Bibliografías temáticas / Yayoi

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Literatura académica sobre el tema "Yayoi"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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Artículos de revistas sobre el tema "Yayoi"

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Agac, Saliha. "Installation Artist in the Fashion Industry: Yayoi Kusama." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 35–41. http://dx.doi.org/10.18844/prosoc.v4i11.2847.

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The history of fashion has shown that art and fashion are influenced by each other. Cooperation between the two disciplines is quite extensive. In this work, first, the installation artist Yayoi Kusama’s installations and the clothes that she prepared for these installations are examined. Then, the 2012 collection prepared with the cooperation of Yayoi Kusama-Louis Vuitton was examined and visual content analysis forms were created. As a result of the findings, a capsule collection was prepared in honour of Yayoi Kusama and photographed by establishing the figure–ground relationship as in the
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Treglia, Nicole. "L’escabeau de Yayoi Kusama." La Cause Du Désir N° 89, no. 1 (2015): 152. http://dx.doi.org/10.3917/lcdd.089.0152.

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Pearson, Richard. "Chiefly exchange between Kyushu and Okinawa, Japan, in the Yayoi period." Antiquity 64, no. 245 (1990): 912–22. http://dx.doi.org/10.1017/s0003598x00079023.

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Introduction During the Yayoi Period of Japan (approximately 300 BC to 300 AD) tropical shell bracelets appear in elite burials in Kyushu (FIGURE 1) .In this paper I discuss recent investigations which indicate that these shells were produced in Okinawa, some 500 km. to the southwest of Kyushu, and were exchanged for Yayoi pottery vessels and possibly other artefacts. The context of this exchange system and the implications for Japanese prehistory are also considered.
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Kennell, Amanda. "Yayoi Kusama, the Modern Alice." Journal of Adaptation in Film & Performance 12, no. 3 (2019): 195–210. http://dx.doi.org/10.1386/jafp_00006_1.

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Abstract Yayoi Kusama's polka dot art and Infinity Mirror rooms have made her one of the most successful artists alive today. Her more than seven-decade-long career has provided ample fodder for scholars to examine her artistic preoccupations. This article considers the scholarly consensus on the role of performance in Kusama's oeuvre and then examines two works, a 1968 happening and a 2013 illustrated book, in which Kusama (1929‐present) adapts Lewis Carroll's Alice in Wonderland novels. By adapting Alice, Kusama is able to sharpen themes and symbols that she has deployed since the early days
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Oka, Y., S. Koshizuka, I. Saito, et al. "Fast neutron source reactor, YAYOI." Progress in Nuclear Energy 32, no. 1-2 (1998): 3–10. http://dx.doi.org/10.1016/s0149-1970(97)00003-6.

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Ikeya, Kazunobu. "Ethnoarchaeology of Introducing Agriculture and Social Continuity among Sedentarised Hunter–Gatherers: The Transition from the Jomon to the Yayoi Period." Quaternary 4, no. 3 (2021): 28. http://dx.doi.org/10.3390/quat4030028.

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This study was conducted to elucidate the introduction of agriculture and social continuity from the Jomon to the Yayoi period, from an ethnoarchaeological perspective. The Yayoi period has been divided into two types: a broad spectrum economy that relied on many kinds of resources, such as rice, millet, and nuts, and a selective economy that specialised in rice and wild boar. However, it is not clear how the livelihoods shifted from the Jomon to the Yayoi period. In this study, ethnohistorical materials were examined first. Ethnohistorical reference materials gathered worldwide have revealed
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Zinnes, Harriet. "Love Forever: Yayoi Kusama, 1958-68." Chicago Review 44, no. 3/4 (1998): 187. http://dx.doi.org/10.2307/25304329.

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Yoshii, Koji, and Kenzo Miya. "Fast Neutron Radiography at reactor YAYOI." Progress in Nuclear Energy 32, no. 1-2 (1998): 123–39. http://dx.doi.org/10.1016/s0149-1970(97)00012-7.

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NAKAHASHI, Takahiro. "Ritual tooth-ablation in Doigahama Yayoi people." Journal of Anthropological Society of Nippon 98, no. 4 (1990): 483–507. http://dx.doi.org/10.1537/ase1911.98.483.

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Guo, Qing. "Mirror Room (Pumpkin)—Yayoi Kusama’s Psychological Space." Art and Design Review 07, no. 01 (2019): 22–28. http://dx.doi.org/10.4236/adr.2019.71003.

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Tesis sobre el tema "Yayoi"

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Friedman, Lindsey Gayle. "What is Yayoi? : isotopic investigations into the Jomon-Yayoi transition in western Japan." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610818.

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Stark, Ken. "Wealth and power in Yayoi Period Northern Kyushu." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/29599.

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This thesis is concerned with the analysis of grave goods, from Yayoi period cemetery sites in northern Kyushu, to test for the presence of status rivalry and competition between leaders of different . communities. The study consists of a test of two major hypotheses that were derived from a model that links economic and political success of chiefs with wealth display and the mortuary ritual. Hypothesis 1 stated that status rivalry was present in the development of social ranking within communities in northern Kyushu. The key pattern in this case is that change in political authority is indica
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Viå, Hedda. "Betraktaren och delaktigheten i Yayoi Kusamas film Self Obliteration." Thesis, Högskolan på Gotland, Avdelningen för Konstvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-346.

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Betraktarens delaktighet i Yayoi Kusamas (f. 1929) film Self Obliteration (1967) mäts genomen beskrivning och analys av collage, montage och narration ur ett ergodiskt perspektiv. Yayoi Kusama står för ett av de mest kända och omfattande konstnärskapen i vår samtid. Med målningar, film, mode, skulptur, performance, happening och böcker försöker hon förståsig själv och universum. Målet i Self Obliteration är att förinta sitt jag och uppgå i någontingannat. På samma sätt fungerar hennes konst, betraktaren upplever det som på engelska kallas immersion (djup mental involvering) att uppgå helt i ve
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Ferrell, Susanna S. "Pattern and Disorder: Anxiety and the Art of Yayoi Kusama." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/554.

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Yayoi Kusama is undoubtedly one of the most esteemed artists today, and yet she is continually written off as "crazy." Kusama's work draws not from insanity, but from her experiences with Obsessive Compulsive Disorder, and acts as a tool to both process and temper her obsessions and compulsions. In my own work, I reflect on the necessarily obsessive faculty of hand-drawn animation, in an effort to communicate the feeling of OCD.
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Padgett, Brian David. "The Bioarchaeology of Violence During the Yayoi Period of Japan." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1586549883443371.

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Brooks, Timothy. "Early Japanese Urbanism: A Study of the Urbanism of Proto-historic Japan and Continuities from the Yayoi to the Asuka Periods." Thesis, Department of Archaeology, 2013. http://hdl.handle.net/2123/10181.

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The way in which Japanese archaeologists and historians see their past has created two separate systems of periodization causing many issues for dating certain material of the same age. As a consequence of the retro-projection of present day social and political perspectives onto the past, the sequence has become fragmented. Part of the issue lies in assumptions about the nature of urbanism and the state, stemming from the Japanese model of urbanism. This is tied directly to the influence of Chinese grid style cities used as capital cities from the late 7th century onwards. Before this, other
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Oksbjerg, Ellen J. "Religious imagery of middle Yayoi settlements : an iconology of engraved drawings on Kinai pottery and bronze bells." Thesis, SOAS, University of London, 2009. http://eprints.soas.ac.uk/29265/.

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This thesis investigates pictorial engraving on pottery vessels and bronze bells of the Yayoi Period (500 BC-AD 250) in Japan. A particular focus is placed on the pottery pictures and their main phase of production at the end of Middle Yayoi - phase IV - (up to circa AD 1). The circumstances behind the shift of motifs from a predominance of animals to a preference for humans and human constructions such as houses comprise the primary area of investigation. Focussing on pictures from Karako Kagi and other Nara Basin settlements, these are studied in relation to the physical surroundings of thei
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Gilaizeau, Linda. "Le rôle et l'influence du continent asiatique sur les sociétés de l'archipel japonais durant la protohistoire à travers les pratiques funéraires : du Yayoi moyen au Kofun ancien, Ve siècle avant notre ère-IVe siècle de notre ère." Paris 1, 2010. http://www.theses.fr/2010PA010556.

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Cette étude replace l'évolution des sociétés de l'archipel japonais durant une partie de la protohistoire (du Yayoi moyen au Kofun ancien) dans un contexte international en tentant de déterminer les rapports entre ces sociétés et celles de la péninsule coréenne, à travers les vestiges de nature funéraire. Dans un premier temps, nous exposons en détaillés pratiques funéraires de l'ouest de l'archipel japonais durant cette période, leurs structures, leur évolution en insistant sur les différences régionales et chronologiques visibles et les relations qu'entretiennent ces différentes régions entr
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Temple, Daniel Howard. "Human biological variation during the agricultural transition in prehistoric Japan." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1179521050.

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Turner, Simon. "Yaoi online : the queer and affective practices of a yaoi manga fan community." Thesis, Birkbeck (University of London), 2016. http://bbktheses.da.ulcc.ac.uk/166/.

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This thesis examines the queer and affective aspects of an online yaoi fan community. Yaoi is a genre of Japanese manga focussing on homoerotic/homosexual themes. A key point of interest about yaoi is that it is largely created by and for women. Set within the context of yaoi fan studies, this thesis utilises queer theory to investigate how a diverse group of fans comes together in a fan community on the internet in order to explore alternative identities and develop new relationships with like-minded others. According to David Halperin, queer is “whatever is at odds with the normal, the legit
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Libros sobre el tema "Yayoi"

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Yoshioka, Yayoi. Yoshioka Yayoi: Yoshioka Yayoi den. Nihon Tosho Sentā, 1998.

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Kusama, Yayoi. Kusama Yayoi ten: Yayoi Kusama. Nagano Hōsō, 1994.

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Kusama, Yayoi. Yayoi Kusama: Metamorfosi = Yayoi Kusama : metamorphosis. Galleria civica, Fondazione Cassa di risparmio di Modena, 2006.

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Yoshioka Yayoi den: Denki Yoshioka Yayoi. Ōzorasha, 1989.

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Bijutsukan, Tōkyō Kokuritsu Kindai, ed. Yayoi Kusama. Tōkyō Kokuritsu Kindai Bijutsukan, 2004.

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Kusama, Yayoi. Yayoi Kusama. Les Presses du Reel, 2002.

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Consortium (Art center : Dijon, France), ed. Yayoi Kusama. Presses du réel/Studio Kusama, 2001.

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Kusama, Yayoi. Yayoi Kusama. Serpentine Gallery, 2000.

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9

Chantal, Béret, Centre Georges Pompidou, Museo Nacional Centro de Arte Reina Sofía, Tate Modern (Gallery), and Whitney Museum of American Art, eds. Yayoi Kusama. Centre Pompidou, 2011.

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Bijutsukan, Tōkyō Kokuritsu Kindai, ed. Yayoi Kusama. Tōkyō Kokuritsu Kindai Bijutsukan, 2004.

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Capítulos de libros sobre el tema "Yayoi"

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Peregrine, Peter N. "Yayoi." In Encyclopedia of Prehistory. Springer US, 2001. http://dx.doi.org/10.1007/978-1-4615-1189-2_40.

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Kaner, Simon. "Jōmon and Yayoi." In Routledge Handbook of Premodern Japanese History. Routledge, 2017. http://dx.doi.org/10.4324/9781315170473-5.

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Laurberg, Marie. "Yayoi Kusama as a Migrant Artist." In New Histories of Art in the Global Postwar Era. Routledge, 2021. http://dx.doi.org/10.4324/9780367140854-8.

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Mizoguchi, Koji. "The Yayoi and Kofun Periods of Japan." In Handbook of East and Southeast Asian Archaeology. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4939-6521-2_34.

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Li, Jingjing, Xiaoyang Zheng, Jun-Li Lu, Vargas Meza Xanat, and Yoichi Ochiai. "Transformation of Plants into Polka Dot Arts: Kusama Yayoi as an Inspiration for Deep Learning." In Lecture Notes in Computer Science. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05028-2_18.

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Matsumoto, Naoko, and Mariko Sasakura. "Cultural and Genetic Transmission in the Jomon–Yayoi Transition Examined in an Agent-Based Demographic Simulation." In Computational Social Sciences. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31481-5_11.

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Tanizawa, Ari. "The Yayoi-Kofun transition as seen from the exchange network of beads in the Japanese archipelago." In The Art and Archaeology of Bodily Adornment. Routledge, 2019. http://dx.doi.org/10.4324/9781351268325-5.

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McHarry, Mark. "Identity Unmoored: Yaoi in the West." In Queer Popular Culture. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6_13.

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McHarry, Mark. "Identity Unmoored: Yaoi in the West." In Queer Popular Culture. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_13.

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Turner, Simon David. "“Have You Realized This Forum Has a Lot To Do with Japan?”: Transnational yaoi Manga Online." In Asian Cultural Flows. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-0147-5_11.

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Actas de conferencias sobre el tema "Yayoi"

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Gong, Yuwei. "The Evolution of the Installation of Yayoi Kusama. How Did the Evolution of the Installation of Yayoi Kusama Proceed?" In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.205.

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Soccini, Agata Marta. "Virtual Environments before Pixels: Yayoi Kusama’s Impact on Virtual Reality." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.81.

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Chen, Luciana, and Myrna Arruda Nascimento. "Cuerpo, espacio y tiempo: (in) visibilidades en las obras de Kusama, Salat e Eliasson." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9334.

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Las relaciones entre imagen, cuerpo y espacio teniendo en vista el interés creciente que la articulación entre tales dimensiones adquirió en la contemporaneidad, evidencia el papel de estos elementos en la interacción manifestación / destinatario o producción / público objetivo. El contexto actual reconoce la visibilidad como objeto de valor, y la imagen como protagonista y como medio para estudiar tal visibilidad, teniendo en vista las nuevas formas de interacciones relativas al cuerpo y al espacio, por ella elaboradas y reveladas. Sin embargo, teóricos del arte, estudios desarrollados a part
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Takenaka, N., H. Asano, T. Fujii, K. Yoshii, and M. Matsubayashi. "Void Fraction Distribution Patterns of Steady Air-Water Two-Phase Flow in a Rod Bundle With a Spacer." In ASME 1998 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/imece1998-0748.

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Abstract Void fraction distributions of a steady air-water two-phase flow in a 4 × 4 rod-bundle with circular ferrule type spacers were visualized by neutron radiography. A high flux thermal neutron radiography system at JRR-3M in Japan Atomic Energy Research Institute and a fast neutron radiography system at Yayoi reactor in the University of Tokyo were used. Thermal neutron radiography was suitable for high void fraction two-phase flow and fast neutron radiography was suitable for low void fraction two-phase flow. Visualization with high spatial resolution up to 0.1 mm was carried out by usi
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Liu, Yue. "Analyzing the Reasons Causing the Trend of Yaoi in Japan." In 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.445.

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Li, Hanwei, and Yongmei Li. "The clinical effects on gingivitis complicated by porcelain fused to metal treated with “YAYI” local consperge." In 2011 International Conference on Human Health and Biomedical Engineering (HHBE). IEEE, 2011. http://dx.doi.org/10.1109/hhbe.2011.6028392.

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Dewi, P. "Gender Equality for Sustainable Development: Focus on Interpreting Gender Relation in YAOI Doujinshi Love Heat at Tropical Island." In Proceedings of The 1st Workshop Multimedia Education, Learning, Assessment and its Implementation in Game and Gamification, Medan Indonesia, 26th January 2019, WOMELA-GG. EAI, 2019. http://dx.doi.org/10.4108/eai.26-1-2019.2282909.

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