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Artículos de revistas sobre el tema "Typology of short stories"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 18 de febrero de 2022

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1

Сenys, Tomas. "Intertextual analysis of Viktor Pelevin’s collection of novels Pineapple water for the Fair Lady". Literatūra 61, n.º 2 (15 de diciembre de 2019): 97–109. http://dx.doi.org/10.15388/litera.2019.2.7.

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This article aims to analyze Viktor Pelevin’s collection of short stories Pineapple water for the Fair lady in the frame of intertextual theory. The analytical method used in this article is based on a typology developed by Gerard Genette. Using this typology, an analysis of transtextual connections present in the text was conducted. The analysis of paratextual connections in the texts made it possible to make an assumption that all the novels are connected by a specular structure. A closer inspection of the intertextual connection and references presented in the text established a connection with certain works of Nabokov. These references to various works of Nabokov allow to view Pelevin’s collection of short stories not as thematically disconnected narratives but as one cohesive entity.

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2

Egorova, Olga, Anna Borovskaya, Olga Romanovskaya, Dmitriy Bychkov y Lyubov Spesivtseva. "Typology of title transformations in self-translations of Vladimir Nabokov’s short stories". Babel. Revue internationale de la traduction / International Journal of Translation 63, n.º 6 (31 de diciembre de 2017): 786–812. http://dx.doi.org/10.1075/babel.00014.ego.

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Abstract This article is dedicated to the issue of the adequacy of self-translations of Vladimir Nabokov’s small forms of fiction. Different types of transformations of short-story titles in the creative work of the bilingual writer were chosen as the object of the research. The article is characterized by a multidisciplinary approach, uniting aspects of linguistic, literary and cultural studies in the investigation of the self-translation phenomenon, an approach that provides for scientifically-grounded conclusions. The authors of the paper build a typology of structural and semantic changes reflecting the features of Nabokov’s interpretations of his own texts. Contrastive comparative, structural, intertextual and cognitive methods were employed as the main research methods. This complex approach to text analysis used in the paper permits an expansion of the idea of the semantics and poetics of separate texts as well as a collection of stories as a whole. The authors pay special attention to investigation of the following types of correlation between the original title and its equivalent: semantic specification, semantic narrowing, semantic broadening and modulation. The authors note that Nabokov in many cases does not follow his own principles of “literality”. The specializing character of correlation between the original text and the translation is predetermined by the author’s aspiration to convey the exact sense and to emphasize separate connotative shades of meaning, while devices of modulation and semantic broadening perform the function of an author’s comment.

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3

Kondrateva, Viktoriya V. y Marina Ch Larionova. "Cultural Universals in A.P. Chekhov and I. Temerken’s Short Stories: Genetics and Typology". Proceedings of Southern Federal University. Philology 2021, n.º 1 (30 de marzo de 2021): 26–33. http://dx.doi.org/10.18522/1995-0640-2021-1-26-33.

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For a long time Hungarian literature has been influenced by Russian literature. A.P. Chekhov’s works have been drawing a specific interest among Hungarian readers. In this regard, the question about genetic and typological ties between Russian and Hungarian literature arises. The issue in the article is considered on the example of the short story “Ferko” by the Hungarian writer, ethnographer and folklorist Istvan Temerken and the “steppe” works of A.P. Chekhov. For many Hungarian writers Chekhov’s literary works became a model which they relied on during the search of new art forms. I. Temerken grew up in a steppe region of Hungary and the “steppe” theme was especially close to him. The story “Ferko” is written in Chekhov’s manner. The place of the action is the steppe, the main character is a boy, as if separated from everyone who is next to him, the image of the road and a number of other elements of the art world of the short story allow you to notice strong similarities in the story “Ferko” and “steppe” works of Chekhov (especially in the story “Steppe”). However, Temerken could not read “Steppe” translated into Hungarian, since the story was translated after the writer’s death. It means that apart from a direct orientation to the Chekhov’s style and poetics, there should be something in the field of typological rapprochement of cultures, which explains this similarity. A.N. Veselovsky called this phenomenon “counter courses”. And modern researchers explain then as archetypes or cultural universals common to all cultures. In the works of Temerken and Chekhov such are the images of a child, steppe, sun, etc.

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4

Kukueva, Galina V. "Lingua-poetic typology of the texts of short stories by V.M. Shukshin (theoretical aspect)". Sibirskiy filologicheskiy zhurnal, n.º 3 (1 de septiembre de 2007): 57–65. http://dx.doi.org/10.17223/18137083/20/9.

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5

Graf, Fritz. "Creation in the Poimandres and in Other Creation Stories". Archiv für Religionsgeschichte 21-22, n.º 1 (2 de diciembre de 2020): 411–21. http://dx.doi.org/10.1515/arege-2020-0021.

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AbstractMy paper develops from the observation that the cosmogonies in Ovid’s Metamorphoses and the Hermetic Poimandres are related to each other. After an analysis of Ovid’s text as an example of a diakrisis cosmogony in which the world is created by the sorting out of its originally confused elements, I give a short overview of the history of this type of cosmogony before Ovid. I then analyze the respective cosmogony in the Poimandres as another example of the same typology. A look at the use of diakrisis cosmogonies in late antiquity, including in the first ‘Moral Poem’ of Gregory of Nazianzus, closes the paper and demonstrates the attraction of this cosmogonical model in the Imperial epoch.

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6

Caocci, Duilio. "Free to choose: Female characters in the stories of Grazia Deledda". Dziennikarstwo i Media 11 (24 de enero de 2020): 7–15. http://dx.doi.org/10.19195/2082-8322.11.1.

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Grazia Deledda’s strategies of female characters’ construction and agency are at the core of this essay. The goal is to investigate how the Nobel prize winner shapes the identity as the actions of her female characters in a decidedly eccentric manner if compared to contemporary Italian narrative. The path of the essay is chiefly chronological as it starts from her first short stories 1888, published in the context of widely circulated periodicals, to ends with Cosima, the autobiographical novel published in 1936, the year of Deledda’s death. A typology of her characters emerges in relation both to the cultural assumptions that strongly influence the first production of Deledda as well as to the heterogeneous literary models with which the writer weaves a dense and uninterrupted dialogue.

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7

Čechová, Natália. "Aesthetic distance as a form of liminality in selected short stories of American literature". Ars Aeterna 9, n.º 1 (27 de junio de 2017): 35–56. http://dx.doi.org/10.1515/aa-2017-0005.

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Abstract Aesthetic distance is a phenomenon that has attracted a considerable amount of attention, especially since the first works of postmodernism came to light. Aesthetic distance is based on creating such works which - using certain artistic tools and techniques - break the illusion and thus inhibit readers from immersing themselves in the literary world portrayed in the work they read. As a result, aesthetic distance creates a liminal space, or an invisible but consciously perceivable border between reality, i.e. the world we live in and fiction, i.e. the world we want to relocate to and enjoy during the reading process. The paper is based on an article by Bjorn Thomassen, in which he presents several types of liminality and states that the typology is not final. My aim is to prove that liminality can occur in literature as well, particularly in works built on aesthetic distance. In this matter, I focus on the reception theory of Wolfgang Iser, who studies literary texts from three perspectives: the text, the reader and the communication between the two. The theory is applied to selected short stories of American literature, which contain illusion-breaking features and thus may be viewed as liminal spaces.

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8

Brown, Paula M., Susan D. Fischer y Wynne Janis. "Pragmatic and Linguistic Constraints on Message Formulation". Journal of Speech, Language, and Hearing Research 34, n.º 6 (diciembre de 1991): 1346–61. http://dx.doi.org/10.1044/jshr.3406.1346.

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This study provides a cross-linguistic replication, using American Sign Language (ASL), of the Brown and Dell (1987) finding that when relaying an action involving an instrument, English speakers are more likely to explicitly mention the instrument if it is atypically, rather than typically, used to accomplish that action. Subjects were 20 hearing-impaired users of English and 20 hearing-impaired users of ASL. Each subject read and retold, in either English or ASL, 20 short stories. Analyses of the stories revealed production decision differences between ASL and English, but no differences related to hearing status. In ASL, there is more explicitness, and importance seems to play a more pivotal role in instrument specification. The results are related to differences in the typology of English and ASL and are discussed with regard to secondlanguage learning and translation

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9

Sloistova, Maria S. "TYPOLOGY AND STRATEGIES OF CREATIVE RECEPTION: A CASE STUDY OF ENGLISH POSTMODERNIST POETRY AND PROSE". Вестник Пермского университета. Российская и зарубежная филология 12, n.º 2 (2020): 110–19. http://dx.doi.org/10.17072/2073-6681-2020-2-110-119.

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The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.

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10

ABYZOV, ALEXEY A. y TATYANA G. BARYSHEVA. "SHORT STORIES “LOTHAIRE: A LEGEND” BY HARRIET LEE AND “MARTIN DER STREBER” BY PAUL HEYSE: TO THE PROBLEM OF GENRE TYPOLOGY". HUMANITARIAN RESEARCHES 74, n.º 2 (2020): 99–105. http://dx.doi.org/10.21672/1818-4936-2020-74-2-099-105.

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11

Lomagina, Anastasia. "Karen Bixen reads the Olaf Tryggvason saga: Reseption of the saga and narrative strategies in “The Bear and the Kiss”". Scandinavian Philology 18, n.º 2 (2020): 323–37. http://dx.doi.org/10.21638/11701/spbu21.2020.207.

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The article analyses the reception of the Norse sagas in Karen Blixen’s short story “The Bear and the Kiss” written in 1958 with the main focus on the “saga of Olaf Tryggvason”. Drawing on Wolfgang Iser’s reception theory, the article explores the hierarchy of the pre-texts that are traceable in the text of the considered story and suggests a system of markers that are meant to include interaction with the precedent texts. The typology of markers includes the characters’ names, metaphorical use of mythological or historical personas, the identified cited texts or stories, identical attributes (in this particular text — a glove thrown into a person’s face), the characters’ appearance, and similarity or contrast with the storyline of the other unidentified text. The analysis shows that there are two possible effects of the use of references: semantic compression and, conversely, symbolist and Neoplatonic circling around the event, which creates a semantic gap. The reader can either find himself aware of a riddle yet being unable to understand how the events or reactions fit into the plot or assume the role of an investigator creating his own interpretation of the storyline. The examined strategy of circling around the truth in order to indicate an idea or a fact by using metaphors, comparisons, and allusions in combination with Walter Benjamin’s and Edward Forster’s philosophy of oral storytelling allows Blixen’s short stories to fit neatly into the context of European modernism.

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12

Rodríguez Sieweke, Lara. "Nostalgic Nuances in Media in the Red Book Magazine Version of F. Scott Fitzgerald’s “The Rich Boy”". Humanities 7, n.º 4 (12 de diciembre de 2018): 131. http://dx.doi.org/10.3390/h7040131.

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The present article attempts to contribute to both Fitzgerald scholarship and nostalgia studies by examining how text, illustration, and advertisement enter into dialogue in the original magazine format of F. Scott Fitzgerald’s short story “The Rich Boy”. As research is still scarce on Fitzgerald’s stories as they were first published, this field may hold new, potential research paths for this canonical author, a few of which I endeavor to explore here. This paper suggests that this 1926 magazine version offers a unique nostalgic experience that differs from the reading of Fitzgerald’s text in an image-free anthology. It argues that, with some exceptions, these media generally interact in a cohesive way that echoes or reinforces a nostalgic mood. Niklas Salmose’s typology of nostalgic strategies will be used to draw out the nostalgia in these media, and an intermedial approach will be employed to investigate how they engage in nostalgic dialogue.

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13

Hajdu, Péter. "The Case of Mór Jókai and the Detective Story". Hungarian Cultural Studies 10 (6 de septiembre de 2017): 133–44. http://dx.doi.org/10.5195/ahea.2017.300.

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While from the viewpoint of typology it is often stated that the genre of detective fiction originated with the work of Edgar Allan Poe, this statement can be challenged from the standpoint of literary or reception history. Several recent histories of detective fiction emphasize the importance of employing a wider generic view, yet they hardly expand their perspective beyond English literary traditions. This paper examines how the usual, theorized requirement for detective fiction concerning the work’s exclusive focus on the crime committed and its detection was not characteristic of nineteenth-century detective stories written in Central Europe. Even though the detective story pattern is recognizable in Mór Jókai’s short story, “A három királyok csillaga” [‘The Star of the Magi’], it does not dominate the entire depiction, but rather represents one strand woven into a tragic love story as well as the history of national resistance, aspects bearing equal significance in this very sophisticated work.

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14

Neganova, Galina D. y Qin Lidong. "Review of the international scientific-practical conference "Languages and Cultures" (23rd to 24th of May, the City of Kostroma, Russia)". Vestnik of Kostroma State University, n.º 3 (2019): 215–18. http://dx.doi.org/10.34216/1998-0817-2019-25-3-215-218.

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The article provides an overview of the scientific-practical conference "Languages and Cultures", which took place on the 23rd to 24th of May, 2019, on the basis of Kostroma State University. The brief review introduces the papers which present the results of investigations performed on the material of literary texts relevant to the literary issues – genre typology of ancient and old Russian texts (El'vira Akimovа), conversational style in the legal thrillers of John Ray Grisham Jr, "talking name" in the short stories by Sherwood Anderson (Svetlana Kochenova), allusions as examples of intertextual relations in the works by Kurt Vonnegut (Anna Yakhontova), deployed or hidden meanings in vers libre by Ciaran Gerard Carson and Tymoteusz Karpowicz (Yevgeniya Zimina), etc. The authors of the article draw attention to works devoted to translated works (Yelena Zolinova and others). The article defines the directions of scientific research presented in the reports on the work of the playwright Alexander Ostrovsky.

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15

Венгринович, Наталія y Андрій Венгринович. "Vasyl Stefanyk and the German Literature (on the question of typology of translations and original short story heritage of the Ukrainian writer)". Sultanivski Chytannia, n.º 10 (31 de mayo de 2021): 15–24. http://dx.doi.org/10.15330/sch.2021.10.15-24.

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Aim. The idea of the article stems from an insufficient number of scientific investigations that would help to better understand the creative engagement in the German literature of the young Ukrainian master of narrative V. Stefanyk, who had a deep understanding of the problem of mutual enrichment of aesthetic perception by means of translation as one of important aspects of literary relations. He himself creatively perceived other writers’ achievements, thus placing the Ukrainian literature on an adequate pan-European spiritual level. The purpose of this research is to supplement the existing explorations with the studies of German parallels in V. Stefanyk’s creative work. Methods. For comparative analysis, a number of scientific research methods have been applied, such as the historical-literary, typological and biographical approaches. Results. For translation, a translator usually selects those creative works that are closest to him, that correspond to his aesthetic preferences, and are consonant with the author’s mood. Though V. Stefanyk’s German-language literature translation heritage is scarce, it nevertheless witnesses the Ukrainian short-story writer’s awareness of the world literary process, his constant search for creative works close to his own literary sentiments, in particular works on peasant topics, which raise complex moral and social issues. Therefore, his translation activity, though indirectly, contributed to the development of creative literary manner and original unique writing style. Scientific novelty. By means of comparative juxtaposition, the authors analyze the comparative-typological features in creative works of V. Stefanyk and some selected representatives of the German-language literature. Practical significance. Key outcomes of the research can be applied in further investigation of the common motives in short stories and their translations.

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Šenkár, Patrik. "Lowland Slovak youth literature and its interpretational and educational aspects (within and outside the school)". Journal of Language and Cultural Education 7, n.º 3 (1 de diciembre de 2019): 97–114. http://dx.doi.org/10.2478/jolace-2019-0023.

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Abstract An integral part of the Slovak cultural context is also Lowland Slovak literature, which includes certain areas of Hungary, Romania and Serbia. The paper outlines the partial development of Slovak youth literature in these regions. It gradually characterizes the most important aspects of diachrony of this segment of writing (in a certain chronotope that is bound to selected prototexts). Based on objective-subjective interpretations of three emblematic works of this context, it highlights - as a certain typology - not only the general / universal, but also the specific / particular (that is particularly relevant to the context) in intra- and intercultural relations. It accentuates the literary tradition, which is still a useful source of realistic short stories and novels for child percipients in these diasporas. It also traditionally and innovatively points out the typical features of teaching in individual national-minority schools in the mentioned countries. Methodologically (but also practically) it is, of course, based, on thematic, motif related, etc. aspects of the analyzed (selected) works and their possible reflection in school education and learning environment. Finally, the use of language / features / motifs / aspects / procedures is concretized in specific conditions outside the physical boundaries of the homeland as a kind of perspective on the correlation of the difficult process of cultural education itself.

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17

Golod, N. S. "TRANSFORMATION POTENTIAL OF SMALL PROSE IN THE HISTORIC AND LITERARY PROCESS (BASED ON THE MATERIAL OF ARTISTIC WORK BY VASYL STEFANYK)". PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, n.º 3(55) (12 de abril de 2019): 425–37. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-425-437.

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The article is dedicated to the historic and theoretic literary analysis of the works of Ukrainian and foreign researchers, that studied the problem of transformation potential of the small prose genres in the synchronic and diachronic aspects. A review is made of the main approaches towards studying the problem of the kinship of a short story with epic and dramatic kin of literature. It has been found out: the majority of the researchers think that the typology of genres according to their kin has been sustained only in classicism with its demand for purity and canonicity of the literary forms, and in such literary streams like romanticism, realism, modernism, the genres emerge on the crossing of lyrics, epos and drama. Practically all of the researchers of the short story point out the concentration and laconicity of the genre of short story. This feature is usually connected to the manifestation of the dramatization in the epic genre as a whole. The substance of life in the end of XIX - at the beginning of the XX centuries is characterized by the acceleration of the civilized progress as well as by the intensifying of the time and space bonds, both in Ukraine and the World. These processes are determined by the change in the social and economic formations, accomplishments of the scientific and technical progress, development and achievements in the natural and technical branches of scientific knowledge, postulates of the philosophy of positivism, etc. Therefore, a concentration has been reflected in the peculiarities of the then spiritual, cultural and literary life. Under such circumstances the small prose, and short stories in particular, turned out to be the most operative and productive "content form". The success of Ukrainian small prose of the mentioned period to a great extend has been triggered both by the dialectic unity of the traditions and novelty of the national literary process, and the subjective conditions connected with the talent of the representatives of letters as well as the flexibility, experimental nature and an inclination to transformation by the leading genres of small prose. So in the article, a conclusion is made about the resonance between the novelty attempt of an individual artistic method of Vasyl Stefanyk and the transformation potential of short story as a genre.

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18

Badir, Sémir. "Semiotics and Discourse Studies". Gragoatá 22, n.º 44 (22 de diciembre de 2017): 1049–65. http://dx.doi.org/10.22409/gragoata.v22i44.33548.

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In this paper, I would like to discuss the contribution that post-structuralist semiotics has brought to the analysis of academic discourse. The semiotic model was developed initially for the analysis of tales and myths. It has been gradually extended to various forms of fiction (novels, short stories), and then, according to "a growing degree of complexity and abstraction", to all "forms of social production of meaning" (p. 5). This is the project stated in the first pages to a book entitled “Introduction to Discourse Analysis in Social Sciences” (A.J. Greimas & E. Landowski eds, 1979). The generalized extension is based on a typology of discourses that has been illustrated by specific analyses published in the 1980s (Bastide 1981, Bastide & Fabbri 1985, Landowski 1986, Bordron 1987). One may be considered that the research project led by Greimas and Landowski is thus located at the farthest point of development and initial application of the model and it is therefore a test for the narrative hypothesis. In doing so, the semiotic approach took the risk of being confronted with other models of analysis, such as they were elaborated in theoretical frameworks resulting from rhetoric (renewed in the 1950s by Chaim Perelman and his school ), pragmatics (cf Parret 1983 & 1987), sociology of knowledge (from the founding work of Berger & Luckmann 1966), or as they relate to other theoretical currents in the language sciences (in particular, In France, the Althusserian discourse analysis). For the discourse in social sciences, these models offer two advantages over that of semiotics: on the one hand, it seems that the theoretical postulates on which they are worked out are more directly in accord with this type of discourse; on the other hand, they can count on a solid tradition of studies to ensure the sustainability of the results. Nevertheless, the model of semiotic analysis is original and it has also an advantage: it is general. I will put forward the benefits of this generality. ---DOI: http://dx.doi.org/10.22409/gragoata.2017n44a1033

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Calegari, Danny. "Short Stories". Notices of the American Mathematical Society 66, n.º 09 (1 de octubre de 2019): 1. http://dx.doi.org/10.1090/noti1955.

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Calegari, Danny. "Short Stories". Notices of the American Mathematical Society 67, n.º 03 (1 de marzo de 2020): 1. http://dx.doi.org/10.1090/noti2053.

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Calegari, Danny. "Short Stories". Notices of the American Mathematical Society 67, n.º 07 (1 de agosto de 2020): 1. http://dx.doi.org/10.1090/noti2117.

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Baez, John C. "Short Stories". Notices of the American Mathematical Society 67, n.º 10 (1 de noviembre de 2020): 1. http://dx.doi.org/10.1090/noti2167.

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Barris, Ken. "Short stories". English Academy Review 13, n.º 1 (diciembre de 1996): 140–46. http://dx.doi.org/10.1080/10131759685310141.

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GARZON, ALFREDO. "short stories". Rethinking Marxism 2, n.º 1 (marzo de 1989): 71–81. http://dx.doi.org/10.1080/08935698908657845.

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Becker, Robert. "Short stories". International Journal of Palliative Nursing 11, n.º 2 (febrero de 2005): 52. http://dx.doi.org/10.12968/ijpn.2005.11.2.17669.

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King, Spencer B. "Short Stories". JACC: Cardiovascular Interventions 5, n.º 9 (septiembre de 2012): 999–1000. http://dx.doi.org/10.1016/j.jcin.2012.07.004.

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Baez, John C. "Short Stories". Notices of the American Mathematical Society 68, n.º 05 (1 de mayo de 2021): 1. http://dx.doi.org/10.1090/noti2281.

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Calegari, Danny. "Short Stories". Notices of the American Mathematical Society 68, n.º 02 (1 de febrero de 2021): 1. http://dx.doi.org/10.1090/noti2225.

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Taubner, Helena y Malin Hallén. "Success Stories". European Journal of Health Communication 2, n.º 1 (29 de junio de 2021): 56–76. http://dx.doi.org/10.47368/ejhc.2021.103.

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Aphasia is a language impairment caused by acquired brain injury such as stroke. Public awareness about aphasia is low in Sweden as well as internationally. The media is an important source of information on aphasia, but research on how people with aphasia are portrayed in the media is scarce. Therefore, this study aimed to increase the knowledge about media representations of people living with aphasia, by studying Swedish journalistic newspaper articles. It focused on stories in which people with aphasia were included in the discussion rather than merely being the subject of the discussion. Drawing on framing theory and Frank’s typology of narrative types, a qualitative ethnographic content analysis was conducted. Swedish print media material published between 2007 and 2018 was collected and 84 articles were identified for inclusion in the analysis. The overall finding was that, within Swedish journalistic newspaper articles, living with aphasia is framed as a success story. Themes and sub-themes were identified within each narrative type, and we suggest expanding Frank’s typology with humour narratives and necessity narratives. Although several narrative types were identified in the studied articles, the overarching success story frame was predominant.

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Colon-Aguirre, Monica. "Knowledge transferred through organizational stories: a typology". Library Management 36, n.º 6/7 (10 de agosto de 2015): 421–33. http://dx.doi.org/10.1108/lm-06-2014-0073.

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Purpose – The purpose of this study is to look at organizational stories shared among academic librarians who work at the reference desk, and create a typology of the stories based on the knowledge transferred in these. Previous research suggests that stories are the main way in which organizations communicate common values, organizational rules and promote organizational learning. The main question researched here will be: what kind of knowledge is transferred through the stories shared among librarians? This is an important consideration since the meaning carried through the story can shape the employee’s perception of the organization. Design/methodology/approach – This research employed long interviews using a semi-structured questionnaire based on the works of Yiannis Gabriel (2000) as a guide. A total of 20 reference librarians working at four different academic institutions in the southern USA participated in this study. Findings – The analysis of the data reveals a typology of organizational stories shared. The main topics covered by the stories all deal with cultural knowledge exchanges, while also serve as coping mechanisms and present important organizational culture aspects. The stories shared also reflect negative aspects related to the lack of proper communication within the organizations, with the presence of rumors among the narratives shared. Originality/value – These findings can serve as a first step for the development of healthier organizational cultures in libraries and may have implications for training and development, change management, motivation and collective memory.

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Wachhaus, Aaron. "Governance myths: a typology". International Journal of Organization Theory & Behavior 21, n.º 3 (10 de septiembre de 2018): 211–23. http://dx.doi.org/10.1108/ijotb-04-2018-0045.

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PurposeMyths matter. They are one of the ways by which we seek to make sense of the world; understanding myths helps us understand not only the world around us but ourselves as well. Governance myths – myths that we tell about the state and our relationship to it or about the structures and figures making up our government and our relationships to them – can serve as a valuable means of gaining insight into civil society and for illuminating the goals and values of good governance. Categorizing governance myths can aid in that process. The paper aims to discuss this issue.Design/methodology/approachThis paper develops a typology of governance myths, and then explores mythic types and their implications for governance.FindingsA typology of myths facilitates systematic examination of fundamental stories told to explain and illustrate governance. Characteristics of myths at each level of governance may be used to better understand implicit expectations and assumptions about particular aspects of governance.Originality/valueThis typology can be used by scholars and practitioners to deconstruct stories told about governance and more effectively respond to citizens’ perceptions of the public sector.

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McNeil, Dean. "Selected Short Stories". Art Journal 48, n.º 3 (1989): 258. http://dx.doi.org/10.2307/776953.

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Goudinoux, Véronique. "« 36 Short Stories »". Critique d’art, n.º 49 (21 de noviembre de 2017): 146–50. http://dx.doi.org/10.4000/critiquedart.27209.

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Goudinoux, Véronique. "36 Short Stories". Critique d’art, n.º 49 (21 de noviembre de 2017): 147–49. http://dx.doi.org/10.4000/critiquedart.27210.

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Dasenbrock, Reed Way, Chinua Achebe y C. L. Innes. "African Short Stories". World Literature Today 59, n.º 3 (1985): 476. http://dx.doi.org/10.2307/40141061.

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Quinlan, K., Padraic Colum y Sanford Sternlicht. "Selected Short Stories". World Literature Today 60, n.º 1 (1986): 116. http://dx.doi.org/10.2307/40141257.

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Jones, John M. y Gwyn Thomas. "Selected Short Stories". World Literature Today 64, n.º 2 (1990): 311. http://dx.doi.org/10.2307/40146491.

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Moritz, Helen E. y Philip Dunlop. "Short Latin Stories". Modern Language Journal 72, n.º 3 (1988): 344. http://dx.doi.org/10.2307/327525.

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Stearns, Leigh A. "Polar Short Stories". Marine Technology Society Journal 48, n.º 5 (1 de septiembre de 2014): 121. http://dx.doi.org/10.4031/mtsj.48.5.14.

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Liljebladh, Bengt. "Polar Short Stories". Marine Technology Society Journal 48, n.º 5 (1 de septiembre de 2014): 117–18. http://dx.doi.org/10.4031/mtsj.48.5.16.

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Murphy, David. "Polar Short Stories". Marine Technology Society Journal 48, n.º 5 (1 de septiembre de 2014): 119–20. http://dx.doi.org/10.4031/mtsj.48.5.17.

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Hachmeister, Lon E. "Polar Short Stories". Marine Technology Society Journal 48, n.º 5 (1 de septiembre de 2014): 122. http://dx.doi.org/10.4031/mtsj.48.5.18.

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Mitchell, Diana. "Connecting Short Stories". English Journal 83, n.º 7 (noviembre de 1994): 87. http://dx.doi.org/10.2307/820560.

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Chiwengo, Ngwarsungu, J. de Grandsaigne, S. Nnamonu y Oladele Taiwo. "African Short Stories". South Atlantic Review 52, n.º 1 (enero de 1987): 155. http://dx.doi.org/10.2307/3200020.

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Dunbar, Christopher. "Three Short Stories". Qualitative Inquiry 5, n.º 1 (marzo de 1999): 130–40. http://dx.doi.org/10.1177/107780049900500107.

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Scliar, Moacyr. "Two short stories". Review: Literature and Arts of the Americas 18, n.º 34 (enero de 1985): 14–17. http://dx.doi.org/10.1080/08905768508594193.

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Villalobos, Jose Pablo. "Veracruz: Short Stories". Callaloo 26, n.º 4 (2003): 937–39. http://dx.doi.org/10.1353/cal.2003.0185.

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Holst, Gilda. "Three Short Stories". Journal of Latin American Cultural Studies 10, n.º 2 (agosto de 2001): 149–56. http://dx.doi.org/10.1080/13569320120068239.

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Amanuddin, Syed y Kerryn Goldsworthy. "Australian Short Stories". World Literature Today 60, n.º 1 (1986): 174. http://dx.doi.org/10.2307/40141411.

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Namjoshi, Suniti. "Two short stories". Journal of Gender Studies 5, n.º 3 (noviembre de 1996): 335–36. http://dx.doi.org/10.1080/09589236.1996.9960655.

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