Bibliografías temáticas / Vincent (Cathedral)

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Literatura académica sobre el tema "Vincent (Cathedral)"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Vincent (Cathedral)"

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Hapak, Emil. "Circumstances, Events, and Consequences of the Relocation of the Relics of Blessed Vincent Kadlubek to Sandomierz Cathedral in 1845." Studia Sandomierskie. Teologia – Filozofia – Historia 29 (March 1, 2023): 5–22. http://dx.doi.org/10.15633/sts.2901.

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The article describes the journey of the relics of Blessed Vincent Kadlubek’s to Sandomierz Cathedral in 1845. The introduction discusses the origins of the cult of Blessed Vincent in this cathedral, the religiosity of Sandomierz residents of the first half of the 19th century, the efforts of Bishop Joseph Goldtmann to bring the relics to Sandomierz, as well as the process of obtaining them from the Cistercian monastery in Jedrzejow. The further part of the study describes their introduction to the Sandomierz Cathedral, reconstructing the course of the procession from the Reformate monastery c
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Baran, Wojciech. "Manuscrits médiévaux contenant les œuvres de saint Thomas d’Aquin dans les Archives et Bibliothèque du Chapitre Cathédral de Cracovie." Przegląd Tomistyczny 30 (May 27, 2025): 69–91. https://doi.org/10.12775/pt.2544-1000.30.03.

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Medieval Manuscripts Containing the Works of St. Thomas Aquinas in the Archives and Library of the Cracow Cathedral Chapter The Archives and Library of the Cracow Cathedral Chapter preserve five 15th-century paper manuscripts containing the works of St. Thomas Aquinas: 1) Ms 115 (143) containing the "Quaestiones disputatae de veritate", 2) Ms 116 (144) containing the "Summa Theologiae", IIa IIae, 3) Ms 117 (145) containing the "Summa contra gentiles", 4) Ms 120 (148) containing the "Summa contra gentiles", and 5) Ms 122 (150) containing the "Quaestiones quodlibetales". Although these manuscrip
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3

Trichereau, Barbara, and Claudine Loisel. "The nineteenth-century restoration processes of Louis Germain Vincent-Larcher at the Cathedral of Troyes." Glass Technology: European Journal of Glass Science and Technology Part A 58, no. 6 (2017): 189–98. http://dx.doi.org/10.13036/17533546.58.6.101.

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4

Jamil, Abdul. "PENGELOLAAN DANA SOSIAL KEAGAMAAN GEREJA (PAROKI) KATEDRAL JAKARTA DALAM PEMBERDAYAAN UMAT KATOLIK." Harmoni 11, no. 1 (2012): 44–55. http://dx.doi.org/10.32488/harmoni.v11i1.230.

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Religious institutions have given much contribution to the society through fund management and social asset. One of the religious institutions is the Church (PAROKI) cathedral in Jakarta. Through the research with a qualitative approach, it is revealed this institution has implemented a system and mechanism for social religious funding management effectively and efficiently, with healthy, transparent and accountable management system. The distribution of collected funds, for the social activities carried out by the church, was done through the Social Section of the Paroki (SSP) or Social-Econo
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Zieliński, Jan. "Bitwa pod Zurychem i pod Bernem. Szwajcarski epizod Aleksandra Wata. Dyptyk." Colloquia Litteraria 12, no. 1 (2012): 69. http://dx.doi.org/10.21697/cl.2012.1.5.

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The Battle of Zurich and Berne. Swiss episode of Aleksander Wat. DiptychAleksander Wat’s participation in the international congress of Pen Clubs in Zurich in June 1947, was for him an opportunity not only to reflect on his continuing role in journalism and cultural life in post-war Poland (among others indirectly influenced the decision to leave Poland permanently in 1963), but also to see the Cathedral of St. Vincent of Zaragoza in Bern and its famous stained glass window, depicting the mystical mill. A similar theme – the mill appears in the poem Condemned which the author interprets in mul
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Rovenko, Elena V. "Music is an Architecture Revived: a Gothic Cathedral as a Model for a Perfect Musical Composition as Seen by Vincent D’Indy." Contemporary Musicology, no. 3 (2021): 43–72. http://dx.doi.org/10.56620/2587-9731-2021-3-043-072.

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Vincent d’Indy developed his own understanding of the ideal algorithm of constructing musical forms. In support of his concept, he took a general artistic perspective. His aim, apparently, was to confirm the special status of the suggested compositional strategies as universal for different kinds of art. These strategies are grounded in such categories as rhythm, order, proportionality, and symmetry inherent to any kind of spatial/temporal art with architecture and music representing the extremes of the spatial/temporal continuum. D’Indy established the correlations between the spatial/tempora
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7

Lamine, Sihem. "Colonial Zaytuna: The Making of a Minaret in French-Occupied Tunisia." Muqarnas Online 38, no. 1 (2021): 185–221. http://dx.doi.org/10.1163/22118993-00381p07.

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Abstract In March 1892, eleven years after the establishment of the French protectorate in Tunisia, a congregation of ulemas, religious scholars, and students, as well as representatives of the waqf administration (Jamʿiyyat al-Awqāf) gathered in the ṣaḥn of the Zaytuna Mosque to lay the cornerstone of a new minaret. The pre-exiting tower, whose latest major renovations dated from the seventeenth-century Ottoman Muradid times, was deemed hazardous; it was therefore entirely demolished and replaced by a large-scale replica of the nearby Hafsid Kasbah Mosque of Tunis. The new minaret of the Zayt
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8

Sebregondi, Giulia Ceriani, and Richard Schofield. "First Principles: Gabriele Stornaloco and Milan Cathedral." Architectural History 59 (2016): 63–122. http://dx.doi.org/10.1017/arh.2016.3.

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AbstractThe construction from 1386 of Milan Cathedral, the largest Gothic church ever constructed in Italy, was one of the most important episodes in the history of Italian and European architecture. The documentation of the lateTrecentoand earlyQuattrocentodiscussions over how to build the Cathedral is extraordinarily rich and extensive, and permits a consideration of the project from many points of view including the relationship between medieval architectural theory and an actual project. At the same time, any enquiry has to contend with the copious modern literature and the conclusions tha
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Broeyer, F. G. M. "De Irenische Perkins-Vertaling Van De Arminiaan Everard Booth (1577-1610) 1." Nederlands Archief voor Kerkgeschiedenis / Dutch Review of Church History 71, no. 2 (1991): 177–209. http://dx.doi.org/10.1163/002820391x00195.

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AbstractBooth's Translation of an Irenical Perkins-Book In 1604 the Utrecht minister Everard Booth (1577-1610) published a translation of William Perkins' 'A Reformed Catholike'. Because of this translation, biographical dictionaries and other literature say that he must have agreed more or less with the predestinarian views of Franciscus Gomarus. In the conflict between Franciscus Gomarus and Jacobus Arminius, Perkins played an important part. He owes this to Arminius, who wrote a book against him and utterly disliked his ideas on predestination, the certainty of faith and final perseverance.
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Слюнькова, Инесса Николаевна. "The Church of the Ascension in Livadia and Byzantine Architectural Style. Imperial Commission and Project Execution." Вестник церковного искусства и археологии, no. 2(3) (August 15, 2020): 78–110. http://dx.doi.org/10.31802/bcaa.2020.3.2.006.

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Поднимается проблема изученности наследия русской церковной архитектуры, которая напрямую связана с требованиями идентичности и практикой воссоздания утраченных памятников. Работа является первым историко-архитектурным исследованием Вознесенской церкви в Ливадии (1869-1876, разобрана в 1929, воссоздание начато в 2016). Обозначены черты, характерные для императорского искусства, присущие храмам Ливадии, архитектуре Владимирского собора в Херсонесе. Вознесенская церковь рассматривается в контексте становления византийского стиля в русской архитектуре эпохи историзма. Раскрывается история и симво
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Tesis sobre el tema "Vincent (Cathedral)"

1

DELL'ASTA, LUCIA. "I CAPITOLI DI S.VINCENZO E S.ALESSANDRO DI BERGAMO TRA XII E XIII SECOLO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6229.

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Oggetto della ricerca sono i capitoli di S. Vincenzo e S. Alessandro di Bergamo, quelle istituzioni, cioè, che proprio nel corso del periodo preso in esame (1146-1216) ottennero di essere entrambe riconosciute capitoli della cattedrale. Dopo una panoramica sullo status quaestionis e sulle fonti disponibili, l’indagine si muove su due piani distinti ma tra loro connessi: innanzitutto, esaminando la struttura e l’organizzazione dei due collegi, si procede a un’analisi di tipo “istituzionale” degli stessi. Da questo punto di vista la ricerca mostra nel complesso come i due collegi abbiano condivi
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2

DELL'ASTA, LUCIA. "I CAPITOLI DI S.VINCENZO E S.ALESSANDRO DI BERGAMO TRA XII E XIII SECOLO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6229.

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Oggetto della ricerca sono i capitoli di S. Vincenzo e S. Alessandro di Bergamo, quelle istituzioni, cioè, che proprio nel corso del periodo preso in esame (1146-1216) ottennero di essere entrambe riconosciute capitoli della cattedrale. Dopo una panoramica sullo status quaestionis e sulle fonti disponibili, l’indagine si muove su due piani distinti ma tra loro connessi: innanzitutto, esaminando la struttura e l’organizzazione dei due collegi, si procede a un’analisi di tipo “istituzionale” degli stessi. Da questo punto di vista la ricerca mostra nel complesso come i due collegi abbiano condivi
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Libros sobre el tema "Vincent (Cathedral)"

1

Cutajar, Dominic. Malta: Six modern artists : Josef Kalleya, Vincent Apap, Emvin Cremona, Esprit Barthet, Antoine Camilleri, Frank Portelli. Malta University Services, 1991.

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2

Dawson, Aeneas McDonell 1810-1894. St. Vincent of Paul [microform]: A Lecture Delivered by the Rev. Aen. McD. Dawson, Before the St. Vincent de Paul Society of the Cathedral Parish of Ottawa. Creative Media Partners, LLC, 2021.

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3

Levine, Sue A. The Northern Foreportal Column Figures of Chartres Cathedral: Style and Dating and Reflections of Vincent of Beauvais Speculum Doctrinale (Kultstatt). Peter Lang Pub Inc, 1985.

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4

Vincent, William. A Sermon Preached in the Cathedral Church of St. Paul, London: On Thursday, June the 10th, 1784. by William Vincent, to Which Is Annexed, an Account of the Society for Promoting Christian Knowledge. Gale Ecco, Print Editions, 2018.

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5

Catholic Church Diocese of Kingston. Pastoral Letter of the Rt. Rev. James Vincent Cleary, S. T. D. , Bishop of Kingston, to Rev. Clergy of His Diocese on Catholic Education and Scott's Marmion [microform]: Being a Summary of Three Sermons Preached by Him in St. Mary's Cathedral on The... Creative Media Partners, LLC, 2021.

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6

Leffingwell, Edward. An Objet d'Art Book: Monet Cathedrals (An Objet D'art Book). Sterling/Joost Elffers, 2007.

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Leffingwell, Edward. An Objet d'Art Book: Van Gogh In Bloom (An Objet D'art Book). Sterling/Joost Elffers, 2007.

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8

Sherr, Richard. Cesare Tudino: Caesaris Tudini Canonici, & Musici Cathedralis Ecclesiae Adriensis Mottetorum Quinque Vocibus Liber Primus (Venice: Vincenti, 1588) (Sixteenth-Century Motet). Routledge, 1997.

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Capítulos de libros sobre el tema "Vincent (Cathedral)"

1

Rodrigues, Jorge [Manuel de Oliveira]. "The Portuguese Cathedrals and the Birth of a Kingdom: Braga, Oporto, Coimbra, and the Historical Arrival at Lisbon - Capital City and Shrine of St Vincent." In Romanesque Cathedrals in Mediterranean Europe. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.ama-eb.5.109571.

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