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Littérature scientifique sur le sujet « ?-1606 Criticism and interpretation »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 29 janvier 2023

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Articles de revues sur le sujet "?-1606 Criticism and interpretation"

Hedberg, William C. "RECLAIMING THE MARGINS: SEITA TANSŌ'S SUIKODEN HIHYŌKAI AND THE POETICS OF CROSS-CULTURAL INFLUENCE." International Journal of Asian Studies 12, no. 2 (July 2015): 193–215. http://dx.doi.org/10.1017/s1479591415000121.

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This article focuses on the literary criticism of the Edo-period scholar, Seita Tansō (1719–1785). Although a historian by vocation, Tansō additionally lectured extensively on the Chinese vernacular novel, Shuihu zhuan (Jp. Suikoden, En. The Water Margin). While earlier generations of Chinese fiction aficionados in Japan had also discussed Shuihu zhuan, early eighteenth-century analysis was primarily limited to philological explication—a task necessitated by the extensive use of colloquial language in the novel. In contrast to this tradition of philological exegesis, Tansō turned his attention

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Pereira, Marcio Roberto. "O crítico José Veríssimo: perspectivas da interpretação / The Critic José Veríssimo: Perspectives of the Interpretation." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 4 (December 5, 2019): 275. http://dx.doi.org/10.17851/2358-9787.28.4.275-289.

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Resumo: Lançada em 1916 e escrita na maior parte da vida literária de José Veríssimo, a História da literatura brasileira: de Bento Teixeira (1602) a Machado de Assis (1908) reúne as diversas atividades do crítico paraense como um intelectual atuante. Com o objetivo de fazer uma reflexão sobre as facetas do crítico e historiador literário, esse artigo analisa seu trabalho de interpretação da nação brasileira por meio da aproximação entre os diversos discursos que compõem a História, em destaque literatura e educação. Ao propor a definição dessas perspectivas, nota-se que a obra final de José V

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Stanglin, Keith D. "The Rise and Fall of Biblical Perspicuity: Remonstrants and the Transition toward Modern Exegesis." Church History 83, no. 1 (March 2014): 38–59. http://dx.doi.org/10.1017/s0009640713001674.

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The purpose of this article is to examine the biblical exegesis of two seventeenth-century Dutch Remonstrant theologians, Simon Episcopius (1583–1643) and Étienne de Courcelles (1586–1659). Their hermeneutic was characterized by an emphasis on the perspicuity, or clarity, of scripture through the use of reason, combined with the marginalization of spiritual meanings in favor of the literal-grammatical sense alone. In both of these emphases, they went beyond their theological forebear, Jacob Arminius (1559–1609), and adumbrated the methods of later Enlightenment thinkers. The stress on perspicu

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Smith, M. Burdick. "“[P]lain and passive fortitude”: Stoicism and Spaces of Dissent in Sejanus." Ben Jonson Journal 25, no. 1 (May 2018): 32–51. http://dx.doi.org/10.3366/bjj.2018.0209.

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In Ben Jonson's Sejanus, performed at court in the first year of King James’ reign in 1603, Arruntius seemingly figures as “Jonson's spokesperson.” While lauding the moral responsibility of Arruntius, some critics have portrayed the Senator as a passive Stoic whose “only outlet is speech.” For a poet who emphasizes the moral and didactic responsibility of authorship, why, then, does his spokesman inhabit a peripheral space in criticism? Critical interpretation of Arruntius depends on the editorial decision to render many of Arruntius’ lines as asides or as public critique, and this editorial c

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Hansen, Jette Barnholdt. "From Invention to Interpretation: The Prologues of the First Court Operas Where Oral and Written Cultures Meet." Journal of Musicology 20, no. 4 (2003): 556–96. http://dx.doi.org/10.1525/jm.2003.20.4.556.

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The dynamic progression from orality to literacy is embodied in the notation of the prologues to the first court operas. This transition is influenced by the proliferation of printed scores at the beginning of the 17th century and has profound rhetorical consequences for vocal performance. In the first prologues, where the written arie are formulaic, the singer is the creator and authority; s/he controls the musical performance and makes the connection between words and music by means of variation, ornamentation, and improvisation as part of a persuasive dialogue with listeners. In the later p

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Zaret, David, and Michael Walzer. "Interpretation and Social Criticism." Contemporary Sociology 17, no. 1 (January 1988): 122. http://dx.doi.org/10.2307/2069485.

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Senchuk, Dennis M., and Michael Walzer. "Interpretation and Social Criticism." Noûs 26, no. 3 (September 1992): 389. http://dx.doi.org/10.2307/2215966.

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Gorski, Philip S. "SCIENTISM, INTERPRETATION, AND CRITICISM." Zygon� 25, no. 3 (September 1990): 279–307. http://dx.doi.org/10.1111/j.1467-9744.1990.tb00793.x.

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Rosen, Bernard. "Interpretation and Social Criticism." Journal of Higher Education 59, no. 6 (November 1988): 704–6. http://dx.doi.org/10.1080/00221546.1988.11780237.

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Rosen, Bernard, and Michael Walzer. "Interpretation and Social Criticism." Journal of Higher Education 59, no. 6 (November 1988): 704. http://dx.doi.org/10.2307/1982241.

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Thèses sur le sujet "?-1606 Criticism and interpretation"

Spates, William H. "Imagining corrupt consumption : the genesis and evolution of the pox metaphor in sixteenth-century England (1494-1606)." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/14657.

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This thesis attempts to examine the birth and development of the pox metaphor in sixteenth-century English literature. In researching this literary history of a disease---of syphilis' life as an early modem metaphor---I have attempted to contextualize the pox metaphor's development within the social and economic constructs that led to the early modern conflation of excessive consumption with poxy corruption. This conflation freed the metaphor from the confines of discussion on disease and allowed early modern authors the freedom to apply pockifed tropes to describe various social ills and abus

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Voss, Annemarie. "John Milton's Paradise lost in Germany : reception and German-language criticism." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/762991.

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This survey focuses on German-language studies of John Milton's Paradise Lost, based on a bibliography of more than 140 German-language publications dating from 1651 to the present. Its purpose is to describe and evaluate these studies and to make their arguments accessible to readers who have difficulties locating, obtaining, and/or reading these texts.Chapters 1-4 give an account of Milton's reception in Germany and Switzerland. Topics discussed include the evaluation of Milton as poet and man, the influence of Milton's Paradise Lost on the development of German literature (Klopstock's Messi

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Moon, Jang-Hwan. "Paul's discourse for the Corinthians' edification :a socio-rhetorical interpretation of 2 Corinthians 10-13." Thesis, Stellenbosch : University of Stellenbosch, 2004. http://hdl.handle.net/10019.1/16066.

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Thesis (D. Th.)--University of Stellenbosch, 2004.<br>ENGLISH ABSTRACT: The difficulties attending the reading 2 Cor 10-13 are widely recognized. This dissertation aims to interpret the text by means of socio-rhetorical analysis and to investigate what its real purpose is. Our hypothesis is that this Pauline discourse aims at the Corinthians’ edification by defending his apostolic lifestyle and so giving them a good example of imitatio Christi, imitatio Pauli (Chapter 1). Chapter 2 surveys the recent studies of 2 Cor 10-13 from various approaches, viz. literary historical approach, histo

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Rowan, Stephen Charles. "A dancing of attitudes : Burke’s rhetoric on Shakespeare." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25965.

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Since F.S. Boas coined the term in 1896, All's Well That Ends Well, Troilus and Cressida, and Measure For Measure have been generally accepted as "problem plays," and many critics have offered biographical, thematic, and formal explanations of why these plays are so "dark." In this thesis, I accept that these plays are "problems" and I propose a rhetorical explanation for dissatisfaction with them, especially with their endings. Drawing on Kenneth Burke's philosophy of literary form and his anthropology of man as the symbol-using animal, I show that in these plays Shakespeare frustrates the e

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Padgett, Jeffrey Lynn. "The monistic continuity of the Miltonic heresy." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/514853.

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John Milton's Christian Doctrine reveals a number of doctrinal opinions clearly in disagreement with the orthodox Christianity of his day. His four major heresies, his monism itself, his theory of creation ex Deo, his anti-Trinitarianism, and his mortalism, form a logical system, developed in accordance with his monistic conception of the cosmos.Milton's monism denies the Platonic dualism between matter and spirit. He presents a world which is a continuum in which that which is usually called material is merely further removed from God than that which is normally called spiritual. This monism

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Roy, Roxanne. "L'oeuvre de Charles Cotin, ou, Pour une esthétique de la galanterie." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20462.

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This Master's Thesis analyses the work of Charles Cotin an abbot and a poet who, between 1630 and 1665, successfully proved himself in the Literary Salons of France. This thesis will try to determine how his work illustrates well the Gallant esthetics and how his poetical choices reflect but also challenge the great tendencies of the Gallant literature. The analysis of Cotin's Work divides itself into three facets: Lampoons, Religious texts and Gallant poetry. The Gallant esthetics is shown differently as Cotin progressively extricates hermeneutic rules and then try to adapt Theology to the Ki

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Lynch, Marianne. "That great and true Amphibium : mediation and unity in the works of Sir Thomas Browne." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59618.

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The works of Sir Thomas Browne are often described in terms of the contradictions and paradoxes which seem to exist both within his work as a whole and also within the individual essays themselves. The primary focus of this thesis is the relationship between seemingly opposed forms of discourse and systems of thought in the Religio Medici, Hydriotaphia and The Garden of Cyrus. The emergence of analytic discourse in the seventeenth century is presented through the study of changing concepts of religious, political and epistemological mediation. Browne's 'mediate' position within the conflicts o

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Grillner, Katja. "Automata, perspective and music : poetic instruments in the written garden of Salomon de Caus." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23200.

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This study retraces the steps of the 17th century architect and engineer Salomon de Caus through his written and built works, in an attempt to understand the relationship between what he made and the model by which his world was comprehended. The central questions examined with regard to his works are: what correspondence do they reveal between language as a means of conveying knowledge, the world as the source of knowledge, and God the divine creator; and whether "meaning" resides within or without this relation. The interpretation of De Caus' works reveals an epistemological model of a world

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Rocheville, Sarah Dominique. "Pontus de Tyard et les voies musicales, suivi de, Fugue à trois voix silencieuses." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21258.

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This Master's thesis is comprised of two sections. The first one, entitled "Pontus de Tyard et les voies musicales", analyses the representation of music in two of sixteenth century French writer's " Dialogues philosophiques". Indeed, in his work, music is personified by a woman, Pasithee. Through an examination of three different aspects of the relationship between music and writing, we will attempt to grasp the mysterious link between the "Solitaire" and his muse, incarnation of music and of poetic inspiration.<br>The second section, "Fugue a trois voix silencieuses ", a tale in which three

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LiBrizzi, Marcus. "Interpretive ground and moral perspective : economics, literary theory, early modern texts." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42080.

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This dissertation provides a critical, systematic survey of economics in literary theory and practice. Since Aristotle, economic categories have been used as interpretive grounds on which to conceptualize the literary text and distinguish it as a moral or normative sphere. Because economic categories presuppose different norms of individual and social action, the use of a specific category as an interpretive ground generates a particular outlook or moral perspective.<br>In the first part of the discussion, we critique theories in which the literary text is conceptualized as an economy. After d

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Livres sur le sujet "?-1606 Criticism and interpretation"

Farley-Hills, David. Shakespeare and the rival playwrights, 1600-1606. London: Routledge, 1990.

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Shakespeare and the rival playwrights 1600-1606. London, UK: Routledge, 1990.

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Rembrandt Harmenszoon van Rijn, 1606-1669, ed. Rembrandt, 1606-1669: The mystery of the revealed form. Köln: Benedikt Taschen, 2000.

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John, Jowett, ed. Shakespeare reshaped, 1606-1623. Oxford [England]: Clarendon Press, 1993.

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Ábalos, José Luis Nuevo. Miguel Cabello Valboa (1536-1606), o, La invención de la novela incaica: Ensayo histórico-filológico. Madrid: Edición Personal, 2009.

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Pacelli, Vincenzo. L' ultimo Caravaggio: Dalla Maddalena a mezza figura ai due san Giovanni (1606-1610). Todi (Perugia): Ediart, 1994.

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Carlin, Claire L. Pierre Corneille revisited. New York: Twayne Publishers, 1998.

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Michelle, Lee, ed. Shakespearean criticism. Farmington Hills: Thomson Gale, 2005.

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1607-1656, Rosa Pacecco de, ed. Giovan Francesco de Rosa detto Pacecco de Rosa, 1607-1656. [Pozzuoli, Italy]: Paparo, 2008.

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Vistarini, Antonio Bernat. Francisco Manuel de Melo (1608-1666): Textos y contextos del barroco peninsular. Palma: Universitat des les Illes Balears, 1992.

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Chapitres de livres sur le sujet "?-1606 Criticism and interpretation"

Bogel, Fredric V. "New Formalist Interpretation." In New Formalist Criticism, 102–52. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137362599_4.

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Cohen, Ralph. "Literary Criticism and Artistic Interpretation." In Reason and Imagination, 279–306. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222996-14.

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Bonelli, Paolo, Giorgio Guidotti, Enrico Paolini, and Giulio Spinucci. "Pacemaker Stimulation Criticism at ECG." In New Concepts in ECG Interpretation, 175–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91677-4_16.

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Wang, Fengzhen. "Marxist Literary Criticism in China." In Marxism and the Interpretation of Culture, 715–22. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_49.

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Capellmann, Herbert. "Later Criticism of the Copenhagen Interpretation." In SpringerBriefs in History of Science and Technology, 77–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61884-5_10.

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Amesbury, Richard. "Norms, Interpretation, and Decision-Making: Derrida on Justice." In Morality and Social Criticism, 46–64. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507951_3.

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Mallinson, Jane. "Objects of Attention: The Literary Criticism." In T.S. Eliot’s Interpretation of F.H. Bradley, 23–34. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-0411-3_3.

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Gutiérrez Pozo, Antonio. "Subjectivity and Transcendence: Husserl’s Criticism of Naturalistic Thought." In Man’s Self-Interpretation-in-Existence, 379–85. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-1864-1_30.

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Barrett, Michèle. "The Place of Aesthetics in Marxist Criticism." In Marxism and the Interpretation of Culture, 697–713. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_48.

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Davis, Todd F., and Kenneth Womack. "Introduction: Moving beyond the Politics of Interpretation." In Formalist Criticism and Reader-Response Theory, 1–10. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-1916-8_1.

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Actes de conférences sur le sujet "?-1606 Criticism and interpretation"

Al-dabbagh, Asma. "The Nature of Interpretation in Architectural criticism." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.256.

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The expressive systems in architecture consists of two components: the system of forms and the system of meanings, these systems are linked together by unwritten rules, which are a matrix of correlations / implications that determine any meanings associated with any forms. The designer remains unsure of the possible interpretations of his design, because of the variation in the nature of meaning, discovered by the recipient, and this stems from the variation of reliance on the theory of interpretation in this regard. Many studies of architectural semiology indicate some of these theories; Clas

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"Interpretation of "Wuthering Heights" from the Perspective of Eco-criticism." In 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.126.

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Kenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.

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The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the int

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Verner, Inna. "The legacy of Maximus the Greek in the biblical revision of Euthymius Chudovsky (1680s)." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.04.

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The paper explores the use by Euthymius Chudovsky of Maximus the Greek’s achievements in the linguistic revision of biblical texts. Correction and translation of the New Testament by Euthymius in the 1680s demonstrates not only the appeal to the texts translated by Maximus as language patterns, but also the development of his philological criticism of the text of Holy Scripture and its interpretation.

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Fateeva, I. "“AN EVERLASTING DAY” (IN RELATION TO THE PAINTING “HUNTERS IN THE SNOW” BY PIETER BRUEGEL)." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2554.978-5-317-06726-7/93-96.

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The article gives an aesthetic interpretation of the art criticism judgment - “An everlasting day” in relation to the painting “Hunters in the Snow” by the Dutch artist, representative of the Northern Renaissance (16th century) Pieter Bruegel (Muzhitsky). In the context of the ideas of phenomenological aesthetics, the type of painting is determined, a conclusion is made about the applicability of the considered judgment to paintings of a certain type, examples of such works from Russian art are given.

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Xu, Manyan. "A New Interpretation of Chinese Versions of Stray Birds Based on Reiss's Translation Criticism A Case Study of the Translations by Feng Tang and Zheng Zhenduo." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.128.

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Aravot, Iris. "An Attempt at Making Urban Design Principles Explicit." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.42.

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Since its rise as an autonomous field in the seventies, Urban Design has been a conglomerate of diverse concepts and value outlooks.The present approach, which is an a posteriori propositional expression of applications in actual practice and education, presents both theory and method by means of ten points. The approach is basically generated by formal considerations, thus originating in and focussing on aspects which cannot be expressed through theory and methods of other disciplines. It starts with systematic, conventional and objective studies which are then connected to a system of manipu

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Aslandogan, Y. Alp. "PRESENT AND POTENTIAL IMPACT OF THE SPIRITUAL TRADITION OF ISLAM ON CONTEMPORARY MUSLIMS: FROM GHAZALI TO GÜLEN." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/mnsp5562.

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Western analysts of trends in the contemporary Islamic world often overestimate the impact of contemporary Sufi orders and/or underestimate the impact of the spiritual tradition of Islam. Among the elements of the spiritual tradition conducive to religious pluralism is the ‘mirror’ concept: every human is seen as a mirror of God in three aspects: reflecting the at- tributes and names of God as His work of art, reflection through dependence on God, and reflection through actions God commands or commends. Since only the last aspect is vol- untary, every human, regardless of creed, is a mirror of

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