Bibliografías temáticas / York Bowen

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Literatura académica sobre el tema "York Bowen"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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Artículos de revistas sobre el tema "York Bowen"

1

Allis, Michael. "York Bowen". Nineteenth-Century Music Review 5, n.º 1 (junio de 2008): 163–66. http://dx.doi.org/10.1017/s1479409800002767.

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Beig, Robert y Werner Krammer. "Bowen–York tensors". Classical and Quantum Gravity 21, n.º 3 (31 de diciembre de 2003): S73—S79. http://dx.doi.org/10.1088/0264-9381/21/3/005.

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Everett, William A. "York Bowen, Cecil Forsyth". Nineteenth-Century Music Review 4, n.º 1 (junio de 2007): 143–45. http://dx.doi.org/10.1017/s147940980000015x.

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Talbot, John. "York Bowen's Viola Concerto". Tempo 60, n.º 238 (octubre de 2006): 42–43. http://dx.doi.org/10.1017/s0040298206260315.

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YORK BOWEN: Viola Concerto in C minor, op.25. CECIL FORSYTH: Viola Concerto in G minor. Lawrence Power (vla), BBC Scottish Symphony Orchestra c. Martyn Brabbins. Hyperion CDA67546.BOWEN: Viola Concerto; Viola Sonata No.2 in F major; Melody for the C string, op.51 no.2. Doris Lederer (vla), with Czech Philharmonic Chamber Orchestra c. Paul Polivnick, Bruce Murray (pno). Centaur CRC 2786.BOWEN: Viola Concerto. WALTON: Viola Concerto in A minor. HOWELLS: Elegy for viola, string quartet and string orchestra. VAUGHAN WILLIAMS: Suite for viola and orchestra (Group I). Helen Callus (vla), New Zealand Symphony Orchestra c. Marc Taddei. ASV CD DCA 1181.
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Dain, Sergio y María E. Gabach Clément. "Extreme Bowen–York initial data". Classical and Quantum Gravity 26, n.º 3 (19 de enero de 2009): 035020. http://dx.doi.org/10.1088/0264-9381/26/3/035020.

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Waxenegger, G., R. Beig y N. Ó. Murchadha. "Existence and uniqueness of Bowen–York trumpets". Classical and Quantum Gravity 28, n.º 24 (23 de noviembre de 2011): 245002. http://dx.doi.org/10.1088/0264-9381/28/24/245002.

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Mach, Patryk y Jerzy Knopik. "Rotating Bowen–York initial data with a positive cosmological constant". Classical and Quantum Gravity 35, n.º 14 (15 de junio de 2018): 145002. http://dx.doi.org/10.1088/1361-6382/aac585.

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Hannam, Mark, Sascha Husa, Bernd Brügmann, José A. González y Ulrich Sperhake. "Beyond the Bowen–York extrinsic curvature for spinning black holes". Classical and Quantum Gravity 24, n.º 12 (30 de mayo de 2007): S15—S24. http://dx.doi.org/10.1088/0264-9381/24/12/s02.

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Gleiser, Reinaldo J., Carlos O. Nicasio, Richard H. Price y Jorge Pullin. "Evolving the Bowen-York initial data for spinning black holes". Physical Review D 57, n.º 6 (15 de marzo de 1998): 3401–7. http://dx.doi.org/10.1103/physrevd.57.3401.

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Cabero, Miriam y Badri Krishnan. "Tidal deformations of spinning black holes in Bowen–York initial data". Classical and Quantum Gravity 32, n.º 4 (21 de enero de 2015): 045009. http://dx.doi.org/10.1088/0264-9381/32/4/045009.

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Tesis sobre el tema "York Bowen"

1

Shepherd, Joshua D. "York Bowen's Viola Concerto: A Methodology of Study". Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/590.

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According to musicologists and critics, the “English Musical Renaissance” or the second Renaissance of English music, as it also called, to distinguish it from the generation of English musicians of the Renaissance, produced many composers in Great Britain during the years 1880 to 1966. This resurgence of nationalistic musical activity was a time of prolific musical output by composers such as Edward Elgar, Arnold Bax, Gustav Holst and Ralph Vaughan Williams. Another composer who flourished during the English Renaissance was Edwin York Bowen (1884-1961). His Viola Concerto in C minor, Op. 25 (1907), is the subject of this essay. Bowen’s Viola Concerto was written with Lionel Tertis (1876-1975) in mind. Tertis, the leading violist of the day, made it his life’s mission to popularize the viola as a solo instrument. This essay explores the Concerto from a theoretical point of view. In addition, the piece will be approached from a performance/pedagogical point of view, with the inclusion of a methodology of study based on sixteen specific technical excerpts drawn from the piece.
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She, Oliver L. "Exploring York Bowen's Twelve Studies: A pianist's perspective". Thesis, Griffith University, 2022. http://hdl.handle.net/10072/415360.

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York Bowen was one of the most prolific English composers of the early twentieth century. As an accomplished pianist, he wrote a large body of works for the piano. In the years following the First World War, however, interest towards his music declined. Consequently, his music became neglected over much of the twentieth century. The last thirty years has witnessed a revival of his music to some extent, however many of his compositions remain unknown to the musical public. This research project investigates Bowen’s Twelve Studies, Op. 46 – a set of works that remain largely unknown to the musical public. It is situated within the realm of artistic research, and presents my personal perspective on preparing this repertoire for performance. The product of this research is made up of two components. The first component consists of a portfolio of video recordings containing two complete performances of the Twelve Studies – one undertaken during a recording session and the other as part of a live recital. The second component is this exegesis, which primarily illuminates the issues, strategies, and insights that I obtained through the process of preparing these Studies for performance, and provides some brief reflections on my playing in the recordings. Through iterative experimentation within practice, assisted by a range of sources, my personal insights and discoveries relating to the process of preparing these works are revealed and presented. The sources encompassed the score of the Twelve Studies, Bowen’s writings on piano technique and pedalling, various other literature on piano playing, and the teachings of English piano pedagogue Tobias Matthay in particular, the latter of which bear close relationship to these Studies and their conception. While making a lighter contribution, information derived from a series of semi-structured interviews with selected exponents of Bowen’s piano music provided certain useful insights that fed into the research project. From a personal view, the pianistic value of the Twelve Studies along with their artistic qualities makes them appealing to pianists as study and performance repertoire. As the pioneering scholarly study into this repertoire, and the first video documentation of these Studies in performance, this research project as a whole generates new scholarly knowledge and artistic enquiry that may be of relevance to pianists, piano pedagogues, and scholars who wish to explore this repertoire. Furthermore, it contributes to the recognition and ongoing revival of Bowen’s music, and expands the frontier of explored piano repertoire.
Thesis (Professional Doctorate)
Doctor of Musical Arts (DMA)
Queensland Conservatorium
Arts, Education and Law
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Hsieh, Chia-ling. "An Analytical Study of York Bowen’s Twenty-four Preludes in All Major and Minor Keys, Op. 102". University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276527870.

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Campbell, Bailey Mary L. "Léon Goossens’s Impact on Twentieth-Century English Oboe Repertoire: Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings of Ralph Vaughan Williams, and Sonata for Oboe of York Bowen". University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275918439.

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Keil, Andrea Marie. "The Dawn of Modern Piano Pedaling: Early Twentieth-Century Piano Pedaling Literature and Techniques". Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428503747.

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Shen, Chia y 沈佳. "The Analysis and Interpretation of《Flute Sonata, Op.120》by York Bowen". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/6e2hmy.

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碩士
國立臺北教育大學
音樂學系碩士班
106
Abstract Edwin York Bowen(1884-1961) was an English composer and pianist. He had shown his talente of music since he was eight. He studied at the Blackheath Conservatoire, and got an Erard Scholarship from Royal Academy of Music, where he studied piano and composition from 1898 to 1905. During his time in the Royal Academy of Music, he has won a lot of piano and composition awards. In 1909, he was appointed to be the professor of Royal Academy of Music. Bowen has composed over 160 pieces, and his works shows a blend of Romanticism and strong individuality. Camille Saint-Saëns considered York Bowen the finest of English composer of his time. To honor York Bowen, the Royal Academy of Music established a York Bowen Prize. 《Flute Sonata Op.120》is the most representative work of York Bowen. The thesis includes five chapters to research the work. Chapter one explains the motivation, purpose, scope of the study, and methods. Chapter two introduces the life of the composer and his compositional style. Chapter three analyzes the structure of each movement and presents them in table form. Chapter four is the interpretation, the personal interpretation will be demonstrated in the separated score. Chapter five is the conclusion, and I will conclude the thesis in chapter five.
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"A Transcription of Four Viola Works by York Bowen for Clarinet and Piano". Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.14318.

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abstract: Works for clarinet in the twentieth century exist in abundance; furthermore, the number of extant works from the Classical period is substantial. However, works for solo clarinet in the late-Romantic style are lacking; most of the significant literature for clarinet is contained in orchestral works. Therefore, the purpose of this project is to add to the solo clarinet repertoire of the late Romantic-style through the transcription of works written originally for viola. The four works transcribed for this project are by York Bowen. Bowen was a British composer and pianist who taught at the Royal Academy of Music in England. Although his career flourished in the twentieth century, his music reflects the music of the late-Romantic style. The project includes a transcription of Bowen's Sonata No. 1 in C minor, Op. 18 for viola and piano, Sonata No. 2 in F major, Op. 22 for viola and piano, Romance in D-flat for viola and piano, and Phantasy in F, Op. 54 for viola and piano. Additionally, a brief examination of Bowen's life, an overview of each piece, details regarding transcription parts, a list of changes made to the original part, and a recording of each transcription is included in the document.
Dissertation/Thesis
York Bowen
D.M.A. Music 2011
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Wu, Ning-Chih y 吳凝芝. "An Analysis and Interpretation of York Bowen: Viola Sonata No.1 in C Minor Op.18". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/6w885j.

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Libros sobre el tema "York Bowen"

1

Brink, H. M. van den. Boven de grond in Washington en New York: Berichten uit een nieuw Amerika. Amsterdam: Meulenhoff, 1988.

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2

Pustola, Colleen A. Bower. The Bower/Winchcomb connection: Being a record of the descendants of Isaac N. Bower (1775 [i.e. 1776]-1844) of Chemung County, New York and James Winchcombe (c. 1710-?) of Wiltshire, England. [Lawton, Okla.]: C.A.B. Pustola, 1997.

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O, Saxe Stephen, ed. A specimen book of nineteenth-century printing types, borders, ornaments & cuts in the collection of Bowne & Co., Stationers. New York, NY: South Street Seaport Museum, 1985.

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Rushdie, Salman. Der Boden unter ihren Füßen. Kindler Verlag GmbH, 1999.

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Salman, Rushdie. Der Boden unter ihren Füßen. Rowohlt Tb., 2000.

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Salman, Rushdie. Der Boden unter ihren Füßen: Roman. btb Verlag, 2014.

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Burris, Scott, Micah L. Berman, Matthew Penn, and y Tara Ramanathan Holiday. Constitutional Limitations. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681050.003.0012.

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This chapter introduces the 14th Amendment’s Equal Protection Clause by discussing its history, judicials interpretations, and application to public health issues. It reviews the fundamental equal protection doctrine—similarly situation person must not receive disparate treatment. It also describes the definitions and usage of suspect and quasi-suspect classes and the levels of scrutiny courts may apply to while reviewing equal protection claims. Using cases such as Craig v. Boren and City of New York v. New St. Mark’s Baths to illustrate, the chapter also examines the application of the equal protection clause to public health issues. The chapter highlights factors that have historically led to equal protection violations by public health officials.
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Mayer, Lloyd F. Inflammatory Bowel Disease: Genetics, Barrier Function, and Immunological and Microbial Pathways (Annals of the New York Academy of Sciences). Blackwell Publishing Limited, 2006.

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Stewart, Pollens, Chiesa Carlo 1962-, Hargrave Roger Graham, Holloway Jane y Watkins Jennifer Laredo, eds. Giuseppe Guarneri del Gesù. London: P. Biddulph, 1998.

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John, Dilworth y Metropolitan Museum of Art (New York, N.Y.), eds. The violin masterpieces of Guarneri del Gesù: An exhibition at the Metropolitan Museum of Art commemmorating the 250th anniversary of the maker's death. London: P. Biddulph, 1994.

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Capítulos de libros sobre el tema "York Bowen"

1

Martin, Susan K., Caroline Daley, Elizabeth Dimock, Cheryl Cassidy y Cecily Devereux. "A Humble Enterprise by Ada Cambridge London Ward, Lock, & Bowden, Limited Warwick House, Salisbury Square, E.C. New York And Melbourne 1896". En Women and Empire, 1750–1939, 281–94. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003101857-69.

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"To William Bowen 7 June 1867 • New York, N.Y." En Mark Twain’s Letters, Volume 2: 1867–1868, 54–57. University of California Press, 1990. http://dx.doi.org/10.1525/9780520906075-026.

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"To William Bowen 25 January 1868 • New York, N.Y." En Mark Twain’s Letters, Volume 2: 1867–1868, 167–68. University of California Press, 1990. http://dx.doi.org/10.1525/9780520906075-076.

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"The Duke of York and Elizabeth Bowes-Lyon 1920–1923". En George VI. I.B.Tauris, 2012. http://dx.doi.org/10.5040/9780755621064.ch-005.

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Burris, Scott, Micah L. Berman, Matthew Penn y Tara Ramanathan Holiday. "Constitutional Limitations". En The New Public Health Law, 161–70. 2a ed. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197615973.003.0013.

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Abstract This chapter introduces the Fourteenth Amendment’s Equal Protection Clause by discussing its history, judicial interpretations, and application to public health issues. It reviews the fundamental equal protection doctrine—similarly situated persons must not receive disparate treatment. It also describes the definitions and usage of suspect and quasi-suspect classes and the levels of scrutiny courts may apply to while reviewing equal protection claims. Using cases such as Craig v. Boren and City of New York v. New St. Mark’s Baths to illustrate, the chapter also examines the application of the equal protection clause to public health issues. The chapter highlights factors that have historically led to equal protection violations by public health officials.
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"Robert Bowne Minturn, From New York to Delhi, Second ed. (New York: D. Appleton, 1858), pp. 6, 122–126". En A World History of Railway Cultures, 1830–1930, editado por Matthew Esposito, 57–60. Routledge, 2020. http://dx.doi.org/10.4324/9781351211765-3.

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