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Artículos de revistas sobre el tema "Women and religion in art"

Autor: Grafiati

Publicado: 27 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Greenhill Hannum, Gillian. "Keeping the Faith." Religion and the Arts 27, no. 1-2 (2023): 1–14. http://dx.doi.org/10.1163/15685292-02701001.

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Abstract In many cultures, women are the “keepers of the faith,” despite the fact that masculine pronouns are often used to identify deity or deities in most of the world’s major religions. In addition, many foundational leaders of these faiths were male—Abraham, Moses, Jesus, Muhammed, and Siddhartha Gautama (the Buddha). This double issue of Religion and the Arts seeks to explore the ways in which contemporary artists who identify as women or are non-binary or third gender engage with spirituality, both in the context of different faith traditions and as unaffiliated spiritual seekers. The e

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2

Nolasco, Ana. "Crafting political gestures of locality: The transposition of artisanal traditions in the artwork of Catarina Branco." Craft Research 13, no. 1 (2022): 35–58. http://dx.doi.org/10.1386/crre_00065_1.

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This article seeks to shed light on the transposition of traditional crafts related to the popular religion of the Azores into the secular context of art in the works of Catarina Branco, taking two of the artist’s exhibitions ‐ Fez-se Luz, 2012, and Alminhas, 2013 ‐ as case studies. The research first shows how this transposition leads to the cross-fertilization of the religious and artistic domains, imbuing art with greater spirituality and introducing reflections concerning contemporary issues, such as emigration and the position of women into the context of religion. Second, I discuss how t

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3

Liutaeva, Maria. "Gender Aspects in Art and Religion from the Point of View of N. Luhmann’s System Theory." Sociopolitical Sciences 11, no. 6 (2021): 186–90. http://dx.doi.org/10.33693/2223-0092-2021-11-6-186-190.

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The article discusses the possibility of applying the theory of autopoietic communication systems to the scientific description of issues of gender differences. The proposed theory can act as a metatheoretical level of consideration of the topic and allows using the position of the observer of the “second order”, directs the focus of attention to the differences verbalized in communication, reveals the observing system based on the involved code. The specificity of gender aspects in the functioning and self-description of the systems of art and religion presented in the discourses “patriarchal

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4

Hoysted, Elaine. "The art of death and childbirth in Renaissance Italy." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2011 (January 1, 2011): 93–98. http://dx.doi.org/10.33178/boolean.2011.21.

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Pregnancy was a dangerous event in the life of a fifteenth-century Florentine patrician woman. One-fifth of all deaths among females that occurred in Florence during this period were in fact related to complications in childbirth or ensuing post-partum infections. In the years 1424-25 and 1430, the Books of the Dead recorded the deaths of fifty-two women as a result of labour. As conditions for pregnant women did not improve in the ensuing half a century, childbirth remained a dangerous event for women to endure. Husbands took many precautions to ensure a successful birth as can be seen in the

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5

Whalley, Beth. "Women, Writing and Religion in England and Beyond, 650–1100 by Diane Watt." Arthuriana 31, no. 4 (2021): 116–17. http://dx.doi.org/10.1353/art.2021.0034.

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6

Phuyuthanon, I.-na. "video Art of “Bannan0gsata Case Study”: Women Muteness." International Journal of Creative and Arts Studies 5, no. 1 (2018): 25–30. http://dx.doi.org/10.24821/ijcas.v5i1.2211.

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Video art is conveyance of creation of human emotions from a person who share similar emotions using digital media. It is conveyed through spiritual and emotional movements of the creators with definite aims concerning traditions, customs, beliefs, religions, and local ways of life. A range of issues in three border provinces of southern Thailand: Yala, Pattani, and Narathiwat, were brought up. With depiction of separatist terrorism in the area, video art might be able to tell complicated, over-a-decade-long story triggered by two incidents: the Tak Bai Incident and the clash at Krue Sae Mosqu

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7

Phuyuthanon, I.-na. "video Art of “Bannan0gsata Case Study”: Women Muteness." International Journal of Creative and Arts Studies 5, no. 1 (2018): 25–30. http://dx.doi.org/10.24821/ijcas.v5i1.2212.

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Video art is conveyance of creation of human emotions from a person who share similar emotions using digital media. It is conveyed through spiritual and emotional movements of the creators with definite aims concerning traditions, customs, beliefs, religions, and local ways of life. A range of issues in three border provinces of southern Thailand: Yala, Pattani, and Narathiwat, were brought up. With depiction of separatist terrorism in the area, video art might be able to tell complicated, over-a-decade-long story triggered by two incidents: the Tak Bai Incident and the clash at Krue Sae Mosqu

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8

Khanal, Shyam. "Images of Women in Abhijnanashakuntalam as Role Model for Women Empowerment." Haimaprabha 20 (July 30, 2021): 87–96. http://dx.doi.org/10.3126/haimaprabha.v20i0.38616.

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This paper aims to oversee the forms and image of women in the play Abhijnanashakuntalam written by Kalidasa; a great poet in Sanskrit literature. It is found that most of his works represent two different aspects of woman, one in the form of the poetic and artistic depiction of woman and the other in the form of her status in the prevailing society. The women were able to inspire action and hero’s aspirations with her own nobility and deep human affection which is the typical image for female character and an endless source of inspiration for contemporary art and literature. Hence, the portra

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9

McKinney, Ogbochi, Naomi N. Modeste, Jerry W. Lee, Peter C. Gleason, and Gisele Maynard-Tucker. "Determinants of Antiretroviral Therapy Adherence among Women in Southern Malawi: Healthcare Providers’ Perspectives." AIDS Research and Treatment 2014 (2014): 1–9. http://dx.doi.org/10.1155/2014/489370.

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Background. The purpose of this study was to explore healthcare providers’ perspectives on antiretroviral (ART) adherence in two ART clinics in southern Malawi. Nonadherence to ART is a significant hindrance to the success of HIV/AIDS treatment.Methods. A one-on-one semistructured interview was conducted with eight healthcare providers in two ART clinics in rural and urban southern Malawi. The interviews were focused on factors facilitating or hindering ART adherence and strategies to improve adherence. Interviews were audio-recorded, transcribed, and content-analyzed with the use of the const

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10

N.Asha, Devi. "Royal Women's Contribution to Temples During the Imperial Chola Period." Shanlax International Journal of Arts, Science and Humanities 6, no. 2 (2018): 58–62. https://doi.org/10.5281/zenodo.1472686.

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During the period of imperial Chola. Women enjoyed a high status in society. There were no  restraints  in  their  social  life  and  activities.  They  showed  a  keen  interest  in various  social activities and patronized various kinds of art   1. These works express  the bakthi of  women  of  those  periods.  They  involved  in  the  promotion  of religion,  particularly  Saivism  Religion  and  demonstrated  their  rights &nbs

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11

Morello SJ, Gustavo, Mikayla Sanchez, Diego Moreno, Jack Engelmann, and Alexis Evangel. "Women, Tattoos, and Religion an Exploration into Women’s Inner Life." Religions 12, no. 7 (2021): 517. http://dx.doi.org/10.3390/rel12070517.

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In this article, we study women’s tattoos from a lived religion perspective. We describe how women’s tattoos express their inner lives, the religious dynamics associated with tattooing, and how they negotiate them with others. The sample used came from surveys and interviews targeting tattooed women at a confessional college on the East Coast of the United States. Women appropriate a prevalent cultural practice like body art to express their religious and spiritual experiences and ideas. It can be a Catholic motto, a Hindu or Buddhist sign, or a reformulated goddess, but the point is that wome

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12

Zhang, Yuhe. "The Immorality of Not Wearing Clothes." Journal of Education, Humanities and Social Sciences 26 (March 2, 2024): 483–87. http://dx.doi.org/10.54097/g63p8475.

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In Chinese historical customs, women cannot show their feet. However, in the history of Western art, the naked woman is a very prevalent art form. Many artists even consider such art to be more representative of art than any other art. Acceptance of exposure varies from country to country, region, or religion, and this is also true in contemporary society. Nowadays, people must be well dressed and associate the exposure level with the morality level. This essay explores the history of dressing revealingly, the acceptance of exposure by people in different countries and cultures, and the relati

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13

Kumar, P. M. Suresh. "Women and Perception of Insecurity." RESEARCH REVIEW International Journal of Multidisciplinary 8, no. 1 (2023): 36–40. http://dx.doi.org/10.31305/rrijm.2023.v08.n01.007.

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The female child succumbs to myriad ways of marginalizing and role-modelling along with upbringing at a very early age. As she grows, she discovers that her biological self is contributing to vulnerability. Consequently, she tries to keep away from physical proximity to men and isolates herself from precarious surroundings. Alongside this, time assumes a situational factor imposing restrictions on physical mobility. As a result, spatial mobility becomes a challenge. This double calamity of exercising conscious control of the body and behaviour to align it with time and space is excessively ove

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14

Sklar, Elizabeth S. "The Female Reader at the Round Table: Religion and Women in Three Contemporary Arthurian Texts by Kristina Hildebrand." Arthuriana 12, no. 3 (2002): 135–36. http://dx.doi.org/10.1353/art.2002.0015.

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15

Stetz, Lauren. "Data Visualization of Artists’ Responses to Violence Against Women: Art Activism for Pedagogy." Visual Arts Research 50, no. 1 (2024): 63–78. http://dx.doi.org/10.5406/21518009.50.1.06.

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Abstract Addressing the need to confront violence against women (VAW) within educational contexts, this article explores how data visualization can be used to understand entanglements of VAW across geographies, culture, religion, race, ethnicity, gender, sexuality, and political histories. Through the examination of art activism that emerges within digital places such as social media platforms, this research queries how art manifests within transnational online environments to highlight unique nuances of place and identity. Emphasizing the critical ability of the arts to provide voice to confr

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16

Molendijk, Arie L. "Het wereldparlement van religies te Chicago (1893)." NTT Journal for Theology and the Study of Religion 69, no. 1 (2015): 1–20. http://dx.doi.org/10.5117/ntt2015.69.001.mole.

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The aim of this contribution is to give a coherent account of the World Parliament of Religions held in Chicago in 1893. The meeting was organised in the context of the Columbian World Exhibition, which celebrated 400 years of America. The Parliament convened in the main hall of the Chicago Art Institute and attracted 150,000 people, according to one of the lengthy reports. Various aspects are addressed: the objectives of the organisers, the character of the various reports of this mega-event, the participation of women, the relationship between the Christian organisers and the representatives

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17

Markowska, Anna. "Współdzielenie i współodczuwanie zamiast osądzania. Duchowe wsparcie sztuki w zakonach i laickich wspólnotach żeńskich Kalifornii." Artium Quaestiones, no. 35 (December 31, 2024): 187–208. https://doi.org/10.14746/aq.2024.35.9.

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California’s feminist art of the counterculture era thrived in both women’s religious and secular communities, ranging from the Convent of the Sisters of the Immaculate Heart of Mary to art collectives established at universities. During the historical transition from high modernism to emerging postmodernism, collective affirmative strategies emerged, renewing the debate between religion and the public sphere. These transformative practices of post-secular affirmativeness fostered a renewed relationship with the Goddess and a close connection between art and life. Engaging with the work on a p

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18

Alia Hadi Ali, Prof. Dr. Sumera Jawad та Prof. Dr. Rafya Tahir. "A Study of Quranic Allegory, Decorative Ornaments in Female Attire miniature at museum and Architecture: Dᾱī’ Angᾱ Mausoleum & Mosque in Lahore Punjab". Al-Qamar 4, № 03 (2021): 57–74. https://doi.org/10.53762/me4e8p87.

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Religion have a significant aspect in changing culture and practices of region where humans live. All aspects of existence are represented by religion. This gave bases to representation of women through her dressing and house hold shores. This have been addressed in holy Quran. In which women and her representation at different areas are done in which her covering and dressing. Woman is the created by God for Adam’s employer and companion to step into humanly life to begin a family. He created woman like a gem inside the sea shell. Inspiration and interpretation of verses were adopted in Mugha

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19

Yu, Chengpu, Wanlin Li, and Mingfen Deng. "Hope and anxiety: The study of female embodied experience with assisted reproductive technology." Chinese Journal of Sociology 7, no. 2 (2021): 138–70. http://dx.doi.org/10.1177/2057150x211002982.

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Assisted reproductive technology (ART) is hailed as “the holy grail” for infertile patients in the mainstream narrative. The existing studies have clearly demonstrated how external social factors shape how ART is to be used, but they ignore the recipients of the technologies, and especially the experiences of women. Based on an investigation conducted in Z hospital’s reproductive center, this article regards embodiment as the methodological orientation for integrating socio-cultural context with female embodied experience in order to show their bio-social entanglement. As fieldwork evidence in

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20

Straehl, Juliana, Lúcia Lara, Marcos Sá, Rosana Reis, and Ana Rosa-e-Silva. "What do Infertile Women Think about Oocyte Reception, Oocyte Donation, and Child Adoption?" Revista Brasileira de Ginecologia e Obstetrícia / RBGO Gynecology and Obstetrics 39, no. 06 (2017): 282–87. http://dx.doi.org/10.1055/s-0037-1603742.

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Purpose The views of infertile couples regarding oocyte donation by third parties and adoption are unknown, as these may be interpreted as a final closure of the available options for conception. This study aimed to determine the acceptance of oocyte donation, oocyte reception, and child adoption of infertile women who submitted to assisted reproductive technology (ART) treatment Methods Sixty-nine women who were under treatment for infertility and submitted to ART procedures were included in this cross-sectional study. They were evaluated using semi-structured questionnaires administered duri

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21

Chung, Vu Van. "Theravada Buddhism (Nam Tong) for Southern Women's Life under Gender Equality Approach." Journal of Law and Sustainable Development 11, no. 5 (2023): e1174. http://dx.doi.org/10.55908/sdgs.v11i5.1174.

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Objective: To analyze and present features of Theravada (Nam tong) Buddhism for southern women’s life under gender equality approach.  Method: Authors use qualitative analysis, inductive and synthesis method combined with case study.  Result: Along with the progress and global civilization, the feminist movement is growing, the issue of gender equality is therefore being discussed and raised more and more to meet the expectations and goals of the whole people as well as the whole society: for the advancement and development of women in the 4.0 technology era. Gender equ

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22

Ishaque, Nausheen. "Violence Ritualized." SAGE Open 7, no. 1 (2017): 215824401770152. http://dx.doi.org/10.1177/2158244017701527.

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This article aims to undertake a study of The Holy Woman by Qaisra Shahraz in terms of how it brings forth the woman question by effectively reflecting on the dangerous chemistry of tradition and religion—a chemistry meant to legitimize ritualization of violence. This naturally entails discussion on the way tradition is made to conspire with religion against women with an exclusive theoretical underpinning of postcolonial feminism. The author has kept the focus of study limited to the issues of female sexuality, celibacy, and hijab. Evidently, the discussion dilates upon how religion is supers

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Mojeiko, Marina A. "Phenomenon of Donna: the glamour and poverty of Fair Lady." Journal of the Belarusian State University. Sociology, no. 3 (September 28, 2020): 120–38. http://dx.doi.org/10.33581/2521-6821-2020-3-120-138.

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It is devoted to identifying the causes of the formation of Donna’s phenomenon in the courteous tradition and the essence of the cult of the Fair Lady as the foundation of troubadours’ poetry. The specificity of womenʼs position in society in the period of 10th–13th centuries has been revealed. The situation of woman in marriage and its alternatives have been considered. The directions of womenʼs activity in various areas of medieval life have been analysed: economy, politics, religion, art. The mechanisms of limitations of this activity have been discovered. The features of the position of wo

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Ghani, Bilquis, and Lucy Fiske. "‘Art is my language’: Afghan cultural production challenging Islamophobic stereotypes." Journal of Sociology 56, no. 1 (2019): 115–29. http://dx.doi.org/10.1177/1440783319882536.

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Afghans and Afghanistan have, since September 11, risen to prominence in Western popular imagination as a land of tradition, tribalism and violence. Afghan women are assumed to be silent, submissive, and terrorised by Afghan men, who are seen as violent patriarchs driven by an uncompromising mediaeval religion. These Islamophobic tropes also inform perceptions of Afghans seeking asylum. In transit, identities are further reduced; asylum seekers lose even a national identity and become a Muslim threat – criminals, terrorists or invaders. These narrative frames permeate political discourse, medi

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McMahon, Keith. "Women Rulers in Imperial China." Nan Nü 15, no. 2 (2013): 179–218. http://dx.doi.org/10.1163/15685268-0152p0001.

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“Women Rulers in Imperial China”is about the history and characteristics of rule by women in China from the Han dynasty to the Qing, especially focusing on the Tang dynasty ruler Wu Zetian (625-705) and the Song dynasty Empress Liu. The usual reason that allowed a woman to rule was the illness, incapacity, or death of her emperor-husband and the extreme youth of his son the successor. In such situations, the precedent was for a woman to govern temporarily as regent and, when the heir apparent became old enough, hand power to him. But many women ruled without being recognized as regent, and man

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Arauf, Muta Ali. "Religious and Cultural Contestation in Strengthening The Role of Women Through Pedhalangan Art." Al-Adyan: Journal of Religious Studies 5, no. 1 (2024): 1–15. https://doi.org/10.15548/al-adyan.v5i1.8550.

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This article explores the contestation of religion and culture in the context of female puppeteers in Banyumas. Some young female puppeteers in Banyumas show their talent and interest in Wayang Golek performances performed by the Paguyuban Muda Banyumas to preserve existing local culture. This qualitative research uses data collection techniques through observation and interviews with the chairman and members of the Banyumas Young Dalang Art Association. The results of this study show that the role of women in the arts is interpreted from the point of view of religion and culture, so the dynam

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Pawłowska, Aneta. "Gender and Eroticism in Contemporary Art from South Africa." Werkwinkel 12, no. 1 (2017): 85–106. http://dx.doi.org/10.1515/werk-2017-0006.

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Abstract The aim of this article is to present the interaction between the history of lesbian and gay culture and its identity on the one hand, and the connection between the visual art or visual culture on the other hand. This essay endeavors to interpret the different meanings attached to sexual identities by examining the diverse artistic activities of a variety of artists: both men and women (e.g. Steven Cohen, Clive van den Berg, Andrew Verster, Nicolas Hlobo, Jean Brundrit, Zanele Muholi). Employing an intersectional analytical approach, the article shows that the identity of art is cons

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Lanszki-Széles, Gabriella. "Egyházi öltözékek, miseruhák Gölle és Kisgyalán községekben a 18–21. században." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 7 (2020): 305–20. http://dx.doi.org/10.26080/krrmkozl.2020.7.305.

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The paper was written about the church attires of the two villages of Outer-Somogy County from the 18th to the 21st century, taking into account ecclesiastical art and lo-cal history aspects. During the Counter-Reformation period, Baroque art was destined to conquer believers in the Catholic religion. A good example of this is the more than 250-year-old mass chasuble, which is a latent applied art value in Gölle. This chasuble bears several common similarities with the mass dresses from Maria Theresa ‘s embroidery workshop: it is very richly embroidered with scotch, its pattern and color are a

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Cucarella-Ramon, Vicent. "The Aesthetics of Healing in the Sacredness of the African American Female’s Bible: Zora Neale Hurston’s Moses, Man of the Mountain." Revista Alicantina de Estudios Ingleses, no. 29 (November 15, 2016): 69. http://dx.doi.org/10.14198/raei.2016.29.04.

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Zora Neale Hurston’s Moses, Man of the Mountain (1939) stands in the tradition of African American use of the biblical musings that aims to relativize and yet uphold a new version of the sacred story under the gaze of a black woman that manipulates and admonishes the characters of the gospel to offer a feminist side of the Bible. The novel discloses Hurston’s mastering of the aesthetics that black folklore infused to the African American cultural experience and her accommodation to bring to the fore the needed voice of black women. Rejecting the role of religion as a reductive mode of social p

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Liebmann, Louise Lund, and Lise Paulsen Galal. "Classing religion, resourcing women: Muslim women negotiating space for action." Cultural Dynamics 32, no. 4 (2020): 261–81. http://dx.doi.org/10.1177/0921374020934505.

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Approaching Islam as a discursive terrain, this article challenges the tacit understanding of Islam as a repressor in young women’s lives and argues that well-educated, young female Muslims in Denmark use a discursive distinction between “real” Islam and “misguided” ethno-cultural traditions to challenge restrictive gender norms. Inspired by research on everyday lived religion and lived Islam, we show how the women—backed by their middle-class identity formations—posit a culture/religion dichotomy turning the discursive terrain of Islam into a resource in intergenerational discussions with the

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Sunita Yadav and Dr. Ganesh Dubey. "A Critical Study Of Right To Equality Under Indian Constitution With Judicial Decision." Legal Research Development: An International Refereed e-Journal 1, no. II (2016): 48–54. http://dx.doi.org/10.53724/lrd/v1n2.05.

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For writing this research paper null hypothecation are taken and critical approach and study done. In this present scenario Right to Equality under Indian Constitution are given Art. 14 to 18.Every person is equal under Indian Constitution and he should be treated equally and non-discrimination on the basis of religion, caste, race, place of birth. But state government can make special provision for women and children, scheduled caste, scheduled tribes and backward classes. In Indian constitution there is some provision for upliftment for Scheduled tribe, scheduled caste, backward classes, wom

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Jordan, Kate. "‘Artists Hidden from Human Gaze’: Visual Culture and Mysticism in the Nineteenth-Century Convent." British Catholic History 35, no. 2 (2020): 190–220. http://dx.doi.org/10.1017/bch.2020.18.

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This article offers a reading of nineteenth-century Roman Catholic theology through the sacred art produced by and for women religious. The practices and devotions that the article explores, however, are not those that drew from the institutional Church but rather from the legacies of mysticism, many of which were shaped in women’s religious communities. Scholars have proposed that mysticism was stripped of its intellectual legitimacy and relegated to the margins of theology by post-Enlightenment rationalism, thereby consigning female religious experience to the politically impotent private sp

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Darwin, Helana. "Redoing Gender, Redoing Religion." Gender & Society 32, no. 3 (2018): 348–70. http://dx.doi.org/10.1177/0891243218766497.

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This article advances a critical gender lens on the sociology of religion by arguing that “doing gender” and “doing religion” function as intertwined systems of accountability. To demonstrate the inextricability of these two systems, this study analyzes open-ended survey data from 576 Jewish women who wear kippot (skullcaps that are traditionally worn by Jewish men). These women’s responses reveal that this religious practice is fraught with social sanctions on the basis of the women’s simultaneous gender deviance and religious deviance. These women are not read as simply “doing Jewish” when t

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Sridharan, Shriya. "Women in Hindu Temple Art." Religion and the Arts 27, no. 1-2 (2023): 157–78. http://dx.doi.org/10.1163/15685292-02701015.

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Abstract This paper will focus on the traditional or Agamic temples of South India, to explore the reasons why women are largely absent in significant hereditary roles determining the continuation of its art and ritual practices even at present. The art/ritual practice that women are primarily associated with is kolam-making. Kolams are geometric and abstract floor designs that are drawn by hand using impermanent materials like rice flour to mark the auspiciousness of an entryway, a festive occasion or time of the day. These are mostly done as voluntary services at temples by women in the loca

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Soomekh. "Iranian Jewish Women: Domesticating Religion and Appropriating Zoroastrian Religion in Ritual Life." Nashim: A Journal of Jewish Women's Studies & Gender Issues, no. 18 (2009): 13. http://dx.doi.org/10.2979/nas.2009.-.18.13.

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Kiran. "REPRESENTATION OF WOMEN IN INDIAN CLASSICS." International Journal of Multidisciplinary Research and Modern Education (IJMRME) 8, no. 2 (2022): 66–68. https://doi.org/10.5281/zenodo.8075981.

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In literary works of western literature Women were frequently the topic of interest for writers. Literature makes it clear that women social roles were more constrained then the roles of men. And since men composed the vast majority of early works, misogyny tends to taint much of it. Women were attributed with such negative traits like deceit, selfishness, seduction and temptation. They were always controlled, exploited and restrained and depicted in literature as submissive, docile, objects of desire, shameful and lower to their male counterparts. On the other hand in Indian classics, Women w

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Widyawati, Fransiska, Yohanes Mariano Dangku, and Yohanes Servatius Lon. "Portrait of Mary and Manggarai Women in “Dere Serani”: The Encounter of Religion and Culture." DUNAMIS: Jurnal Teologi dan Pendidikan Kristiani 9, no. 1 (2024): 439–55. http://dx.doi.org/10.30648/dun.v9i1.1403.

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Catholics hold Mary, the mother of Jesus, in high esteem. The widespread presence of Marian devotions, teachings, dogmas, symbols, titles, art, and places of pilgrimage in various church regions across the globe demonstrates this phenomenon. This study investigates the portrayal of Mary at the Manggarai Catholic Church, which is situated in the Diocese of Ruteng, Flores. This study aimed to analyze the songs performed by Maria that are featured in the book “Dere Serani.” The central investigation focused on whether the depiction of Mary in songs is impacted by the representation of women in th

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Gailea, Nurhaedah, and Yumna Rasyid. "A STUDY OF THE ENGLISH TEXTBOOKS FOR SENIOR HIGH SCHOOL IN FOUR ENGLISH SKILLS ON GENDER EQUALITY IN SERANG CITY - BANTEN." IJLECR - INTERNATIONAL JOURNAL OF LANGUAGE EDUCATION AND CULTURE REVIEW 1, no. 1 (2015): 97–104. http://dx.doi.org/10.21009/ijlecr.011.10.

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The objective of the research is to find out deeply the aspects of equal gender on English textbooks for Senior High School by Indonesian and English writer in Serang City. The method used in this research is qualitative research with content analysis technique.The data collected through document review. The research finding shows that the perecentage of men are higher than women in the aspects of main character and historical event, the use of equal language, public and domestic role, and art talent, sport, and intellectual competence on the books of indonesia writer in four language skills s

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Brzezińska, Monika Maria. "Can Women and Religion (Catholic) Save Modern Leadership?" Religions 14, no. 8 (2023): 1030. http://dx.doi.org/10.3390/rel14081030.

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This article examines the theoretical potential of the gender leadership model of women motivated by the Catholic religion in the context of its ability to socially and politically activate and its effectiveness in terms of assumed goals. Numerous studies on gender indicate a certain effectiveness of gender politics (including gender equality and neutrality) in reducing the deficit of women in politics, but it turns out that in the long term it does not effectively solve the problem of the asymmetry of gender representation in the world of politics. The analysis of the decision-making processe

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Okome, Onokoome. "Women, Religion and the Video Film in Nigeria." Film International 2, no. 1 (2004): 4–13. http://dx.doi.org/10.1386/fiin.2.1.4.

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Alidou, Ousseina, and Hassana Alidou. "Women, Religion, and the Discourses of Legal Ideology in Niger Republic." Africa Today 54, no. 3 (2008): 20–36. http://dx.doi.org/10.2979/aft.2008.54.3.20.

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Liang, Luofan. "The Reflection of the Renaissance on Education, Society and Women." Lecture Notes in Education Psychology and Public Media 4, no. 1 (2023): 659–64. http://dx.doi.org/10.54254/2753-7048/4/2022285.

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After the Black Death, many people began to question their faith, and when the split in the church and the confrontation between the Pope and the Emperor greatly limited the ability of religion to control the minds of the common people, humanism developed and once again put the care of the individual at the centre of humanity, peoples beliefs, and value shift drastically. Art is the reflection of the society so as other factors that exist in the same period. Seeing this revolutionary period of human history from different perspectives from the large western population to the small individual,

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Disli, Gulsen. "An Analysis of Gendering of Space in Historical Hospitals of Anatolia." Kadın/Woman 2000, Journal for Women's Studies 22, no. 1 (2021): 1–24. http://dx.doi.org/10.33831/jws.v22i1.95.

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Medical ethics, clinical practices, as well as privacy considerations affected the gender-space relationship in spaces of healing. Researchers to date have been analysed the historical hospitals of Anatolia in terms of their architecture, planning, art history, history of medicine, and even in terms of their functional systems, but not yet regarding their gendered space segregation. There are also limited studies related to the gender, religion, and secularism in historical hospitals outside of Anatolia. Hence, in this paper, historical hospitals of Anatolia have been chosen as case studies an

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Beissenova, Aigul A., Baizhol I. Karipbayev, Galiya R. Seifullina, Kuanysh M. Sissengaliyev, and Pavel P. Solochshenko. "Religion and Women in Kazakhstan: A Sociological Analysis." Mankind Quarterly 62, no. 4 (2022): 648–59. http://dx.doi.org/10.46469/mq.2022.62.4.5.

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Bishara, Hanan. "Spinsterization of Women or Spinster Women in the Arab Women’s Literature: An Imposed Reality or a Rejected Choice? Hayfā’ Bayṭār’s Novel, Nisā’ bi Aqfāl/Women in Locks1, as a Sample". International Journal of Applied Linguistics and English Literature 10, № 4 (2021): 61. http://dx.doi.org/10.7575/aiac.ijalel.v.10n.4p.61.

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In my opinion, the art of the novel is an invented female art. It is a product of the hidden depths and interiors of the woman’s suffering. “Every woman is pregnant of her ‘novel’ as one critic argued and therefore, she does not see it necessary to write it on paper as long as she lives sit. The woman is a creator and an artist in her nature and it is sufficient for us to say the mistress of narrators is a woman called Scheherazade, who is the mistress of the tales the Arab nights, namely, Alf Laila wa Laila. What proves my view strongly is the historical error that literary historians and cri

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Young, M. Jane. "Women, Reproduction, and Religion in Western Puebloan Society." Journal of American Folklore 100, no. 398 (1987): 436. http://dx.doi.org/10.2307/540903.

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Rayburn, Carole A., Lee J. Richmond, and Lynn Rogers. "Men, women, and religion: Stress within leadership roles." Journal of Clinical Psychology 42, no. 3 (1986): 540–46. http://dx.doi.org/10.1002/1097-4679(198605)42:3<540::aid-jclp2270420324>3.0.co;2-i.

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CHATTOPADHYAY, APARAJITA, and BAISHALI GOSWAMI. "STATUS OF WOMEN IN TWO BENGALS: EVIDENCE FROM LARGE SCALE SURVEYS." Journal of Biosocial Science 39, no. 2 (2006): 276–86. http://dx.doi.org/10.1017/s002193200600126x.

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Summary.Greater female autonomy is mirrored through better performance in the major demographic and social indicators. This study attempts to capture the effect of religion on the status of women considering ‘Greater Bengal’. There is much evidence suggesting that when cultural factors are constant, religion does not have a significant effect on any demographic issue. In this paper, the validity of this proposition is examined using two datasets, namely NFHS II (98–99) and BDHS 2000. It is clear from the analyses that not only region but also religion has a distinct effect on the status of wom

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Ghazal Read, Jen'nan. "Family, religion, and work among Arab American women." Journal of Marriage and Family 66, no. 4 (2004): 1042–50. http://dx.doi.org/10.1111/j.0022-2445.2004.00077.x.

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Anwar, M. Shoim. "AKAR KULTURAL DALAM PUISI KARYA PEREMPUAN PENYAIR BERETNIS MADURA: KAJIAN ANTROPOLOGI SASTRA." ATAVISME 25, no. 2 (2022): 153–69. http://dx.doi.org/10.24257/atavisme.v25i2.823.153-169.

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Madura has a distinct subculture in Indonesian culture. Poetry by female Madurese poets can also represent this distinctive anthropological cultural aspect. From the perspective of literary anthropology, with a qualitative approach, the aims of this reasearch are to interpret, analyze, and find things related to anthropological cultural roots in poetry by women of Madurese ethnic poets. The result of this research is that the poetry of Madurese ethnic women poets is influenced by the anthropological cultural journey based on Madura, both when the poets live on the island of Madura and when the

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