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Littérature scientifique sur le sujet « A Guide to Becoming a Remarkable Content Creator »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "A Guide to Becoming a Remarkable Content Creator"

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Pramesti, Olivia Lewi. "Penerapan Etika Digital di Kalangan Content Creator TikTok." Mediator: Jurnal Komunikasi 15, no. 2 (2023): 236–48. http://dx.doi.org/10.29313/mediator.v15i2.10460.

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Content creator is becoming an in-demand profession for the millennial generation, along with increased social media consumption in Indonesia. Content creators do not just upload content but are required to create creative content. These content creators can be called citizen journalists because they perform media functions, including providing information, mobilizing, entertaining, and spreading values to society. Content creators are also required to be professional. Professional means content creators not only create creative content but also need to pay attention to digital ethics. This st
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Nedainova, Iryna V. "SKOPOS THEORY IN THE LIGHT OF FUNCTIONAL TRANSLATION." Alfred Nobel University Journal of Philology 2, no. 22 (2021): 251–59. http://dx.doi.org/10.32342/2523-4463-2021-2-22-24.

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Today, the transfer of as much information as possible as quickly as possible is becoming the norm, with the accelerating development of the modern world, the social function of translation as an activity is also changing. At this time, the degree of the translation unit adequacy is under challenge. The postulate of the adequacy of translation known to all professionals in the field of translation, according to which every author's message should be translated as close to its meaning as possible and must accentuate its content, is taking a back seat. Skopos theory in 1978 authored by the Germa
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Stensager, Anders Otte. "»Mit navn er Boye, jeg graver dysser og gamle høje«." Kuml 52, no. 52 (2003): 35–80. http://dx.doi.org/10.7146/kuml.v52i52.102638.

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»My name is Boye, I dig carins and old mounds«The archaeologist Vilhelm Christian BoyeThe story of Vilhelm Boye is the history of one man’s passionate and insightful involvement in archaeology, which from the first was directed solely towards the Bronze Age. His involvement led to an academic disaster in his youth, but left behind it a developed skill in field archaeology. Despite his problems he persisted with what most obsessed him, namely the preservation of Denmark’s oak coffin graves. His multi-facetted personality and his more popular approach to archaeology may have challenged his conte
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Conti, Olivia. "Disciplining the Vernacular: Fair Use, YouTube, and Remixer Agency." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.685.

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Introduction The research from which this piece derives explores political remix video (PRV), a genre in which remixers critique dominant discourses and power structures through guerrilla remixing of copyrighted footage (“What Is Political Remix Video?”). Specifically, I examined the works of political video remixer Elisa Kreisinger, whose queer remixes of shows such as Sex and the City and Mad Men received considerable attention between 2010 and the present. As a rhetoric scholar, I am attracted not only to the ways that remix functions discursively but also the ways in which remixers are con
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Chisari, Maria. "Testing Citizenship, Regulating History: The Fatal Impact." M/C Journal 14, no. 6 (2011). http://dx.doi.org/10.5204/mcj.409.

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Introduction In October 2007, the federal Coalition government legislated that all eligible migrants and refugees who want to become Australian citizens must sit and pass the newly designed Australian citizenship test. Prime Minister John Howard stated that by studying the essential knowledge on Australian culture, history and values that his government had defined in official citizenship test resources, migrants seeking the conferral of Australian citizenship would become "integrated" into the broader, "mainstream" community and attain a sense of belonging as new Australian citizens (qtd. in
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West, Patrick Leslie, and Cher Coad. "Drawing the Line: Chinese Calligraphy, Cultural Materialisms and the "Remixing of Remix"." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.675.

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Western notions of authors’ Intellectual Property Rights (IPRs), as expressed within copyright law, maintain a potentially fraught relationship with a range of philosophical and theoretical positions on writing and authorship that have developed within contemporary Western thinking. For Roland Barthes, authorship is compromised, de-identified and multiplied by the very nature of writing: ‘Writing is that neutral, composite, oblique space where our subject slips away, the negative where all identity is lost, starting with the very identity of the body writing’ (142). Gilles Deleuze and Félix Gu
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Mudie, Ella. "Disaster and Renewal: The Praxis of Shock in the Surrealist City Novel." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.587.

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Introduction In the wake of the disaster of World War I, the Surrealists formulated a hostile critique of the novel that identified its limitations in expressing the depth of the mind's faculties and the fragmentation of the psyche after catastrophic events. From this position of crisis, the Surrealists undertook a series of experimental innovations in form, structure, and style in an attempt to renew the genre. This article examines how the praxis of shock is deployed in a number of Surrealist city novels as a conduit for revolt against a society that grew increasingly mechanised in the clima
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Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi
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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei
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Pedersen, Isabel, and Kristen Aspevig. "Being Jacob: Young Children, Automedial Subjectivity, and Child Social Media Influencers." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1352.

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Introduction Children are not only born digital, they are fashioned toward a lifestyle that needs them to be digital all the time (Palfrey and Gasser). They click, tap, save, circulate, download, and upload the texts of their lives, their friends’ lives, and the anonymous lives of the people that surround them. They are socialised as Internet consumers ready to participate in digital services targeted to them as they age such as Snapchat, Instagram, and YouTube. But they are also fashioned as producers, whereby their lives are sold as content on these same markets. As commodities, the minutiae
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Livres sur le sujet "A Guide to Becoming a Remarkable Content Creator"

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From Zero-To-Content Hero: A Guide to Becoming a Remarkable Content Creator. Nasir Mazumder, 2023.

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