Bibliografías temáticas / Women authors, Chinese

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Literatura académica sobre el tema "Women authors, Chinese"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 23 de febrero de 2023

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Artículos de revistas sobre el tema "Women authors, Chinese"

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Susanto, Dwi. "Pandangan Pengarang terhadap Perempuan dalam Cerpen Tahun 1950-1960-an Karya Pengarang Peranakan Tionghoa-Indonesia." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 5, no. 4 (2022): 883–96. http://dx.doi.org/10.30872/diglosia.v5i4.526.

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This paper looks at the views or constructions of Chinese peranakan authors towards women in that era. Issues discussed: (1) how Peranakan authors narrate women in their works; (2) the reasons for the Chinese Peranakan authors in the 1950s-1960s to narrate women. This study uses the point of view of feminist literary criticism. The object of this research is the 1950-1960s short stories and the author's perspective on women. The data of this research is the narrative of short stories that describe the image of women, the author's social construction, and the idea of ​​androcentrism. The data i
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Aliev, K., and M. Tologonova. "A WOMAN IN THE TRADITIONAL CULTURE OF CHINA." Vestnik Bishkek state university af. K. Karasaev 2, no. 61 (2022): 42–45. http://dx.doi.org/10.35254/bhu/2022.61.42.

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In the article, the authors analyzed the place and role of women in ancient Chinese culture. The article deals with the issues of the position of women in the ancient Chinese sources «Women’s Quaternary», «Conversations and Reasonings for Women» and «Instructions for Women» by Nu Tse. Also, the authors of the most important sources of knowledge for women Liu Shi, Su Ruo-hsin, Xu and Ban Zhao are considered. Special attention is paid to the position of a girl before marriage, a Chinese woman as a wife, the status of a woman as a mother, the status of a woman after marriage, the status of a conc
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Zhang, Jie, Dwight A. Hennessy, Jing Luo, et al. "Are Women in China Sexist toward Other Women? a Study of Chinese College Students." Psychological Reports 105, no. 1 (2009): 267–74. http://dx.doi.org/10.2466/pr0.105.1.267-274.

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This study assessed the extent to which social sexism affects Chinese women's perception and evaluation of other women's performance. A sample of 100 college women was selected in a top university in Beijing, China, and was asked to read six scholastic essays and then evaluate the quality of the essays and competence of the authors. Male and female names were randomly assigned as authors of the essays, and the respondents were blind to the arrangement. Results showed that the essays assumed to be written by male authors did not receive higher scores than those assumed to be written by female a
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Wong-Kim, Evaon, and Caroline C. Wang. "Breast Self-Examination Among Chinese Immigrant Women." Health Education & Behavior 33, no. 5 (2006): 580–90. http://dx.doi.org/10.1177/1090198106290800.

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The incidence of breast cancer is rising rapidly among the fast-growing demographic group of Asian American and Pacific Islanders (AAPIs). In this study, the authors assessed the awareness of breast self-exam (BSE) and factors predicting practice of BSE among Chinese immigrant women living in San Francisco. Three hundred and ninety-seven women participated in a telephone survey; 80.9% reported having heard of BSE but only 53.9% reported practice of BSE during the past year. Logistic regression modeling found that increased length of stay in the United States, higher income, socializing with mo
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Lalinec-Michaud, M. "Three Cases of Suicide in Chinese-Canadian Women." Canadian Journal of Psychiatry 33, no. 2 (1988): 153–56. http://dx.doi.org/10.1177/070674378803300215.

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This article purports to draw attention to the particular phenomenology of depression and suicide in Chinese. Three case histories are presented. The patients were all women in their forties, first-generation immigrants having resided for more than 20 years in Canada. These cases illustrate the significance of certain cultural factors in the understanding of depression in Chinese patients, namely: the importance of somatization, the familial reaction of denial or rejection to mental illness, the rigidity of the traditional family structure. The authors discuss the role played by conflicts of c
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Yongju, Fu, and Zhu Yufu. "Image of the Great Mother Yan Zhengzai in the Chinese Culture and Literature." Tyumen State University Herald. Humanities Research. Humanitates 5, no. 3 (2019): 117–32. http://dx.doi.org/10.21684/2411-197x-2019-5-3-117-132.

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This article aims to present Confucius’ mother, Yan Zhengzai, in the Chinese ancient literature and history, remembering her feats of home education and praising her wisdom as the first representative of wise women in the Chinese traditional culture. China has never had a Mother’s Day, because there is no consensus on the typical representative of a Chinese mother. Confucius (28 September 551 B.C. — 11 April 479 B.C.) is one of the representatives of Chinese culture, his doctrine — Confucianism — is the foundation and spiritual mentality of the Chinese nation. Yang Zhengzai was both Confucius’
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Huang, Xiuguo. "A Comparative Study of Womanland in "Journey to the West" and "Flowers in the Mirror"." Interlitteraria 26, no. 2 (2021): 390–402. http://dx.doi.org/10.12697/il.2021.26.2.5.

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Abstract: Journey to the West (Xiyou Ji西游记) and Flowers in the Mirror (Jinghua Yuan镜花缘) are two of the best-known stories of travel in ancient Chinese literature. Both works contain descriptions of outlandish sights and foreign customs, particularly the vivid descriptions of the fantastic and outlandish Womanland (Nv’er Guo 女儿国), which embodies traditional Chinese scholars’ understanding of the outside world. Comparativists tend to regard the portrayals of these exotic women and their talents, and the subverted roles of men and women, as the authors’ statements about the inferior status of wom
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Du, Yan. "Intergenerational Writing Practices in Chinese Fiction for Adolescent Girls." Girlhood Studies 15, no. 2 (2022): 89–105. http://dx.doi.org/10.3167/ghs.2022.150207.

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The Anthology of Chinese Fictions on Adolescent Girls’ Psychology (2016) is one of the most renowned collections of girls’ stories in Chinese children’s literature. Authored by Qin Wenjun, Cheng Wei, and Chen Danyan, it is often associated with the rise of shaonǚ xiaoshuo (girls’ fiction) in China. In this article, I evaluate the collective writing practices of the women authors mentioned above, focusing, in particular, on how their featured stories address intergenerational dissent and explore models of communication between adolescent girls and women. Highlighting how The Anthology traverses
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Liang, Wenchi, Judy Wang, Mei-Yuh Chen, Shibao Feng, Bin Yi, and Jeanne S. Mandelblatt. "Cultural Views, Language Ability, and Mammography Use in Chinese American Women." Health Education & Behavior 36, no. 6 (2009): 1012–25. http://dx.doi.org/10.1177/1090198109331669.

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Mammography screening rates among Chinese American women have been reported to be low. This study examines whether and how culture views and language ability influence mammography adherence in this mostly immigrant population. Asymptomatic Chinese American women ( n = 466) aged 50 and older, recruited from the Washington, D.C. area, completed a telephone interview. Regular mammography was defined as having two mammograms at age-appropriate recommended intervals. Cultural views were assessed by 30 items, and language ability measured women’s ability in reading, writing, speaking, and listening
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Zhang, Y., L. Feihu, D. Zunxiao, S. Jianguo, and W. Qiangju. "One Risk Factor of Depression Disorder in Chinese Women." European Psychiatry 33, S1 (2016): S455. http://dx.doi.org/10.1016/j.eurpsy.2016.01.1653.

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BackgroundThe prevalence of major depressive disorder (MDD) is higher in those with the unemployed and those with low social status. Most of the available data comes from studies in developed countries, and these findings may not extrapolate to developing countries. However, the extent of unemployed status cause MDD is unclear. This study seeks to determine whether depressive disorder is associated with unemployment and to further investigate the relationship between occupation, and social class in Han Chinese women with MDD.MethodData came from Oxford and VCU Experimental Research on Genetic
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Tesis sobre el tema "Women authors, Chinese"

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Ng, Po-chu, and 伍寶珠. "Writing about women and women's writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36259019.

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Ng, Po-chu. "Writing about women and women's writing a study of Hong Kong feminine fiction in 80s and 90s = Shu xie nü xing yu nü xing shu xie : ba, jiu shi nian dai xiang gang nü xing xiao shuo yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36259019.

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Chin, Voon-sheong Grace, and 秦煥嫦. "Expressions of self/censorship: ambivalence and difference in Chinese women's prose writings from Malaysia andSingapore." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31245237.

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Wang, Bo. "Inventing a Discourse of Resistance: Rhetorical Women in Early Twentieth-Century China." Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1188%5F1%5Fm.pdf&type=application/pdf.

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Yan, Qigang. "A comparative study of contemporary Canadian and Chinese women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21657.pdf.

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Kweon, Young. "The textual and imaginary world of Ho Kyongbon (1563-1589)." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19659.

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This thesis is a study of the Korean woman poet Ho Kyongbon (1563-1589) and her poetry. In it, I investigate Ho's two brothers' active involvement in her literary life, particularly her younger brother Ho Kyun's publication of her poetry collection, the Nansorhon chip and promotion of her literary works to Chinese scholars. I also examine late Ming and Qing anthologies which include Ho's poetry to disclose how late Ming and Qing scholars evaluated her poetry and represented her life. I argue that the attention these critics paid to Ho's literary works and talent reflected a blossoming of women
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Yu, Yuen-yee Frankie, and 余婉兒. "Living on the margin." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45015168.

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Liu, Xi, and 刘希. "Gender discourses and female subjectivities in 1949-1966 Chinesewomen's writings." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50899648.

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This study provides a critical inquiry into the textual (self-)representations of Chinese females’ perception and experience of “women’s liberation” in 1949-1966 Chinese women’s autobiographical and fictional writings. Through historical and textual analyses, it looks into Chinese women’s multiple textual/discursive practices and their subjectivities constituted in the process. These narrative practices are treated as salient sites of women’s struggle for self-understanding, self-liberating as well as self-inventing in their own specific social and cultural conditions. The study aims to discl
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Chen, Yuling, and 陳玉玲. "A study of subjectivity in the autobiography of modern Chinese women =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B44569713.

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Ng, Yor-ling Carly, and 吳若寧. "Representing Chineseness: the problem of ethnicity and sexuality in Chinese American female literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47753158.

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The potential confrontation of Oriental and Occidental values represents one of the most important topics of scholarship since the twentieth century. Within this debate, American-born Chinese female writers occupy a unique position in their preoccupation with the two seemingly irreconcilable cultures. On the one hand, their Western upbringings entices the distortion of China from an Orientalistic perspective, on the other hand, they find their desire to come to terms with their ethnic cultural heritage to be equally difficult to supplant. It is a dilemma which sparked conflicts even wi
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Libros sobre el tema "Women authors, Chinese"

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Xian dai Hunan nü xing wen xue shi: A history of modern Hunan women writers literaure. Hunan shi fan da xue chu ban she, 2005.

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Zhongguo li dai fu nü wen xue zuo pin jing xuan. Zhongguo he ping chu ban she, 2000.

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Cong Hulan dao Xianggang: Xiao Hong xin zhuan. Huo yi chu ban shi ye you xian gong si, 2006.

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Youlin, Wang, ed. Ba Jin yu Xiao Shan. Sichuan wen yi chu ban she, 2003.

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Zhang Ailing zhuan. Wen hua yi shu chu ban she, 2006.

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Zhongguo nü zuo zhe bi xia de Xinjiapo nü xing. Chuang yi quan gong zuo shi, 2001.

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Fu shi de bei ai: Zhang Ailing zhuan. Ye qiang chu ban she, 1996.

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Images of Chinese women: A Westerner's view. Whitston Pub. Co., 1992.

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Idema, W. L. De onthoofde feministe: Leven en werk van schrijvende vrouwen in het Chinese keizerrijk van de vroege tweede eeuw v.Chr. tot de eerste jaren van de twintigste eeuw. Atlas, 1999.

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C, Kao Hsin-sheng, ed. Nativism overseas: Contemporary Chinese women writers. State University of New York Press, 1993.

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Capítulos de libros sobre el tema "Women authors, Chinese"

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Gianninoto, Mariarosaria. "Women and language in imperial China." In Women in the History of Linguistics. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198754954.003.0017.

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China has an ancient and impressive tradition of philological studies, most notably in the fields connected with the needs of the imperial examination system. The authors as well as the intended readers of this outstanding production of linguistic works were essentially men. Women did not participate to the imperial examinations and were almost completely absent from the landscape of Chinese philology. Nevertheless, Chinese history shows examples of erudite women and their linguistic education should be taken into account. Several textbooks were explicitly conceived for women’s education, and were often written by women. Moreover, women played an important role in the transmission of literacy in the familial context. This chapter investigates the reasons for the almost complete absence of women in Chinese philology, and describes the main examples of women’s contribution to the history of Chinese linguistic studies.
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Yang, Ling, and Yanrui Xu. "Chinese Danmei Fandom and Cultural Globalization from Below." In Boys' Love, Cosplay, and Androgynous Idols. Hong Kong University Press, 2017. http://dx.doi.org/10.5790/hongkong/9789888390809.003.0002.

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By tracing the trajectory of Chinese danmei fandom in the past two decades, this chapter explores the possibility of danmei as a model of grassroots globalization. The chapter focuses on three key aspects of Chinese danmei fandom: the establishment of online and offline infrastructures, the formation of different danmei circles, and the emergence of a women-dominated online public sphere. The authors seek to use the example of danmei fandom to challenge the masculinized, top-down model of thinking about transnational cultural flows that overemphasizes national origin, the industrial player, the official economy, and the competition for soft power at the expense of other glocalized, noninstitutionalized, nonprofit, noncompetitive ways of cultural exchange.
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Heathcote, Gina. "Authority." In Feminist Dialogues on International Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199685103.003.0006.

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Chapter 6 examines what authority is given to specific feminist actors to speak and what authority is imagined lying within the domain of legal acts. A study of the convergence of the women, peace, and security agenda and the counterterrorism agenda is offered in this chapter, as is a study of alternative sites of feminist engagement with law, from the use of protest in Uganda to the manipulation of digital spaces by Chinese feminist activists. Connecting to the larger theme of the book as a feminist dialogue, the chapter evolves into a study of how different discourses converge to give the author voice and authority, questioning whose silences that authority depends upon. The chapter draws upon Black British feminists and indigenous Australian authors to question white, Western feminist’s complicity in the production of privilege and to explore the steps that are necessary to commence feminist dialogues on international law.
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Fan, Victor. "Breaking the Wave." In Extraterritoriality. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474440424.003.0003.

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This chapter asks the question: Can women filmmakers, cinematic spectators, and televisual viewers speak from their doubly––sociopolitically and gendered––extraterritorialised position? It -historicises the theoretical discourse and film practice of the first phase (1968–78) of the Hong Kong New Wave from the perspectives of women filmmakers and critics. It also discusses three different ways by which women speak through the cinema and television as authors, all aiming to establish what Pier Paolo Pasolini (1922–75) would call a free indirect discourse. For independent filmmaker Tang Shu-hsuen, through unlearning Euro-American aesthetics and relearning medieval Chinese one from the perspective of modern women, a cinema specific to the extraterritorial position of a Hong Kong female spectator can be fostered. For screenwriter Joyce Chan and her collaborator director Patrick Tam, a free indirect discourse can only be achieved when the addresser-message-addressee mode of communication in commercial television is actively challenged. Finally, for director Ann Hui and screenwriter Shu Kei and Wong Chi, the classical Hollywood paradigm can be reconfigured to enable desubjectivised and abjectivised gay male characters to negotiate their traumas and desires in terms that are understandable by heterosexual and heteronormative viewers.
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Ruiwen, Chen. "The Social Contributions of a Chinese Anglican Woman Intellectual." In Christian Women in Chinese Society. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455928.003.0010.

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The author’s great-grandmother, Zhan Aimei, was born into a peasant family in rural Fujian and educated by British missionaries, becoming a Christian teacher, wife and mother. The trajectory of her life provides rare insight into the fruits of Anglican missionary work from a Chinese perspective. Zhan Aimei married a missionary-trained doctor, Lin Dao’an, and had ten children, the oldest of whom, Lin Buji, studied in the United States and became dean of Christ Church Cathedral and president of Trinity College Fuzhou. The author uses documents, interviews and missionary accounts to recreate the extraordinary life of an ordinary woman.
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Yun, Zhou. "The Making of Bible Women in the Fujian Zenana Mission from the 1880s to the 1950s." In Christian Women in Chinese Society. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455928.003.0004.

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This chapter explores women missionaries from the Church of England Zenana Mission Society and their Bible women in Fujian. It focuses on the intercultural exchange between these two groups of women from entirely different backgrounds from the 1880s to the 1950s, with an aim to address Chinese experience from a transnational perspective. It shows that Bible women were central figures in a process of proselytizing local women and were formed mainly through a series of intercultural communications with their Western mission workers. The author argues that Bible women were the combined historic product of a particular Chinese historical and cultural context and a worldwide evangelical workforce by Western women, developed through transnational interactions and nurtured in a relationship of sisterhood and friendship.
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Slater, Frances. "The Wolfe Sisters of Foochow, China." In Christian Women in Chinese Society. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455928.003.0008.

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In the late nineteenth century after schooling in England, three sisters returned to their birthplace, Fuzhou, China to become CMS missionaries. They were the daughters of the “Fukien Moses,” Archdeacon J. R. Wolfe and his wife Mary, and cousins of the author’s maternal grandfather. Letters written by Minnie, Annie and Amy Wolfe to CMS Headquarters in London, for the first time, tell the story of the scope and nature of their interaction with Chinese women and girls in a significant cultural exchange. This particularly occurred through CMS schools, which, using Fujian dialects, provided grounding in Christianity, reading and writing. In addition, the sisters acknowledge their personal dependence upon, and valuing of Chinese Christian women with whom they worked. Born to evangelise, Annie once wrote “In spite of anxieties and disappointments this is the happiest work anyone could wish for.”
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Tham, Sarah. "Unexpected Journey Into Academia." In Teacher Reflections on Transitioning From K-12 to Higher Education Classrooms. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-3460-4.ch025.

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There is much to be gained from narratives and stories. This author's perspective on transitioning from K-12 classrooms to higher education classrooms is one of many stories out there. The author acknowledges the experiences of others making the transition. The author wants to inform, educate, quicken, and inspire others in the unexpected journey into academia. There is much hope that the author's story will provide a collective body of knowledge, reflections, and experiences to aid others in similar trajectories. This story is of a Christian woman of Chinese descent in academia. It offers a human side of academia, extrapolating the struggles and joy of making that transition.
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Davis, Nancy E. "Epilogue." In The Chinese Lady. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190645236.003.0012.

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The author uses the theory of parsimony to explain Afong Moy’s final years. The epilogue relays the changes occurring in the later nineteenth-century marketing, public perception, and use of “oriental” goods with the opening of Japan in 1854. The author considers the lives of other Asian immigrants such as Chang and Eng Bunker (called the Siamese Twins) and several known Chinese women who came after Afong Moy. The epilogue addresses the position of the Chinese immigrant in the nineteenth century with the passage of the 1884 Chinese Exclusion Act. A comparison of the “Made in China” goods of the late twentieth and twenty-first centuries with those of the earlier trade provides an understanding of China’s place in the golden chain of global commerce.
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Huang, Yue. "Helen Zia." In Women Community Leaders and Their Impact as Global Changemakers. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-2490-2.ch042.

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This chapter tells the story of Helen Zia, a second-generation Chinese American woman. Zia has a lifelong career as a journalist, activist, author, and feminist. For decades, she has advocated for civil rights for racial minorities, LGBTQ rights, Asian American's representations, and other social issues. Zia was named one of the most influential Asian Americans of the decade by A. Magazine, one of USA Today's Women of the Century, and she was one of three recipients of the NAAAP100 Award from The National Association of Asian American Professionals. In this chapter, readers will learn more about Zia's background, the life event that changed her life and career as an activist, and her contribution as a resilient community leader.
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Actas de conferencias sobre el tema "Women authors, Chinese"

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Sinha Roy, Swagata, and Kavitha Subaramaniam. "READING TOURS INTO MALAYSIAN NARRATIVES: LOCALES IN THE GARDEN OF EVENING MISTS AND THE NIGHT TIGER." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.051.

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If one has not read local English novels like The Garden of Evening Mists and The Night Tiger, one would never be able to imagine the wonders of locales depicted in these two books. One of the reasons the authors here want to visit a said destination is because of the way a certain place is pictured in narratives. Tan Twan Eng brings to life the beauty of Japanese gardens in Cameron Highlands, in the backdrop of postWorld War II while Yangsze Choo takes us into several small towns of Kinta Valley in the state of Perak in her beautifully woven tale of the superstitions and beliefs of the local
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