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Artículos de revistas sobre el tema "Typographic space"

Autor: Grafiati

Publicado: 11 de enero de 2025

Última modificación: 31 de julio de 2025

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1

Chernyavskaya, Valeria E. "Typographic landscape in urban space: a sociolinguistic approach." Slovo.ru: Baltic accent 13, no. 4 (2022): 71–84. http://dx.doi.org/10.5922/2225-5346-2022-4-5.

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This paper suggests a sociolinguistic approach to typographic landscape analysis. Typography is discussed as a semiotic resource with meaning-making potential. The paper argues that typographic variation provides dynamic indexical links to social practice. It obtains its ‘social voice’ and becomes an integral part of the social context in which it is perceived as typical and able to generate particular socially loaded meanings. This research is in line with contemporary social semiotics, interactional linguistics, and discourse studies and is based on typographic meaning as a key notion provid

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2

Miranda-Dos Santo, Tiago José. "Typography as a mediator of art, space, memory and presence on toponymy." Legado de Arquitectura y Diseño 14, no. 26 (2019): 75. http://dx.doi.org/10.36677/legado.v14i26.14460.

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Communication through some media gives meaning to a message, or canexpress the desire to communicate. roughout history, typography has been atculture and written communication’s service, responding to the languages, cultures andsocieties’ evolution stimuli. Its history should be understood as the study, from thepolitical, philosophical and artistic point-of-view, of the several movements and thehistory of humanity. erefore, the proper use of typography demands mastery of itsform and use, in favour of its content, leaving space for a rational expression of thehuman world, built by his knowled

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3

Arifrahara, Gema. "ANALISIS PENGGUNAAN TIPOGRAFI SPASIAL SANS SERIF DALAM RUANG PUBLIK TAMAN TEMATIK KOTA BANDUNG." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 7, no. 01 (2021): 92–104. http://dx.doi.org/10.33633/andharupa.v7i01.3804.

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AbstrakPenggunaan tipografi spasial tiga dimensi sebagai media informasi sudah lazim adanya, bahkan di kota Bandung pada setiap taman saat ini menggunakan pendekatan kreatif environmental tipografi. Ruang publik taman kota selain berperan sebagai paru-paru kota juga berperan sebagai ruang interaksi masyarakat, sangat baik untuk psikologis masyarakat dan memberikan sensasi modern. Taman kota yang ada di kota Bandung hampir sering dijumpai menggunakan pendekatan tipografi spasial Sans Serif seperti pada; Taman Tegal Lega, Taman Lansia, Taman Fotography, Taman Petpark, Taman Superhero, dan Taman

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4

Ayiter, Elif. "Space, Text and Hoopla." International Journal of Art, Culture and Design Technologies 3, no. 1 (2013): 12–25. http://dx.doi.org/10.4018/ijacdt.2013010102.

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This text attempts to delve into the creation of textual content as well as its visualization through typographic design mechanisms inside three dimensional virtual worlds known as the metaverse, with a particular focus upon the way in which such virtually three dimensional environments may place the usage of text within a context that stands in contradiction to its traditional one by creating an unexpected novel purpose: This takes a marked departure from the intrinsic attribute with which text has inherently been associated – namely the attribute of legibility. In such environments readabili

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5

Turkkan, Halime. "The significance of typography in data visualization." Global Journal of Computer Sciences: Theory and Research 11, no. 1 (2021): 12–23. http://dx.doi.org/10.18844/gjcs.v11i1.5030.

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With the development of technology and the dominance of the digital world, typography has become a critical issue. Information design systems are considered as one of the significant areas of graphic design and big data provides essential information on data visualization. This research aims to analyse the effects of typographic elements on visualizing data in terms of visual communication, by discussing the value that typography gives to design space. The research discusses randomly selected 10 infographic design samples published in the last six months on google. From the results, 5 designs

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6

Udris-Borodavko, Natalia. "Principles of Clothes' Typographic Decoration as a Trend in Modern Fashion Design." Demiurge: Ideas, Technologies, Perspectives of Design 2, no. 2 (2019): 216–28. https://doi.org/10.31866/2617-7951.2.2.2019.189728.

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The aim of the study is to find patterns in the design of typographic compositions for the decoration of clothing, formulate generic recommendations for their design, to study the socio-cultural aspects of this approach in the design of clothing. Research methods. Empirical method, method of analysis, comparison and generalization are applied. Scientific novelty. For the first time, the experience of typographic decor in clothing design 2010–2019 has been generalized in terms of the modernism and postmodernism concepts. The techniques and compositions’ artistic featu

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7

Naismith, Jacqueline, and Annette O'Sullivan. "Letter-space: Typographic Translations of Urban Place." International Journal of Art & Design Education 30, no. 1 (2011): 133–43. http://dx.doi.org/10.1111/j.1476-8070.2011.01687.x.

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8

Чернявская, Валерия Евгеньевна. "TYPOGRAPHY AS SOCIAL INDEX: SOVIET LANDSCAPE IN THE MODERN RUSSIAN DISCOURSE." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 2(36) (February 28, 2023): 50–73. http://dx.doi.org/10.23951/2312-7899-2023-2-50-73.

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В рамках статьи обсуждаются типографика знака и типографский дизайн сообщения. Типографика рассматривается как социальный индекс, то есть особого рода прагматическое, социальное значение, возникающее на основе индексальных связей знака и характерного контекста его использования. Значимо, что форма знака распознается и используется в связи с активностью человека в социальном контексте и изучается в связи с типографической идеологией. Теоретико-методологические основания анализа созданы разработками в области мультимодальной социальной семиотики, социальной индексальности знака, опираются на объ

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9

Ayiter, Elif, Onur Yazıcıgil, Sina Cem Çetin, and Doruk Türkmen. "Deconstruction, legibility and space: Four experimental typographic practices." Technoetic Arts 11, no. 3 (2013): 209–20. http://dx.doi.org/10.1386/tear.11.3.209_1.

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10

Giddens, Thomas. "Sentences Matter: Law and the Typographic Imaginary." CounterText 11, no. 1 (2025): 94–113. https://doi.org/10.3366/count.2025.0374.

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Bringing together jurisliterature – the literary genre of legal judgment – and the typographic imaginary of early printed books, this paper engages the entangled material-literary quality of judicial sentencing. In this understanding ‘sentencing’ is not merely the allocation of punishment to criminals, but a general practice of ‘mattering’ the law in typographic form. The terminology of ‘mattering’ highlights both the material quality of law and the significance of this materiality, following insights from new materialism. In short, sentences matter (to) legality. The sentencing of the law is

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11

Rasyid, Armiati. "PENGGUNAAN BAHASA INDONESIA DI RUANG PUBLIK DI KOTA GORONTALO." TELAGA BAHASA 7, no. 1 (2020): 1–20. http://dx.doi.org/10.36843/tb.v7i1.64.

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AbstrakTulisan ini bertujuan mendeskripsikan keterkendalian penggunaan bahasa Indonesia dan bentuk kesalahan penggunaan bahasa Indonesia pada ruang publik di Kota Gorontalo. Kajian ini bersifat kuantitatif. Data dikumpulkan dengan cara observasi dan dokumentasi serta dianalisis dengan teknik persentase. Kajian ini menemukan keterkendalian penggunaan bahasa ruang publik di Kota Gorontalo berada pada kategori Terkendali C(wilayah yang penggunaan bahasa di ruang publik kurang terkendali: secara fisik kurang didominasi bahasa asing; mulai lebih banyak berbahasa Indonesia dengan penerapan kaidah da

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12

Siddiqui, Igor. "Slashed Interiors: Text/Space." Interiority 3, no. 1 (2020): 5–20. http://dx.doi.org/10.7454/in.v3i1.73.

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This essay explores the relationship between text and space by considering the notion of writing interiors as a form of creative practice. The research focuses on the textual and spatial uses of the punctuation mark slash (/), as evidenced in a range of text-based works by Barbara Kruger, Glenn Ligon, Dom Sylvester Houédard, Anni Albers, and other artists. The first part of the essay surveys the typographic character’s varied uses in written language; the second part considers its role within artwork titles, namely how its presence shapes spatial interpretations of each artwork in question; in

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13

Lozo, Ivana. "Komunikacijski potencijal tipografije kod reklamnih poruka u tisku." Communication Management Review 9, no. 1 (2024): 32–47. http://dx.doi.org/10.22522/cmr20240192.

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This paper deals with typography in advertising messages or advertising discourse, within which it can be considered a semiotic resource with its own meaning potential. In the first part of the paper, the characteristics, possibilities and limitations of message transmission in this type of advertising message are considered, then the specifics of the relationship between the visual and verbal part of the message, and the specifics of typography within such an advertising format. The second part of the work is dedicated to the theory and definition of typography, its intrinsic and extrinsic pr

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14

Abdul Kadir, Norita, Norhafizah Abdul Rahman, and Nur Hisham Ibrahim. "Integrating the Typographic Landscape in Creating Interactive Spaces for a Holistic Learning Environment." Environment-Behaviour Proceedings Journal 5, no. 13 (2020): 237–43. http://dx.doi.org/10.21834/e-bpj.v5i13.2107.

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This paper aims to identify the importance of the ideas on integrating Typographic Landscape in a campus environment. In creating interactive spaces that can create a holistic learning environment, an artistic approach has been developed. The design proposed is an installation of functional three-dimensional gigantic letters that will become a bench for students’ informal outdoor activities as part of sustainable initiatives that will beneficial to students in order to give adequate space for a learning environment. A quantitative method using questionnaires survey has been distributed to 160

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15

Delsaerdt, Pierre. "Designing the Space of Linguistic Knowledge: A Typographic Analysis of Sixteenth-Century Dictionaries." Library Trends 61, no. 2 (2012): 325–46. http://dx.doi.org/10.1353/lib.2012.0034.

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16

Melnyk, Oksana, and Viktor Shtets. "Typography as a means of image enhancement in wartime patriotic graphic creations in Ukraine (2022-2024)." Almanac "Culture and Contemporaneity" 26, no. 2 (2024): 55–67. https://doi.org/10.63009/cac/2.2024.55.

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The relevance of this study lies in the necessity of analysing the role of typography as a visual communication tool in the works of creative resistance in Ukraine under wartime conditions. The purpose of this research was to examine the compositional, artistic, and formal techniques in the typography of patriotic graphic works within Ukraine’s visual information space during the period of Russian military aggression. These techniques aim to strengthen national identity, support patriotic sentiment, and foster social unity. The study revealed that, in wartime realities, the creation of direct

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17

Sgouromallis, Nikos. "Revisiting literary magazines through typographic aesthetics: The case of Planodion (1986–2012)." Journal of Greek Media & Culture 10, no. 1 (2024): 35–53. http://dx.doi.org/10.1386/jgmc_00087_1.

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This article is concerned with the twofold identity of the literary magazine: as a material object, endowed with specific visual and tactile characteristics, and as a textual medium, active in the intellectual sphere. Moving beyond the traditional dichotomy between form and content and following a phenomenological approach, I examine the literary magazine as a multi-layered structure whose visual features (illustration, binding, vignettes and margins) work along its seemingly invisible aspects (form and content of text). I focus on Planodion magazine (1986–2012) and employing the work of Mauri

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18

Setiawan, Arta Iman, Lisa Astria Milasari, and Ahmad Riza. "PERENCANAAN GEDUNG SENI LUKIS DI KOTA SAMARINDA." Jurnal Totem : Architecture, Environment, Region and Local Wisdom 2, no. 1 (2021): 55. http://dx.doi.org/10.31293/ttm.v2i1.5490.

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Painting is one of two dimensions of art that is rarely found by the public. Samarinda has a variety of painting communities, including mural painting, graffiti painting and typographic painting. The background of this writing is due to the community's need to be able to know and learn about mural painting, graffiti and typography as well as providing facilities for the painting community in Samarinda City. The formulation of the problem in this study is how to plan the Painting Building in Samarinda City with a hybrid architecture approach to the building. So that the purpose of this research

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19

Sucari, Jacobo. "Intersecciones entre Texto e Imagen: Alexander Kluge y el Tratado Iconográfico." Barcelona Investigación Arte Creación 9, no. 1 (2021): 45. http://dx.doi.org/10.17583/brac.2021.5364.

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There is a field of intersection between text and image that throughout the history of cinema has been configured as a space of subtle architectures where the typographic sign (the letter) and its sound emission (the voice) in conjunction with the image, they form a terrain of new audiovisual grammars, a space for experimentation in the creation of meaning and original associations.Alexander Kluge's work is undoubtedly a special case in forcing this relationship between the dimensions of text and image, not only because he has dedicated much of his work to both disciplines, that of writer and

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20

Surname, Name, and Luciana Gunetti. "The Typographic City: Social Commitment and Graphic Design in the Urban Space in Two Late Modernist Italian Projects." Design Principles and Practices: An International Journal—Annual Review 5, no. 6 (2011): 489–98. http://dx.doi.org/10.18848/1833-1874/cgp/v05i06/38259.

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21

Kuznetsova, Evgenia Yu. "THE ROLE OF TYPOGRAPHICS IN THE DESIGN OF AN EXHIBITION SPACE. INTERACTION SCHEMES." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 15. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-15.

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The article discusses the evolution of the role of typographics in the exhibition space from the generally accepted design of labels to the use of typography as the main artistic tool that demonstrates the conceptual intent of the exhibition. A significant amount of visual material was reviewed. Based on this review, graphic schemes of interaction between typography and exposition space were developed. The schemes show the dependence of the typography on the object being displayed and the focus of the exhibition.

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22

Atasoy, Seda Nur. "The Latest Trends in Graphic Design: Handmade Typographic Posters." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 335–42. http://dx.doi.org/10.18844/prosoc.v4i11.2892.

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Modern art and design movements such as Art Nouveau, Art Deco and international Typographic Style emerged in Switzerland in the 1950s have been a major influence in the development of modern posters language. Today, this contemporary orientations are being developed and dealt with in a different dimension.Typography in posters is used within the image or the typographic elements themselves coming together and converting into a visual form. The failure of the image of the poster to convey the desired message quickly and dramatically, not to observe the spaces in the use of typographic elements,

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23

Loos, Ruth. "Reading Paths, Eye Drawings, and Word Islands: Movement in Un coup de dés." i-Perception 3, no. 1 (2012): 50–58. http://dx.doi.org/10.1068/i0446aap.

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In the framework of an artistic–scientific project on eye-movements during reading, my collaborators from the psychology department at the KU Leuven and I had a close look at the poem “Un coup de dés jamais n'abolira le hasard” (“A throw of the dice will never abolish chance”) by Stéphane Mallarmé. The poem is an intriguing example of nonlinear writing, of a typographic game with white and space, and of an interweaving of different reading lines. These specific features evoke multiple reading methods. The animation, Movement in Un coup de dés, created during the still-ongoing collaboration int

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Chuang, Yaliang, and Poyang David Huang. "Learning Subjective Knowledge with Designer-Like Thinking and Interactive Machine Teaching." Proceedings of the AAAI Symposium Series 3, no. 1 (2024): 30–34. http://dx.doi.org/10.1609/aaaiss.v3i1.31175.

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Aesthetics is a crucial aspect of design that plays a critical role in the creation process and customers' perception of outcomes. However, aesthetic expressions are highly subjective and nuanced. It often relies on designers' experiences and many trials and errors to get it right. Our research first investigated how designers and artists curated aesthetic materials and utilized them in their daily practice. Based on the result, we applied Langley's human-like learning framework to develop an interactive Style Agent system. It aims to learn designers' aesthetic expertise and utilize AI's capab

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25

Schoch, Richard W. ""We Do Nothing but Enact History": Thomas Carlyle Stages the Past." Nineteenth-Century Literature 54, no. 1 (1999): 27–52. http://dx.doi.org/10.2307/2902996.

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While recent scholarly interest in the "theatricality" of Victorian culture has focused principally on novels, this essay widens that focus to include early-Victorian historical writing. Like his novelistic counterparts, Thomas Carlyle integrated pictorial and theatrical modes of representation into his historical essays despite harboring customary antitheatrical prejudices. In Past and Present, most particularly, Carlyle relied upon theatricality (as distinct from dramatization) as the surest means of providing his readers with the vibrant, animated, and enacted history that he promised them.

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Hsieh, Shulan, and Alan Allport. "Shifting Attention in a Rapid Visual Search Paradigm." Perceptual and Motor Skills 79, no. 1 (1994): 315–35. http://dx.doi.org/10.2466/pms.1994.79.1.315.

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A method is introduced for studying shifts of attention in semantic space, testing 56 subjects in four experiments on a semantic monitoring task based on rapid, serial, visually presented (RSVP) word-sequences. Following a cue to shift attention, accuracy of semantic monitoring drops abruptly to a low level, then gradually recovers to reach preshift levels over successive stimuli in the RSVP sequence. Using this method, we compared two kinds of criterion-shifts, one requiring a set-reversal (‘reversal shifts’), the other involving a shift between orthogonally defined categories (‘orthogonal sh

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27

Manerova, Kristina V., and Robert V. Manerov. "MULTIMODAL TEXT TYPE MESSAGE IN THE TELEGRAM MESSENGER (BASED ON THE CHANNEL OF THE GERMAN PARTY AFD)." German Philology at the St Petersburg State University 12 (2022): 273–87. http://dx.doi.org/10.21638/spbu33.2022.114.

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Multimodality is a central property of modern communication spaces, presented in the form of websites, web channels, and messengers, where the user encounters written and spoken speech, sound, and image in their combination. By decoding information in a multimedia message, the user encounters elements of different modalities, coming through different forms of perception: iconic (textual), auditory and visual. The steps in decoding the elements of the modalities are reading the text typed in a large header, visualizing the pictures, recognizing the text format and font, and reading the content

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Le Bigot, Claude. "A(ho)rmar la lengua del poema: Ángel González o la dinámica del código." Prosemas 4 (February 19, 2020): 223. http://dx.doi.org/10.17811/prep.4.2019.223-240.

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Resumen: Este artículo pretende examinar la evolución del lenguaje poético de Ángel González, especialmente la transición desde los modelos codificados dentro de una tradición bien asentada (lira, canción, romance, soneto, elegía) hasta una subversión de las formas que, si bien se emparentan con el versolibrismo, mantienen lazos con lo canónico, no haciendo más que duplicar recursos surgidos con la modernidad: versos escalonados, sangrados, guiones. Todo lo que permite agujerear el texto es también portador de ritmo. La oposición medida / encabalgamiento, factor tensional de antiguo abolengo,

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Turgut, Ozden Pektas. "Expressive Typography as a Visualisation of Ideas." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 164–70. http://dx.doi.org/10.18844/prosoc.v4i11.2871.

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Typography is the designed form where the transfer of ideas and information with the help of signs is done. Typography invites to read the text, reveals the meaning of the text, links the text to other visual elements and creates appropriate reading conditions. In addition to communicating information and messages through an understandable form language, it also carries the claim of being an element expressed as a style, personality, and visual language. In this sense, it is important to arrange the typographical characters, such as font, form, colour, space in the media, in an effective way o

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Paputungan, Gendis Iswara, Nonny Basalama, and Fahria Malabar. "Graphological Deviation on Instagram Captions (A Stylistics Study)." Research Review: Jurnal Ilmiah Multidisiplin 4, no. 1 (2025): 306–12. https://doi.org/10.54923/researchreview.v4i1.152.

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Language plays a crucial role in digital communication, and platforms like Instagram serve as key spaces for self-expression. This study investigates graphological deviations in Instagram captions, focusing on typography, spelling and grammar, and punctuation to understand their impact on written communication in social media. This research adopted a qualitative descriptive approach, analyzing captions from English Language Education Department students' Instagram accounts to identify and categorize graphological deviations. Data collection involved selecting captions with deviations in spelli

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Kamynska, Sofiia, and Nataliia Voitovych. "CHARACTERISTICS OF THE GRAPHIC DESIGN OF WOMEN’S MAGAZINES OF GALICIA (late 19th – early 20th centuries)." Presoznavstvo. Press Studies, no. 2 (2023): 118–33. http://dx.doi.org/10.37222/2786-7552-2023-2-7.

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The study focuses on women’s periodical magazines in Galicia from the end of the 19th century and up to 1939, with the aim of analyzing the peculiarities of the graphic concept of printed editions and their design, which influenced the time and genre features of printing. The object of the study is the women’s periodicals of Galicia, in particular the editions «Nova Khata», «Zhinocha dolia», «Zhinocha Volia», «Zhinoche Dilo», «Zhinochyi Holos». The article pays attention to the graphic design of women’s magazines of that period, which, although they were not richly illustrated, used various gr

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Pogoretskaya, O. A. "Paralinguistic means of manipulative influence on the voter as exemplified by Dmitry Medvedev’s Telegram Channel." Linguistics & Polyglot Studies 9, no. 1 (2023): 83–93. http://dx.doi.org/10.24833/2410-2423-2023-1-34-83-93.

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The article gives a general characteristic of polycode messengers, which represent an information space that connects different elements of the political system and creates conditions for continuous political communication. Communication through genre 2.0 formats becomes a means of manipulating mass consciousness through these information channels. The need for the analysis of polycode messengers is conditioned by their growing popularity as an arena of political struggle in the modern Russian-speaking information space.Special attention is paid to Telegram messenger due to the convenience of

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Putra, Wibisono Tegar Guna, and Diani Apsari. "Imagined Spaces Through Public Space Typography: Preliminary Studies Using Multimodal Ethnography." Jurnal Bahasa Rupa 6, no. 1 (2022): 116–24. http://dx.doi.org/10.31598/bahasarupa.v6i1.1221.

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Text cannot be separated from its context, nor can the complexity of reality be reduced. The relationship of the text as a visual element between the imagined spaces that follow is what this study tries to explain further. In this article, the authors choose the quote, "Bumi Pasundan Lahir Ketika Tuhan Sedang Tersenyum" / (English: "Bumi Pasundan was created when God was smiling") which is classified as public space typography as the object of research. This discussion uses multimodal ethnography as a data search tool that will be analysed using discourse analysis to answer how quotes, as visu

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Iskandar, Ifan. "LINGUISTIC FEATURES OF ENGLISH STUDY PROGRAMS STUDENTS’ TEXT MESSAGES TO THEIR LECTURERS." BAHTERA : Jurnal Pendidikan Bahasa dan Sastra 19, no. 1 (2020): 42–57. http://dx.doi.org/10.21009/bahtera.191.04.

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ABSTRACT This study aims to examine the linguistic features of English and Indonesian languages in students’ text messages sent to their lecturers. Content analysis is employed and the data are the linguistic features identified in 1,521 students’ text messages delivered to the lecturers. The findings confirm the results of the former studies in that the typographic features of emoticons, letter deletion, rebus writing, and phonetic spelling and morphological features of initialism, abbreviation, reduplication, truncation, and casual style of spoken dictions are employed—the features lin

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Zhang, Jingyi, Bocheng Zhao, Wenxing Zhang, and Qiguang Miao. "Knowledge Translator: Cross-Lingual Course Video Text Style Transform via Imposed Sequential Attention Networks." Electronics 14, no. 6 (2025): 1213. https://doi.org/10.3390/electronics14061213.

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Massive Online Open Courses (MOOCs) have been growing rapidly in the past few years. Video content is an important carrier for cultural exchange and education popularization, and needs to be translated into multiple language versions to meet the needs of learners from different countries and regions. However, current MOOC video processing solutions rely excessively on manual operations, resulting in low efficiency and difficulty in meeting the urgent requirement for large-scale content translation. Key technical challenges include the accurate localization of embedded text in complex video fra

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Kim, Young-Kook, and Seong-Hyeon Park. "Space Structure Character of Hangeul Typography." Journal of the Korea Contents Association 8, no. 3 (2008): 86–96. http://dx.doi.org/10.5392/jkca.2008.8.3.086.

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37

Demirbas, Banu Özge. "Typographyin interactive spaces and the process of reading." New Trends and Issues Proceedings on Humanities and Social Sciences 3, no. 5 (2017): 56–61. http://dx.doi.org/10.18844/prosoc.v3i5.1961.

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38

Ruki, Ulli Aulia, and Amarena Nediari. "Penerapan Tipografi dalam Sistem Signage pada Interior Ruang Publik." Humaniora 5, no. 2 (2014): 822. http://dx.doi.org/10.21512/humaniora.v5i2.3139.

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Signage system is applied in interior public spaces with consideration to the basic of typography. The objective of signage system is to provide the user convenience in public spaces in order to reach destination while the user is in the building. The basic requirements for designing signage system are legibility and readability. There are still designers who are not aware about the importance of designing a signage system so that sometimes it is found only as decorative element. It is necessary to make the best use of the purpose of signage design, so an interior design should be more careful

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39

VAN NES, F. L. "Space, colour and typography on visual display terminals." Behaviour & Information Technology 5, no. 2 (1986): 99–118. http://dx.doi.org/10.1080/01449298608914504.

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40

AlObaydi, Basim Abbas Ali, Robin Mezher, and Haneen Al-Khatib. "The Effectiveness of Employing Typography in Designing Holograms and Murals to Spruce up Outdoors: A Case Study of Jordanian Cities." International Journal of Religion 5, no. 10 (2024): 3144–61. http://dx.doi.org/10.61707/25788a50.

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The paper examines the degree of effectiveness of employing typography in designing holograms and murals to spruce up outdoors as a case study of Jordanian cities and the related challenges. The descriptive approach is adopted to review and provide data on the demographic characteristics of the research sample. The research population consists of all faculty members in private universities offering graphic design programs in Jordan. The results indicate that the use of typography as artistic holograms and murals to decorate outdoor spaces in Jordanian cities is of high importance and use. Also

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41

Puspitasari, Fani, Nahdiyan Raja Diningrat, and Nahdiyan Raja Diningrat. "KAJIAN TIPOGRAFI, RUANG, DAN WARNA DALAM MEMBENTUK ESTETIKA PADA LOGO FEDEX." CREATIVA SCIENTIA 2, no. 1 (2025): 31–40. https://doi.org/10.70429/creativascientia.v2i1.166.

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FedEx is a delivery service company that operates in many countries or commonly called multinational. This research aims to examine the elements of typography, space, and color in forming aesthetics in the FedEx logo using descriptive qualitative methods. Data collection is done by making indirect observations through the internet and then studied with Dharsono's aesthetic principles approach through three elements namely typography, space and color. From this principle, space is related to visual gestalt theory which proves that to recognize or “read” an image, a contrast between positive spa

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42

Hardoyo, A. B. "Visual Research of Rossi Cigarette Packaging by Bahasa Rupa Primadi Tabrani Methode." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 3 (December 1, 2022): 563–68. http://dx.doi.org/10.34010/icobest.v3i.186.

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The purpose of this research is to conduct an analysis of the Rossi brand cigarette packaging design. Cigarette packaging is interesting to study, because in Indonesia there are very many cigarettes circulating in the market, either with international brands or local brands, with large-scale or small-scale industries or home industries. The method used in this study is to measure using the theory of Primadi Tabrani Bahasa Rupa, with a research discussion carried out in the form of photo, typography, colour, and layout on Rossi brand cigarette packaging. Primadi Tabrani's theory of visual langu

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43

Utami, Ni Kadek Yuni, and Ni Made Sri Wahyuni Trisna. "ASPEK VISIBILITY, LEGIBILITY, DAN READABILITY DALAM DESAIN PAPAN NAMA PURA KAHYANGAN KAJA DESA ADAT PANJER DENPASAR." Jurnal Lentera Widya 3, no. 1 (2021): 16–24. http://dx.doi.org/10.35886/lenterawidya.v3i1.273.

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The purpose of this report is to provide an explanation of the visibility, legibility and readability aspects in the design of the Kahyangan Kaja Temple sign board, Panjer Village, Denpasar. This report is part of the Community Service activities of the Bali Design and Business Institute in the manufacture of Environmental Facilities at Banjar Maniksaga, Panjer Village, Denpasar. The benefit of this report is that it pays attention to the condition of design facilities in public spaces, one of which is the Kahyangan Kaja Temple sign board which is owned by the people of Panjer Village as well

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44

Brath, Richard, and Ebad Banissi. "Using Typography to Expand the Design Space of Data Visualization." She Ji: The Journal of Design, Economics, and Innovation 2, no. 1 (2016): 59–87. http://dx.doi.org/10.1016/j.sheji.2016.05.003.

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45

Atzmon, Leslie. "Dimension and Typography: A Survey of Letterforms in Space and Time." Design and Culture 2, no. 1 (2010): 83–85. http://dx.doi.org/10.2752/175470710x12593419555289.

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46

ALNEAIMI, NORA AHMED L. "MULTI-THEORETICAL EXPLICATION OF EXPERIMENTAL TYPOGRAPHY: THE CONTEXT OF 21ST CENTURY LITERARY TEXTS." Cognizance Journal of Multidisciplinary Studies 4, no. 6 (2024): 467–601. http://dx.doi.org/10.47760/cognizance.2024.v04i06.029.

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This study is a multi-theoretical explication of selected 21st-century literary texts with a focus on determining how literary pieces with experimental typography can be analyzed which places emphasis on a literary primer that can be produced from the textual analysis, interpretation, and explication of the texts analyzed. This research study examines the significance of experimental typography in selected literary texts, specifically focusing on Tahereh Mafi’s Shatter Me Novel, Austin Kleon’s Newspaper Blackout, and shape poetry. The findings revealed that authors employ various types of expe

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47

ALNEAIMI, NORA AHMED L. "MULTI-THEORETICAL EXPLICATION OF EXPERIMENTAL TYPOGRAPHY: THE CONTEXT OF 21ST CENTURY LITERARY TEXTS." Cognizance Journal of Multidisciplinary Studies (CJMS) 4, no. 6 (2024): 467–601. https://doi.org/10.47760/cognizance.2024.v04i06.029.

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This study is a multi-theoretical explication of selected 21st-century literary texts with a focus on determining how literary pieces with experimental typography can be analyzed which places emphasis on a literary primer that can be produced from the textual analysis, interpretation, and explication of the texts analyzed. This research study examines the significance of experimental typography in selected literary texts, specifically focusing on Tahereh Mafi’s Shatter Me Novel, Austin Kleon’s Newspaper Blackout, and shape poetry. The findings revealed that authors employ various t

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48

YUE, Qin. "Optimization Strategies for Chinese-English Mixed Typography in Urban Spaces Based on User Reading Experience." Art and Society 3, no. 4 (2024): 70–75. http://dx.doi.org/10.56397/as.2024.08.08.

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This paper examines the current state and optimization strategies of Chinese-English mixed typography in urban spaces. It highlights that the current mixed typography of Chinese and English in urban spaces presents numerous issues, with improper integration adversely affecting the transmission of information and the user’s reading experience. Through case analysis, this paper proposes strategies such as the rational selection of fonts and layout, consideration of cultural differences and environmental adaptability, and the use of technological integration and innovative applications. These str

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49

Rahman, Zufishan, Jessel Johnson, Supriya Tripathi, and Dr J. Krithika. "THE FUTURE OF PACKAGING: MINIMALISM IN MODERN ERA." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 07, no. 10 (2023): 1–11. http://dx.doi.org/10.55041/ijsrem26073.

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This article delves into the potential of minimalistic packaging designs as a future trend. Minimalism, a design philosophy valuing simplicity and the removal of unnecessary elements for a clean look, is applied to packaging. This involves using basic visual elements like color, typography, and graphics to create functional and uncluttered packaging. Such packaging employs limited colors, simple typography, and negative space to achieve an elegant and sophisticated appearance, gaining popularity recently. The study examines how minimalistic packaging contributes to sustainability by reducing w

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50

Haludzina-Horobets, Victoriia. "Visual and Communicative Aspect of Using Font Sets in Printed Media." Ukrainian Information Space, no. 1(9) (May 22, 2022): 119–25. https://doi.org/10.31866/2616-7948.1(9).2022.257167.

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In the article, the author investigates the visual and communicative aspects of font fonts usage in print media and clarifies the impact of specific fonts on information perception, features, and characteristics. It has been found that the art of choosing fonts is the ability to differentiate text material according to the printing purpose. To better understand the text, you need to place characters, balance them with spaces, and generally select fonts. Thorough research at all stages of typography development is increasingly becoming the scientific research object, but scholars usually use da

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