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Bibliographies thématiques / 1810-1856 Criticism and interpretation / Thèses

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Thèses sur le sujet « 1810-1856 Criticism and interpretation »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 11 février 2022

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1

Moon, Geoffrey. "The inner musical workings of Robert Schumann, 1828-1840 : in two volumes." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm817.pdf.

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A thesis which examines Schumann's secret musical language and the development of that language into a highly complex system of extra-musical meanings expressed in tones, special motifs, harmonic progressions and keys. This study traces the development of Schumann's procedures by first analysing the songs of 1840 to see which repeated musical devices connected with texts. Once they have been identified, the application of these devices is then examined, retrospectively, in selected works for solo piano. Relying heavily on Schumann's diaries and letters, as well as a detailed analysis of select

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2

Landeck, Jeffrey. "The vine and the rose : towards an aesthetics of incompleteness in Melville's sketch pieces, 1853-1856." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0025/MQ50534.pdf.

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3

Eve, Vivian Jeanette. "An "unobtrusive art" : Elizabeth Gaskell's use of place in Ruth, North and South, and Wives and Daughters." Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/d1001824.

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The purpose of this study is to show how Elizabeth Gaskell creates a sense of place and why place is important in her novels. Gaskell's life and works indicate an interest in place and an ability to recreate it, but, although most critics mention her descriptive powers, few examine how a sense of place is achieved. Indeed, setting as a tool of analysis has received critical attention only fairly recently. Here the term 'place' has been chosen because it embraces the social, physical, and personal aspects of setting as well as the objects with which spaces are furnished, and for the purpose of

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4

Findlay, Isobel. "Reading for reform : history, theology, and interpretation and the work of Elizabeth Gaskell and Charles Kingsley." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29935.pdf.

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5

Roux, Catharina. "Obedient daughter, silenced witch: the hysteric in Freudian psychoanalysis." Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/d1004637.

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This study explores the theoretical consequences of Freud's renunciation of the seduction theory. The dissertation defends the thesis that the seduction theory was shaped as much by Freud's adherence to the nomonological model as by the empirical evidence of child sexual abuse. A renunciation of the seduction theory was inevitable, not because the accounts of the daughters were lies, but because the methodology was inappropriate. The nomonological model obscured the emotional structure of the nuclear family in which the structure itself, through which sexuality emerged, directed the girl's ent

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6

Barnes, Jennifer Michelle. "Images of distant lands : a comparison of the compositional techniques used by Georges Bizet and Felicien David to portray the exotic in their operatic works." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1221301.

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Georges Bizet (1838-1875) is best known for his operatic masterpiece, Carmen, but his other works have received much criticism. Much of this criticism stems from the belief that his work was simply derivative of other composers, including the father of French musical exoticism, Felicien David (1810-1876). However, there has never been any formal study comparing the two composers' compositional techniques.The purpose of this study is to compare the approaches that both Bizet and David took to portray the exotic in their operatic works, and to categorize any differences or similarities between t

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7

Adam, Huguette. "Les romans préhistoriques de J.-H. Rosny Aîné /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65470.

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8

Milton, Christopher. "A phenomenological hermeneutic investigation into the psychoanalytic psychotherapist's experience of using the psychoanalytic couch." Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1007655.

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The aim of this study was to describe and critically explore the psychoanalytic, psychotherapist's lived experience of the technique of using the couch. Through examination of the literature a question was formulated that would disclose the analyst's experience of the technique of using the couch. Four experienced psychoanalytic practitioners who could be operationally defined as 'analysts' were interviewed. Using a phenomenological method the protocols were comprehensively analyzed to produce descriptions of the general structure of the experience. These were then texturally enhanced using in

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9

Kling, Jutta Cornelia. "On knowingness : irony and queerness in the works of Byron, Heine, Fontane, and Wilde." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11824.

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This thesis identifies strategies of queer/irony in the writings of Lord Byron, Heinrich Heine, Theodor Fontane, and Oscar Wilde. Key to the understanding of irony is Friedrich Schlegel's re-evaluation of the concept. The thesis establishes an approach to the multifaceted concept of irony and identify key concepts of queer theory. The focus, however, is close reading. First, Lord Byron's epic satire Don Juan is read with regards to the interplay of narrative strategies and the depiction of gender, homoeroticism and the concept of the child. Furthermore, reviews published at the time of the pub

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10

Van, der Merwe Petrus Lodewikus. "Lacan and Freud : beyond the pleasure principle." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4262.

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Thesis (MA (Psychology))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: Jacques Lacan and Sigmund Freud‟s ideas are presented with specific emphasis on the themes presented in Freud‟s (1920a) Beyond the Pleasure Principle. Freud‟s Project for a Scientific Psychology (1950) provides important clues to describe the pleasure principle in terms of Quantity (Q), facilitations [Bahnung] and contact-barriers. Therefore, the implications of the pleasure principle relate greatly to 1) Freud‟s notion of the unconscious, 2) Lacan‟s explanation of das Ding, 3) the difference between jouissance an

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11

Cashion, Tim. "Rorty, Freud, and Bloom : the limits of communication." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60611.

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The thesis examines the nature of political reform and the role of culture in the liberal utopia envisaged by Richard Rorty in Contingency, Irony, and Solidarity. Rorty's overall project is outlined, and situated within the anti-foundationalist critique that has been the hallmark of his recent career. The perilous position of nonintellectuals within the otherwise-acceptable utopia is detailed. Harold Bloom's conception of the strong poet is then examined and compared to the use Rorty makes of Bloom; I conclude that the faults of the liberal utopia lie primarily in establishing the strong poet

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12

Simmonds, Clive. "Publishing Swinburne : the poet, his publishers and critics." Thesis, University of Cambridge, 2013. http://www.repository.cam.ac.uk/handle/1810/245120.

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This thesis examines the publishing history of Algernon Charles Swinburne during his lifetime (1837-1909). The first chapter presents a detailed narrative from his first book in 1860 to the mid 1870s: it includes the scandal of 'Poems and Ballads' in 1866; his subsequent relations with the somewhat dubious John Camden Hotten; and then his search to find another publisher who was to be Andrew Chatto, with whom Swinburne published for the rest of his life. It is followed by a chapter which looks at the tidal wave of criticism generated by Poems and Ballads but which continued long after, and sho

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13

Senior, John. "Spirituality in the fiction of Henry Rider Haggard." Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1002252.

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Neither an unquestioning support for British imperialism nor a personal pre-Jungian philosophy were the driving forces behind Rider Haggard’s beliefs or his literature. These two concerns were secondary to the author’s fascination with the supernatural, a theme prominent in his era, but less so in our own. A declining faith in European religion provided the dominant focal point in Haggard’s work. Although there are important overtones of imperial concern and indeed points of Jungian significance in the texts, these are generally subservient to an intensive wide-ranging spiritual discourse. The

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14

Langwith, Mark J. "'A far green country' : an analysis of the presentation of nature in works of early mythopoeic fantasy fiction." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/313.

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This study undertakes an examination of the representation of nature in works of literature that it regards as early British ‘mythopoeic fantasy’. By this term the thesis understands that fantasy fiction which is fundamentally concerned with myth or myth-making. It is the contention of the study that the connection of these works with myth or the idea of myth is integral to their presentation of nature. Specifically, this study identifies a connection between the idea of nature presented in these novels and the thought of the late-Victorian era regarding nature, primitivism, myth and the impul

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15

Pereira, Lara Medeiros Borges 1986. "Sobre as afasias = conceitos fundamentais em estudo de afasia verbal." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/271005.

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Orientador: Maria Irma Hadler Coundry<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-18T06:26:06Z (GMT). No. of bitstreams: 1 Pereira_LaraMedeirosBorges_M.pdf: 788895 bytes, checksum: 41ee5bc3d478c0f6c1003267fc242cf9 (MD5) Previous issue date: 2011<br>Resumo: Orientado pela abordagem teórica e metodológica da Neurolinguística Discursiva (ND), este trabalho apresenta um estudo acerca dos conceitos fundamentais da obra Sobre as Afasias (Zur Auffassung der Aphasien), de Sigmund Freud, à luz da qual é aprese

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16

Regis, Shirley Ann. "Charles Brockden Brown's place within the gothic and the influence of early America's social issues on Brown's writing." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3193.

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The purpose of this thesis is to show that Charles Brockden Brown was influenced by the American Revolution and the incidents that come after it. It is suggested that Brown created a gothic fiction that was intended to be a critique on the American Revolution by using murder narrratives present during the time to create his characters. Gothic fiction consists of many elements such as setting arechetypal characters, terror, emotion, psychological turmoil and language use.

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17

Leme, Patrícia de Oliveira 1986. "Borges, um estranho : litorais entre a literatura e a psicanálise." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/271102.

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Orientador: Nina Virgínia de Araújo Leite<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-21T22:47:56Z (GMT). No. of bitstreams: 1 Leme_PatriciadeOliveira_M.pdf: 1354597 bytes, checksum: 5dae4738b3554f602db88d197ab3ebad (MD5) Previous issue date: 2013<br>Resumo: O presente trabalho consiste em uma leitura do estilo de Jorge Luis Borges a partir de um inquietante efeito narrativo, passível de ser abordado na área psicanalítica através do enigmático conceito de estranho. Para a elaboração dessa hipótese, in

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18

Hellner, Jean Marie. "Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20031/hellner%5Fjean%5Fmarie/index.htm.

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19

Rae, Alice. "McLuhan’s unconscious." 2008. http://hdl.handle.net/2440/49671.

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The proof set forward in this thesis is that the method of Marshall McLuhan (1911-1980), which he came in the 1970’s to describe as ‘structuralist’, ‘phenomenological’ and even ‘metaphysical’, owes a heretofore unacknowledged debt to Sigmund Freud (1856-1939). Critics have thus far neglected the influence of nineteenth and twentieth century psychology in McLuhan’s work, although a wealth of biographical material supports the argument that McLuhan’s ‘metaphysical’ method is derived as much from psychoanalysis and analytical psychology (C.G. Jung) as from any of McLuhan’s acknowledged predecesso

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20

chaing, ching-i. Fan, and 范姜晶怡. "The Analysis Interpretation and Discussion of Märchenbilder: Vier Stücke für Klavier und Viola, Op. 113 by Robert Schumann (1810-1856)/Viola Music Recital." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/75870619962521288581.

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碩士<br>東吳大學<br>音樂學系<br>98<br>Abstract Viola da gamba is the earliest one of the Plucked-String Instruments. Although Viola was dispensable before the 20 century, its performance technique has been elevated recently. Viola makes a strong impression on people that it doesn’t play an accompaniment role any more. Therefore, the compositions for viola which created by the composers have been increasing largely. This Märchenbilder: Vier Stücke für Klavier und Viola, Op. 113 by Robert Schumann (1810-1856) is one of the vital work of Romanticism. It is filled with the composer’s romantic emotion, and i

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