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Tesis sobre el tema "Yiddish literature, translations into english"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 27 de julio de 2025

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1

Gardberg, Susan L. "Isaac Bashevis Singer speak English, think Yiddish-- adaptation versus assimilation /." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0228101-122516/unrestricted/gardbergs0417.pdf.

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2

Jones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.

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This thesis explores the first English translations of Molière's works published between 1663 and 1732 by writers that include John Dryden, Edward Ravenscroft, Aphra Behn, and Henry Fielding. It challenges the idea that the translators straightforwardly plagiarized the French plays and instead argues that their work demonstrates engagement with the dramatic impact and satirical drive of the source texts. It asks how far the process of anglicization required careful examination of the plays' initial French national context. The first part of the thesis presents three fundamental angles of inte

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3

Reid, Joshua S. "Review Essay: MHRA Tudor & Stuart Translations." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3164.

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4

Widmer, Matthias. "Virgil after Dryden : eighteenth-century English translations of the Aeneid." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8109/.

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John Dryden’s 1697 translation of Virgil’s Aeneid is often seen as the pinnacle of an English tradition that read the Roman poet in primarily political terms and sought to relate his epic to contemporary matters of state. The present thesis takes a different approach by examining Dryden’s influence on his eighteenth-century successors to determine, on the one hand, what they hoped to accomplish by retranslating the same original and, on the other hand, why none of them was able to match his success. Dryden’s impact as a stylistic (rather than an ideological) model was balanced not only against

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5

Todorova, Marija. "Images of the Western Balkans in English translations of contemporary children's literature." HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/190.

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Since the late 1990s there has been an increasing interest in the representation of Balkan culture in the literary works of authors writing in English. Scholars (Bakić-Hayden 1995, Todorova 1997, Goldsworthy 1998, Norris 1999, Hammond 2010) have shown how literary representations of the Balkans have reflected and reinforced its stereotypical construction as Europe’s “dark and untamed Other. However, the contribution of translated literature in the representation of these images has rarely been considered, and in particular that of children’s literature has been seriously neglected. Thus, this

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6

Bisdorff, Claire Janine. "Essayer des mots : translating French and English Caribbean literature." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609255.

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7

Yung, Hiu-yu, and 翁曉羽. "Theorizing the translation of body language: a study of nonverbal behaviors in literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44051785.

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8

Tso, Wing-bo, and 曹穎寶. "Female sexuality in Grimm's fairy tales and their English translations." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B26736160.

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9

沈樂軒 and Lok-hin Kevin Shen. "A comparative study of two Japanese-English and two Japanese-Chinese translations of the Tale of Genji." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B30104518.

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10

Slagle, Judith Bailey. "Gothic Interactions: Italian Gothic Translations of Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3222.

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11

Robie-Theunen, Nicole Susanne. "Norms and strategies in the English translations of Federico García Lorca's Bodas de sangre /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487848531364136.

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12

Chiu, Ching-li Lily, and 趙靜莉. "Demonstratives in literary translations: a contrastive study of English and Japanese." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B29815964.

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13

利幗勤 and Kwok-kan Gloria Lee. "Chinese translations of Wilde's plays and fairy tales: a reappraisal." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31222961.

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14

Lee, Kwok-kan Gloria. "Chinese translations of Wilde's plays and fairy tales : a reappraisal /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21510246.

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15

Reid, Joshua. "Lyric Augmentation and Fragmentation of the Italian Romance Epic in English Translations." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2861.

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The translation and transmission of the Italian romance epics of Boiardo, Ariosto, and Tasso across linguistic and cultural boundaries also included genre reprocessing. This paper traces how Elizabethan translators and compilers of these texts tended to read epic lyrically, or to read the lyric into (and out of) the epic. For Elizabethan translators of the Italian Romance Epic—Sir John Harington, Edward Fairfax, and Robert Tofte, for example—this transmutation meant amplification or insertion of lyrical material, such as Fairfax’s enhancement of the Petrarchan subtext of the Armida Blazon in B

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16

Camarillo, Emmanuel. "Analysis of Character Translations in Film Adaptations of Popular Literature." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/872.

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A brief look at the history of film adaptation studies and its terminology. Character differences between a piece of literature and it's film version are compared in three separate case studies. The film adaptations of a graphic novel, a classic novel, and a play are analyzed on the basis of the changes made to specific characters within their respective stories and the effects of those changes on the overall outcome of the film.

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17

馮陳善奇 and Sydney S. K. Fung. "The poetry of Han-shan in English: a culturalapproach." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31224386.

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18

El-Masry, Heba Fawzy. "A comparative study of Arthur John Arberry's and Desmond O'Grady's translations of the seven Mu‘allaqāt." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/102256/.

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This study investigates the politicisation of Arthur John Arberry’s and Desmond O’Grady’s translations of the seven Mu‘allqāt, drawing on Pierre Bourdieu’s sociological theory. It presents a sociology of translation that is based on five of the conceptual tools that Bourdieu employs in understanding social reality in studying the influence of the social norms on the two translators’ decisions. The study foregrounds the fact that Arberry’s and O’Grady’s translations were similarly produced in highly politicised societies due to the British and later the American involvement in the Middle East,

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19

Gray, van Heerden Chantelle. "Praxis and/as critique in the translations of the oeuvre of Ingrid Winterbach." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95842.

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Thesis (PhD)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: In this dissertation I investigate how aesthetics, politics and ethics intersect as material flows in translation, and how these actualise in the oeuvre of Lettie Viljoen/Ingrid Winterbach. With the emphasis on praxis, I explore these three threads through the philosophy of Gilles Deleuze and Félix Guattari in particular, though not exclusively. With reference to Deleuze and Guattari’s project on ‘minor literature’, I demonstrate that Viljoen/Winterbach’s oeuvre contains a high degree of deterritorialisation through methods suc

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20

Chiu, Ching-li Lily. "Demonstratives in literary translations : a contrastive study of English and Japanese /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21790905.

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21

Mastropierro, Lorenzo. "Corpus stylistics and translation studies : a corpus-assisted study of Joseph Conrad's 'Heart of Darkness' and its Italian translations." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33678/.

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This thesis carries out a corpus stylistic study of Joseph Conrad’s Heart of Darkness and four of its Italian translations. It investigates the role of textual patterns as building blocks of the fictional world and triggers of literary themes. It also investigates the effects of translation on the relation between textual patterns and the fictional world, and discusses the potential consequences of translational alterations on the text’s themes. Heart of Darkness is a complex and multifaceted text that deals with a multitude of themes and has been interpreted in many different ways. By offerin

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22

Corrigan, Patsy Kay Looney. "Translation of Ilse Aichinger's short stories." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3418.

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Translations of three of Ilse Aichinger's stories which originally appeared in the book Eliza, Eliza are presented in this thesis. The three stories translated are "Herodes," "Port Sing," and "Die Puppe."

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23

Lavoie, Judith. "La parole noire en traduction française : le cas de Huckleberry Finn." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35905.

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Divided into five chapters, the thesis analyzes the translation into French of Black English as represented in Mark Twain's novel Adventures of Huckleberry Finn. The method, mainly text-oriented, that is to say turning away from the sociological approach, offers a semiotic reading of the text, both original and translated (Chapter 1). This semiotic approach considers the text as a significant mosaic. Thus, it brings out not only the motivation of the different textual elements, but also the coherence cementing them. The analysis of the original text (Chapter 2) shows that the subversive aesthe

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24

Ye, Mao. "Evaluating English translations of ancient Chinese poetry with special reference to image schemas and foregrounding." Thesis, University of Huddersfield, 2015. http://eprints.hud.ac.uk/id/eprint/27839/.

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Poetry translation evaluation from ancient Chinese to English has been subjective in China. This is caused by the indefinable and intangible notion of ‘poetic spirit’, which is often used in influential translators’ criteria, and by the lack of a systematic investigation of translation evaluation. The problem of subjective criteria has remained unresolved for nearly a century. In order to improve the subjective criteria of poetry translation evaluation, this thesis is an attempt to make objective evaluations of the English translations of an ancient Chinese poem using stylistic theories. To ma

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25

Penfold, Gregory. "Welgevonden revisited : a new translation of Sewe Dae by die Silbersteins, and its literary-critical rationale." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85646.

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Thesis (MA)-- Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis re-evaluates the writing of seminal Afrikaans modernist Etienne Leroux from a South African English perspective. The present author's new translation of Leroux's prizewinning novel Sewe Dae by die Silbersteins (1962) is the focal point of an enquiry into how “rewriting”, in translation theorist André Lefevere's coinage, has shaped the reception of Leroux's work outside the Afrikaans literary system. It is shown from a literary-historiographical viewpoint that translation played a crucial role in Leroux's rise to

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26

McGarry, Theresa. "English Translations of the Reading Passages in James W. Gair & W. S. Karunatilaka." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/6143.

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Excerpt: James W. Gair and W.S. Karunatilaka’s Literary Sinhala, published at Cornell University in 1974, remains the best textbook for non-native speakers who want to learn literary Sinhala, which is quite distinct from the colloquial language. Given that very few institutions outside Sri Lanka offer Sinhala instruction, many persons seeking a reading knowledge of the language use this textbook on their own. Literary Sinhala, however, was produced with the assumption that the user would have access to an instructor, and does not include English translations of the Sinhala reading passages. Th

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27

Palmer, Jessica V. "Inadequate Translations: Spanish/English Discrepancies in the Translated Sonnets of Garcilaso de la Vega." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/honors/301.

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The intimate relationship one develops with his or her native language is an experience which cannot be replicated through any amount of education. Diction, vocabulary, intonation and the connotations which accompany the many facets of language all develop along with us as we progress through life's experiences. Because of this deeply ingrained personal understanding, each individual's perspective towards a work of art, namely poetry, is completely unique to his or her experiences with the language in which it is written. Therefore, no amount of diligent translation can make a poem inhabit the

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28

Gerald, Amy. "Spinning a tale, English translations and adaptations of La belle au bois dormant from the Enlightenment to the Magic Kingdom." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ58455.pdf.

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29

Gardiner, Monte. "Malwida von Meysenbug's Memoirs of an Idealist. Translation of Memoiren einer Idealistin." BYU ScholarsArchive, 1999. https://scholarsarchive.byu.edu/etd/6662.

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The following translation is the first full length rendering of Malwida von Meysenbug's two-volume autobiography Memoiren einer Idealistin/Eine Reise nach Ostende into English. Meysenbug, who boasts ties to Nietzsche, Wagner, Herzen, and Saffi, was forerunner to a long line of female social democrats. She was an eyewitness to the tumultuous political events surrounding the German Revolution of 1848, and is remembered as a pioneer in education and gender issues. Meysenbug's memoirs depict nineteenth-century Europe in a dynamic state of transformation. This is a time of opposition and contradict

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30

Feng, Lei. "Two English translations of the Chinese epic novel Sanguo yanyi : a descriptive and functionalist study." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71732.

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Thesis (PhD)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: This comparative study investigates the English translations of China’s first novel, Sanguo yanyi. The focus is firstly on describing the factors that affect the production of each of the translations and secondly on identifying and determining the approaches and strategies used by the two translators. The primary objective of the study is to gain a better understanding of literary translation between two distinctly different languages by objectively describing and analyzing the factors relevant to the production of the two

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31

Tan, Wen Qi. "Case study of Goldblatt's translation of The Garlic Ballads from skopos perspective." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954285.

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32

Barai, Aneesh. "Modernist repositionings of Rousseau's ideal childhood : place and space in English modernist children's literature and its French translations." Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/7903.

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It is a little-known fact that several modernists wrote for children: this project will focus on T.S. Eliot‘s Old Possum‟s Book of Practical Cats, James Joyce‘s The Cat and the Devil, Gertrude Stein‘s The World is Round and Virginia Woolf‘s Nurse Lugton‟s Curtain. While not often thought of as a modernist, I contend that Walter de la Mare‘s short stories for children, especially The Lord Fish, take part in this corpus of modernist texts for children. These children‘s stories, while scarcely represented in critical circles, have enjoyed a wide popular audience and have all been translated into

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33

Giardina, Eleonora. "Gaelic Literature in Translation: the Effect of English Within and Beyond the Contact Zone The Case of Italian Translations." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/17620/.

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In un contesto di lingue minoritarie, come nel caso del gaelico scozzese, la traduzione letteraria verso lingue maggioritarie può avere una natura ambivalente: se da un lato garantisce la diffusione di una letteratura altrimenti isolata, dall’altro potrebbe perpetuare degli squilibri di potere che spesso caratterizzano i rapporti tra la cultura dominante e la cultura minoritaria. Se questo è specialmente vero nella traduzione dal gaelico all’inglese, lingua la cui espansione è avvenuta a scapito della cultura gaelica, è possibile che anche nelle traduzioni italiane, prodotte generalmente trami

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34

Modrea, Andreea. "Ideology, subversion and the translator's voice: A comparative analysis of the French and English translations of Guillermo Cabrera Infante's Tres Tristes Tigres." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26718.

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For the past twenty years, there has been a growing trend in translation studies to follow a deconstructionist philosophy and give translators authorship of their work. Translation, in this sense, is no longer a target language equivalence of an 'original' text by an author, but rather a creative process of 're-writing.' In this regard, translators have the possibility of showing their own voice in the translation. The purpose of this thesis is to examine whether either of the French or English translators (Albert Bensoussan and Suzanne Jill Levine, respectively) of the Cuban novel Tres Triste

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35

Lam, Oi Lin. "Communication via Vinay and Darbelnet's translation strategies : a case study of the book Common Knowledge about Chinese Culture." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2456351.

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36

Wolfgang, Bonnie J. "The silence of the forest : a translation from French to English with analysis and literature review." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1033635.

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The Central African Republic is a small country located in the center of Africa. It is a very young nation in terms of political independence, but as the CAR emerges as a nation, it has begun to produce valuable authors who write for the French speaking world. This thesis is an attempt to bring part of the CAR's literature to the United States.Le Silence de la Foret was written by Etienne Goyemide and not only describes the culture of the mainstream population of the CAR, but also that of Pygmies. Although the book is a novel, the cultural aspects are not fictitious. This thesis is a translati

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37

Dearnley, Elizabeth Claire. "French-English translation 1189-c.1450, with special reference to translators and their prologues." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609530.

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38

Lai, Cheok Leng Karen. "A translation project :A Generation of Macao Fishermen." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954311.

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39

Philo, John-Mark. "An ocean untouched and untried : translating Livy in the sixteenth century." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:72584fcd-42d6-42b6-9186-18b01b95af85.

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This is a study of the translation and reception of the Roman historian Livy in the sixteenth century in the British Isles. The thesis examines five major translations of Livy's history of Rome, the Ab Urbe Condita, into the English and Scottish vernaculars. The texts considered here span from the earliest extant translation of around 1533 to the first, full-scale translation published in 1600. By taking a broad view across the century, the thesis uncovers the multiple and versatile uses to which Livy was being put and maps out the major trends surrounding his reception. The first chapter exam

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40

Juillard-Maniece, Jennifer. "From German to Yiddish : adaptation strategies in the Kuhbukh and the Siben weisen mainster bichel." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:91f979ad-4dbf-4250-a7ba-02008caa2ef1.

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In light of often derogatory and unqualified assessments of Yiddish literature adapted from German narrative models, this thesis will propose a different approach to viewing these adaptations. Building on methodologies and frameworks of analyses developed in contemporary medieval scholarship, this thesis pushes for a re-assessment of this literature and suggests a flexible model of adaptation that views adaptation as a creative interaction between two texts. In response to unsatisfactory approaches to judaizing strategies found in Yiddish texts adapted from German literature, this thesis also

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41

李雪伊. "愛麗絲的華文之旅: 兒童文學翻譯中的譯者角色研究= Alice's travels in the Chinese language: the role of the translator in translating children's literature". HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/492.

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兒童文學故事經典Alice's Adventures in Wonderland (以下簡稱Alice)創作於1865年的英國。在原著作者路易斯·卡羅爾（Lewis Carroll）筆下，故事主角愛麗絲展現了好奇勇敢、能思善辯、富有主見的兒童形象，她的漫遊奇遇詮釋了她由脆弱被動到強勢自主的形象轉變。1922年，愛麗絲藉由趙元任的Alice華文譯本第一次進入華文語境，由此展開她在華文地區（中國大陸地區、港澳台地區、新加坡和馬來西亞華人地區）迄今長達93年的旅行。旅程中，隨著譯本出現時間和地域的不同，被構建出的愛麗絲華文形象互不相同，構建這些華文形象的成人譯者亦扮演著不盡相同的角色。本研究以文學理論家愛德華·賽義德（Edward Said）的「旅行四階段」和「歷史與情境」論為基本理論框架，並融入比較文學形象學（Imagology）中「自我--他者」這一核心概念帶來的啟示，由此推導出符合「歷史與情境」且強調人為因素的關鍵概念，即由成人自我構建出的他者「兒童形象」概念。在上述理論架構引導下，本研究首先對1922--2014年間的338個Alice華文譯本的譯本特點和出現原因進行分析和闡述，勾畫出愛麗絲在四個華文地區兩段旅程五條路線的旅行全景，再以四個華文地區中的6個Alice華文譯本為個案代表，深入探討成人譯者在構建愛麗絲華語形象過程中採取的翻譯策略、方法和來自其他參與者（如出版者、繪圖師

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42

Yoxsimer, Paulsrud BethAnne. "From Pettson and Findus to Festus and Mercury...and Back Again: A Comparison of Four Translations of Sven Nordqvist's Picture Books." Thesis, Högskolan Dalarna, Engelska, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2247.

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In order to examine how children's literature might be translated, two different English translations of two Swedish picture books have been analyzed. The original Swedish books are Rävjakten and Pannkakstårtan by Sven Nordqvist. Rävjakten was translated as The Fox Hunt in 1988 and as The Fox Hunt in 2000. Pannkakstårtan was translated as Pancake Pie in 1985 and as The Birthday Cake in 1999. Literary translation in general, specific translation issues for children's literature, and trends in international English style have been considered. Analysis of the four texts has been made, with consid

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43

Borges, Joana Junqueira. "Epigramas de Marcial traduzidos por José Feliciano de Castilho : edição, notas e comentários /." Araraquara, 2013. http://hdl.handle.net/11449/93856.

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Orientador: Brunno Vinicius Gonçalves Vieira<br>Banca: Robson Tadeu Cesila<br>Banca: João Batista Toledo Prado<br>Resumo: Buscando contribuir com a pesquisa de traduções lusófonas dos clássicos greco-romanos e com a recepção desses textos em nossas letras, o presente trabalho procurou inventariar, estudar e divulgar a obra tradutória de Marcial realizada por José Feliciano de Castilho, português que viveu no Rio de Janeiro de 1847 até sua morte em 1879. A análise das traduções do luso-brasileiro dá indícios sobre a maneira como o século XIX leu e propagou a obra do poeta de Bílbilis, considera

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倪秀華. "民族國家建構、意識形態與翻譯 : 建國"十七年"中國文學英譯研究(1949-1966) = Nation-building, ideology and translation : a study on English translations of Chinese literature in the first seventeen years of the PRC(1949-1966)". HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1378.

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Devey, Alyssa. "Death as Meridian: Paul Celan's Translations of Emily Dickinson's "Because I could not stop for Death" and "Let down the Bars, Oh Death"." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/5936.

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Paul Celan's translations of Emily Dickinson's poems Because I could not stop for Death and Let down the Bars, Oh Death illuminate the global metaphor inherent in both poems' exploration of death. Celan's The Meridian speech, coupled with Dickinson's poems I saw no way and Tell all the truth, suggest that language can move in different directions across a globe at the same time. When these different lines meet, they reach a meridian of the spiritual and the material. As Celan translates Dickinson's two poems, he uses this global metaphor to place more emphasis on death and to further illuminat

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Auger, Peter. "British responses to Du Bartas' Semaines, 1584-1641." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:be0f89c2-c2e4-482d-ac8f-e867985ff72e.

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The reception of the Huguenot poet Guillaume de Saluste Du Bartas' Semaines (1578, 1584 et seq.) is an important episode in early modern literary history for understanding relations between Scottish, English and French literature, interactions between contemporary reading and writing practices, and developments in divine poetry. This thesis surveys translations (Part I), allusions and quotations in prose (Part II) and verse imitations (Part III) from the period when English translations of the Semaines were being printed in order to identify historical trends in how readers absorbed and adapte

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Mather, Brian Scott. ""So Far from Home ..." : a Translation of Jacques Sternberg's "Si loin du monde ..."." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3046.

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This master's thesis comprises an English translation of Jacques Sternberg's "Si loin du monde ..." preceded by an introduction that addresses the translator's general theoretical approach to translation as well as an explanation and justification of specific choices made for this translation in particular. "Si loin du monde ..." is a short work of science fiction by Belgian author Jacques Sternberg that appeared in the collection Entre deux mondes incertains, published in 1957. It takes the form of a first-person narrative told from the perspective of an extra-terrestrial, who has been sent o

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Wallace, Willie. "Govoreeting with Lewdies: A Critical Discourse Analysis of A Clockwork Orange and its Translations Across Media and Language." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3748.

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Much linguistic research has been done on the fictional argot of A Clockwork Orange, known as Nadsat, but few efforts have been made to expand beyond the classification and analysis of Nadsat. Using Critical Discourse Analysis, this paper looks at the overarching discourse of A Clockwork Orange and aims to answer three questions: What exigencies and discourses inform the creation of these works? What techniques and power structures are employed in the construction of these works? How do these works shape or attempt to shape the discourse? To answer these questions, I look at three instances of

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Al, Batineh Mohammed S. "Latent Semantic Analysis, Corpus stylistics and Machine Learning Stylometry for Translational and Authorial Style Analysis: The Case of Denys Johnson-Davies’ Translations into English." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429300641.

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Léger, Benoit. ""Une fleur des païs étrangers" : Desfontaines traducteur au XVIIIe." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ64599.pdf.

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