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Artículos de revistas sobre el tema "Tropaion"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Marciniak, Maciej. "<i>Tropaion</i> – an Ancient Symbol of Victory." Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series, no. 13(49) (May 20, 2025): 201–20. https://doi.org/10.63538/rmnwns.013.12.

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This paper aims to summarize current knowledge on the tropaion. The Warsaw Relief, held in the Gallery of Ancient Art at the National Museum in Warsaw, depicts Emperor Caracalla being crowned with a wreath of victory by his mother, who is shown as Victory. Opposite to the ruler is the title tropaion: a wooden post on which the armour and weapons of defeated enemies were hung (the enemies, in turn, are portrayed at the bottom of the structure). This motif, popular in the Roman world, dates back to at least the fifth century BC. Born in Greece, it was originally linked to the custom of offering
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2

Fromherz, Peter. "The Battlefield of Marathon: The Tropaion, Herodotos, and E. Curtius." Historia 60, no. 4 (2011): 383–412. http://dx.doi.org/10.25162/historia-2011-0016.

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3

Kim, Hyejin. "Trophy(Tropaion) as the Final Battle Maneuver in Greek Battlefields: Cases from the Fifth Century BCE." Journal of Art Theory & Practice 29 (June 30, 2020): 31–53. http://dx.doi.org/10.15597/jksmi.25083538.2020.29.031.

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4

Marciniak, Maciej. "Tropajon – antyczny znak zwycięstwa." Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series, no. 13(49) (May 20, 2025): 181–200. https://doi.org/10.63538/rmnwns.013.11.

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Niniejszy artykuł stanowi próbę syntezy obecnej wiedzy dotyczącej tropajonu. Na Reliefie warszawskim znajdującym się w Galerii Sztuki Starożytnej Muzeum Narodowego w Warszawie możemy zobaczyć cesarza Karakallę wieńczonego laurem zwycięstwa przez swoją matkę ukazaną jako Wiktorię. Po przeciwnej stronie cesarza odnajdziemy tytułowy tropajon – drewniany słup, na którym zawieszony został rynsztunek pokonanych wrogów. Ich samych odnajdziemy u podstawy tej konstrukcji. Ten popularny w świecie rzymskim motyw swoimi początkami sięga przynajmniej V w. p.n.e. Narodził się w Grecji i związany był ze zwyc
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5

Frielinghaus, Heide. "Britta Rabe: Tropaia. τροπή und σκυ̃λα – Entstehung, Funktion und Bedeutung des griechischen Tropaions." Gnomon 85, № 3 (2013): 241–46. http://dx.doi.org/10.17104/0017-1417_2013_3_241.

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6

Zhulkovsky, Bohdan. "Intergenred Diffusion in Orthodox Hymnography (On The Example of Canticles of The Troparion Subsystem)." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(50) (March 18, 2021): 64–78. http://dx.doi.org/10.31318/2414-052x.1(50).2021.233116.

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A complex and multifaceted characterization of the phenomenon of intergenre diffusion on the material of the troparion subsystem songs is carried out. A number of general scientific and special methods and approaches have been applied, in particular musicological (comparative and analytical), culturological, historical, philological, liturgical, theological. The method of analysis of individual hymns by eight genre features (developed by Olena Shevchuk on the basis of research by other musicologists, in particular Johann von Gardner and Iryna Bezuglova) was tested. For the first time in Ukrain
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7

Petrov, Nikolai I. "“Behold, the bridegroom comes at midnight…” On representations of the sacral texts in Synodal Russia." Богословский сборник Тамбовской духовной семинарии, no. 4 (25) (December 28, 2023): 209–24. https://doi.org/10.51216/2687-072x_2023_4_209-224.

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Representation of the sacral texts by redirection of a quote from God to the Tsar was well known in eighteenth-century Russia. By public overcoming of the current sacral tradition, so to say, by “sacral blasphemy”, a contender for religious leadership demonstrated to society his (or her) charisma, he implemented some model of a potestary behavior, which confirmed that he possessed the power and, first of all, the sacral power (to put it simply, a leader should be able to make “blasphemy”). The recognition by society of such contender as a religious leader legalized his “sacral blasphemy”. A br
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8

Pavlova, Svetlana. "The Nativity of Saint Nicholas Troparia and Kontakia in Russian Handwritten and Printed Sources." Scientific and analytical journal Burganov House. The space of culture 16, no. 4 (2020): 33–57. http://dx.doi.org/10.36340/2071-6818-2020-16-4-33-57.

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The present article emerged due to fortunate circumstances. It happened that an intact notation of a troparion to the Nativity of Saint Nicholas “Chudnoe i slavnoe rozhdestvo tvoe…” was found in the 17th century manuscript from the compendium of Archbishop D. Razumovskiy in the Russian State Library, fund 379, №66. The troparion itself is written in the form of the znamenny chant using kryuki (znamennaya notation). To date, the notation is the only record of both troparion and hymnography to the Nativity of Saint Nicholas. The article provides the chant in its original form “istinno pravoslavn
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9

Mocanu, Daniel. "The Lord’s Birth Troparion, Transylvanian Exegeses." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (2022): 193–213. http://dx.doi.org/10.24193/subbmusica.2022.2.11.

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"Church music of Transylvanian tradition expresses itself through the two quintessential styles, one through the voice and one through the text. The musical variants are recorded for the first time in musical notation by Dimitrie Cunțanu, in the year 1890, they also have a singed recording, which is still the today standard. The Lord’s Birth Troparion represents a good example of the music style in Transylvania. Fixed in musical notation and singed in most churches around here, this one met the most fixes and “repairs” out of them all and because of this today we have numerous versions of it.
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10

Starostina, Nina. "ON THE EXPERIENCE OF CREATING ORTHODOX MUSIC IN THE CHINESE TRADITIONAL STYLE (ON THE EXAMPLE OF THE TROPARION OCTOECHOS AND THE LITURGY)." Herald of Culturology, no. 2 (2022): 149–62. http://dx.doi.org/10.31249/hoc/2022.02.08.

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This article deals with the experience of creating Orthodox music in the Chinese traditional style - troparion Ochtoechos and monodicand polyphonic liturgy in Chinese. Particular attention is paid to speech intonation, with consideration of the specifics of the Chinese tone language as the main prerequisite for creating liturgical melodies. The modal and intonational basis, as well as the structure of written music are considered.
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11

Fedotova, Marina Anatoliyevna. "HYMNOGRAPHIC WORKS BY DIMITRY OF ROSTOV (ISSUES OF ATTRIBUTION)." Russkaya literatura 2 (2023): 5–16. http://dx.doi.org/10.31860/0131-6095-2023-2-5-16.

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The article examines the hymnographic works of the Metropolitan Dimitry of Rostov: "Service for the Nine Holy Martyrs of Kizia", services for Gury of Kazan, troparion, kontakion and prayer to Cornely the Silent, "Lamentation at the Entombnemt of Christ". The author of the article specifies the attribution of these compositions, the time of their creation, and outlines the features of the genre.
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12

Anđelković, Maja. "NEPOZNATI STUDENIČKI PREPIS „PROLOŠKOG ŽITIJA SVETOG SIMEONA“." Nasledje, Kragujevac XVIII, no. 50 (2021): 181–90. http://dx.doi.org/10.46793/naskg2150.181a.

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The paper analyzes the Prologue Life of Saint Simeon, based on the hitherto unknown Stu- denica Transcript R7, written in 1831. The manuscript book in which the transcript is located has not been catalogued so far, so scientific analyses of its content are scarce – from the Beadroll of the Living and Deceased Studenica Monks, through the Troparion of Feasts and the Troparion of Saints, to the Life of the Holy Father Simeon - the prologue of Simeon’s hagiography, represent- ing the final section of the book. The records of two scribes provide precise data on the time of the book’s creation, and
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13

Janeras i Vilaró, Sebastià. "Valor ecuménico del tropario O uovoyevnç." Diálogo Ecuménico, no. 109 (January 1, 1999): 299–315. http://dx.doi.org/10.36576/summa.2162.

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14

Rygorowicz-Kuźma, Anna. "O zapożyczeniach greckich w polskiej terminologii prawosławnej." Rocznik Teologiczny 66, no. 4 (2025): 759–73. https://doi.org/10.36124/rt.2024.28.

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W artykule poruszono zagadnienie terminów greckiej proweniencji, funkcjonujących w języku religijnym polskiego prawosławia. Leksemy poddane analizie wyekscerpowano ze „Słownika polskiej terminologii prawosławnej” pod red. W. Przyczyny, K. Czarneckiej i M. Ławreszuka. Autorka wyróżnia i charakteryzuje trzy grupy grecyzmów, różniących się okresem i drogą przenikania do języka polskiego. Jedna z grup to terminy ogólnochrześcijańskie, zapożyczone w dobie staro- i średniopolskiej, często za pośrednictwem łaciny, np. eucharystia, prezbiter, apostoł. Znaczące miejsce zajmują grecyzmy dotyczące duchow
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15

Stankovic, Vlada. "Tropeoforos kod Mihaila Psela - jedan primer politicke upotrebe retorike." Zbornik radova Vizantoloskog instituta, no. 41 (2004): 133–51. http://dx.doi.org/10.2298/zrvi0441133s.

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(francuski) En raison de sa grande ?rudition, de son talent litt?raire, mais aussi de son caract?re, Michel Psellos est assur?ment un des auteurs byzantins les plus probl?matiques lorsqu'il s'agit de l'interpr?tation et de la compr?hension de ses oeuvres. Le recours ? l'allusion, surtout dans ses ?crits politiques, r?v?le chez un auteur imbu de son savoir le besoin de jouer avec la signification ?officielle?, claire et compr?hensible de tous de ses textes, et une seconde plus profonde en recourant ? des images ?sot?riques, absconses ou difficilement compr?hensibles. Il en est ainsi s'agissant
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16

Markovic, Marijana, and Bojana Stevanovic. "The painted program in the dome of the Church of St. George in Dobrilovina." Zograf, no. 42 (2018): 209–29. http://dx.doi.org/10.2298/zog1842209m.

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The fairly well-preserved fresco paintings in the dome of the Church of St. George at the Dobrilovina Monastery feature some rather unusual programmatic and iconographical solutions. The depiction of the Presanctified Liturgy and the figures of some Old Testament characters represented in the drum of the dome have no known parallels in the dome programs of Post-Byzantine monuments in the area of the Patriarchate of Pec. A troparion dedicated to the patron saint of the church was inscribed in the ring of the dome, which also bears evidence to the learnedness of the creator of this fresco ensemb
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17

Jarych, Adam Jakub. "Tropajony jako forma autoprezentacji L. Korneliusza Sulli." Wieki Stare i Nowe 17, no. 22 (2022): 1–18. http://dx.doi.org/10.31261/wsn.2022.22.10.

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Przedmiotem artykułu są sposoby wykorzystania tropajonów w polityce Lucjusza Korneliusza Sulli. W pierwszej kolejności autor zwraca uwagę na pomniki wzniesione po zwycięskich bitwach pod Cheroneą i Orchomenos w 86 roku przed Chr. Analizuje przy tym wszelkie kontrowersje związane z pozostałościami trofeum odnalezionego na wzgórzu Turion. Następnie koncentruje się na monetach, na których z inicjatywy wodza przedstawiono tropajony, symbolizujące ciągłość jego sukcesów w Grecji oraz Italii. Motyw ten nie ograniczał się jednak tylko do materiału numizmatycznego, Sulla wykorzystał go także w swoich
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18

Kostochka, L. M., and V. P. Lezina. "Imine-enamine tautomerism of tropanone Schiff's bases." Chemistry of Heterocyclic Compounds 30, no. 3 (1994): 335–39. http://dx.doi.org/10.1007/bf01165701.

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19

Janićijević, Goran. "Signposts of Saint Nicholai Velimirovich." Nicholai Studies: International Journal for Research of Theological and Ecclesiastical Contribution of Nicholai Velimirovich II, no. 4 (2022): 401–14. http://dx.doi.org/10.46825/nicholaistudies/ns.2022.2.4.401-414.

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Abstract: Thanks to the communique of the Holy Assembly of Bishops of the Serbian Orthodox Church, issued after their last year’s regular meeting, we were able to recall that in 2021 three anniversaries connected with the saintly image of Nicholai of Ohrid and Žiča were celebrated. One hundred and forty years have passed since his birth in the village of Lelić in the middle of Podgorina, a village which became famous precisely because of him. Just as Nazianz is known after St. Gregory the Theologian, Lelić became famous after Nicholai. It has also been sixty-five years have passed since Nichol
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20

Zakusov, V. V., S. N. Kozhechkin, and V. I. Naumova. "Pharmacology of new tropan derivatives." Pharmacology & Therapeutics 32, no. 3 (1987): 327–37. http://dx.doi.org/10.1016/0163-7258(87)90079-9.

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21

Sheremetov, Nikita A. "“LIKE A SKY-SOARING EAGLE, HE FLEW UP TO THE HEAVENS”: THE POETICS OF THE SERVICE TO ALEKSANDR OSHEVENSKII." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 1 (2025): 131–48. https://doi.org/10.31860/2712-7591-2025-1-131-148.

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This article focuses on two poetic images that are found in the troparion and the kontakion dedicated to St. Aleksandr Oshevenskii, which were composed by the hieromonk Feodosii of the Oshevensk Dormition Monastery in 1566 or 1567. The article analyses the image of a “sky-soaring eagle” within the framework of Byzantine and South Slavic hymnography. The author concludes that while in the earlier instances this image appeared within a specific hagiographic narrative, in 16th-century Russian hymnography, it could be used independently and in combination with other poetic images, particularly the
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22

Viscido, Lorenzo. "Un tropario inedito per sant'Acacio, martire di Bisanzio." Analecta Bollandiana 137, no. 1 (2019): 72–74. http://dx.doi.org/10.1484/j.aboll.4.2019025.

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23

Spitsyn, Dmitry. "Богоявление в Мамре и гостеприимство Авраама в Великом каноне: идентификация путников и истоки экзегезы". Fontes Slaviae Orthodoxae 3, № 3 (2021): 121–27. http://dx.doi.org/10.31648/fso.6272.

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This report examines the origins of the exegesis in the Great Penitential Canon of the episode of Abraham’s mysterious encounter with three travelers at Mamre (Gen. 18:1-11). The saintly author of the Canon interprets them in the troparion of Ode 3 as angels, while in his Canon for the Presentation of the Lord – as God the Word with two angels. This apparent inconsistency is probably connected with a possible imitation of Heb. 13:2 (“be not forgetful to entertain strangers”) in the first Canon. The idea of the Patriarch’s hospitality as an example of entertaining strangers is also found in the
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24

Kostochka, L. M., A. P. Skoldinov, and V. P. Lezina. "Photoinduced N-?-hydroxyalkylation of tropan derivatives." Chemistry of Heterocyclic Compounds 31, no. 2 (1995): 153–56. http://dx.doi.org/10.1007/bf01169671.

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25

Bäckvall, J. E., Z. D. Renko, and S. E. Byström. "Stereocontrolled synthesis of tropanol derivatives via palladium -catalyzed reactions." Tetrahedron Letters 28, no. 36 (1987): 4199–202. http://dx.doi.org/10.1016/s0040-4039(00)95578-3.

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26

Konschin, H., L. Laaksonen, A. Huhtikangas, A. Martinsen, and A. Yliniemelä. "Tropanone and tropanole: structural properties and interaction with water." Journal of Molecular Graphics 8, no. 4 (1990): 238–39. http://dx.doi.org/10.1016/0263-7855(90)80036-f.

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27

Karczewski, Pantelejmon. "Theological and liturgical significance of troparia of the Beatitudes (Makarismoi) of the Holy Friday Matins." Elpis 24 (2022): 9–13. http://dx.doi.org/10.15290/elpis.2022.24.01.

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On Good Friday matins, after singing the antiphons and before reading the canon, the verses of the Gospel blessings are read, which in liturgical practice begin with the words of the good thief: “Remember me, o Lord, in Your Kingdom”. The phrase of the thief hanging on the Cross sounds special on Good Friday – it is the day on which these words were spoken originally. Special troparions are added to the verses of the blessings, which talk about various aspects of Christ’s passion, mainly through the prism of the thief’s repentance. In the paper, the texts are analyzed taking into account the G
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28

Gaulin, André. "La Chanson comme discours." Études littéraires 27, no. 3 (2005): 9–16. http://dx.doi.org/10.7202/501091ar.

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La chanson que Paul Zumthor appelle « poésie orale sonorisée » est un héritage de la poésie lyrique à forme fixe. D'ailleurs, chez Gilles Vigneault, le plus médiéval des chansonniers du Québec, on trouve encore la villanelle, la ballade avec envoi. À ce titre, la chanson, comme genre, emprunte beaucoup aux figures de la rhétorique, énumération, répétition, chiasme, opposition, anaphore, etc. Elle garde surtout de la forme fixe une sorte de concision qui la rend lapidaire. Appartenant à la poésie lyrique, la chanson joue sur le rythme, sur la musicalité et, sur la tropation tout particulièremen
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29

Dennery. "LES ÉNIGMES DU TROPAIRE-PROSAIRE MS. MADRID B. N. 288." Revista de Musicología 26, no. 2 (2003): 381. http://dx.doi.org/10.2307/20797804.

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30

Hartmann, Rudolf, Aurelio San-Martin, Orlando Muñoz, and Eberhard Breitmaier. "Grahamin, ein ungewöhnliches Tropan-Alkaloid ausSchizanthus grahamii." Angewandte Chemie 102, no. 4 (1990): 441–43. http://dx.doi.org/10.1002/ange.19901020431.

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31

Landskron, Alice. "Zeichen des Sieges and Zeichen der Niederlage - BRITTA RABE, TROPAIA: TPOΠH UND ΣΚYΛΑ - ENTSTEHUNG, FUNKTION UND BEDEUTUNG DES GRIECHISCHEN TROPAIONS (Tübinger Forschungen zur Archäologie 5; Verlag Marie Leidorf GmbH, Rahden/Westfalen 2008). S. 241, Taf. 70. ISBN 978-3-89646-985-4." Journal of Roman Archaeology 25 (2012): 541–44. http://dx.doi.org/10.1017/s1047759400001355.

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32

Muñoz, Marcelo A., and Fabián Cabrera Z. "Absolute Configuration of Isomeric Mono-Acetyl Tropane Alkaloids Using Chromatography-Assisted Chemical Correlation." Natural Product Communications 18, no. 5 (2023): 1934578X2311786. http://dx.doi.org/10.1177/1934578x231178607.

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Objective: To establish the absolute configurations of isomeric 6β-acetyl-3α-tropanol (3) and 3α-acetyl-6β-tropanol (4), constituents of several species of Datura and other genera, using a combination of a simple hemi-synthetic pathway starting from racemic 6β-hydroxytropinone (1) to produce 3α,6β-tropanediol (2), and the use of chiral liquid chromatography coupled with mass and laser optical rotation detectors (LC-MS and LC-OR). Methods: In the case of 3, mono acetylation of the more reactive OH group at C-6 in 2 was achieved under controlled reaction conditions, while more vigorous condition
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33

Shmiher, Taras V. "MUSICAL DIMENSIONS OF QUALITY JUDGEMENTS IN LITURGICAL TRANSLATION." Scientific Journal of National Pedagogical Dragomanov University. Series 9. Current Trends in Language Development, no. 23 (July 17, 2022): 88–96. http://dx.doi.org/10.31392/npu-nc.series9.2022.23.08.

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The paper is dedicated to the issues of how translation quality assessment can deal with the musical aspects of liturgical praxis. It is not limited to the matters of melody and isosyllabism (which partially overlap with the theory of verse translation), but it has also to cover the issues of functionality, perception and reception (which are integrated in translation sociology and criticism). The study consists of three foci: singability and melody (isosyllabism and local chants, collective and individual creativity), historicism (hidden interpretations, functional censorship) and phonetic an
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34

Shmiher, Taras V. "MUSICAL DIMENSIONS OF QUALITY JUDGEMENTS IN LITURGICAL TRANSLATION." Scientific Journal of National Pedagogical Dragomanov University. Series 9. Current Trends in Language Development, no. 23 (July 17, 2022): 88–96. http://dx.doi.org/10.31392/npu-nc.series9.2022.23.08.

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The paper is dedicated to the issues of how translation quality assessment can deal with the musical aspects of liturgical praxis. It is not limited to the matters of melody and isosyllabism (which partially overlap with the theory of verse translation), but it has also to cover the issues of functionality, perception and reception (which are integrated in translation sociology and criticism). The study consists of three foci: singability and melody (isosyllabism and local chants, collective and individual creativity), historicism (hidden interpretations, functional censorship) and phonetic an
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35

Mann, Christian. "Running for Remembrance." Classica et Mediaevalia, no. 1 (May 10, 2024): 43–65. http://dx.doi.org/10.7146/classicaetmediaevalia.vi1.145228.

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Plataiai is a lieu de mémoire, and the Eleutheria, an athletic agon held every fourth year, played an important part in activating and reshaping the memory of the battle of 479 BC. According to Strabo, Plutarch and others, the agon had been founded directly after the battle, but this is an invention; the earliest reliable evidence dates back to the third century BC. From this time onwards, the Eleutheria formed an important event in the Greek agonistic system, the festival being attested in numerous agonistic inscriptions. In addition to the usual gymnic disciplines, a race apo tou tropaiou wa
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Asensio. "PROCEDIMIENTOS DE ADAPTACIÓN EN LOS QUADRUPLA TROPADOS DEL Ms. Madrid BN 20486." Revista de Musicología 20, no. 1 (1997): 51. http://dx.doi.org/10.2307/20797403.

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Sundén, Henrik, Mareike C. Holland, Pekka K. Poutiainen, et al. "Synthesis and Biological Evaluation of Second-Generation Tropanol-Based Androgen Receptor Modulators." Journal of Medicinal Chemistry 58, no. 3 (2015): 1569–74. http://dx.doi.org/10.1021/jm501995n.

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38

Wenzel, M., and Y. Wu. "Tropanol-Metallocen-Carbonsäre-Ester - Synthesen, Markierung Mit 103Ru und 103mRh und Organverteilung." Journal of Labelled Compounds and Radiopharmaceuticals 25, no. 1 (1988): 53–61. http://dx.doi.org/10.1002/jlcr.2580250107.

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39

Ott, Sonja C., Britta Tofern-Reblin, Kristina Jenett-Siems, et al. "Unusual Tropane Alkaloid Pattern in Two African Convolvulaceous Species. Phytochemistry and Chemotaxonomy of the Convolvulaceae, Part 20 [1]." Zeitschrift für Naturforschung B 62, no. 2 (2007): 285–88. http://dx.doi.org/10.1515/znb-2007-0223.

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An unusual and complex tropane alkaloid pattern has been detected in the root bark of Astripomoea malvacea and in the whole plant of Falkia repens (Convolvulaceae) by GC-MS analysis. The specific profile of both species is characterized by the presence of aliphatic 3- acyloxytropanes/-nortropanes (exclusively in A. malvacea; predominantly in F. repens in cooccurrence with a few aromatic as well as arylalkyl acyl congeners). The principal alkaloid of A. malvacea, astrimalvine A N-oxide [3β -(3-tigloyloxy-2-methylbutyryloxy)tropane N-oxide], isolated and structurally elucidated by detailed spect
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40

Lomenzo, Stacey A., Jennifer L. Enmon, Michelle C. Troyer, and Mark L. Trudell. "A Facile and Efficient Synthesis of (±)-Tropan-2-one." Synthetic Communications 25, no. 22 (1995): 3681–90. http://dx.doi.org/10.1080/00397919508015505.

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41

Prasad, Mahadeva, and Camille G. Wermuth. "Preparation of 1,3-dimethyl-5H-tropano[3,4-e]pyridazin-4-one." Journal of Heterocyclic Chemistry 5, no. 4 (2009): 559. http://dx.doi.org/10.1002/jhet.5570050419.

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42

Varakuta, Maryna, and Daryna Kupina. "The Cherubikons of Ukrainian Composers of the 20th–21st Centuries: The Spiritual Genre in Modern Stylistic Interpretation." Studia Universitatis Babeş-Bolyai Musica 68, no. 2 (2023): 129–40. http://dx.doi.org/10.24193/subbmusica.2023.2.09.

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"There are considered the features of the Cherubikons as a special troparion in the system of Orthodox worship. It is emphasized that the singing of the Cherubikon is characterized by extraordinary splendor and solemnity; historically, it always stood out noticeably from other chants. It is indicated that the style of the Cherubikons of various stages of the development of the liturgical singing was influenced by the general style panorama of that era. It is determined that, despite this, during each of the historical eras, significant samples of the Cherubikon were created, which retain visib
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43

Hoepping, Alexander, Peter Brust, Ralf Berger та ін. "Novel rhenium complexes derived from α-tropanol as potential ligands for the dopamine transporter". Bioorganic & Medicinal Chemistry 6, № 10 (1998): 1663–72. http://dx.doi.org/10.1016/s0968-0896(98)00144-8.

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44

Muñoz, Marcelo A., Natalia González та Pedro Joseph-Nathan. "Enantiomeric high-performance liquid chromatography resolution and absolute configuration of 6β-benzoyloxy-3α-tropanol". Journal of Separation Science 39, № 14 (2016): 2720–27. http://dx.doi.org/10.1002/jssc.201600061.

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45

Muñoz, Orlando, and Raúl Peña. "Investigaciones recientes en la determinación de residuos de pipas arqueológicas de Chile Central." Boletín Museo Nacional de Historia Natural 58 (December 26, 2009): 83–89. http://dx.doi.org/10.54830/bmnhn.v58.2009.236.

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En este estudio se analizaron los residuos alquitranados de las pipas encontradas en las excavaciones en el sitio La Granja, Complejo Llolleo. Se demostró que las conclusiones obtenidas por el grupo norteamericano Hairfield y Hairfield sobre la presencia en ellas de especies de Ephedra (E.sinica) no son válidas, dado que la planta referida no está presente en el sitio de estudio. Hemos demostrado además, que sólo compuestos probablemente terpénicos podrían ser determinados después de la destrucción por combustión, proceso que ocurre cuando se fuman sustancias naturales. Para comprobar la hipót
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46

LOMENZO, S. A., J. L. ENMON, M. C. TROYER, and M. L. TRUDELL. "ChemInform Abstract: A Facile and Efficient Synthesis of (.+-.)-Tropan-2-one." ChemInform 27, no. 6 (2010): no. http://dx.doi.org/10.1002/chin.199606241.

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47

Sosa, S., A. Ingold, L. Delucchi, and C. García. "Intoxicación por Brugmansia arborea (Solanaceae) en un canino." Revista Veterinaria 28, no. 2 (2017): 165. http://dx.doi.org/10.30972/vet.2822545.

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&lt;p&gt;Los animales de compañía pueden ser víctimas de intoxicaciones de diferente origen, constituyendo las plantas un 10-15% de las etiologías reportadas. Brugmansia arborea sin. Datura arborea (floripondio, trompeta de ángel) es un arbusto o árbol pequeño, perenne, con flores blancas, cónicas y pendulares, que se encuentra distribuido mundialmente, utilizándose como planta ornamental en jardines. El género Brugmansia posee un alto contenido de alcaloides del tropano como escopolamina, hiosciamina y atropina, que antagonizan las acciones de la acetilcolina y los receptores colinérgicos mus
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48

Harris, Simon. "Two chants in the Byzantine Rite for Holy Saturday." Plainsong and Medieval Music 1, no. 2 (1992): 149–66. http://dx.doi.org/10.1017/s0961137100001741.

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Among the ten celebrations of the Mass of St Basil in the Orthodox Church during the year are the conclusions to the three Vesper services immediately before the three major feasts of Christmas, Epiphany and Easter. Two of these Vesper services – those for Christmas Eve and the Eve of Epiphany – are of particular musical interest since they contain psalms with troparia or antiphons, for both of which the entire music can be transcribed from thirteenth-century manuscripts, so that these two services can be celebrated with what are, almost certainly, the oldest known complete examples of Byzanti
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49

Januzzi, James L., Thomas E. MacGillivray, Kent Lewandrowski, and Elizabeth Lee-Lewandrowski. "Comparison of tropanin T and creatine kinase-MB fraction in evaluating cardiac patients postoperatively: Reply." Journal of the American College of Cardiology 41, no. 6 (2003): 1065–66. http://dx.doi.org/10.1016/s0735-1097(02)02983-2.

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50

Williams, Kirstin A., and Louwrens Pieter Snyman. "Tabanidae (Diptera) holotypes in the KwaZulu-Natal Museum collection: Part 1. Haematopota Meigen, 1803." African Invertebrates 62, no. 2 (2021): 485–95. http://dx.doi.org/10.3897/afrinvertebr.62.76103.

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All primary (name-bearing) types of Haematopota Meigen, 1803, deposited in the KwaZulu-Natal Museum (NMSA) are documented - Haematopota anomala Travassos Dias, 1956 (Mpumalanga, South Africa); Haematopota diasi Travassos Dias, 1956 (Gauteng, South Africa); Haematopota megaera Usher, 1965 (Eastern Cape, South Africa); Haematopota mephista Usher, 1965 (KwaZulu-Natal, South Africa); Haematopota montisdraconis Usher, 1965 (Eastern Cape, South Africa); Haematopota ovazzai Travassos Dias, 1956 (Eastern Cape, South Africa); Haematopota quathlambia Usher, 1965 (KwaZulu-Natal, South Africa); Haematopot
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