Bibliografías temáticas / Works (Pindar)

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Literatura académica sobre el tema "Works (Pindar)"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Works (Pindar)"

1

Fearn, David. "Oligarchic Hestia: Bacchylides 14B and Pindar,Nemean11." Journal of Hellenic Studies 129 (November 2009): 23–38. http://dx.doi.org/10.1017/s0075426900002937.

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Abstract:This article uses recent findings about the diversity of political organization in Archaic and Classical Greece beyond Athens, and methodological considerations about the role of civic Hestia in oligarchic communities, to add sharpness to current work on the political contextualization of Classical enkomiastic poetry. The two works considered here remind us of the epichoric political significance of such poetry, because of their attunement to two divergent oligarchic contexts. They thus help to get us back to specific fifth-century political as well as culturalRealien.
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Borek, Piotr. "O nowym przekładzie Pentezylei Szymona Szymonowica (Szymon Szymonowic, Pentesilea / Pentezylea, przełożyła i komentarzem opatrzyła Elwira Buszewicz, Wydawnictwo Neriton 2022, ss. 207, ISBN: 978-83-67245-15-9)." Annales Universitatis Paedagogicae Cracoviensis | Studia ad Bibliothecarum Scientiam Pertinentia 20 (March 29, 2023): 786–89. http://dx.doi.org/10.24917/20811861.20.48.

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In the oeuvre of Szymon Szymonowic, an outstanding Polish poet of the late Renaissance, Latin works occupy a prominent place, which led to him being called the Polish Pindar. One of his works is the tragedy Penthesileia that continues the themes of the Trojan myth. Printed for the first time in Zamość (1618), the work was not fully translated until 1778. Parts of the work were translated later. The latest translation by Elwira Buszewicz combines a vocabulary understandable to modern readers with a desire to reproduce the poetic artistry of the Latin original and a solid philological commentary
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Capone, Alessandro. "Emperor Julian, Paul of Tarsus, and the Octopus." Religions 16, no. 6 (2025): 802. https://doi.org/10.3390/rel16060802.

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The so-called “octopus norm” was originally described by Pindar and Theognis. It represented the way in which a poet could adapt to contingent circumstances without abdicating his own sensibility, grasping what might be appropriate to say or not to say in relation to a specific audience or context. This contribution considers two occurrences of this so-called norm in the works of the Emperor Julian, revealing a polemical use of the image of the octopus. This study primarily attempts to contextualize the two Julian passages, highlighting their sources, and to clarify the polemical value of his
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4

Hulsenboom, Paul. "Better than Pindar? The Ode by Sidronius Hosschius to Sarbievius and Its Two Versions." Terminus 22, no. 4 (57) (2020): 285—\—314. http://dx.doi.org/10.4467/20843844te.20.016.12536.

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The main aim of this paper is to present and analyse an ode by the Flemish Jesuit Sidronius Hosschius (Sidronius [or Syderoen] de Hossche, 1596–1653) to “the Sarmatian Horace”Mathias Casimirus Sarbievius (Maciej Kazimierz Sarbiewski, 1595–1640). This eulogy has often been viewed as a masterpiece. In addition, it has two distinct versions: one published in a collection of poems in honour of Sarbievius (the socalled Epicitharisma), first printed in an edition of his oeuvre in 1632, and one in the collective volume of Hosschius’s own works issued posthumously in 1656. Both versions were first pub
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Hulsenboom, Paul. "Better than Pindar? The Ode by Sidronius Hosschius to Sarbievius and Its Two Versions." Terminus 22, no. 4 (57) (2020): 285—\—314. http://dx.doi.org/10.4467/20843844te.20.016.12536.

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The main aim of this paper is to present and analyse an ode by the Flemish Jesuit Sidronius Hosschius (Sidronius [or Syderoen] de Hossche, 1596–1653) to “the Sarmatian Horace”Mathias Casimirus Sarbievius (Maciej Kazimierz Sarbiewski, 1595–1640). This eulogy has often been viewed as a masterpiece. In addition, it has two distinct versions: one published in a collection of poems in honour of Sarbievius (the socalled Epicitharisma), first printed in an edition of his oeuvre in 1632, and one in the collective volume of Hosschius’s own works issued posthumously in 1656. Both versions were first pub
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6

Kurke, Leslie. "Pindar's Pythian 11 and the Oresteia." Classical Antiquity 32, no. 1 (2013): 101–75. http://dx.doi.org/10.1525/ca.2013.32.1.101.

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The scholiasts offer two different dates for the Pythian victory of the Theban Thrasydaios celebrated in Pindar's eleventh Pythian ode: 474 or 454 bce. Following several older scholars, I accept the latter date, mainly because Pindar's myth in this poem is a mini-Oresteia, teeming with what seem to be echoes of the language, plotting, and sequencing of Aischylos' trilogy of 458 bce, as well as allusions to the genre of tragedy in general. Yet even those scholars who have argued for such a dialogue between these two works are at something of a loss to explain it, except as Pindar's admiring hom
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Steiner, Deborah. "Harmonic Divergence: Pindar's Fr. 140B and Early Fifth-Century Choral Polemics." Journal of Hellenic Studies 136 (2016): 132–51. http://dx.doi.org/10.1017/s0075426916000100.

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Abstract:This article offers a close reading of Pindar's lacunose fr. 140b S.-M. and explores the evidence it includes for Pindar's contributions to contemporary debates and polemics in late sixth- and early fifth-century musical culture concerning, among other things, harmonics, tonal ranges, instrumentation and the boundaries between different genres. By reading the contents of the fragment against the backdrop of other works from the period that similarly engage in these issues and the later revisionary accounts of the questions first raised by the author-musicians of the early classical ag
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Ucciardello, Giuseppe. "Didymos of Alexandria: Commentary on Pindar. Edited and Translated with Introduction, Explanatory Notes, and a Critical Catalogue of Didymos’ Works ed. by Bruce Karl Braswell." Classical World 108, no. 1 (2014): 130–32. http://dx.doi.org/10.1353/clw.2014.0047.

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Turenko, Vitalii. "PECULIARITIES OF THE SEMANTICS OF “FRIEND” AND “ENEMY”IN ARCHAIC LYRICS: A GENERAL DESCRIPTION." Studia Linguistica, no. 23 (2023): 52–61. http://dx.doi.org/10.17721/studling2023.23.52-61.

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The article provides a general description of the image of friend and enemy in early Greek lyrics. First of all, the author defines the specificity of the key lexemes of the ancient Greek language for the studied concepts, namely φίλος, and ἐχθρὸς, emphasizing their diversity, ambiguity, “untranslatability” and contextuality. This situation is also connected with the presence of a kind of “dictionary” of both friendship and enmity in the language of the ancient Greeks. It is proved that the source of the designation of a person as a “friend/enemy” for the early Greek lyricists was the work of
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Gnezdilova, Elena. "MYTHOLOGY OF ORPHEUS IN CLASSICAL CULTURAL TRADITION." Проблемы исторической поэтики 19, no. 3 (2021): 35–52. http://dx.doi.org/10.15393/j9.art.2021.9542.

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The article examines the peculiarities in the formation of the Orpheus mythologeme in the ancient cultural tradition. An analysis of the works of ancient authors, including Pindar, Aeschylus, Euripides, Apollonius of Rhodes, Virgil and Ovid allows to single out the specifics of creating the image of Orpheus. The latter is seen by the above-mentioned authors not only as a poet and musician who had lost his beloved Eurydice, but also as the founder of cult rites known as Orphic mysteries. “Orphism” as a system of religious and philosophical views became most widespread in the era of Peisistratus
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Tesis sobre el tema "Works (Pindar)"

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Galeta, R. M. "Author, text and context : Epistemology, poetry and criticality with reference to works of Aristotle, Plato, Pindar and Callimachus." Thesis, University of East Anglia, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381744.

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Author, Text and Context: Epistemology, Poetry and Criticality, with Reference to Works of Aristotle, Plato, Pindar and Callimachus. R.M Galeta 1987. This thesis falls into two parts. In Chapters I and 2, I set philosophy's characterisation of poetic composition as 'mimesis' in the perspective of its aim to produce a distinct, dialoguic logos in competition with the poetic tradition. With the help of c~itical writings which I discuss in the Introduction, I argue that this tradition is a practice of ,.{petition. A speaker's individuation of his identity and aims, and hence his potential for aff
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Hayes, Jeffreen M. "Real Talk: Blackness and Whiteness in the Works of Jefferson Pinder, Dave Chappelle, and Aaron McGruder." W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539623598.

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"Real Talk: Blackness and Whiteness in the Works of Jefferson Pinder, Dave Chappelle, and Aaron McGruder" will examine twenty-first century constructions of race by African Americans. I am interested in how visual artist Jefferson Pinder, comedian Dave Chappelle, and comic artist Aaron McGruder interrogate and incorporate race, particularly whiteness, into their respective works. Each artist challenges hegemonic constructions of race, utilizing technology and taking full advantage of our visualized culture to present their examinations of race. I selected the artists because of their intimate
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Weiss, Katherine. "Harold Pinter’s Other Places (Staged Reading)." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2309.

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ETSU Patchwork Players will perform a staged reading of Other Places – 3 Plays by Harold Pinter in Studio 205 of Campus Center Building at 7:30 p.m. free of charge. The reading is under the direction of Theatre & Dance faculty member Melissa Shafer and advising of Department of Literature & Language Chair Dr. Katherine Weiss, acting as dramaturg.
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Fox, Alex. "Self against others : a psychoanalytical reading of Harold Pinter's work." Thesis, University of Dundee, 2015. https://discovery.dundee.ac.uk/en/studentTheses/351f1018-9bd8-4fd5-a1a8-1a481a532979.

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This thesis critically examines some of the plays of the playwright, screenwriter and poet, Harold Pinter, in order to argue, first of all, that he was a writer of psychological realism, and that his oeuvre can, in the main, be defined as a body of psycho-political works. My essential contention is that Pinter’s defining interest in power relations, coupled with his dedication to exploring how psychological ‘realities’ shape these said relations, implies that he is a playwright, who generally wrote psycho-political works. In the main body of the thesis, I then offer eight close readings of Pin
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Cheshire, Adam W. "At the edge of being absurdity and instability in the works of Franz Kafka and Harold Pinter /." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-1/cheshirea/adamcheshire.pdf.

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Ferber, Ben. "The Hothouse and Dynamic Equilibrium in the Works of Harold Pinter." Oberlin College Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1306506345.

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slinko, nataliya. "Work is What I Want." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/514.

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This thesis is written as an essay, which considers sculpture outside of its definition as art object. Having as its goal finding an intrinsic definition of sculpture, the essay sets on a short journey meandering between ideas, historic precedents, and anecdotes. Among some of the discussed thing are: necessity, labor, leisure, Olduvai chopping stone tool, making, human hand, brain, body, pineal gland, third eye, speculation, materiality, Dixie cup, objecthood, sign, imagination, ENIAC, immateriality, myth, labor, leisure, storytelling, alien, alienation, destruction, creativity, genius, death
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Aydin, Turkan. "Renunciation Of Language In Harold Pinter." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607481/index.pdf.

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Based on Harold Pinter&#039<br>s three plays &ldquo<br>The Homecoming,&rdquo<br>&ldquo<br>The Caretaker&rdquo<br>and &ldquo<br>The Dumb Waiter,&rdquo<br>the aim of this study is to explore the idea that an individual cannot be a speaking member of the Symbolic Order, thus of the society unless s/he obeys the prohibitions/commands of language, a concept on which both Pinter and Lacan put great emphasis in their own vision. For Pinter human beings lead a life controlled by some unknown powers and build a disastrous subjective world devoid of linguistic competence. As for Lacan, language imprison
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Baxter, Elizabeth. "A spring of ambrosial words: finding Pindar in Pindar." Thesis, 2019. https://hdl.handle.net/2144/34795.

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This dissertation offers a literary approach to Pindar, his poetics, and his methods of commenting on the poetic art. It argues that Pindar consistently and self-consciously highlights himself in his poetics and that he actively shapes how his audience should receive and understand his poetry. This study challenges a current dominant scholarly approach to Pindar that prioritizes the practical performance context of Pindar’s poetry (an approach which frequently relegates the poet himself to the status of a technical writer of ritual scripts). In contrast, by focusing on the literary aspects of
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Gonçalves, Goreti. "Projecto de uma unidade sócio - ocupacional para pessoas com doença mental do Pinhal Litoral II." Master's thesis, 2011. http://hdl.handle.net/10071/7904.

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Trabalho de projecto<br>O presente trabalho de projecto começa por centrar-se na investigação da realidade social, dos recursos e serviços já existentes e no diagnóstico das necessidades das pessoas adultas com doença mental, residentes na área Pinhal Litoral II, que abrange quatro concelhos do distrito de Leiria: Leiria, Marinha Grande, Porto de Mós e Batalha, para fundamentar a implementação de um projecto: a criação de uma estrutura de Saúde Mental Comunitária. A estrutura identificada como prioritária trata-se de uma Unidade Sócio Ocupacional para adultos com moderado ou reduzid
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Libros sobre el tema "Works (Pindar)"

1

Pindar. The odes of Pindar. S. Albahari, 21st, 2007.

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Galeta, R. M. Author, text and context: Epistemology, poetry and criticality with reference to works of Aristotle, Plato, Pindar and Callimachus. University of East Anglia, 1987.

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Siscar, Gregorio Mayans y. Arte de pintar. Universidad de Huelva, 1996.

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J, Nisetich Frank, ed. Pindar's Victory songs. Johns Hopkins University Press, 1990.

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B, Henry W., ed. Pindar's Nemeans: A selection. K.G. Saur, 2005.

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Alcover, Wilfredo. De San Antonio a Maisí: Pinar del Río, Habana, Matanzas, Las Villas, Camagüey, Oriente. s.n., 1989.

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Provopoulos, Ēlias G. Oreinē patrida. Ekdosē tēs Dieurymenēs Koinotētas Neraïdas Trikalōn, 2007.

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Herrejón, Salvador González. El mal del pinto, el acetato de talio en el tratamiento de las tiñas: Discursos y testimonios de amigos y discipulos. Gobierno del Estado de Michoacán de Ocampo, 1985.

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John, Orr. Tragicomedy and contemporary culture: Play and performance from Beckett to Shepard. Macmillan, 1991.

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Mayberry, Bob. Theatre of discord: Dissonance in Beckett, Albee, and Pinter. Fairleigh Dickinson University Press, 1989.

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Capítulos de libros sobre el tema "Works (Pindar)"

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Wang, Wanying. "Toward an understanding of currere as a research method." In Research Methods in Applied Linguistics. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/rmal.8.04wan.

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Abstract This chapter introduces and explicates currere as a research method as well as a key concept in curriculum, which was first invoked by William Pinar during the 1970s to understand how one’s educational experience can contribute to academic study and vice versa. The method of currere emphasizes the lived experience of curriculum — to run the course — but also includes the social, political, and cultural enactment of experience through conversation. Employing psychoanalytical technique, currere allows one to turn inward. As argued by Pinar (2019), the understanding of lived experience i
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Chamaret, André, Jürgen Ernst, and Sergio Fernandez. "From Shift2Rail to Europe’s Rail, Future Perspectives for Alternative Drive Trains Standardizations and Energy Efficiency." In Lecture Notes in Mobility. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-89444-2_50.

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Abstract Shift2Rail (S2R), railway R&amp;D program, ended in 2023 after several years of works to demonstrate newly technologies to improve railway activities. Inside project PINTA3 on traction system, Work Package 3 (WP3) reports a 1st state of play of alternative drive vehicles in Europe. Since end of 2022, new European program “Europe’s Rail” (ERJU) started, with different innovation pillars. One of them, the flagship project 4 “RAIL4EARTH”, is focusing on sustainable and green rail systems. Inside RAIL4EARTH, a Work Package, WP01, is working on “Energy Management &amp; Pre-Standardization
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3

Armange, Roseline. "Self-expression by black Antillean women." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/chlel.37.18arm.

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Abstract This chapter presents a reflexive analysis of two oeuvres: Mes Quatre Femmes by Gisèle Pineau and Mes Météores, Combats Politiques au Long Cours by Christiane Taubira. The analysis comes from the findings of my previous research in social sciences. The data revealed the extreme sensitivity of black Antillean women in expressing their thoughts and ideas freely. Their positions in an entre-deux (sitting on the fence) signal a form of hesitance and self-censorship. This chapter examines how Pineau and Taubira substantiate the silenced voices of the data that emerges from my quantitative
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Sawyer, Richard D., and Shain Wright. "Duoethnography." In Research Methods in Applied Linguistics. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/rmal.8.03saw.

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Abstract In this chapter we provide an overview of the inquiry method of duoethnography, highlighting its evolution as a living, reflexive self-study methodology. We introduce duoethnography, present its tenets, and examine its affordances and limitations. We give examples of how it facilitates researchers’ critical examination of knowledge production and dissemination, as well as how their own positionality discursively frames the inquiry. Falling within a tradition of ethnographic research practices, duoethnography draws from the work of diverse educational researchers, including Mikhail Bak
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Beaumont, Caitríona, Eve Colpus, and Ruth Davidson. "Introduction." In Palgrave Studies in the History of Experience. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-64987-5_1.

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AbstractEveryday Welfare in Modern British History addresses forms of action and activism used by individuals and groups who undertake the work of experiential expertise in relation to welfare cultures. In this Introduction we conceive of “experiential experts” as individuals whose action and activism have been catalysed by their personal experiences and knowledge. These individuals have asserted an expert witness status in welfare practice and sought out new forums to expand the scope, inclusivity and applicability of welfare services. We utilise Robert Pinker’s idea of “a state of welfare” a
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Lambert, Michael. "“Daddy Knows Best”: Professionalism, Paternalism and the State in Mid-Twentieth-Century British Child Diswelfare Experiences." In Palgrave Studies in the History of Experience. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-64987-5_6.

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AbstractThis chapter argues that disclosures made during successive inquiries into historical child and family abuse challenge existing understanding of state power in mid-twentieth-century Britain. By foregrounding lived experience and surfacing omission and commission by officials, inquiries have exposed the limits of technocratic expertise and narratives of professional authority. Yet such narratives remain foundational to social policy teleology and historical social work identity associated with the inexorable rise of the social democratic welfare state; they become increasingly seductive
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"Index of Pindaric Works Cited." In Pindar in Sicily. Parnassos Press - Fonte Aretusa, 2021. http://dx.doi.org/10.2307/j.ctv1prsrfx.18.

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Lefkowitz, Mary R. "The First Person in Pindar." In First-Person Fictions: Pindar’s Poetic ‘I’. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198146865.003.0001.

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Abstract The victory ode is a curious and somewhat paradoxical form of art. As we know it, from the extant works of Pindar and Bacchylides, it appears to be in the tradition of the songs of the bards and the lyric poets, that is, an address by a single poet to his audience. For example, in the opening lines of Pindar’s Second Olympian Ode (‘Hymns that rule the lyre I which god, which hero, which man shall we sing?’) the ‘we’ is clearly Pindar, since the invocation to ‘hymns’ and the first person verb ‘we shall sing’ indicate that the speaker is concerned with the composition of song, in other
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"Works Cited." In Studies in the Reception of Pindar in Ptolemaic Poetry. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110651867-012.

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de Kreij, Mark. "The Pocket Pindar The Antinoupolis Codex and Pindar’s Readership in Graeco-Roman Egypt." In Antichistica. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-548-3/015.

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The parchment codex published as P.Ant. II 76 and III 212 contains remains of Pindar’s Olympians 5 and 6 along with scanty traces of marginal notes. Further conservation and study allows us to now roughly reconstruct the format of the original manuscript, and new imaging techniques have revealed better readings of the marginalia. In this speculative article, I explore the Pindar codex’s form, content, and the particular context of Antinoupolis. In the process, I touch upon the question of Pindar’s popularity in Roman Egypt, book production in Antinoupolis, and the form and function of the earl
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Actas de conferencias sobre el tema "Works (Pindar)"

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Abbasov, P. I., S. A. Shadrina, A. D. Belogolova, M. S. Shelygin, E. M. Bogdanova, and G. V. Dolgov. "Outstanding French obstetrician, professor Adolphe Pinard." In General question of world science. НИЦ "LJournal", 2022. http://dx.doi.org/10.18411/gqws-01-2022-02.

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This article presents biographical information about Adolphe Pinard - a French obstetrician, professor, author of an extensive monograph "Traite du palper abdominal", which still remains a classic work on obstetric research, is presented.
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Iatesen, Loredana. "COMPARATIVE STYLISTIC ASPECTS DEDUCED FROM THE ANALYTICAL APPROACH OF WORKS: �IL PRIGIONIERO� BY LUIGI DALLAPICCOLA AND �MARIANA PINEDA� BY DORU POPOVICI." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s16.036.

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Kumari, Urwashi. "Delineation of Inner Spaces and Angst: A Comparative Study of Amrita Pritam’s Pinjar and Bapsi Sidhwa’s Ice – Candy – Man." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8203.

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The recent women writers from India, Pakistan, SriLanka and Bangladesh exemplify the issue of gendered self-representation and feminist concern. Their works realize not only the diversity of wo-men but the diversity within each woman. They are incorporating their experiences to make a new, empowering image for women, instead of limiting the lives of women to one ideal; they push the ideal towards the full expression of each woman’s potential. Indian land is known for its unity and diversity. It has been a witness to the most horrific as well as terrible atrocities that have ever been committed
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VELICHE, Alice. "Dancing to Talk about Yourself. The Character is me. Case Study: Pina Bausch." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0023.

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From the corpus of our doctoral research, an essential place in the development and analysis of the theatrical elements of contemporary dance is the subject of Pina Bausch. The choreographic world has been and will remain strongly guided by the well-implemented corporeal principles of Pina Bausch, also called the choreographer of souls. The corporeal rigors imposed by the artistic system and classical working techniques are not the only methods by which we can access a complete final product, to the surprise of many practitioners or theorists. The proof that emotion and corporality can be acce
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Kumari, Urwashi. "Delineation of Inner Spaces and Angst: A Comparative Studyof Amrita Pritam’sPinjar and Bapsi Sidhwa’sIce – Candy –Man." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9040.

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The recent women writers from India, Pakistan, SriLanka and Bangla­desh exemplify the issue of gendered self-representation and feminist con­cern. Their works realize not only the diversity of women but the diversity within each woman. They are incorporating their experiences to make new, empowering image for women, instead of limiting the lives of woman to one ideal; they push the ideal towards the full expression of each woman’s poten­tial. Indian land is known for its unity and diversity. It has been a witness to the most horrific as well as terrible atrocities that have ever been committed
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Hadzantonis, Michael. "Shifting the Semangat: Parallelism in the Central Indonesian Mantra." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.1-2.

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The Javanese mantra, is a communicative act, and a spiritual dialogue. During the mantra ritual, the shaman Orang Pinter and supplicant receiving the intervention select become equal agents, as they intervene for change in the cultural and spiritual disposition of the supplicant. But in this paper. The presentation discusses ethnographic work over 10 years during which over 1500 mantras were documented throughout central to east Java, Indonesia, To effect the documentation process, I engaged with a range of communities and individuals throughout Java, that is, Yogyakarta, Solo, Surabaya, Alas
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Rompala, Kevin, Richard Rand, and Howard Howland. "Dynamics of Three Coupled Van der Pol Oscillators With Application to Circadian Rhythms." In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-84017.

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In this work we study a system of three van der Pol oscillators, x, y and w, coupled as follows: x¨−ε(1−x2)x˙+x=εμ(w−x)y¨−ε(1−y2)y˙+y=εμ(w−y)w¨−ε(1−w2)w˙+p2w=εμ(x−w)+εμ(y−w) Here the x and y oscillators are identical, and are not directly coupled to each other, but rather are coupled via the w oscillator. We investigate the existence of the in-phase mode x = y for ε ≪ 1. To this end we use the two variable expansion perturbation method (also known as multiple scales) to obtain a slow flow, which we then analyze using the software products MACSYMA and AUTO. Our motivation for studying this syst
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Sawant, Sourabh, and Anastasia Muliana. "A Nonlinear Viscoelastic Modeling of Fiber Metal Laminates." In ASME 2007 International Mechanical Engineering Congress and Exposition. ASMEDC, 2007. http://dx.doi.org/10.1115/imece2007-42152.

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A new class of advanced composite materials namely the fibermetal laminates (FMLs) such as ARALL (Aramid Reinforced Aluminum laminate) and GLARE (Glass Reinforced Aluminum laminate) has been developed for primary load bearing components of aircraft fuselage and wings. The FML is composed of alternating layers of fiber reinforced polymer (FRP) and aluminum sheets and shows good fatigue resistance. The metal layers are placed on the top and bottom of the laminate to provide good impact resistance and resistance to extreme environments (moisture, ultraviolet radiation and solvent). Krishnakumar (
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Hendrawan, Muhammad Rosyihan, and Gani Nur Pramudyo. "Management of Public Information Disclosure in Indonesian Autonomous University: Case Study in Universitas Brawijaya." In International Conference on Documentation and Information. Pusat Data dan Dokumentasi Ilmiah, 2020. http://dx.doi.org/10.14203/icdi.v3i.36.

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This study aimed to understand, describe, and analyze the management of public information disclosure, support and inhibiting factors, and efforts to improve the management of public information disclosure in one of the autonomous universities, Universitas Brawijaya (UB). This study uses the case study method with a qualitative approach. This study adopted a participative observation, in-depth interviews with five key informants, collecting documents, and audio-visual material to collected data. The finding of this study shows that management of public information disclosure in UB refers to Pu
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Martínez-Medina, Andrés, and Andrea Pirinu. "Los proyectos de torres para la isla de Nueva Tabarca, 1788-1793." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20247.

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Between 1766 and 1769, Planesia or the island of Santa Pola was measured and accurately depicted. In the following decade, from 1770 to 1779, the different projects for the exploitation of resources and fortification of Nueva Tabarca -as the island was renamed- were drawn up on the initiative of the Spanish crown. A series of plans detail the evolution of the urban development project of the island citadel, whose designs are due to the engineer Méndez De Rao; but when he died in 1782 and Charles III died in 1788, the works were not completed and the government no longer considered this place a
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