Bibliografías temáticas / Western costume

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  1. Artículos de revistas
  2. Tesis
  3. Libros
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Literatura académica sobre el tema "Western costume"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Western costume"

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Zhang, Jingtong, and Yanchen Liu. "Research on Western Minorities Costume Culture and Innovative Development--Analysis Based on a Sample Questionnaire on Western Minorities National Costume." Journal of Social Science Humanities and Literature 6, no. 6 (2023): 5–12. http://dx.doi.org/10.53469/jsshl.2023.06(06).02.

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Based on analyzing the questionnaire sample on Western Minorities national costumes, this paper comprehensively explores the development trend and innovative direction of Western Minorities costume culture. The study results show that in the context of globalization, traditional Western Minorities costumes are gradually welcomed by the younger generation as a fashion representative. At the same time, traditional Western Minorities costumes have been innovatively applied in modern costume design. In the questionnaire, we learned that more and more consumer groups are interested in Western Minor
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Zhang, Jiwen. "An Exploration of the Differences between Chinese and Western Costumes in the Archaeological Archaeology of Clothing Culture in Different Periods of Agriculture." Journal of Environmental and Public Health 2022 (June 15, 2022): 1–12. http://dx.doi.org/10.1155/2022/2491990.

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Countries around the world have different historical development processes in different periods of agricultural economic environment, and have formed different costume culture characteristics. This study analyzes the differences in aesthetic standards in Chinese and Western clothing cultures, as well as the differences between Chinese and Western costumes in color design, structural design, and dress methods, and elaborates the main reasons for the differences between Chinese and Western clothing cultures. The study focuses on the characteristics and differences of traditional clothing art cul
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Romanyuk, Ivan, and Tymofiy Herasymov. "Liliya Ivanevych. Traditional Costume of the Ukrainians of Podillia (the Second Half of the 19th – Beginning of the 21st Century): History, Classification, Constructive-Artistic and Regional-Local Features. Monograph. Khmelnytskyi: FOP Melnyk A.A., 2022." Scientific Papers of the Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University. Series: History, no. 41 (2022): 135–37. http://dx.doi.org/10.31652/2411-2143-2022-41-135-137.

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The article reviews the monograph of Lilia Ivanevich, which examines the regional and local specifics of the traditional costume of Ukrainians of the Bukovyna, Western, Eastern and Central Podillia zones of the second half of the 19th and early 21st centuries. The classification of folk costume of the region according to its constructive-artistic and functional-utility characteristics is given. The author revealed national, special regional, specific subregional features of the formation of daily, festive and ceremonial folk costumes of the Podolians.
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Puspitasari, Feny. "COSTUME COLOR AS A MEDIUM OF COMMUNICATING THE CHARACTER CHANGES OF WARRIOR ANGGINI IN THE FILM WIRO SABLENG (2018)." New Design Ideas 9, no. 1 (2025): 269–86. https://doi.org/10.62476/ndi.91.269.

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Film costumes are not just aesthetics but also convey subtext, enrich characterization and shape the audience's perception. Color as part of a costume can reflect emotions, social status or character changes. However, color often has more meaning when examined in depth. In action films, costumes appear iconic, both in Western action films and Indonesian martial arts films, one of which is the Wiro Sableng martial arts film, which was re-produced in 2018. Like Western superhero films, the hero in this story has an iconic appearance. However, in the Wiro Sableng film made in 2018, namely, warrio
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Loite, Kersti. "Üksikesemest ülikonnani Virumaa rahvarõiva näitel / From a single item to an outfit (on the basis of Viru county folk costume)." Studia Vernacula 6 (November 5, 2015): 42–64. http://dx.doi.org/10.12697/sv.2015.6.42-64.

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In practice, the wearing of folk costume stopped in Viru County at the end of the 19th century, somewhat earlier in the western parts of the area and somewhat later in the eastern parts. Around the same time, people started to collect and preserve folk costumes. Since most of the Viru folk costumes are represented in museum collections as single items, this article examines how the traditional outfits have been assembled from single items and what has been considered important by those doing so. Three main books have been studied: “Estonian Folk Costumes” by Helmi Kurrik (published in 1938), “
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Loite, Kersti. "Üksikesemest ülikonnani Virumaa rahvarõiva näitel / From a single item to an outfit (on the basis of Viru county folk costume)." Studia Vernacula 6 (November 5, 2015): 42–64. http://dx.doi.org/10.12697/sv.2015.6.42-64.

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In practice, the wearing of folk costume stopped in Viru County at the end of the 19th century, somewhat earlier in the western parts of the area and somewhat later in the eastern parts. Around the same time, people started to collect and preserve folk costumes. Since most of the Viru folk costumes are represented in museum collections as single items, this article examines how the traditional outfits have been assembled from single items and what has been considered important by those doing so. Three main books have been studied: “Estonian Folk Costumes” by Helmi Kurrik (published in 1938), “
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Xue, Mengjie. "The Transmission Effect of Costume Dramas on International Social Media." Journal of Education, Humanities and Social Sciences 1 (July 6, 2022): 82–85. http://dx.doi.org/10.54097/ehss.v1i.642.

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C-dramas are launched on YouTube platform, and the update speed overseas is the same as that at home. Overseas audiences can understand costume dramas through language symbols, star symbols, and they love costume dramas more than modern dramas. They have the ability to share joys and sorrows with film and television characters. The viewing of costume dramas leads to Chinese fever and star chasing behavior. In order to better spread costume drama, it can create contact opportunities for overseas audiences within the acceptable range of culture, reduce the cultural inaccuracy part of costume dra
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Schiffner, Hannah Sophie. "Superhero uniforms: Challenging and redefining heroic identity." Clothing Cultures 10, no. 1 (2023): 53–64. http://dx.doi.org/10.1386/cc_00068_1.

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It is through superhero costumes that heroic identity is established. Superhero clothing, such as masks, capes and bright colours, not only establishes the superhero narrative but also plays a vital role in the superhero’s identity as distinct from other superheroes, but also from the general public. It is through costume that superheroes are distinguished with many immediately recognized across and on multi-platforms. However, in recent years, western societies have been described as transitioning into a post-heroic era. This article will analyse how superhero costumes of the Marvel Cinematic
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Wilson, Verity. "Western Modes and Asian Clothes: Reflections on Borrowing Other People's Dress." Costume 36, no. 1 (2002): 139–57. http://dx.doi.org/10.1179/cos.2002.36.1.139.

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Mangesti, Rahayu, Gede Mugi Raharja I, Agung Gede Rai Remawa Anak, and Istri Ratna Cora Sudharsana Tjok. "Acculturation in Sie Jin Kwie's Performance Costumes, Teater Koma Production in Jakarta." International Journal of Social Science and Human Research 08, no. 04 (2025): 2246–55. https://doi.org/10.5281/zenodo.15227192.

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Costumes in theater performances are very important in building the characters in the script. According to Teater Koma, the costumes in the Sie Jin Kwie theater performance are the best and most magnificent costumes of all Teater Koma productions. The Sie Jin Kwie play is set in Chinese history during the Tang Dynasty. This study examines the costumes of the Sie Jin Kwie Fights the Western Ghost theater produced by Teater Koma with an acculturation approach through qualitative methods. In the process of making theater costumes, costume makers need to understand the script to be able to build t
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Tesis sobre el tema "Western costume"

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Eluwawalage, Damayanthie. "History of costume : the consumption, governance, potency and patronage of attire in colonial Western Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/830.

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This dissertation represents a new' departure in the study of dress in colonial Western Australia, focusing on the rationale behind individual and collective clothing practices in the new society. As a study of significant social and cultural practices, rather than an account of fashion, this research contributes to the understanding of previously disregarded elements in colonial Western Australian ethno-economic and social histories. The study investigates the internal and external influences which impacted upon colonial inhabitants' ways of dressing, their societal attitudes and social demea
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Yes, Melissa R. "Space Program." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494286481799127.

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Cheng-Feng, Lai, and 賴成鳳. "Morphological Analysis Applied to Western Costume-A case study Based on the Costume of Renaissance." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/48189680218795756043.

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碩士<br>輔仁大學<br>織品服裝學系<br>97<br>This thesis aims to investigate the morphological analysis of western costume. A case of western costume in Renaissance era has been verified how to utilize methods of text analysis, picture analysis and morphological analysis to apply to western costume design. According to morphological varieties of western costume, this research adopts morphological analysis and proposes a six-step procedure. The previous five steps are attempted to establish five morphological matrix charts. The last step illustrates how to use morphological matrix charts to aid fashion design
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Gullickson, Mark A. "Work pants worn by loggers in Western Oregon, 1920-1970." Thesis, 2000. http://hdl.handle.net/1957/33106.

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With the arrival of European settlers to Western Oregon nearly 150 years ago came new methods of forest management. Early settlers' forest practices consisted of little more than harvesting what seemed an endless supply of timber. Forestry in the 20th century eventually incorporated such management concerns as re-forestation, biodiversity, wildlife sciences, recreation, and cultural resources. While forest practices in the Pacific Northwest changed dramatically during the 20th century, clothing worn by those most commonly associated with the field, the "logger," remained relatively unchanged.
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Chao, Yuan-Hsi, and 趙元熙. "Choice and Presentation: the Western Viewpoint in William Alexander’s The Costume of China(1805)." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/apj827.

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碩士<br>國立中央大學<br>藝術學研究所<br>106<br>In 1792, King George III assigned George Macartney as his representative of the embassy to China in order to expand trade. Later the mission turned out to be a failure. Although they came back to England humiliated, the embassy’s memories of China became a rich source of materials to be published. William Alexander, a draughtsman in the embassy, published The Costume of China (1805). The Costume of China recorded what he and the embassy saw along the Grand Canal from Beijing to Hangzhou, including many illustrations of Chinese society. In the first chapter
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Herbaugh, Karen J. "A comparative analysis of Far Eastern influence on Western women's clothing styles : high fashion and mass fashion, 1910-1925." Thesis, 1994. http://hdl.handle.net/1957/35751.

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The purpose of this study was to compare Far Eastern influences on Western women's dress as represented in both a high fashion and mass fashion magazine between 1910 and 1925. Vogue was selected as the high fashion magazine and Ladies Home Journal as the mass fashion magazine. The questions that were addressed were: was there a difference in the influence of the Far East on high fashion styles and mass fashion styles, was there a time lapse between the appearance of fashion styles influenced by the Far East within Vogue and Ladies Home Journal, and was the trickle-down theory applicable when e
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Ibeh, Oluebube Sallty. "Physico-chemical and mineralogical characterisation of earthy materials indigenously used as cosmetics." Diss., 2017. http://hdl.handle.net/11602/922.

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MENVSC<br>Department of Hydrology and Water Resources<br>Africa is endowed with various earthy materials, of which each community is uniquely identified. Inspite of the vast knowledge of western cosmetics, application of traditionally used cosmetics have been in existence and will be into practice from generation to generation, this is as a result of their various indigenous knowledge about traditional cosmetics. They are mostly applied during traditional rites and festive periods. Occasionally, earthy materials play a vital role in traditionally used cosmetics. Different reasons have been ass
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Hollows, Emma. "Kofifi/Covfefe: How the Costumes of "Sophiatown" Bring 1950s South Africa to Western Massachusetts in 2020." 2020. https://scholarworks.umass.edu/masters_theses_2/933.

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This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.
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Chen, Pai-ting, and 陳佩婷. "Transforming Traditional Taiwanese Costumes into Modern Western Costumes (1985-1970)." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/57172853396568959011.

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碩士<br>逢甲大學<br>歷史與文物管理所<br>97<br>Costume culture of residents in Taiwan had been long overlooked and is rarely found in historical records. Why did Taiwanese discard traditional costumes and put on western-style garments? This is the very concept and topic to discuss in this study. This study believes that, along with the fashion of western costumes in Taiwan and the introduction of western costumes design approaches, the need and production of western-style garments have not only changed Taiwanese’s daily costumes, but also altered the traditional costumes manufacturing approaches in Taiwan. H
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Jyh-Haur, Yang, and 楊智豪. "A Creation of the Costumes of Taiwanese Opera Combined with Western Fashion Elements in 18th Century for The Drama“Xue Ping-Gui and Wang Bao-Chuan”." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/75682637396381535278.

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碩士<br>樹德科技大學<br>應用設計研究所<br>95<br>Taiwanese Opera is a kind of local drama which can always amalgamate other cultures . Because of its special amalgamation of cultures, Taiwanese Opera becomes more and more generous. Of course, we can find this future on costume design. Though the costumes for Taiwanese Opera can take up so much style of other cultures, in fact, it didn’t go on a right way. Costume designers always just “put” some parts of western costumes on Chinese traditional costumes, and create a lot of Opera costumes which were though gaudy, so that we can hardly find the texture in our T
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Libros sobre el tema "Western costume"

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Tortora, Phyllis G. Survey of historic costume: A history of Western dress. 5th ed. Fairchild Publications, 2009.

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Tortora, Phyllis G. Survey of historic costume: A history of Western dress. 4th ed. Fairchild Publications, 2004.

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Tortora, Phyllis G. Survey of historic costume: A history of Western dress. 5th ed. Fairchild Publications, 2009.

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Keith, Eubank, ed. Survey of historic costume: A history of Western dress. 3rd ed. Fairchild Publications, 1998.

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Keith, Eubank, ed. Survey of historic costume: A history of Western dress. 5th ed. Fairchild Publications, 2009.

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Yarwood, Doreen. Fashion in the western world, 1500-1990. Batsford, 1992.

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Yarwood, Doreen. Fashion in the Western world, 1500-1990. Drama Book Publishers, 1992.

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Keith, Eubank, ed. A survey of historic costume: A history of Western dress. 2nd ed. Fairchild Publications, 1994.

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Racinet, A. Racinet's full-color pictorial history of Western costume: With 92 plates showing over 950 authentic costumes from the Middle Ages to 1800. Dover, 1987.

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Hāṇḍā, Omacanda. Textiles, costumes, and ornaments of the western Himalaya. Indus Pub. Co., 1998.

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Capítulos de libros sobre el tema "Western costume"

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Maitra, Lipika. "Costumes and Footwear." In Jain Paintings and Material Culture of Medieval Western India. Routledge India, 2023. http://dx.doi.org/10.4324/9781003415282-2.

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Farmer, Paul. "6. A39 International." In After the Miners’ Strike. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0329.08.

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Our European tour is radically different to A39’s barnstorming round Cornwall. We set off in Lucy’s battered Renault 12, the four of us packed inside with our clothes, costumes, instruments, two tents and camping gear. We take the ferry from Dover to Ostend and perform hit-and-run street theatre in cities on a path leading eastwards and southwards through Belgium, Germany, and Austria towards the Iron Curtain where western capitalism confronts Eastern Bloc. Each night we camp in the Rastplätze of the Autobahns. The nominal terminus on our outward journey is Budapest in Hungary, not because we
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Wallenberg, Louise. "Men in boots: on spectacular masculinity and its desublimation." In Shoe Reels. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474451406.003.0013.

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The proposed essay focuses on a piece of costume that is often both dirty and worn out: the man’s leather boot. The boot has been a constant in cinema, appearing first in Westerns films made at the beginning of the 20th century. As an iconic piece of male costume, the boot has populated male-oriented genres, signaling either masculinity en masse (as in war films), or a kind of masculinity closer to nature and to animals than to civilization (as in the Western film). Departing from earlier scholarship on masculinity as spectacle (e.g. Tasker; Holmlund), and engaging in textual analysis, this es
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"3 Weiditz and Costume Books." In The Image of the Black in Western Art, Volume III: From the “Age of Discovery” to the Age of Abolition, Part 2: Europe and the World Beyond. Harvard University Press, 2011. http://dx.doi.org/10.37862/aaeportal.00141.008.

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Pugsley, Peter C. "Iconography of the School Uniform." In Japanese High School Films. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474494618.003.0004.

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This chapter explores the links between school uniforms and disciplinarity, detailing the linear progression from Western military outfits to Japan’s iconic sērā-fuku (sailor suit) schoolgirl uniforms. It shows how uniforms act as an iconic symbol for characters and how costume designers are increasingly moving from realist portrayals of drab school uniforms to fashionable colourful uniforms that tie in with broader cinematic palettes.
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Marshall, John. "Riding with Robin Hood." In The Making of the Middle Ages. Liverpool University Press, 2007. http://dx.doi.org/10.5949/liverpool/9781846310683.003.0006.

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‘Riding with Robin Hood: English Pageantry and the Making of a Legend’, written by John Marshall, address the character of Robin Hood – whether fact or fiction – and his contribution to the outlaw narrative in the middle ages. In this chapter, Marshall also defines the ways in which visualizations of Robin Hood in terms of character, costume and scenery, have created an image and evocation of the middle ages. While no doubt one of the best-known and most enduring secular figures in the western world known for adventures that epitomized the middle ages, this essay attempts to determine how clos
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Zananiri, Sary. "Costumes and the Image: Authenticity, Identity and Photography in Palestine." In The Social and Cultural History of Palestine. Edinburgh University Press, 2023. https://doi.org/10.3366/edinburgh/9781399503617.003.0005.

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This chapter investigates the deployment of costuming in photography as a marker of identity, not only by western tourists whose ‘cultural crossdressing’ has been well documented, but also by Arabs. It questions the cultural negotiation costuming engenders, particularly with regards to transgressions of class and urban-rural divides, but also as a statement of authenticity. It considers urban and middle-class Palestinian participation in cross-dressing within a broader context of photographic culture in the period. In particular, it addresses the use of models wearing costume in ostensibly aut
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"3. The Love Parade Goes On: “Western-Costume Cantonese Opera Film” and the Foreignizing Remake." In Remaking Chinese Cinema. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824837846-005.

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Borenstein, Eliot. "Inside Out." In Marvel Comics in the 1970s. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501767821.003.0002.

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This chapter takes a look at Stan Lee's contribution to 1970s Marvel. Lee's approach speaks to one of early Marvel's constant preoccupations: the nature and value of humanity. Whereas DC's Superman rarely portrayed the Clark Kent/Superman dual identity as a question of psychology or subjectivity, Marvel used the contrast between the human and the superhuman as both a source of personal drama and a brief in favor of Western humanism. Just as Lee portrays the heroic costume as the fancy, attention-getting wrapping around the much more important “character” of the person behind the mask, the juxt
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Canepa, Matthew P. "The Rise of the Arsacids and a New Iranian Topography of Power." In Iranian Expanse. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520290037.003.0004.

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Chapter 4 argues that the Arsacids, through their tenure as the Iranian world’s longest-lived dynasty, created foundational architectural and cultural forms that shaped Iranian kingship through the early modern period. While they portrayed themselves in their coins in Persian satrapal costume, the early Arsacids were equally driven to engage and reinvent the traditions of Seleucid kingship. After initially taking over the topography that the Seleucids had established, the Arsacids began to claim Western Asia landscapes, rebuilding and reinvigorating ruined urban and sacred centers, such as Ass
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Actas de conferencias sobre el tema "Western costume"

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Шестакова, Л. В. "PONEVA SKIRT IN THE TRADITIONAL WOMEN'S COSTUME OF RUSSIAN OLD-TIMERS OF WESTERN SIBERIA OF THE 17th–EARLY 20th CENTURIES." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.30.

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Исследование традиционной женской одежды — поневы — происходит по археологическим и этнографическим материалам, которые относятся к периоду с X в. по начало XX в. По материалам исследователей Западной Сибири изучено распространение и бытование юбки-поневы в составе женского костюмного комплекса русских старожилов XVII–XX вв. Рассмотрена интеграция женского костюма русских старожилов в традиционный женский костюм остяков. Исследовано цветосочетание и значение цвета в традиционной одежде славян и обских угров. Территориальные границы охватывают районы проживания обских угров Тобольской губернии.
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Umerenkova, Ol’ga, and Larisa Bobrova. "On the problem of cultural interaction in the bronze age in the territory of the south of Western Siberia (reconstruction of decorations of female costume)." In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts)18-22.11.2019. Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-35-9-90-92.

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"Discussion on the Important Influence of Western Costumes on Cheongsam from 1920s to 1940s." In 2019 International Conference on Arts, Management, Education and Innovation. Clausius Scientific Press, 2019. http://dx.doi.org/10.23977/icamei.2019.201.

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Al-Hanahi, Bassam, Jianan Wen, Daryoush Habibi, and Asma Aziz. "Techno-Economic Analysis of Hybrid Hydrogen Fuel-Cell/PV/Wind Turbine/Battery/Diesel Energy System for Rural Coastal Community in Western Australia." In 2023 International Conference on Sustainable Technology and Engineering (i-COSTE). IEEE, 2023. http://dx.doi.org/10.1109/i-coste60462.2023.10500789.

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Informes sobre el tema "Western costume"

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Kwon, Yumi, and Sook Jin Kim. Study on Development of Convergence Subjects for Software Education in Fashion Design: Convergence Education of Western Costume History and 3D Virtual Costume Programs. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1698.

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Tawfiq, Wijdan, and Sara Marcketti. The Meaning and Symbolism of Traditional Bridal Costumes in the Western Region of Saudi Arabia. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-434.

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