian tradition expresses itself through the two quintessential styles, one through the voice and one through the text. The musical variants are recorded for the first time in musical notation by Dimitrie Cunțanu, in the year 1890, they also have a singed recording, which is still the today standard. The Lord’s Birth Troparion represents a good example of the music style in Transylvania. Fixed in musical notation and singed in most churches around here, this one met the most fixes and “repairs” out of them all and because of this today we have numerous versions of it.

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10

Starostina, Nina. "ON THE EXPERIENCE OF CREATING ORTHODOX MUSIC IN THE CHINESE TRADITIONAL STYLE (ON THE EXAMPLE OF THE TROPARION OCTOECHOS AND THE LITURGY)." Herald of Culturology, no. 2 (2022): 149–62. http://dx.doi.org/10.31249/hoc/2022.02.08.

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This article deals with the experience of creating Orthodox music in the Chinese traditional style - troparion Ochtoechos and monodicand polyphonic liturgy in Chinese. Particular attention is paid to speech intonation, with consideration of the specifics of the Chinese tone language as the main prerequisite for creating liturgical melodies. The modal and intonational basis, as well as the structure of written music are considered.

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Tesis sobre el tema "Tropaion"

1

Rabe, Britta. "Tropaia tropē und skyla ; Entstehung, Funktion und Bedeutung des griechischen Tropaions." Rahden/Westf. Leidorf, 2007. http://d-nb.info/991055772/04.

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Tessari, Silvia. "Il corpus innografico attribuito a Fozio. Edizione critica e analisi musicale." Doctoral thesis, Università degli studi di Padova, 2012. http://hdl.handle.net/11577/3425314.

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The aim of the dissertation is to collect in one corpus all the Byzantine hymns (almost forty) that are attributed to Photius by the manuscript tradition or, in some cases, by the assumptions made in the editiones principes. In the case of hymns already published, I review the question of the attribution, re-publishing them on the base of a wider paradosis. Some unedited have been identified thanks to the recensio carried out by me (manuscripts from Paris, Lesbos and St. Catherine Monastery – Mount Sinai) and are published here for the first time. All of them are translated into Italian. I ana

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3

Cao, Hélène. "Le tropaire-prosaire de Nevers, XIIe et XIIIe siècles (Bibliothèque nationale de France, Nouv. Acq. Lat. 3126)." Paris, EPHE, 2013. http://www.theses.fr/2013EPHE4013.

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Le tropaire-prosaire BnF N. A. L. 3126 fut copié au milieu du XIIe siècle pour le monastère Saint-Martin de Nevers, devenu une institution augustinienne en 1143. Au XIIIe siècle, deux cahiers ont été ajoutés en tête et à la fin du manuscrit. Depuis sa découverte dans une collection particulière dans les années 1950, le tropaire-prosaire a attiré l’attention de plusieurs chercheurs, car il contient un nombre significatif de proses et de tropes de la seconde époque, ainsi que quatre pièces attribuées à Abélard. Si son répertoire témoigne de relations avec de nombreuses traditions (notamment la c

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4

Dennery, Anna. "La Musique liturgique en l'abbaye de Saint Evroult d'après le tropaire-prosaire Ms. Paris, B.N. lat. 10508." Lille 3 : ANRT, 1990. http://catalogue.bnf.fr/ark:/12148/cb37610472j.

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Dennery, Vaisman Anna. "La musique liturgique en l'abbaye de Saint Evroult d'après le Tropaire-prosaire ms. Paris, B. N. Lat. 10508." Paris 4, 1987. http://www.theses.fr/1987PA040201.

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Le manuscrit Paris, B. N. Lat. 10508 est composite. Sous la même reliure, sont rassemblés deux ouvrages différents : un cantatorium - tropaire - prosaire, copié à l'usage de l'abbaye de Saint Évroult, en Normandie, datant du XIIème siècle, et un traité de musique, provenant du même lieu, mais, copié très probablement en Italie, à peu près à la même époque, dans une des fondations de l'abbaye. L'étude historique et codicologique du manuscrit est suivie d'une présentation du propre de Saint Évroult, qui témoigne de la présence de quelques formes liturgiques anciennes, et en voie de disparition.

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6

Dalmazo, Gabriel Ollé. "Avaliação de silenciamento gênico pós-transcricional (PTGS) de tropinona redutases em plantas de Hyoscyamus muticus L." Universidade Federal de Pelotas, 2011. http://repositorio.ufpel.edu.br/handle/ri/1322.

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Made available in DSpace on 2014-08-20T13:42:06Z (GMT). No. of bitstreams: 1 Dissertacao_Gabrie_Olle_ Dalmazo.pdf: 526235 bytes, checksum: 5e78165179f8f9e3164e0269bd617ab9 (MD5) Previous issue date: 2011-02-28<br>The tropane alkaloids (TA) pathway has a branch-point controlled by the enzymes tropinone reductase 1 and 2 (TR1 and TR2). Tropinone is the common substrate for these enzymes and is reduced either by TR1 to form tropine, hyoscyamine and scopolamine or by TR2 to form pseudotropine and calystegines. Hyoscyamine and scopolamine are largely used in medicine as anticholinergic, antieme

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Libros sobre el tema "Tropaion"

1

Rabe, Britta. Tropaia: Tropē und skola : Entstehung, Funktion und Bedeutung des griechischen Tropaions. M. Leidorf, 2008.

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2

Sergii︠a︡. Polnyĭ Troparion na kazhdyĭ denʹ goda. Svi︠a︡to-Troit︠s︡kai︠a︡ Sergieva Lavra, 2008.

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3

Caridad, Eva Castro. Tropos y troparios hispánicos. Universidad de Santiago de Compostela, Servicio de Publicacións e Intercambio Científico, 1991.

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4

Teresa, Rosa Barezzani Maria, and Ropa Giampaolo, eds. Codex Angelicus 123: Studi sul graduale-tropario bolognese del secolo 11. e sui manoscritti collegati. Una cosa rara, 1996.

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5

Papastamatiou, Geōrgios P. Hē Gortynia tou Ladōna kai hē Tripotamia tēs (Belesi): Syllogē stoicheiōn gia tēn periochē tōn palaiōn dēmōn Thelpousēs, Hēraias, Eleusinos, Tropaiōn. Ekdoseis Korali, 2012.

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6

Catholic Church. Le codex VI. 34 de la Bibliothèque capitulaire de Bénévent (XIe-XIIe siècle) [microform]: Graduel de Bénévent avec prosaire et tropaire. Microlibrary Slangenburg Abbey, 1988.

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7

Cattin, Giulio. Musica e liturgia a San Marco: Testi e melodie per la liturgia delle ore dal XII al XVII secolo : dal graduale tropato del duecento ai graduali cinquecenteschi. Edizioni Fondazione Levi, 1990.

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8

Cattin, Giulio. Musica e liturgia a San Marco: Testi e melodie per la liturgia delle ore dal XII al XVII secole ; dal graduale tropato del duecento al graduali cinquecenteschi. Edizioni Fondazione Levi, 1990.

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9

Université de Paris IV: Paris-Sorbonne, ed. La musique liturgique en l'Abbaye de Saint Evroult d'après le Tropaire - Prosaire Ms. Paris B. N. lat. 10508. 1987.

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10

Alekseev, Avt sost S. Miraculous Icon Blessed Virgin Mary brief description Iconography Days celebration Troparion prayers Prayer tradition Avt status Alekseev Chudotvornye ikony Presvyatoy Bogoroditsy Kratkoe opisanie Ikonografiya Dni prazdnovaniya Tropari i molitvy Molitvenn. Bibliopolis, 2010.

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Capítulos de libros sobre el tema "Tropaion"

1

Rossetti, Livio. "Thales dates the tropai." In Thales the Measurer. Routledge, 2022. http://dx.doi.org/10.4324/9781003138723-7.

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2

Rossetti, Livio. "From the dating of the tropai to the dating of the isēmeriai." In Thales the Measurer. Routledge, 2022. http://dx.doi.org/10.4324/9781003138723-8.

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3

Zimmermann, Martin. "Ein Tropaion in München – Mahnmal des Sieges." In Die seltsamsten Orte der Antike. Verlag C.H.BECK oHG, 2018. http://dx.doi.org/10.17104/9783406727054-105.

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Crook, John. "The Enshrinement of Local Saints in Francia and England." In Local Saints And Local Churches. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780198203940.003.0005.

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Abstract The cult of saints in the early middle ages found visible and tangible expression above all in the veneration of the bodily (usually skeletal) remains, ‘ relics’, left behind on earth by men and women who had suffered death for their Christian beliefs (martyrs) or who had led particularly holy lives (confessors). From the very earliest days of the organized church the practice exercised a significant influence on the architectural design and the internal arrangement of ecclesiastical buildings housing such relics. In this chapter these influences are examined in the early medieval Wes

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5

"troparion, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/6510358344.

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"tropaean, adj." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/6154150295.

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7

"Tropan." In Springer Reference Medizin. Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-48986-4_313744.

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"50. ‘Only-begotten Son’ troparion." In Justinian. Edinburgh University Press, 2021. http://dx.doi.org/10.1515/9780748636792-063.

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9

Legkikh, Victoria. "The Service to Sts. Boris and Gleb in the Manuscript of Sophijskoe Collection of RSL (Sophijskoe Nr. 389)." In Slavic and Balkan Linguistics. Institute of Slavic Studies, Russian Academy of Sciences, 2022. http://dx.doi.org/10.31168/2658-3372.2022.22.9.

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The service to Sts Boris and Gleb according to the manuscript of the 14th century from Sophijskoe collection (RSL, Soph. Nr.389) is unique among the “Studion” versions of the service, even if the chants were written “according to the place in the service”, which is a sign of the “Jerusalem” version. Most likely, this manuscript includes a corrupted version of the canon, since the eighth and the ninth odes are borrowed with minor discrepancies from the main canon “Give me forgiveness...”. In addition, the first troparion of the 6th ode has been changed. This canon in its “original” version is f

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10

"Why travel? Tropics, en-tropics and apo-tropaics." In Travellers' Tales. Routledge, 2005. http://dx.doi.org/10.4324/9780203978986-28.

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Actas de conferencias sobre el tema "Tropaion"

1

Rusiaieva, M. V. "Nike erecting the tropaion in written and pictorial sources." In THE INFLUENCE OF CULTURE AND ART ON THE VALUE ORIENTATIONS OF CIVILIZATION IN WAR AND POST-WAR TIMES. Baltija Publishing, 2022. http://dx.doi.org/10.30525/978-9934-26-237-1-29.

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"Tropaion. The Battlefield Trophy in Ancient Greece and Rome." In Symposium of the Melammu Project. Austrian Academy of Sciences Press, 2020. http://dx.doi.org/10.1553/melammu10s267.

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3

Wiśniewski, Piotr. "Polish church songs - Easter tropes." In ALTITUDO MUNDI SPIRITUALIS. Духовність у сучасному світі: просвітницько-культурогічний підхід. Publishing House "Krok", 2024. http://dx.doi.org/10.37835/ams-2024-17-18-04-1.01.

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The article notes that Gregorian chant had a special influence on the emergence and development of Polish liturgical hymns. Crucial for the development of Easter hymns was the appearance in the church liturgy of the so-called troparas, i.e. short phrases or whole sentences that supplement the original liturgical texts, which are considered the primary source of religious hymns in national languages. The oldest Polish sources on this topic date back to the 14th century. It has been noted that the custom of singing Polish Easter songs during the procession of the Resurrection of Christ dates bac

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