Bibliografías temáticas / Waiting rooms Drama

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Literatura académica sobre el tema "Waiting rooms Drama"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Waiting rooms Drama"

1

Yang, Tianyi. "Verbal Strategies, Bodily Violence and Power: An Interpretation of The Dumb Waiter from the Perspective of Macro Power." Philosophy and Social Science 2, no. 1 (2025): 20–25. https://doi.org/10.62381/p253103.

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Winning the Nobel Prize for Literature in 2005, Harold Pinter’s unique Pinteresque style and unparalleled contribution to contemporary drama writing have always caught literal critics’ attention. One of his early dramas, The Dumb Waiter tells the story of two killers in one basement room waiting for the final order to come, ending in a quite unexpected way because it turns out that one killer is exactly the target. As one of his earlier works which seems to be distant from grand narrative, The Dumb Waiter is more known as the typical “comedy of menace” in the field of literature criticism. Rec
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2

Ancuta, Katarzyna. "The Waiting Woman as the Most Enduring Asian Ghost Heroine." Gothic Studies 22, no. 1 (2020): 81–97. http://dx.doi.org/10.3366/gothic.2020.0039.

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The waiting woman is a ghost who appears to be endlessly waiting – for recognition, for her lover, for a chance to reincarnate, or to exact revenge. In Asia, her roots can be found in early medieval Chinese records of the strange, arguably the oldest written ghost stories in the region. The romanticized version of this ghost, introduced in Tang Xianzu's drama Peony Pavillion ( Mudan ting, 1598), influenced many writers of Japanese kaidan (strange) stories and merged with East and Southeast Asian ghostlore that continues to inspire contemporary local fiction and films. The article proposes to r
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3

D'Cruz, Glenn. "‘Class’ and Political Theatre: the Case of Melbourne Workers Theatre." New Theatre Quarterly 21, no. 3 (2005): 207–17. http://dx.doi.org/10.1017/s0266464x05000114.

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Traditionally, class has been an important category of identity in discussions of political theatre. However, in recent years the concept has fallen out of favour, partly because of changes in the forces and relations of capitalist production. The conventional Marxist use of the term, which defined an individual's class position in relation to the position they occupied in the capitalist production process, seemed anachronistic in an era of globalization. Moreover, the rise of identity politics, queer theory, feminism, and post-colonialism have proffered alternative categories of identity that
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4

Prokofeva, Viktoria Yu. "MEDIATORS OF SPATIO-TEMPORAL TRANSITIONS IN CINEMA: AN ATTEMPT AT CLASSIFICATION." Горизонты цивилизации 14, no. 2 (2023): 41–50. http://dx.doi.org/10.47475/2413-0125-2023-14-2-41-50.

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The cinema of the 21st century has reached such technical heights that it can show any world on the screen, no matter how incredible the chronotope turns out to be. The science fi ction genre, in demand at all times, is now supplemented with elements of mysticism, horror, detective story, drama, etc., and these plots are often built on all kinds of movements with the help of some kind of intermediary. This can be either a special time machine of various confi gurations designed for such movements (a car or other man-made device), or home artifacts and loci, whose transition possibilities are d
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5

O’Grady, Alice, Kara Gray-Burrows, and Jinous Tahmassebi. "Inside the waiting room: process drama and dramatic distancing for involving children in research on dental anxiety." Arts & Health, March 2, 2021, 1–16. http://dx.doi.org/10.1080/17533015.2021.1894465.

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6

Miras, Alejandro Perez, Zypher Jude G. Regencia, and Emmanuel S. Baja. "‘I was terrified for my child’: understanding the link between the Dengvaxia® controversy and the measles vaccine hesitancy in Pasay City, Philippines." Journal of Public Health, June 20, 2023. http://dx.doi.org/10.1093/pubmed/fdad091.

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Abstract Background The Dengvaxia® (dengue vaccine) controversy has been identified as one of the main reasons for the measles vaccine hesitancy in the Philippines. Our study aimed to identify various issues related to the Dengvaxia® controversy and to link these issues with the social perspective of measles vaccine refusal. Methods Semi-structured interviews and a focus group discussion using ethnography research were conducted with 41 parents and healthcare workers in Pasay City. Using Victor Turner's Social Drama Theory, our study identified existing social issues relating to the different
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7

Gibbs, Anna. "In Thrall." M/C Journal 8, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2462.

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 Let’s begin with the paradox of disavowal. On the one hand, we all “know” that television is hypnotic. On the other hand, we tend to imagine that we each – perhaps alone – remain impervious to the blandishments it murmurs as we watch it, often without being fully aware we are doing so.
 
 One of the many things contributing to the invention of television, according to Stefan Andriopoulos, was “spiritualist research into the psychic television of somnambulist mediums” (618). His archaeology of the technological medium of television uncovers a reciprocal relation (
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8

Haliliuc, Alina. "Walking into Democratic Citizenship: Anti-Corruption Protests in Romania’s Capital." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1448.

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IntroductionFor over five years, Romanians have been using their bodies in public spaces to challenge politicians’ disregard for the average citizen. In a region low in standards of civic engagement, such as voter turnout and petition signing, Romanian people’s “citizenship of the streets” has stopped environmentally destructive mining in 2013, ousted a corrupt cabinet in 2015, and blocked legislation legalising abuse of public office in 2017 (Solnit 214). This article explores the democratic affordances of collective resistive walking, by focusing on Romania’s capital, Bucharest. I illustrate
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9

Campanioni, Chris. "How Bizarre: The Glitch of the Nineties as a Fantasy of New Authorship." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1463.

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As the ball dropped on 1999, is it any wonder that No Doubt played, “It’s the End of the World as We Know It” by R.E.M. live on MTV? Any discussion of the Nineties—and its pinnacle moment, Y2K—requires a discussion of both the cover and the glitch, two performative and technological enactments that fomented the collapse between author-reader and user-machine that has, twenty years later, become normalised in today’s Post Internet culture. By staging failure and inviting the audience to participate, the glitch and the cover call into question the original and the origin story. This breakdown of
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10

Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha
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Libros sobre el tema "Waiting rooms Drama"

1

Gupta, Tanika. The waiting room. Faber and Faber, 2000.

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2

Waiting Room II. Olabooks International, 2024.

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3

Pohl, Klaus. Waiting Room Germany (Instant Playscript). Nick Hern Books, 1996.

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4

Block, Lee Anne. Alternative representation of women and mental illness: "im-patients" in the waiting room. 1999.

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Capítulos de libros sobre el tema "Waiting rooms Drama"

1

Abbasi, Aisha. "Waiting-room dramas between patients." In The Rupture of Serenity. Routledge, 2018. http://dx.doi.org/10.4324/9780429483066-2.

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