Bibliografías temáticas / Tugendhat House (Brno, Czechoslovakia)

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Literatura académica sobre el tema "Tugendhat House (Brno, Czechoslovakia)"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 15 de febrero de 2022

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Artículos de revistas sobre el tema "Tugendhat House (Brno, Czechoslovakia)"

1

Ambroz, Miroslav. "Investigation and Production of Furniture for Villa Tugendhat 2009–2012". Designing Modern Life, n.º 46 (2012): 26–31. http://dx.doi.org/10.52200/46.a.oaexjppm.

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Villa Tugendhat is an expression of “gesamtkunstwerk”, where every detail is subordinated to the whole. Mies van der Rohe devoted the same amount of attention to the furnishings of the house as to its design. The furniture designed and placed according to his conception is such an important aspect of the house that without it the Villa is only half complete. The system governing the organization of all parts of the building – ratios, proportions, whole areas and details – is visible also in the precise placement of the house contents, which only allowed the owner limited variability in the use of space. The Villa became world famous not long after its completion, but Fritz and Grete Tugendhat were not destined to spend many happy years there. Even before the Munich Pact had been signed, signifying the de facto end of democratic Czechoslovakia, they left Brno forever. At the end of the summer of 1938 two removal vans came to take part of the furnishings to St. Gallen in Switzerland. Today the main body of the original equipment is, except for several pieces, still in the possession of the family. The Villa was, after two years of general reconstruction, reopened to the public in February this year. For the first time since 1938 it was equipped with all the furnishings Mies van der Rohe had designed for it. The most significant event was the return after seventy years of the original curved wall of the dining area to its original location. This famous Makassar wall had been considered lost for many decades.
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Tostões, Ana, Ivo Hammer y Zara Ferreira. "The Re-birth of the Tugendhat House". Heritage of Mies, n.º 56 (2017): 44–55. http://dx.doi.org/10.52200/56.a.pn6s7pfn.

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Following a thorough and pioneering conservation-science study, the Tugendhat House was restored between 2010 and 2012. The house of Greta and Fritz Tugendhat, in Brno, designed by Mies van der Rohe and Lilly Reich (1928-1929), is the single example of modern architecture in the Czech Republic inscribed in the list of UNESCO World Cultural Heritage sites. After an intense and dramatic life with different uses, the house received an outstanding restoration which brought back its original form, space and materiality, and was opened to the public as a House-Museum. This paper aims to bring light to this fascinating story based on the book Tugendhat House. Ludwig Mies van der Rohle by Daniela Hammer-Tugendhat, Ivo Hammer and Wolf Tegethoff (Basel, Birkhäuser Verlag GmbH, 2015), namely on Daniela Hammer-Tugendhat statements and on the experience of the members of the International Expert Advisory Commission THICOM.
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Hammer, Ivo. "The Tugendhat House: Between Craftmanship and Technological Innovation. Preservation as Sustainable Building Policy". Modern and Sustainable, n.º 44 (2011): 48–57. http://dx.doi.org/10.52200/44.a.b3pwgxrg.

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The architecture of the Modern Movement is today often seen as synonymous with technical innovation and experimental techniques. This view is supported by the Dessau Bauhaus itself and its programmatic “break” with tradition. Technical inadequacies and shortcomings, particularly from the perspective of today’s energy standards, serve as an argument to formulate criteria specific for preserving the architecture of the Modern Movement, different from “normal” and more generally accepted preservation principles. Are the materials and techniques of modern architecture really as innovative as they are alleged? The Tugendhat House in Brno, listed as an UNESCO World Heritage since 2001, and other structures of classical modernism, as for example, the Bauhaus in Dessau (1925–26) and the pavilions of the Brno fair grounds (1926–28), may serve as evidence that not everything was technical innovation, but that rather the traditional craft techniques in the Modern Movement have played a major role. Modern preservation is not limited to the presentation of the artistic idea, but sees the monument as a comprehensive resource of cultural activities and their material expression. Generally, the preservation of monuments can be seen as a paradigmatic form of a sustainable building policy.
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"Review: Betan, Stahl und Glas, by Georgia van der Rohe, Sam Ventura; Mies van der Rohe, by Georgia van der Rohe; Regular or Super: Views on Mies van der Rohe, by Joseph Hillel, Patrick Demers; Mies, directed by Michael Blackwood, written by Franz Schulze; Creating Community: Lafayette Park, produced by June Finfer, Paul Finfer; Mies van der Rohe: The Farnsworth House, by June Finfer, Paul Finfer; The Tugendhat House: Mies van der Rohe's Czech Masterpiece, by June Finfer, Paul Finfer; Mies van der Rohe 1886––1969: The Architect and his Work Created, by Hermann Küüehn, Technical University of Hamburg-Harburg; Mies in Berlin/Mies in America; Villa Tugendhat Created, by Villa Tugendhat, Brno, Czech Republic; Mies Barcelona, Created by Mies van der Rohe Foundation, Barcelona, Spain". Journal of the Society of Architectural Historians 66, n.º 1 (1 de marzo de 2007): 131–35. http://dx.doi.org/10.1525/jsah.2007.66.1.131.

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Libros sobre el tema "Tugendhat House (Brno, Czechoslovakia)"

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Alex, Dill, ed. Vila Tugendhat Brno. Tübingen: E. Wasmuth, 2007.

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2

Menšík, Karel. Vila Tugendhat, Brno. Brno: Odbor vnitřních věcí Národního výboru města Brna, 1986.

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Lizon, Peter. Villa Tugendhat in Brno: An international landmark of modernism. Knoxville, TN: University of Tennessee College of Architecture and Planning, 1997.

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4

Ludwig Mies van der Rohe. Das Haus Tugendhat: Ludwig Mies van der Rohe, Brünn 1930. Salzburg: Anton Pustet, 1999.

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5

Tegethoff, Wolf, Daniela Hammer-Tugendhat y Ivo Hammer. Vila Tugendhat Ludwiga Miese van der Rohe: Rodinný dům Tugendhatových : památka UNESCO. Brno: Nakladatelství Barrister & Principal, 2013.

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6

(Editor), Daniela Hammer-Tugendhat y Wolf Tegethoff (Editor), eds. Ludwig Mies van der Rohe: The Tugendhat House. Springer, 1999.

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7

Daniela, Hammer-Tugendhat y Tegethoff Wolf, eds. Ludwig Mies van der Rohe: The Tugendhat House. Wien: Springer, 2000.

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8

Tugendhat House. Ludwig Mies Van der Rohe. de Gruyter GmbH, Walter, 2020.

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9

Tegethoff, Wolf, Daniela Hammer-Tugendhat y Ivo Hammer. Tugendhat House. Ludwig Mies Van der Rohe. de Gruyter GmbH, Walter, 2020.

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10

Tegethoff, Wolf, Daniela Hammer-Tugendhat y Ivo Hammer. Tugendhat House. Ludwig Mies Van der Rohe. de Gruyter GmbH, Walter, 2014.

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Capítulos de libros sobre el tema "Tugendhat House (Brno, Czechoslovakia)"

1

"TUGENDHAT HOUSE, BRNO, CZECH REPUBLIC". En Encyclopedia of 20th-Century Architecture, 788–99. Routledge, 2004. http://dx.doi.org/10.4324/9780203483886-47.

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"Tugendhat House. Ludwig Mies van der Rohe —Brno, Czech Republic, 1930". En GROWING UP MODERN, 82–149. De Gruyter, 2021. http://dx.doi.org/10.1515/9783035620313-004.

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"13 Speech on the Occasion of the Opening of the Tugendhat House in Brno on February 29, 2012". En Tugendhat House. Ludwig Mies van der Rohe, 224–27. Birkhäuser, 2020. http://dx.doi.org/10.1515/9783035622492-013.

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