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Artículos de revistas sobre el tema "Yale Center for British Art"

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Publicado: 4 de junio de 2021
Última modificación: 27 de julio de 2025

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1

Sussman, Herbert. "VICTORIANS LIVE: WILLIAM MORRIS: “THE BEAUTY OF LIFE”." Victorian Literature and Culture 34, no. 1 (2006): 346–50. http://dx.doi.org/10.1017/s106015030623119x.

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“THE BEAUTY OF LIFE” : William Morris & the Art of Design was a visual delight. Curated by Dianne Waggoner, the exhibition originated at the Huntington Library and was first shown at the Yale Center for British Art, enriched by additions from the Yale Center for British Art, the Beinecke Rare Book and Manuscript Library, and the Yale University Library. For those who missed this Victorianists' treat at New Haven and San Marino, the fine catalog edited by Waggoner provides illustrations and detailed accounts of the items as well as perceptive critical essays.
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2

Knight, George. "The Yale Center for British Art: a Building Conservation." Louis I. Kahn – The Permanence, no. 58 (2018): 50–59. http://dx.doi.org/10.52200/58.a.8ah55zai.

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The Yale Center for British Art was designed by acclaimed American architect Louis I. Kahn to house a collection of British art on the campus of Yale University. The Center, Kahn’s third and final museum building, was designed between 1970 and 1974 and opened its doors to the public in 1977. By 2002 it was evident that the building was fast approaching a crossroads: finishes had reached the end of their lives, program space was in desperate demand, patron amenities and life safety measures no longer met contemporary standards and, worst of all, infrastructural systems strained to sustain the e
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3

Delmas-Glass, Emmanuelle. "THE YCBA HISTORIC FRAME COLLECTION: USING SEMANTIC WEB TECHNOLOGY TO CONTRIBUTE TO THE SCHOLARSHIP OF BRITISH ART." ARTis ON, no. 2 (February 12, 2016): 9–23. http://dx.doi.org/10.37935/aion.v0i2.37.

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Following a technical survey of its of historic frame collection, the Yale Center for British Art has catalogued its frames as extensively as its art collection, and now shares it with the world via web pages for human users as well as through machine readable formats (LIDO XML, CIDOC-CRM RDF) for data aggregators. This paper proposes a data management and dissemination strategy model that relies on data exchange protocols and Linked Open Data to ensure that our rich cultural knowledge can be reused by scholars and contributes to the study of frames and the British art in general.
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4

Binkowski, Kraig. "Light and wood: An intimate and human space within the art libraries of Louis I. Kahn." Art Libraries Journal 43, no. 1 (2017): 16–23. http://dx.doi.org/10.1017/alj.2017.43.

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In the libraries of the Yale Center for British Art and the Kimbell Art Museum, Louis I. Kahn created spaces and atmospheres that are particularly conducive to reading about and viewing art. In these rooms, natural light combines with sympathetic materials and forms a timeless dance with thought and contemplation. This paper focusses on the unique library carrels which form the physical bridge between light and dark, inside and outside, and constitute a microcosm of Kahn's thoughts about reading, libraries and museums.
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5

FREEMAN, JULIAN. "THE HISTORY OF BRITISH ART BY DAVID BINDMAN (GENERAL EDITOR) TATE BRITAIN AND THE YALE CENTER FOR BRITISH ART." Art Book 16, no. 3 (2009): 42–43. http://dx.doi.org/10.1111/j.1467-8357.2009.01043_2.x.

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SOMERVILLE, STEPHEN. "PAUL MELLON'S LEGACY A PASSION FOR BRITISH ART MASTERPIECES FROM THE YALE CENTER FOR BRITISH ART BY JOHN BASKETT ET AL." Art Book 15, no. 2 (2008): 24–26. http://dx.doi.org/10.1111/j.1467-8357.2008.00939_12.x.

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Binkowski, Kraig. "The ARIAH-RIHA Professional Exchange Fellowship: first-hand perceptions of photo archives in London art libraries." Art Libraries Journal 44, no. 1 (2019): 31–36. http://dx.doi.org/10.1017/alj.2018.33.

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In the spring of 2017 I was fortunate enough to receive the ARIAH-RIHA Professional Exchange Fellowship that allowed me to travel to London and conduct research there for a month. While in London I looked closely at the collections, services, and clientele of several important art libraries in London but the main focus of my investigation was the photo archive collections that make up a part of many of these art libraries. The photo archives in my own institution at the Yale Center for British Art and our efforts toward digitisation, discovery, and open access made my close examination of simi
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8

Binkowski, Kraig. "Room within a room: Louis I. Kahn and the Reference Library of the Yale Center for British Art." Art Libraries Journal 36, no. 1 (2011): 5–10. http://dx.doi.org/10.1017/s0307472200016722.

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What does it mean to work in a Modernist masterpiece? How is a ‘humanist’ space used? The author’s personal perspective on the architectural elements of the Reference Library at the Yale Center for British Art illuminates the humanistic aspects of Louis I. Kahn’s design. He focusses specifically on the material surfaces of white oak, wool, formed concrete, and their interplay with natural light in the library. Architectural elements such as the wood library carrels, concrete pillars, and exterior and interior windows of the library are considered in relation both to Kahn’s perceptions of a lib
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9

Harman, P. M. "CHLOE CHARD and HELEN LANGDON (eds.), Transports. Travel, Pleasure, and Imaginative Geography, 1600–1830. Studies in British Art, 3. Published for the Paul Mellon Center for Studies in British Art and the Yale Center for British Art. New Haven: Yale University Press, 1996. Pp. viii+341, illus. ISBN 0-300-06382-2. £35.00." British Journal for the History of Science 31, no. 2 (1998): 241–50. http://dx.doi.org/10.1017/s0007087498263278.

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10

Mulvin, Lynda S. "Extra-illustrations to Charles Robert Cockerell’s Ionian Antiquities and James Cavanah Murphy’s Arabian Antiquities of Spain in the collections of the Gennadius Library and the Yale Center for British Art." Journal of Illustration 8, no. 1 (2021): 19–49. http://dx.doi.org/10.1386/jill_00037_1.

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This article focuses on unpublished extra-illustrations relating to two architectural monographs, currently in the collections of the Gennadius Library (Athens, Greece) and the Yale Center for British Art (New Haven, CT, USA). The first section examines two unique copies of Ionian Antiquities (1769) by Richard Chandler, Nicholas Revett and William Pars, both grangerized by Charles Robert Cockerell (1788‐1863); the second section considers a special copy of The Arabian Antiquities of Spain (1815) by James Cavanah Murphy (1760‐1814). These enhanced volumes embody early nineteenth-century concept
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11

Tittler, Robert. "Cinzia Maria Sicca and Louis A. Waldman, eds. The Anglo-Florentine Renaissance: Art for the Early Tudors. Studies in British Art 22. New Haven: Yale Center for British Art and The Paul Mellon Centre for Studies in British Art, 2012. x + 414 pp. $75. ISBN: 978–0–300–17608–7." Renaissance Quarterly 65, no. 4 (2012): 1208–10. http://dx.doi.org/10.1086/669374.

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12

Curtis, Gerard. "Book Review: William Hodges, 1744–1797: The Art of Exploration (Catalogue to the Exhibition at the National Maritime Museum, Greenwich and the Yale Center for British Art)." International Journal of Maritime History 17, no. 2 (2005): 426–27. http://dx.doi.org/10.1177/084387140501700258.

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13

Ellis, Joyce, John Walton, and Peter Borsay. "Ralph Hyde, Gilded Scenes and Shining Prospects: Panoramic Views of British Towns 1575–1900. New Haven, Connecticut: Yale Center for British Art, 1985. 207 pp. 105 plates. No price given." Urban History 14 (May 1987): 221–22. http://dx.doi.org/10.1017/s0963926800009020.

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14

Miller, Marla R. "Book ReviewsJohn Styles and Amanda Vickery, eds. Gender, Taste, and Material Culture in Britain and North America, 1700–1830. New Haven, CT: Yale Center for British Art and the Paul Mellon Center for Studies in British Art, 2006; distributed by Yale University Press. 368 pp.; 58 color + 26 black‐and‐white illustrations, index. $65.00." Winterthur Portfolio 42, no. 2/3 (2008): 185–86. http://dx.doi.org/10.1086/589599.

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15

Khadzhylii, T. O. "STRUCTURAL FEATURES OF ENGLISH PICTONYMS." Opera in Linguistica Ukrainiana, no. 31 (July 14, 2024): 151–59. http://dx.doi.org/10.18524/2414-0627.2024.31.309411.

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The article is devoted to the study of structural features of English pictonyms — proper names of paintings. Pictonym is a subclass of imageonym, which is a subclass of artionym, which, in turn, is a subclass of ideonym. Proper names of paintings are an under-researched area of onomastics that attracts the attention of many scientists because proper names play an important role in the spiritual development of society and have their own unique features that distinguish them from other onyms. The purpose of the article is to examine the structural division of English pictonyms. The object of the
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16

Hagedorn, Dierk. "A Long Time Ago in a Library Far, Far Away ... The Adventures of the Gladiatoria Manuscript from New Haven." Acta Periodica Duellatorum 3, no. 1 (2015): 183–208. http://dx.doi.org/10.1515/apd-2015-0006.

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Abstract In this paper I will describe the adventurous history of an important late medieval German fechtbuch—a fighting manual—that belongs to a number of manuscripts known as the Gladiatoria group. In the beginning, the extent and the characteristics of this group of codices are explained; later on I will deal with one specific specimen that formerly belonged to a library in Germany—the Herzogliche Bibliothek in Gotha—from where it vanished during or after World War II. Until quite recently this manuscript was believed to be lost. I was able to identify a Gladiatoria manuscript from the Yale
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17

Nelson, E. Charles. "BRUSIUS, Mirjam, DEAN, Katrina and RAMALINGAM, Chitra (editors). William Henry Fox Talbot beyond photography. The Yale Center for British Art and The Paul Mellon Centre for Studies in British Art, New Haven, Connecticut & London: 2013. Pp viii, [2], 308: illustrated. Price US$ 75.00. ISBN 9780300179347." Archives of Natural History 42, no. 1 (2015): 194–95. http://dx.doi.org/10.3366/anh.2015.0303.

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18

Brown, Bronwen. "The Art of Thomas Gainsborough2000257Michael Rosenthal. The Art of Thomas Gainsborough. New Haven, CT, and London: Yale University Press 1999. 312 pp, ISBN: 0 300 08137 5 £40.00 Published for the Paul Mellon Center for Studies in British Art." Reference Reviews 14, no. 5 (2000): 42–43. http://dx.doi.org/10.1108/rr.2000.14.5.42.257.

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19

Staley, Allen. "BOOK REVIEW: Sanford Schwartz.WILLIAM NICHOLSON. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2004." Victorian Studies 48, no. 2 (2006): 352–54. http://dx.doi.org/10.2979/vic.2006.48.2.352.

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20

Tittler, Robert. "Susan Foister. Holbein and England. London: Paul Mellon Centre for British Art; New Haven, CT: Yale University Press, 2004. Pp. xii+308. $65.00 (cloth)." Journal of British Studies 45, no. 2 (2006): 394–95. http://dx.doi.org/10.1086/504190.

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21

Pavy-Guilbert, Élise, and Frédéric Ogée. "Martin Myrone , Making the Modern Artist. Culture, Class and Art-Educational Opportunity in Romantic Britain , New Haven/London, Yale University Press/Paul Mellon Centre for Studies in British Art, 2020." Dix-huitième siècle 53, no. 1 (2021): CV. http://dx.doi.org/10.3917/dhs.053.0729da.

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22

Michell, George. "Traces of India: Photography, Architecture, and the Politics of Representation, 1850–1900. Edited by Maria Antonella Pelizzari. pp. 343, 183 figs. Montreal, Canadian Centre for Architecture, and New Haven, Yale Center for British Art, 2003." Journal of the Royal Asiatic Society of Great Britain & Ireland 14, no. 2 (2004): 146–48. http://dx.doi.org/10.1017/s1356186304294330.

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23

Roach, Catherine. "Kate Retford. The Conversation Piece: Making Modern Art in Eighteenth-Century Britain. The Paul Mellon Centre for Studies in British Art. New Haven: Yale University Press, 2017. Pp. 440. $55.00 (cloth)." Journal of British Studies 59, no. 3 (2020): 680–81. http://dx.doi.org/10.1017/jbr.2020.64.

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24

Guardiola, Patricia. "The people's galleries: art museums and exhibitions in Britain, 1800–1914 Giles Waterfield New Haven, CT: Yale University Press for the Paul Mellon Center for Studies in British Art, 2015. 372 p. ill. ISBN 9780300209846. £45.00 / $85.00 (hardcover)." Art Libraries Journal 41, no. 4 (2016): 235–37. http://dx.doi.org/10.1017/alj.2016.35.

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25

Rodner, William S. "Richard Dorment. Alfred Gilbert. New Haven & London: Yale University Press for the Paul Mellon Centre for Studies in British Art. 1985. Pp. vii, 350, $29.95." Albion 18, no. 1 (1986): 124–25. http://dx.doi.org/10.2307/4048734.

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26

Mays, Deborah. "Sir Howard Colvin, A Biographical Dictionary of British Architects 1600–1840, Yale, published for Paul Mellon Centre for Studies in British Art, 1995, 1,264 pages, ISBN 0 300 0609 1 2. Hardback £50." Architectural Heritage 10, no. 1 (1999): 90–91. http://dx.doi.org/10.3366/arch.1999.10.1.90.

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27

Mays, Deborah. "Sir Howard Colvin,A Biographical Dictionary of British Architects 1600–1840, Yale, published for Paul Mellon Centre for Studies in British Art, 1995, 1,264 pages, ISBN 0 300 0609 1 2. Hardback £50." Architectural Heritage 10, no. 10 (1999): 90–91. http://dx.doi.org/10.3366/arch.1999.10.10.90.

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28

Hoock, Holger. "Jason M. Kelly . The Society of Dilettanti: Archaeology and Identity in the British Enlightenment . New Haven : Yale University Press , for the Paul Mellon Centre for Studies in British Art. 2009 . Pp. xvii, 366. $75.00." American Historical Review 115, no. 5 (2010): 1525–26. http://dx.doi.org/10.1086/ahr.115.5.1525.

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29

Campbell, Ian. "MARK GIROUARD, Elizabethan Architecture: Its Rise and Fall, 1540–1640, Yale University Press (Paul Mellon Centre for Studies in British Art), 2009, ISBN-13: 978-0300093865, £45.00." Architectural Heritage 21, no. 1 (2010): 109–11. http://dx.doi.org/10.3366/arch.2011.0009.

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30

Tittler, Robert. "Elizabeth Goldring. Nicholas Hilliard: Life of an Artist. The Paul Mellon Centre for Studies in British Art. New Haven: Yale University Press, 2019. Pp. 337. $55.00 (cloth)." Journal of British Studies 58, no. 4 (2019): 811–12. http://dx.doi.org/10.1017/jbr.2019.144.

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31

Dethloff, Diana. "Nicholas Hilliard: Life of an Artist. Elizabeth Goldring. Paul Mellon Centre for Studies in British Art. New Haven, CT: Yale University Press, 2019. xiv + 338 pp. $55." Renaissance Quarterly 73, no. 3 (2020): 1023–25. http://dx.doi.org/10.1017/rqx.2020.144.

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32

Ritok, Christine. "Inventing Boston, Design Production, and Consumption, 1680–1720. By Edward S. Cooke Jr. (New Haven: Published for the Paul Mellon Center for Studies in British Art by Yale University Press, 2019. Pp. 232. $60.00 hardcover.)." New England Quarterly 93, no. 2 (2020): 325–29. http://dx.doi.org/10.1162/tneq_r_00829.

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33

Grove, Carol. "James Ayres. Building the Georgian City. (Paul Mellon Centre for Studies in British Art.) New Haven: Yale University Press. 1998. Pp. vii, 280. $65.00. ISBN 0-30-07548-0." Albion 31, no. 4 (1999): 656–57. http://dx.doi.org/10.1017/s0095139000063742.

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34

Borsay, Peter. "James Ayres, Building the Georgian City. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 1998. vii + 280pp. 345 figures. £45.00." Urban History 27, no. 3 (2000): 405–37. http://dx.doi.org/10.1017/s0963926800270351.

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35

Warren, John. "A Bibliographical Dictionary of British Architects, 1600–1840. By Howard Colvin. 3rd edn. 240mm. Pp. 1264. London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 1995. ISBN 0-300-06091-2. £50.00." Antiquaries Journal 77 (March 1997): 429–30. http://dx.doi.org/10.1017/s0003581500075521.

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36

Ryu, Catherine. "Elizabethan Globalism: England, China and the Rainbow Portrait. Matthew Dimmock. New Haven, CT: Yale University Press; London: Paul Mellon Centre for Studies in British Art, 2019. xii + 324 pp. £50." Renaissance Quarterly 74, no. 1 (2021): 258–59. http://dx.doi.org/10.1017/rqx.2020.341.

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37

Wilson, Kristina. "Lucie Rie: Modernist Potter.Emmanuel CooperNew Haven, CT: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2012.328 pp.; 110 b/w and color ills.Cloth $55.00ISBN 9780300152005The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and the Counterculture.Tanya HarrodNew Haven, CT: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2012.457 pp.; 128 b/w and color ills.Cloth $45.00ISBN 9780300100167." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 21, no. 1 (2014): 127–30. http://dx.doi.org/10.1086/677873.

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38

Johns, Richard. "Book ReviewsKate Retford. The Art of Domestic Life: Family Portraiture in Eighteenth‐Century England. New Haven, CT: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2006. 294 pp.; 182 illustrations, bibliography, index. $65.00." Winterthur Portfolio 42, no. 2/3 (2008): 194–95. http://dx.doi.org/10.1086/589604.

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39

Harding, Robert. "The Pleasures of Antiquity: British Collectors of Greece and Rome. By Jonathan Scott. 270mm. Pp viii + 340, ills. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2003. ISBN 0300098545. £40 (hdbk)." Antiquaries Journal 85 (September 2005): 430–31. http://dx.doi.org/10.1017/s0003581500074825.

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Risse, Guenter B. "Christine Stevenson, Medicine and magnificence: British hospital and asylum architecture, 1660–1815, New Haven and London, Yale University Press for The Paul Mellon Centre for Studies in British Art, 2000, pp. viii, 312, illus., £30.00 (hardback 0-300-08536-2)." Medical History 45, no. 3 (2001): 409–10. http://dx.doi.org/10.1017/s0025727300068113.

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FORGAN, SOPHIE. "CHRISTINE STEVENSON, Medicine and Magnificence: British Hospital and Asylum Architecture, 1660–1815. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2000. Pp. viii+312. ISBN 0-300-08536-2. £30.00 (hardback)." British Journal for the History of Science 36, no. 1 (2003): 87–127. http://dx.doi.org/10.1017/s0007087403264979.

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Stamp, Gavin. "The British Stable. By Giles Worsley, with photography by William Curtis Rolf. 290mm. Pp vii + 307, 120 col ills. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2005. ISBN 0300107080. £45 (hdbk)." Antiquaries Journal 86 (September 2006): 458–59. http://dx.doi.org/10.1017/s0003581500000755.

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Jung, Jacqueline. "Peter Draper. The Formation of English Gothic: Architecture and Identity. New Haven, CT, and London: Paul Mellon Centre for Studies in British Art and Yale University Press, 2007. Pp. 287. $80.00 (cloth)." Journal of British Studies 47, no. 4 (2008): 909–10. http://dx.doi.org/10.1086/592884.

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Bristol, Kerry. "Matthew Craske. The Silent Rhetoric of the Body: A History of Monumental Sculpture and Commemorative Art in England, 1720–1770. New Haven, CT, and London: Paul Mellon Centre for Studies in British Art for Yale University Press, 2007. Pp. 528. $75.00 (cloth)." Journal of British Studies 48, no. 2 (2009): 500–501. http://dx.doi.org/10.1086/598885.

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Ames, Kenneth L. "Olga Dmitrieva and Natalya Abramova, eds.,Britannia & Muscovy: English Silver at the Court of the Tsars, exh. cat. New Haven and London: Yale University Press for Yale Center for British Art, New Haven; The Gilbert Collection, London; and Moscow Kremlin Museums, 2006. 303 pp., 200 color pls., 40 b/w ills., chronol., 1 appendix, bibliog., index. $85." Studies in the Decorative Arts 15, no. 1 (2007): 190–94. http://dx.doi.org/10.1086/652848.

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46

Bowdler, Roger. "Vaughan Hart, Christopher Wren: In Search of Eastern Antiquity (New Haven and London: Paul Mellon Centre for Studies in British Art and Yale University Press, 2020), 209 pp. incl. 180 colour and b&w ills, ISBN 9781913907079, £45." Architectural History 64 (2021): 413–15. http://dx.doi.org/10.1017/arh.2021.21.

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Holder, Julian. "Mark Crinson, Shock City: Image and Architecture in Industrial Manchester (New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2022), 234 pp. incl. 174 colour and b&w ills, ISBN 9781913107338, £35." Architectural History 66 (2023): 351–52. http://dx.doi.org/10.1017/arh.2023.23.

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48

Salmon, Frank. "Steven Brindle, Architecture in Britain and Ireland, 1530–1830 (New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2023), 592 pp. incl. 448 colour and b&w ills, ISBN 9781913107406, £60 (hardback)." Architectural History 67 (2024): 155–57. https://doi.org/10.1017/arh.2025.10025.

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McMurran, Mary Helen. "The Society of Dilettanti Jason M. Kelly .The Society of Dilettanti: Archaeology and Identity in the British Enlightenment. New Haven and London: Yale University Press, Published for the Paul Mellon Centre for Studies in British Art, 2009. XVII + 366 pages; 168 illustrations; ISBN: 9780300152197." Huntington Library Quarterly 74, no. 1 (2011): 140–44. http://dx.doi.org/10.1525/hlq.2011.74.1.140.

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Lutz, Gerhard. "Paul Binski, Gothic Sculpture. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2019. Pp. vii, 287; many color figures. $55. ISBN: 978-0-3002-4143-3." Speculum 96, no. 1 (2021): 180–81. http://dx.doi.org/10.1086/712192.

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