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Artículos de revistas sobre el tema "Wrestlers – Fiction"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Debruyne, Nina. "From Being Deprived to Bestowing Privileges – Artistic Reflections of the Wrestlers /Mutri/ Subculture in The Novels by Georgi Stoev." Balkanistic Forum 32, no. 2 (2023): 216–29. http://dx.doi.org/10.37708/bf.swu.v32i2.12.

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One of the most characteristic phenomena of the Transition in Bulgaria in the 1990s were the socalled Wrestlers’ brigades. Their emergence and rise left a lasting imprint on the social fabric and provided the initial impetus for the formation of the so-called ‘Wrestlers/ Mutri’ subculture. In a situation of rapidly changing public, economic and social environments in Bulgaria after the fall of the totalitarian regime in 1989, the Wrestlers’ brigades gave young men with modest family backgrounds the opportunity to become part of a set enjoying a progressively privileged economic and social circ

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2

Rushall, Brent S. "Covert Modeling as a Procedure for Altering an Elite Athlete’s Psychological State." Sport Psychologist 2, no. 2 (1988): 131–40. http://dx.doi.org/10.1123/tsp.2.2.131.

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This paper describes the steps taken to use covert modeling as a procedure to alter a problematic loss of confidence in an elite wrestler. The traditional steps of the procedure were modified to suit the client and situation. The then world champion was determined to be a phobic stimulus, as the client could not imagine himself performing successfully with the champion. The covert model at first incorporated the champion and a fictional model. After the determination of detailed appropriate behaviors for a high level of wrestling performance, the athlete modeled their occurrence. After familia

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3

Saunders, Robert A. "Reimagining the colonial wilderness: ‘Africa’, imperialism and the geographical legerdemain of the Vorrh." cultural geographies 26, no. 2 (2018): 177–94. http://dx.doi.org/10.1177/1474474018811669.

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Novelists and other cultural producers have long employed the African continent as a palimpsest to construct fantastical tales. From Sir John Mandeville to Joseph Conrad, Africa’s blank spaces on the map have been filled with monstrous creatures that fuel the western imagination. As a consequence, this constant othering of the so-called ‘Dark Continent’ has had a deleterious impact for African states and their citizenries, as spectacularly evidenced in U.S. President Donald Trump’s now-infamous labelling of the entire continent as a host of ‘shithole countries’. This article wrestles with the

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4

Wood, Ralph C. "A Case for P. D. James as a Christian Novelist." Theology Today 59, no. 4 (2003): 583–95. http://dx.doi.org/10.1177/004057360305900405.

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P. D. James is the successor to Agatha Christie as the queen of contemporary crime fiction. She is also a writer whose work is imbued with deep Christian convictions. Her novels are concerned to declare not merely who “done” it, but also why. She probes human motives with an unusually keen eye for the mystery of iniquity, especially the desire to murder in the name of good. James's novels also wrestle with the very largest moral and social questions, and her fiction suggests answers that are deeply incarnational.

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5

Karambir, Mr. "Celebration of Liberal Values in Gurcharan Das’ Works of Drama and Fiction." Think India 22, no. 3 (2019): 2032–42. http://dx.doi.org/10.26643/think-india.v22i3.8632.

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Gurcharan Das is a regular columnist for The Times of India and other national and international Newspapers and magazines. He is a versatile personality which has shown his remarkable talents in different genres of literature. Along with his maiden novel A Fine Family (1990), he has published three plays Larins Sahib (1968), Mira (1970) and 9 Jakhoo Hill (1996) and many non-fictional works such as India Unbound: From Independence to the Global Information Age (2000), The Elephant Paradigm: India Wrestles with Change (2002), The Difficulty of Being Good: On the Subtle Art of Dharma (2009) and I

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6

Russell, Gordon W., Veronica E. Horn, and Mary J. Huddle. "MALE RESPONSES TO FEMALE AGGRESSION." Social Behavior and Personality: an international journal 16, no. 1 (1988): 51–58. http://dx.doi.org/10.2224/sbp.1988.16.1.51.

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The effects on males (N= 60) of observing fictional aggression were assessed in a between-subjects design. Subjects were randomly assigned to view either a film clip of professional lady wrestlers, a mud wrestling segment or, to a no-film control condition. Both films produced negative changes in mood states, principally an increase in aggression and a decrease in social affection. Exposure to the films failed to produce changes in men's acceptance of interpersonal violence against women, rape myth beliefs or sexual callousness.

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7

Hawthorne, Susan. "Reflections on Writing and Disability." Axon: Creative Explorations 13, no. 2 (2024): 71–75. http://dx.doi.org/10.54375/001/dybmnwbzx7.

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Much of my fiction and poetry has been a long wrestle with the Pythia, the prophetic snake at Delphi. A figure who slides in and out of consciousness. The mythic imagery associated with her includes Eurydice who is unable to leave the underworld. She represents the dislocation of the postseizure state and her return to status epilepticus. The poems and text in this essay are an attempt to write what is barely writable.

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8

Hoyle, Sebastian. "The Ascension Review of Xebob Zebble." After Dinner Conversation 6, no. 7 (2025): 79–87. https://doi.org/10.5840/adc20256770.

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Does progress demand honesty about personal moral failings, even at the cost of ambition? In this work of philosophical short fiction, Xebob, a MalPar-A seeking the esteemed role of Interaction Guide, faces an ascension review shadowed by accusations of past morally questionable interactions with MalPar-B's. Growing up in a time of shifting societal views on MalPar-B rights – from chattel to near-equals – Xebob engaged in practices now widely condemned. As he sweats in the hallway, he wrestles with a critical dilemma: confess his past actions and risk his ambition, or lie to secure the coveted

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9

Kennon, Raquel. "“In de Affica Soil”: Slavery, Ethnography, and Recovery in Zora Neale Hurston’sBarracoon: The Story of the “Last Black Cargo”." MELUS 46, no. 1 (2021): 75–104. http://dx.doi.org/10.1093/melus/mlab003.

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AbstractI explore the relationship between Hurston as ethnographer and Kossola as subject in Zora Neale Hurston’s Barracoon: The Story of the Last “Black Cargo,” posthumously published in 2018 but extant since 1931. Barracoon reveals how Hurston wrestles with her dual identity as fiction writer and cultural anthropologist as it crafts a narrative of slavery and liberation around conjured memory and the ethnographic relationship. The essay considers how Hurston harnesses her rhetorical powers to convince Kossola to share recollections of his life “in Affica soil,” and examines how the themes of

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10

Zedalis, Jennifer. "The Time-traveling Lawyer: Using Time Travel Stories and Science Fiction in Legal Education." British Journal of American Legal Studies 11, no. 2 (2022): 355–78. http://dx.doi.org/10.2478/bjals-2022-0008.

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Abstract Science fiction and time travel can be used to inform and enhance the education of law students in profound ways. Within the broader field of law and literature, the relationship between law and science fiction, especially time travel stories, is rich and useful. Themes and concepts in time travel can be applied in the exploration of existing legal philosophies as well as a more expansive and engaging study of power, authority, freedom, and a number of global issues. As governments and people worldwide wrestle with climate change, armed conflict, pandemics, and the increasing signific

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11

Hicks, Patrick. "Sleight-of-Hand: Writing, History, and Magic in Brian Moore’s The Magician’s Wife." Commonwealth Essays and Studies 27, no. 2 (2005): 87–97. http://dx.doi.org/10.4000/120tw.

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Brian Moore’s latest novel, The Magician’s Wife (1997), is set in nineteenth-century France and Algeria. In this work about magic, Moore manipulates history, rewrites it, and the nature of faith is investigated from the diametrically opposed agendas of colonizer and colonized. As readers, we are caught in a fictional reconstruction of precise historical events and, like the protagonist, Emmeline Lambert, we are compelled to wrestle with disturbing questions of faith and empire.

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12

Dewhurst, E. Brown. "On the Soul and the Cyberpunk Future: St Macrina, St Gregory of Nyssa and Contemporary Mind/Body Dualism." Studies in Christian Ethics 33, no. 4 (2019): 443–62. http://dx.doi.org/10.1177/0953946819863017.

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In On the Soul and the Resurrection, St Macrina and St Gregory of Nyssa consider what the soul is, and its relationship to our body and identity. Gregory notes the way that our bodies are always changing, and asks which is most truly our ‘real’ body if we are always in a state of growth, decay and transience? What physical body will be with us at the resurrection? If our body is as important to our identity as our soul, then who am I when my body changes? Macrina answers that our identity is bodily, but that the sufferings and passages of time that alter our bodies mean that we are an imperfec

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13

Taylor, Cheryl. "‘This Fiction, It Don't Go Away’: Narrative as an Index to Palm Island's Past and Present." Queensland Review 16, no. 1 (2009): 35–67. http://dx.doi.org/10.1017/s1321816600004955.

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From their foundation at the turn of the twentieth century, the remoteness from large population centres of Queensland's reserves for Aboriginal and Islander people was a key factor in maintaining them. Activism by the people themselves, reports and commentary by journalists, and research by historians like Charles Rowley, Raymond Evans, Henry Reynolds and Ros Kidd have raised the public's awareness of past and present reserve conditions. Although important in itself, the tide of events may seem to be of only marginal professional concern to students of literature, yet a question worth conside

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14

Pravinchandra, Shital. "‘More than biological’: Cherie Dimaline’s The Marrow Thieves as Indigenous countergenetic fiction." Medical Humanities 47, no. 2 (2021): 135–44. http://dx.doi.org/10.1136/medhum-2020-012103.

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This article reads Métis writer Cherie Dimaline’s novel The Marrow Thieves as one among a growing number of Indigenous countergenetic fictions. Dimaline targets two initiatives that reductively define indigeneity as residing in so-called Native American DNA: (1) direct-to-consumer genetic testing, through which an increasing number of people lay dubious claim to Indigenous ancestry, and (2) population genetics projects that seek urgently to sample Indigenous genetic diversity before Indigenous Peoples become too admixed and therefore extinct. Dimaline unabashedly incorporates the terminology o

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15

Schade, Leah D., and Emily Askew. "“What I’ve Seen with Your Eyes”: Relational Theology and Ways of Seeing in Blade Runner." Religions 10, no. 11 (2019): 625. http://dx.doi.org/10.3390/rel10110625.

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This paper examines the theme of relational theology in the Blade Runner science fiction franchise by exploring the symbolism of eyes and sight in the films. Using the work of ecofeminist theologian Sallie McFague, we explore the contrast between the arrogant, detached eye of surveillance (what we call the “gods’ eye view”) which interprets the other-than-human world as instrumental object, and the possibility of the loving eye of awareness and attention (the “God’s eye view”) which views the other-than-human world as an equal subject with intrinsic value. How the films wrestle with what is “r

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16

Mokoena, Lerato Likopo. "The Ontological Status of Yahweh and the Existence of the Thing we call God." Filosofia Theoretica: Journal of African Philosophy, Culture and Religions 11, no. 4 (2023): 141–50. http://dx.doi.org/10.4314/ft.v11i4.9s.

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The essence of deities has captured our imaginations for as long as we can remember. Does a God exist, or is the divine entity just a figment of our dreams, a projection? Is God what Aribiah Attoe calls a “regressively eternal and material entity” or what Gericke calls “a character of fiction with no counterpart outside the worlds of text and imagination”? This paper aims to wrestle with those questions from a theological perspective and to look at the ontological status of Yahweh and how that worldview lends itself to African Traditional Religions in conversation with Attoe's method of inquir

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17

McCreedy, Jonathan. "WWE fan reception and shifting perceptions of masculinity in the Trump era." Journal of Popular Television 9, no. 2 (2021): 233–50. http://dx.doi.org/10.1386/jptv_00052_1.

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This article will study the world of American professional wrestling in connection to the reception of masculine tropes by World Wrestling Entertainment (WWE) fans. Wrestling fans, who are in majority male and traditionally come from the American working class, are in the unique position to voice, or scream, their opinions of positive or negative masculine behaviours that they see live in the ring. Since it is a scripted show (or in wrestling jargon, a ‘work’), it offers us a fascinating insight into how men view masculine behaviour as they view the action from a fictional distance. As unlikel

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18

Miletich, Marko Julio. "Translating Transgender: English Pushed to the Limits in José Donoso’s El lugar sin límites." Hikma 21, no. 1 (2022): 33–51. http://dx.doi.org/10.21071/hikma.v21i1.13226.

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A devastating Sunday in the tumultuous life of a 60-year-old transvestite, co-owner of a brothel with her/his virgin daughter La Japonesita, sets up a bloody storyline that takes readers to the Chilean town of El Olivo through the pen of José Donoso and his seminal work El lugar sin límites (1966). The novella unravels the internal struggles of the fictional town dominated by the patriarchal prominent landowner, Alejandro Cruz. The story provides an account of situations that transpire as a result of the actions of La Manuela, as s/he moves across traditional constructed sex/gender boundaries

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19

Hynes, Mike. "Shining a brighter light into the digital ‘black box’: A call for stronger sociological (re)engagement with digital technology design, development and adoption debates." Irish Journal of Sociology 26, no. 1 (2017): 94–126. http://dx.doi.org/10.1177/0791603517741605.

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Technology permeates our lives having significant effects on how we communicate, live, work and play. Information Communication Technologies have allowed individuals to stay connected to family, friends and work colleagues and has brought about broad societal benefits. But, technologies are not limited to having positive impacts and consequences; they have led to widespread job loss in particular industries with consequential negative social costs, others to the development of globally destructive weaponry and increased environmental harm. This paper has three aims. Overall, it is a call for s

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20

Guttman, Anna Michal. "“Our Brother’s Blood”: Interreligious Solidarity and Commensality in Indian Jewish Literature." Prooftexts 40, no. 2 (2023): 71–93. http://dx.doi.org/10.2979/prooftexts.40.2.03.

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Abstract: This article argues that contemporary Indian Jewish literature recovers a narrative of lost, Indigenous cosmopolitanism, which effectively reframes the history of the Indian subcontinent. More specifically, it contends that interreligious commensality, particularly between Jews and Muslims, forms the center of this cosmopolitan vision, thereby reimagining the home—rather than the public sphere—as the center of cosmopolitan experience. This gendered focus on food as a site for cultural syncretism and remembrance renders the home as a space that redefines Jewish identity and community,

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21

Gibson-Graham, J. K. "Ethical Economic and Ecological Engagements in Real(ity) Time: Experiments with Living Differently in the Anthropocene." Conjunctions. Transdisciplinary Journal of Cultural Participation 2, no. 1 (2015): 44–71. http://dx.doi.org/10.7146/tjcp.v2i1.22270.

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The Anthropocene offers us an opportunity to be affected by different temporalities and participate in a newly constituted collective. This paper examines select examples of actual and fictional reality TV programs in which ordinary people wrestle with concerns that are explicitly not those of the neoliberal capitalist imaginary, but are attuned to the task of changing everyday embodied practices of surviving well, distributing wealth, encounter- ing, connecting, and sharing with others. I am concerned with how to take these sparks of an emerging and different common sense and fan them into wi

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22

Kripalani, Simran, Angela DiBenedetto, and Michael Tomko. "Death and Dying." Veritas: Villanova Research Journal 1 (September 5, 2019): 45–76. https://doi.org/10.61372/vvrj.v1i0.2430.

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At Villanova, we often ask ourselves the question: how do you “live a good life?” While it is good to explore what it takes for us to live fulfilling lives, it is equally as important to understand how we can wrestle with the concept of death. In society in general, little to no emphasis has been put on death, let alone dying a “good death.” We are immersed in a death-avoidant culture, and we only give it attention when it impacts us in some way. Due to this phenomenon, I decided to grapple with the issues of death and dying. Was dying a good death possible? If so, what factors play a role in

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23

Farquhar, Sandy, and Esther Fitzpatrick. "Unearthing truths in duoethnographic method." Qualitative Research Journal 16, no. 3 (2016): 238–50. http://dx.doi.org/10.1108/qrj-07-2015-0061.

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Purpose – The purpose of this paper is to engage with challenges the authors encountered in duoethnographic inquiry, including questions about what it means to tell the truth, and the decisions the authors made about what stories to include and exclude. The focus is on the ethical challenges involved in duoethnography and the ways in which the authors chose, and or felt compelled to, overcome them. The authors provide an argument for the need of intimate, eclectic and open-ended inquiry-based research that poses questions, challenges dominant discourses and promotes a compositional methodology

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24

Dickerson, Nikolas. "Unicorns, rainbows, and unicorn magic: Storying new knowledge of black masculinities within the WWE." International Review for the Sociology of Sport, January 9, 2024. http://dx.doi.org/10.1177/10126902231221265.

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This paper examines the story arc of a trio of Black male wrestlers called the New Day within the World Wrestling Entertainment industry (WWE) who go from militant nationalists, stereotypical singing/dancing preachers, and finally to self-described unicorns bringing magic back to the WWE. Wrestling is used to explore anti-Blackness, Black masculinity, and conceptions of the human/humanity. Drawing on Katherine McKittrick's Black methodological intervention of textual accumulation to interrogate issues of race, masculinity, and sexuality within their performances, I argue the group's unique pos

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25

Nicholson, Simon. "Can technology save the environment? Lessons from Iain M. Banks’ Culture series." Elementa: Science of the Anthropocene 7 (January 1, 2019). http://dx.doi.org/10.1525/elementa.378.

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A common theme in speculative fiction concerns technological overreach. All manner of scenarios have been developed by science fiction authors and filmmakers, warning of the potential for subjugation, obliteration, or alienation as technologies grow in power and scale. Yet within environmental circles, even though the dangers inherent in technological development are well appreciated, environmental challenges are coming to be defined more and more as technical matters to be resolved via technological means. This article explores some of the meaning and limits of this contemporary environmental

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26

McDermott McNulty, Morna. "Speculative Fiction, Post Human Desire and Inquiry of Currere." Journal of Curriculum Theorizing 34, no. 5 (2019). https://doi.org/10.63997/jct.v34i5.875.

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Every generation has its monsters. They evoke our deepest desires, our fears, and our curiosities. They are the unknown…the uncontrollable; fraught with terror and possibility. Possibility oftentimes emerges through fiction. Fiction is not the opposite of fact; it is the opposite of finitude. While it is defensible to assert that reality exists beyond texts, much of what we think of as “real” is—and can only be—apprehended through fictional texts. Monsters are us. They reflect and refract our fragmented collective and individual identities. Blood’s Will: Speculative Fiction, Existence and Inqu

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Vuckovic, Brooke, and Rebecca Talbot. "Moral Complexity in Leadership: Moral Distress and Rationalizations “Blessed Assurance,” by Allan Gurganus." Kellogg School of Management Cases, July 18, 2024, 1–6. https://doi.org/10.1108/case.kellogg.2025.000032.

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The “Moral Complexity in Leadership” series of cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access through case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral cod

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28

Jae, Kevin. "Films as a Signal: The Shoplifters and the Transformation of the Japanese Family." World Futures Review, May 27, 2024. http://dx.doi.org/10.1177/19467567241253091.

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The field of futures studies has done little work on analysis of films and movies, with the exception of the science fiction genre. There has been little attempt to wrestle with and analyze other film genres, integrating such analyses into futures studies. This article makes an attempt at bridging that gap by analyzing the 2018 Palme d’Or winning film Shoplifters by Japanese filmmaker Hirokazu Kore-eda. In the article, we examine the film as a signal of transformation in the Japanese family by comparing this new form of the family to the Japanese family in the past. Using Shoplifters as a guid

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29

Vuckovic, Brooke, and Rebecca Talbot. "Moral Complexity in Leadership: Greed How Much Land Does a Man Need? by Leo Tolstoy." Kellogg School of Management Cases, January 24, 2024, 1–5. https://doi.org/10.1108/case.kellogg.2025.000028.

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The “Moral Complexity in Leadership” series of cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access through case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral cod

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30

Vuckovic, Brooke, and Rebecca Talbot. "Moral Complexity in Leadership: Empathy “A Small, Good Thing,” by Raymond Carver." Kellogg School of Management Cases, August 1, 2023, 1–5. https://doi.org/10.1108/case.kellogg.2025.000024.

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The “Moral Complexity in Leadership“ series of cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access through case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral cod

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31

Vuckovic, Brooke, and Rebecca Talbot. "Moral Complexity in Leadership: Empathy “The Paper Menagerie,” by Ken Liu." Kellogg School of Management Cases, June 22, 2023, 1–4. https://doi.org/10.1108/case.kellogg.2025.000026.

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The “Moral Complexity in Leadership” series of cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access through case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral cod

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32

Vuckovic, Brooke, and Rebecca Talbot. "Moral Complexity in Leadership: Hubris and Humility Antigone, by Sophocles." Kellogg School of Management Cases, July 11, 2023, 1–8. https://doi.org/10.1108/case.kellogg.2025.000029.

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The “Moral Complexity in Leadership” series of cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access through case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral cod

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33

Vuckovic, Brooke, and Rebecca Talbot. "Moral Complexity in Leadership: Loyalty and the Cost of Excellence The Remains of the Day, by Kazuo Ishiguro." Kellogg School of Management Cases, July 7, 2023, 1–7. https://doi.org/10.1108/case.kellogg.2025.000031.

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The “Moral Complexity in Leadership” series of cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access through case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral cod

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34

Vuckovic, Brooke, Rebecca Talbot, and Lindsay Spring. "Moral Complexity in Leadership: Hubris and Humility “Dead Men's Path,” by Chinua Achebe." Kellogg School of Management Cases, September 15, 2023, 1–5. https://doi.org/10.1108/case.kellogg.2025.000030.

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The “Moral Complexity in Leadership” series of cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access through case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral cod

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35

Vuckovic, Brooke, and Rebecca Talbot. "Moral Complexity in Leadership: Empathy “Mrs. Sen's,” by Jhumpa Lahiri." Kellogg School of Management Cases, June 22, 2023, 1–4. https://doi.org/10.1108/case.kellogg.2025.000025.

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The “Moral Complexity in Leadership” series of cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access through case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral cod

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36

Vuckovic, Brooke, and Rebecca Talbot. "Moral Complexity in Leadership: Race, Memory, and Moral Goodness “Recitatif,” by Toni Morrison." Kellogg School of Management Cases, August 16, 2024, 1–4. https://doi.org/10.1108/case.kellogg.2025.000033.

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“Moral Complexity in Leadership” cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access via case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral codes. Using fiction

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Kozitza, Evangeline M. "Legal Exegesis and Historical Narrative in Luke 2:22–4." Journal of Theological Studies, December 3, 2020. http://dx.doi.org/10.1093/jts/flaa097.

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Abstract This article wrestles with critical questions often cited in relation to Luke 2:22–4, the gospel writer’s description of two legal rituals (the sacrifice to complete purification after birth, and the consecration of a firstborn son) performed by Mary and Joseph at the Temple. In contrast with previous interpretations of this text, which have tended to conclude either that Luke has been misinformed about Jewish law, or that he simply is not interested in legal precision (thus creating a purely fictive narrative motivated by theological or literary concerns), this essay argues for a mor

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Vuckovic, Brooke, and Rebecca Talbot. "Moral Complexity in Leadership: Evaluating Personal and Professional Integrity Purple Hibiscus, by Chimamanda Ngozi Adichie." Kellogg School of Management Cases, September 13, 2024, 1–6. https://doi.org/10.1108/case.kellogg.2025.000027.

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“Moral Complexity in Leadership” cases and teaching notes help business instructors harness the power of fiction to prepare students for the moral and ethical dilemmas they will face throughout their careers. Meaningful fiction challenges students intellectually and emotionally; it reveals the inner worlds of human players and enables learning that can be difficult to access via case studies, commentary, or reporting. Through literature, students will wrestle with the kinds of problems they will face as leaders looking to make courageous decisions aligned with their moral codes. Using fiction

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Mamoun Abdelouahab, Tehirichi Abdelhafid. "Human and Idea in the polyphonic novel: Blood and Fire’s Tetralogy of Abdolmalek Mortadh as a model: الإنسان والفكرة في الرواية الحوارية: رباعية الدم والنار لعبد الملك مرتاض أنموذجاً". Arab Journal of Sciences & Research Publishing 6, № 3 (2020). http://dx.doi.org/10.26389/ajsrp.m160620.

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Our research entitled “the human / the idea in the polyphonic novel, the example of « Blood and Fire’s Tetrology » of Abdolmalek Mortadh, is studying a new technique that appears in modern times, the dialogism that’s resulting from the romantic polyphony, which is working on the variation of thoughts, on perceptions and ideological visions arising from the characters. Our subject focuses mainly on the way from which the character/ Idea’s image is formed in Abdolmalek Mordadh’s narrative discourse. Besides, we will reveal the variety of provocative styles used as a writing technique by the writ

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Starrs, Bruno. "Hyperlinking History and Illegitimate Imagination: The Historiographic Metafictional E-novel." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.866.

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‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Linda Hutcheon in 1988, and which refers to the postmodern practice of a fiction author inserting imagined--or illegitimate--characters into narratives that are intended to be received as authentic and historically accurate, that is, ostensibly legitimate. Such adventurous and bold authorial strategies frequently result in “novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages” (Hutcheon, A Poetics 5). They can be so entertaining and

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Phillips, Maggi. "Diminutive Catastrophe: Clown’s Play." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.606.

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IntroductionClowns can be seen as enacting catastrophe with a small “c.” They are experts in “failing better” who perhaps live on the cusp of turning catastrophe into a metaphorical whirlwind while ameliorating the devastation that lies therein. They also have the propensity to succumb to the devastation, masking their own sense of the void with the gestures of play. In this paper, knowledge about clowns emerges from my experience, working with circus clowns in Circus Knie (Switzerland) and Circo Tihany (South America), observing performances and films about clowns, and reading, primarily in E

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Murphy, Ffion, and Richard Nile. "Writing, Remembering and Embodiment: Australian Literary Responses to the First World War." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.526.

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This paper is part of a larger project exploring Australian literary responses to the Great War of 1914-1918. It draws on theories of embodiment, mourning, ritual and the recuperative potential of writing, together with a brief discussion of selected exemplars, to suggest that literary works of the period contain and lay bare a suite of creative, corporeal and social impulses, including resurrection, placation or stilling of ghosts, and formation of an empathic and duty-bound community. In Negotiating with the Dead, Margaret Atwood hypothesises that “all writing of the narrative kind, and perh

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Laba, Martin. "Picking through the Trash." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1758.

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In a recent "Arts & Leisure" feature in a national Canadian newspaper, The Globe and Mail (5 June 1999), music critic Robert Everett-Green muses on the invention by the pop music industry of Andrea Bocelli as an opera singer: "call him an airborne virus or a gift from God ... . He is the voice you are most likely to hear while waiting for a double latte." The pop sentimentality industry fast-tracked Bocelli (a pop singer who "sounds" operatic) and created a global entertainment product. In a masterful stroke of high pop spectacle, the holy trinity of musical melodrama joined together -- Bo

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Starrs, Bruno. "Writing Indigenous Vampires: Aboriginal Gothic or Aboriginal Fantastic?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.834.

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The usual postmodern suspicions about diligently deciphering authorial intent or stridently seeking fixed meaning/s and/or binary distinctions in an artistic work aside, this self-indulgent essay pushes the boundaries regarding normative academic research, for it focusses on my own (minimally celebrated) published creative writing’s status as a literary innovation. Dedicated to illuminating some of the less common denominators at play in Australian horror, my paper recalls the creative writing process involved when I set upon the (arrogant?) goal of creating a new genre of creative writing: th

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