Bibliografías temáticas / Vintners' Company (London, England)

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Literatura académica sobre el tema "Vintners' Company (London, England)"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Vintners' Company (London, England)"

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Dean, David M. "Parliament, Privy Council, and Local Politics in Elizabethan England: The Yarmouth-Lowestoft Fishing Dispute." Albion 22, no. 1 (1990): 39–64. http://dx.doi.org/10.2307/4050256.

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In his celebrated presidential addresses to the Royal Historical Society between 1974 and 1976 Sir Geoffrey Elton explored three “points of contact” between central authority and local communities: Parliament, the royal council, and the royal court. Parliament, he argued, was “the premier point of contact,” which “fulfilled its functions as a stabilizing mechanism because it was usable and used to satisfy legitimate and potentially powerful aspirations.” Elsewhere Elton, and other parliamentary historians such as Michael Graves, Norman Jones, and Jennifer Loach, have stressed parliament's role
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Quarmby, Kevin. "Lazarus Theatre's All-Female Henry V at The Union Theatre, London." Scene: Reviews of Early Modern Drama, no. 1 (October 13, 2018): 25. http://dx.doi.org/10.18357/scene01201718440.

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Wagner, Joseph. "The Scottish East India Company of 1617: Patronage, Commercial Rivalry, and the Union of the Crowns." Journal of British Studies 59, no. 3 (2020): 582–607. http://dx.doi.org/10.1017/jbr.2020.38.

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AbstractThe history of the Scottish East India Company of 1617 is a history of partnerships and rivalries within and between Scotland and England. The company was opposed by the merchants of the royal burghs in Scotland and by the East India Company, Muscovy Company, and Privy Council in England. At the same time, it was supported by the Scottish Privy Council and was able to recruit Dutch, English, and Scottish investors. The interactions between these groups were largely shaped by the union of the crowns, which saw James VI accede to the thrones of England and Ireland and move his court to L
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Ackerman, Marianne. "England Mirvish, Marx, and Shakespeare." Canadian Theatre Review 50 (March 1987): 62–65. http://dx.doi.org/10.3138/ctr.50.009.

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In the beginning, champagne. Monday morning, September, 1986, cast and crew of the newly-formed English Shakespeare Company (ESC) assemble in the drafty Territorial Army Drill Hall, South-West London. Wearing his familiar bankers’ blue suit and white shirt, Torontonian David Mirvish grins his eager-beaver, anything-is-possible grin and toasts the most ambitious theatrical venture launched in London this season. In the next nine weeks, director Michael Bogdanov, 25 actors and a small crew will rehearse some 80 roles in three of Shakespeare’s history plays. Henry IV, Parts 1 & 2 and Henry V
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Sutton, Anne F. "The Merchant Adventurers of England: their origins and the Mercers' Company of London." Historical Research 75, no. 187 (2002): 25–46. http://dx.doi.org/10.1111/1468-2281.00139.

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Abstract The history of the adventurers, or overseas merchants, trading to the Low Countries is taken back to their earliest privileges, those from Brabant 1296–1315, to the establishment of their fraternity of St. Thomas c.1300, and to their common origin with the staplers. This discounts the theories that they owed their beginnings to the Mercers’ Company of London. The rise of the London mercers to an increasingly dominant position among the Adventurers to the Low Countries is traced from c.1400, and their records, the frequently misleading acts of court, are re-examined. The theory that th
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Dr., G. Aghalya. "EAST INDIA COMPANY IN INDIA OFFICE RECORDS IN LONDON." International Journal of Computational Research and Development 2, no. 1 (2017): 73–76. https://doi.org/10.5281/zenodo.569734.

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The historical research, which involves interpreting past events to predict future ones. Historical research design involves synthesizing data from many different sources. The purpose of the research is to further encourage the limited but fruitful cross-disciplinary conversations of recent years. The historical scope of the records begins in 1600, when the East India Company was granted exclusive rights to trade in much of Asia, including the entire Indian subcontinent. The records of the East India Company’s Governments in India are probably the best historical materials in the world. The re
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Hill, Errol. "Morton Tavares: Jamaican and International Actor." Theatre Research International 15, no. 3 (1990): 213–23. http://dx.doi.org/10.1017/s0307883300009688.

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It is not widely known that the Caribbean island of Jamaica enjoys a tradition of live theatre that may well be second to none in the English-speaking world, save only in England itself. Conquered from Spain in 1655, the island boasted an active theatre as early as 1682, not very long after public playgoing had returned to England following the Cromwellian interregnum. Records are silent about theatre for the next several decades, but by the 1730s troupers from England had begun regular visits which culminated in the two long residencies of the famed Hallam Company that came to Virginia from L
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Spraakman, Gary. "THE FIRST EXTERNAL AUDITORS OF THE HUDSON'S BAY COMPANY, 1866." Accounting Historians Journal 38, no. 1 (2011): 57–80. http://dx.doi.org/10.2308/0148-4184.38.1.57.

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At the request of shareholders, the Hudson's Bay Company had its financial statements audited for the first time in 1866. Two external auditors were hired, one for the shareholders and one for management. Three inter-related forces led to this decision: (1) most importantly, the company's shareholders demanded audited financial statements, (2) there was emerging in London at the time the capacity and willingness among London accountants to provide external audit services, and (3) the British Parliament passed various acts that required financial statements of companies in other industries to b
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9

Hewitt, Jon. "Daring to Think Seriously: the Need for Aesthetic Judgements." New Theatre Quarterly 26, no. 1 (2010): 77–80. http://dx.doi.org/10.1017/s0266464x10000084.

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The issue of attitudes towards the arts in England is here compared and contrasted with those evident in the rest of Europe today. This article was written in June 2009, following discussions in Wroclaw during the festival ‘The World as a Place of Truth’, part of the Year of Grotowski. Jon Hewitt is Artistic Director of Admiration Theatre Company, based in London. He has directed several productions, the most recent being Romeo and Juliet Docklands, set in the East End of London. In February 2010 his latest production, Tower Hamlet, opens at the Courtyard Theatre.
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Duncan, Craig. "Cutlers' Surgical Prize." Bulletin of the Royal College of Surgeons of England 90, no. 6 (2008): 211. http://dx.doi.org/10.1308/147363508x314816.

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The Worshipful Company of Cutlers, in association with The Royal College of Surgeons of England, each year awards the Cutlers' Surgical Prize, comprising the silver gilt Clarke medal and a sum of £1,000, for the entry judged to be the most outstanding advance in design of a surgical instrument or technique. The award is presented at a dinner held in the spring at Cutlers' Hall in the City of London.
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Tesis sobre el tema "Vintners' Company (London, England)"

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Ritter, Christina. "On hallowed ground the significance of geographic location and architectural space in the indenties [sic] of the Royal Shakespeare Company and Shakespeare's Globe /." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1188510799.

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Goncalves, De Aranjo Passos Stéphanie. "Une guerre des étoiles: les tournées de ballet dans la diplomatie culturelle de la Guerre froide, 1945-1968 /cStéphanie Gonçalves de Aranjo-Passos." Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209106.

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Ma thèse de doctorat explore les tournées de ballet des « six grandes » compagnies mondiales pendant la Guerre froide (1945-1968) :ballet de l’Opéra de Paris, Royal Ballet de Covent Garden, Bolchoï et Kirov, New York City Ballet et American Ballet. Elle envisage le ballet comme un outil de diplomatie culturelle transnationale, avec un focus particulier sur les acteurs, qu’ils soient institutionnels, artistiques ou commerciaux. Outre un aspect quantitatif qui nous a amené à cartographier les tournées, il s’agit d’une histoire incarnée par des femmes et des hommes − les danseurs − dont le métier
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Libros sobre el tema "Vintners' Company (London, England)"

1

Lee, Sophia. A catalogue of plate. Worshipful Company of Vintners, 1996.

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2

Castle, Kate. Ballet company. F. Watts in association with the Royal Opera House, Covent Garden, 1985.

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3

Doolittle, I. G. The Mercers' Company 1579-1959. Mercers' Company, 1994.

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4

Ware, Ciji. Wicked company. Sourcebooks Landmark, 2010.

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5

Webb, Cliff. Tinplateworkers' Company 1666,1668,1676,1681,1683-1800. Society of Genealogists, 1998.

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6

1930-, Saunders Ann, ed. The history of the Merchant Taylors' Company. Maney, 2004.

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7

Cliff, Webb. Feltmakers' Company 1676-1682, 1692-1800. Society of Genealogists, 2002.

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8

Glover, Elizabeth. A history of the Ironmongers' Company. Worshipful Company of Ironmongers, 1991.

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9

Company, Walt Disney. Disney's Oliver & Company. Ladybird, 1997.

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10

Horners, Worshipful Company of. The Worshipful Company of Horners. The Guild, 1990.

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Capítulos de libros sobre el tema "Vintners' Company (London, England)"

1

Lee, Daryl. "Anon., ‘Prospectus of a New Joint-Stock Company. the London Suicide Company’." In The History of Suicide in England, 1650–1850. Routledge, 2021. http://dx.doi.org/10.4324/9781003113973-8.

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Morgan, Kenneth. "The Case of the Royal African Company of England (London, Sam. Aris, 1730)." In The British Transatlantic Slave Trade. Routledge, 2021. http://dx.doi.org/10.4324/9781003113409-3.

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Haves, Charles. "The Importance of Effectually Supporting the Royal African Company of England, Impartially Consider'd . . . (London, M. Cooper, 1744)." In The British Transatlantic Slave Trade. Routledge, 2021. http://dx.doi.org/10.4324/9781003113409-4.

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Caple, Forrest H. "1727. Copy of the Charter of the Corporation of the Governor and Company of the Bank of England, London." In The History of Banking I, 1650-1850 Vol VI. Routledge, 2024. http://dx.doi.org/10.4324/9781003576709-10.

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Morgan, Kenneth. "Certain Considerations Relating to the Royal African Company of England. In Which, The Original Growth, and National Advantages of the Guiney Trade, are Demonstrated: As Also That the same Trade cannot be carried on, but by a Company and Joint Stock (London, 1680)." In The British Transatlantic Slave Trade. Routledge, 2021. http://dx.doi.org/10.4324/9781003113409-1.

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Smith, Hilda L., Mihoko Suzuki, and Susan Wiseman. "Sarah Jinner, An Almanack and Prognostication for the Year of Our Lord, 1659. Being the Third after Bissextile: or Leap year: Calculated for the Meridian of London and May Indifferently Serve for England, Scotland, and Ireland (London: J. Streater for the Company of Stationers, [1659]), not paginated." In Women's Political Writings, 1610-1725 Vol 2. Routledge, 2024. http://dx.doi.org/10.4324/9781003552819-35.

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Smith, Hilda L., Mihoko Suzuki, and Susan Wiseman. "Sarah Jinner, An Almanack or Prognostication for the Year of Our Lord, 1660. Being the Third after Bissextile or Leap year. Calculated for the Meridian of London, and May without Exception Serve for England, Scotland, and Ireland (London: J. Streater for the Company of Stationers, 1660), not paginated." In Women's Political Writings, 1610-1725 Vol 2. Routledge, 2024. http://dx.doi.org/10.4324/9781003552819-36.

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Botelho, Lynn, and Susannah R. Ottaway. "Richard Bulstrode, 'On Old Age', in Miscellaneous Essays: viz., I. Of Company and Conversation, II. Of Solitariness and Retirement, III. Of nobility, IV. Of Contentment, V. Of Women, VI. Of the Knowledge of God, and Against Atheism, VII. Of Religion, VIII. Of Kings, Princes, and the Education of a Prince, IX Of Greatness of Mind, X. Of the Education of Children, XI. Of Law, XII. Of Man, XIII. Of Old Age: With the Life and Conversion of St. Mary Magdalen ... also, the Life and Conversion of St. Paul (London: Jonas Browne, 1715), pp. 376–90." In The History of Old Age in England, 1600-1800, Part I Vol 2. Routledge, 2024. http://dx.doi.org/10.4324/9781003552673-2.

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"The Painter-Stainers’ Company of London." In Painting for a Living in Tudor and Early Stuart England. Boydell & Brewer Ltd, 2022. http://dx.doi.org/10.2307/j.ctv24tr6v2.10.

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Felling, Margaret. "Introduction:The College and the Middling Sort." In Medical Conflicts in Early Modern London. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199257805.003.0001.

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Abstract The College of Physicians of London, With which this study begins, was the premier medical corporation of early modern England. However, it was a comparatively recent body, being founded by Thomas Linacre and other humanists under crown patronage in 1518. London’s Barber Surgeons’ Company, by contrast, formed by the combination of the Barbers with the much smaller group of surgeons in 1540, had its origins from before 1308. The Society of Apothecaries, the ‘third part’ of practice, emerged under the College’s aegis as late as 161 7, but apothecaries had been members of the Grocers’ Co
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