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Articles de revues sur le sujet « Aesthetic Ideology »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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1

Rush, F. L., Paul de Man, and Andrzej Warminski. "Aesthetic Ideology." Journal of Aesthetics and Art Criticism 55, no. 4 (1997): 443. http://dx.doi.org/10.2307/430942.

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Kuncheva, Raya. "Aesthetic Education and Aesthetic Ideology…" Recherches, no. 16 (July 19, 2016): 53–58. http://dx.doi.org/10.4000/cher.6392.

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Berliner, Todd. "Hollywood Aesthetic: Pleasure in American Cinema." Projections 14, no. 2 (2020): 90–101. http://dx.doi.org/10.3167/proj.2020.140209.

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In this reply to four commentaries on my book, Hollywood Aesthetic: Pleasure in American Cinema, I address several conceptual and methodological issues raised by the respondents. Those issues include the book’s focus on aesthetic pleasure; the functions of narrative, style, ideology, and genre in Hollywood cinema; the relationship between ideology and aesthetics; the use of scientific research in the humanities; normative aesthetic evaluations; real versus hypothetical spectators; and the practices of aesthetic film analysis.

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Loesberg, Jonathan. "Materialism and Aesthetics: Paul De Man's Aesthetic Ideology." diacritics 27, no. 4 (1997): 87–108. http://dx.doi.org/10.1353/dia.1997.0033.

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Spencer, Jeremy. "The Critical-Linguistic Critique of the Aesthetic Ideology in the Late Writing of Paul de Man." Labyrinth 22, no. 2 (2021): 9. http://dx.doi.org/10.25180/lj.v22i2.234.

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The focus of this essay is Paul de Man's provocative antipathy towards the category of the aesthetic in his late writings on philosophical aesthetics. I introduce de Man's critique of what he terms aesthetic ideology – a form of ideological communication – which he considers manifest in the aesthetics of Schiller in particular but also in more scrupulously critical philosophers. I begin the essay with Benjamin's well known observation that twentieth century fascisms aestheticized political practice as part of a defence of existing property relations. I introduce de Man's critique of aesthetic

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马驰. "Aesthetic, Practice and Ideology." China Studies 43, no. ll (2008): 343–57. http://dx.doi.org/10.18077/chss.2008.43..018.

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Rottenberg, Elizabeth. "Book Review: Aesthetic Ideology." MLN 112, no. 5 (1997): 974–79. http://dx.doi.org/10.1353/mln.1997.0060.

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Zhu, Yuke, Yuxin Ma, Ruoqing Yang, and Mingyu Chen. "Shaping Teachers' Aesthetic competence with Aesthetic Education Concepts in Confucius Ideology." Journal of Education and Educational Research 5, no. 3 (2023): 16–19. http://dx.doi.org/10.54097/jeer.v5i3.13071.

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Confucius established a comprehensive framework of aesthetic education based on the rich heritage of aesthetics passed down through generations. His profound insights emphasized an aesthetic education philosophy rooted in "benevolence" and centered around "humanization." He seamlessly integrated these principles into the establishment of a rational social order and the cultivation of an ideal personality. This perspective holds significant practical significance and social value in contemporary efforts to advance aesthetic education and shape individual personalities. Confucius believed that a

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Prasetyo, Hadi. "STRATEGI KRITIK CERPEN “TELINGA” TERHADAP ORBA: MENINJAU STRUKTUR PRODUKSI DAN IDEOLOGI TEKS." Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia 17, no. 2 (2021): 122–34. http://dx.doi.org/10.25134/fon.v17i2.4329.

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ABSTRAK: Penelitian ini bertujuan untuk menjelaskan strategi kritik cerpen “Telinga” karya Seno Gumira Ajidarma (SGA) terhadap rezim Orde Baru (Orba) Indonesia. Hal tersebut akan dijelaskan dengan cara meninjau struktur produksi dan ideologi teks cerpen “Telinga” karya SGA. Untuk menjelaskannya, penelitian ini menggunakan teori kritik sastra materialistis Terry Eagleton. Metode yang digunakan dalam penelitian ini ialah metode dialektika. Metode ini memungkinkan peneliti untuk menjelaskan ideologi teks sebagai produk pengolahan estetik atas struktur produksi pada masa Orba. Hasil penelitian men

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Wright, Elizabeth, and Terry Eagleton. "The Ideology of the Aesthetic." Modern Language Review 86, no. 3 (1991): 653. http://dx.doi.org/10.2307/3731014.

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Schusterman, Richard, and Terry Eagleton. "The Ideology of the Aesthetic." Journal of Aesthetics and Art Criticism 49, no. 3 (1991): 259. http://dx.doi.org/10.2307/431482.

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Eagleton, Terry. "The Ideology of the Aesthetic." Poetics Today 9, no. 2 (1988): 327. http://dx.doi.org/10.2307/1772692.

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RUSH, F. L. "Paul De Man, Aesthetic Ideology." Journal of Aesthetics and Art Criticism 55, no. 4 (1997): 443–44. http://dx.doi.org/10.1111/1540_6245.jaac55.4.0443.

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Korsyn, Kevin, and George S. Bozarth. "Brahms Research and Aesthetic Ideology." Music Analysis 12, no. 1 (1993): 89. http://dx.doi.org/10.2307/854077.

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Sernelj, Téa. "Modernization of Beauty in China." Asian Studies 9, no. 2 (2021): 165–79. http://dx.doi.org/10.4312/as.2021.9.2.165-179.

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The article explores the socio-political and historical development of the great debate on aesthetics and the aesthetic fever in China during the 20th century. It introduces the main figures of the aesthetic movement and their aesthetic theories. It introduces the period of appropriation of the aesthetic debates to Marxist ideology that prevailed in China after 1949 and lasted until the end of 1970s. The 1980s and 1990s represent a shift in the Chinese aesthetic debate which focused on the adoption of Western aesthetic concepts and paradigms in a more scientific way. The article tackles the pr

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Perafán Del Campo, Eduardo Andrés. "The Aesthetics of the Social Rule of Law: The Case of Parque Biblioteca España in the City of Medellín." Novum Jus 17, no. 2 (2023): 375–402. http://dx.doi.org/10.14718/novumjus.2023.17.2.15.

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This article deepens and exemplifies the relationship between aesthetics, ideology, and politics by studying a case of aesthetic intervention in public space: the Parque Biblioteca España Project in Medellín, Colombia. In this way, from a qualitative methodological approach using mixed research instruments, this work will lead us to observe how the aesthetics of the Social State of Law was used as an aesthetic/political tool to confront social exclusion in Medellín.

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Sinnerbrink, Robert. "The Aesthetics of Ideology." Krisis | Journal for Contemporary Philosophy 39, no. 1 (2019): 130–34. http://dx.doi.org/10.21827/krisis.39.1.39122.

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Vuksanovic, Divna. "Esthetic values and artificial intelligence." Theoria, Beograd 68, no. 1 (2025): 163–73. https://doi.org/10.2298/theo2501163v.

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This paper explores the impact of artificial intelligence (AI) on artistic creativity through the lens of aesthetic evaluation. It contrasts traditional and contemporary perspectives: the former emphasizes beauty, while the latter focuses on the body, particularly the disabled body. The contemporary art?s treatment of the body serves as a catalyst for a new ideology of aesthetic evaluation, embodied in the disability aesthetics. This aesthetic is portrayed as activist and engaged, providing a fresh angle for interpreting AI art.

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Simanjuntak, Wilda. "Resensi Buku: Ideology: An Introduction." Aradha: Journal of Divinity, Peace and Conflict Studies 2, no. 3 (2024): 267–87. http://dx.doi.org/10.21460/aradha.2022.23.1226.

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Resensi Buku: Dalam menelusuri book review ini, penulis menjatuhkan pilihan pada karya Terry Eagleton. Untuk menelusuri pemahaman dan gagasan mengenai ideologi, strategi ideologi dan pendapat para filsuf pada mazhab tertentu. Terry Eagleton, seorang kritikus sastera yang banyak memakai paradigma Marxis dalam karya-karyanya. Sekilas ringkas mengenai ketokohan Eagleton. Ia lahir pada tanggal 22 Februari 1943, menikah dengan Willa Murphy. Ayahnya bernama Francis Paul Eagleton dan ibunya Rosaleen Eagleton. Terry Eagleton adalah seorang Professor sastra Inggris di Universitas Oxford. Terdapat sekit

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Chowdhury, Dalia. "Globalizing Translation: Understanding the Aesthetic Ideology." Global Studies Journal 1, no. 4 (2008): 21–28. http://dx.doi.org/10.18848/1835-4432/cgp/v01i04/40972.

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van Peer, W. "CANON FORMATION: IDEOLOGY OR AESTHETIC QUALITY?" British Journal of Aesthetics 36, no. 2 (1996): 97–108. http://dx.doi.org/10.1093/bjaesthetics/36.2.97.

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Guss, Aleksandra. "Aesthetics of Law." McGill GLSA Research Series 1, no. 1 (2021): 1–17. http://dx.doi.org/10.26443/glsars.v1i1.137.

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The aesthetics of law appears as one of the parts of the philosophy of law that focuses on the relationship between law and aesthetical values, in their broadest sense. The aesthetics of law can be closed in its three dimensions: external, internal and the approach defined as "law as a tool of aestheticization”. This division was made from the perspective of the subject of research, which is the law. The third dimension refers to the law as "tool of aestheticization” of everyday life, which indicates the aesthetic function of law, implemented mainly by legal regulation and the legal norms they

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Albery, Henry. "Pleasure and Fear: On the Uneasy Relation between Indic Buddhist Monasticism and Art." Religions 13, no. 12 (2022): 1223. http://dx.doi.org/10.3390/rel13121223.

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When monastics of the Indic North and Northwest around the turn of the Common Era made the decision to introduce art into monasteries, current cultural assumptions regarding the aesthetic experience of such objects, which were axiomatically negated by Buddhist ideology, led to certain confrontations in law and praxis and an attempt to resolve these within certain monastic legal codes (vinaya) redacted during this period. Tracing the historical relation between monasticism and art in this context, this paper focuses on two such uneasy relations. The first deals with an opposition between the wo

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24

Grachev, A. V., and A. S. Savoskina. "AESTHETIZED IDEOLOGY – THE CONFLICT NODE OF CULTURE." Review of Omsk State Pedagogical University. Humanitarian research, no. 33 (2021): 25–29. http://dx.doi.org/10.36809/2309-9380-2021-33-25-29.

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The article considers the ideological aspect of cultural integrity. It is shown that ideology is inherently conflictual. The ideological conflict has clearly expressed aesthetic aspects. The mechanisms of using aesthetic means and techniques in political struggle (colors, symbols, slogans) are shown. The manipulative possibilities of aesthetic means are particularly emphasized.

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Vuksanovic, Divna, and Katarina Smakic. "Aesthetics of Disability: Aesthetic Values in the Era of Artificial Intelligence." Diogenes 32, no. 2 (2024): 146–63. http://dx.doi.org/10.54664/fmva4776.

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This paper deals with the interpretation of the impact of artificial intelligence (AI) in the field of artistic creation from the standpoint of aesthetic evaluation, emphasizing the distinction between aesthetic and artistic valorisation within contemporary aesthetics research. The paper broadly compares two aesthetic perspectives – traditional and contemporary: the former is value-determined through the idea of beauty, while the latter directs its interpretive focus on the body, specifically the disabled body. By recognizing the similarity between the representation of disabled bodies and wor

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Liu, Mengxuan, Siquan Chen, and Xu An. "Aesthetic gene and prospect of garden city from the perspective of Chinese dream." MATEC Web of Conferences 395 (2024): 01047. http://dx.doi.org/10.1051/matecconf/202439501047.

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This study aims to delve into the impact of the Chinese Dream ideology on the development and aesthetic characteristics of park cities. Building upon their dialectical and unified relationship, it seeks to predict the evolutionary trajectory of urban modernization and methods to enhance residents' quality of life. Focusing on domestic cases of park city construction, the research employs innovative approaches such as on-site investigations, semi-structured interviews, and literature reviews. A distinctive contribution of this study is the introduction of the concept of "aesthetic genes," which

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Berliner, Todd. "Hollywood Aesthetic." Projections 14, no. 2 (2020): 48–55. http://dx.doi.org/10.3167/proj.2020.140204.

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Hollywood Aesthetic: Pleasure in American Cinema investigates the Hollywood film industry’s chief artistic accomplishment: providing aesthetic pleasure to mass audiences. Grounded in film history and supported by research in psychology and philosophical aesthetics, the book explains (1) the intrinsic properties characteristic of Hollywood cinema that induce aesthetic pleasure; (2) the cognitive and affective processes, sparked by Hollywood movies, that become engaged during aesthetic pleasure; and (3) the exhilarated aesthetic experiences afforded by an array of persistently entertaining Holly

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Salam, Aprinus, and Rina Zuliana. ""KRIMINALISASI TERKONTROL” TERHADAP BENTUK DAN IDEOLOGI DALAM BEBERAPA FIKSI DETEKFIF INDONESIA KONTEMPORER." SUSASTRA: Jurnal Ilmu Susastra dan Budaya 13, no. 2 (2025): 78–90. https://doi.org/10.51817/susastra.v13i2.162.

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Crime is one of the essential substances in detective fiction. This study examines the issue of crime in relation to the state, society, and individuals. It selects four detective novels: Tiga Sandera Terakhir (2015), Negara Kelima (2015), 24 Jam Bersama Gaspar (2017), and Dua Dini Hari (2019). In these novels, crime is not merely framed as an investigative model that culminates in solving a mystery; rather, it is also portrayed as an issue involving hierarchical relationships between social classes and gender. In this context, detective fiction is connected to both social and ideological phen

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Ngai, Sianne. "Our Aesthetic Categories." PMLA/Publications of the Modern Language Association of America 125, no. 4 (2010): 948–58. http://dx.doi.org/10.1632/pmla.2010.125.4.948.

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The recent turn to aesthetics in literary studies has been embraced by some of its advocates as a polemical riposte to critique: a practice increasingly attacked from multiple directions but here specifically for doing artworks the disservice of reducing them to encryptions of history or ideology. But while the new or revived focus on pleasure (and, to a much lesser extent, displeasure)1 has been vaunted for the way in which it seems to circumvent the reduction of artworks to historical or ideological concepts, our aesthetic experience is always mediated by a finite if constantly rotating repe

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Wen, Xiong. "My View on Confucius’ Musical Aesthetics." Lifelong Education 9, no. 7 (2020): 75. http://dx.doi.org/10.18282/le.v9i7.1473.

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During the Spring and Autumn Period and Warring States Period, the ideology environment was severe. Hundreds of scholars competed and argued, and they all used their own musical concepts and aesthetic consciousness to influence social life. Confucius was one of them. As we all know, Confucius was the great pre-Qin period thinker, politician, and educator of etiquette and music. His achievements in music aesthetics are different from other schools of “contend of a hundred schools of thought”. Confucius’s aesthetic thoughts are actually the aesthetic thoughts he formed in the practice of ritual

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Orr, Mary, and Mark Redfield. "Phantom Formations: Aesthetic Ideology and the Bildungsroman." Modern Language Review 93, no. 4 (1998): 1076. http://dx.doi.org/10.2307/3736282.

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Gelley, Alexander, and Marc Redfield. "Phantom Formations. Aesthetic Ideology and the Bildungsroman." German Quarterly 73, no. 4 (2000): 425. http://dx.doi.org/10.2307/3072769.

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Zmijewski, Norbert. "Book Reviews : The Ideology of the Aesthetic." Australian and New Zealand Journal of Sociology 27, no. 3 (1991): 415–16. http://dx.doi.org/10.1177/144078339102700316.

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Smith, Murray. "BerlInversions." Projections 14, no. 2 (2020): 56–65. http://dx.doi.org/10.3167/proj.2020.140205.

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Todd Berliner’s Hollywood Aesthetic advances an original perspective on Hollywood filmmaking by insisting on its fundamentally aesthetic character, and exploring its particular aesthetic features with the tools of neoformalist film analysis, cognitive psychology, and the philosophy of art. I focus on two of the book’s most ambitious claims: a) that appreciation of the style of Hollywood films can play an important role in our experience of them, over and above its role in representing and expressively dramatizing narrative elements; and b) that the ideological dimension of Hollywood filmmaking

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35

Edwards, Steve. "William Morris and Edward Burne-Jones: Interlacings, Caroline Arscott, New Haven: Yale University Press, 2008./The Poetry of Chartism: Aesthetics, Politics, History, Mike Sanders, Cambridge: Cambridge University Press, 2009." Historical Materialism 18, no. 2 (2010): 165–76. http://dx.doi.org/10.1163/156920610x512507.

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New books by Caroline Arscott and Mike Sanders return to the vexed problem of Marxism and aesthetics. For some time, there has been an intense suspicion of aesthetic thought in Marxist circles, where it is perceived as an ideology perpetrating a false resolution of contradictions. Arscott and Sanders understand aesthetics to be at the heart of the communist imagination: Arscott offers a detailed investigation of how the body is inhabited in the art of William Morris and Edward Burne-Jones; Sanders considers the figure of the poet in Chartism as a spur to radicalism. Engaging with these books,

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Lei, Song, and Zhang Haitang. "History of the Formation and Significance for Our Time of the Theory of Soviet Aesthetic Education." OOO "Zhurnal "Voprosy Istorii" 2021, no. 12-1 (2021): 243–55. http://dx.doi.org/10.31166/voprosyistorii202112statyi04.

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Aesthetic perception is the main question for research in the field of aesthetics. Aesthetic education is the essence of research in the field of aesthetic education. The theory of Soviet aesthetic education in the USSR was gradually formed, developed and improved in accordance with the aesthetic views and Marxism-Leninism. It reflects the historical and epoch-making features of the development of both the country and society. In the system of Soviet socialist education, aesthetic education was an important component both in communist education and in ensuring the all-round development of peop

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Shusterman, Richard. "Aesthetic Education or Aesthetic Ideology: T. S. Eliot on Art's Moral Critique." Philosophy and Literature 13, no. 1 (1989): 96–114. http://dx.doi.org/10.1353/phl.1989.0070.

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Ya, Song. "A Study on Creation Principles of Five-storied Pagoda: From the Perspective of Eco-aesthetics." Studies in Linguistics and Literature 5, no. 4 (2021): p53. http://dx.doi.org/10.22158/sll.v5n4p53.

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The novel-Five-storied Pagoda-written by Japanese novelist Koda Rohan manifestly presents ecological consciousness from the perspective of the natural principle, the holistic principle, and the harmonious principle, which are the three principles of ecological aesthetics. By perceiving the harmonious atmosphere among man and nature, individuals themselves, individuals, and society in texts, we can learn that Koda Rohan insisted on traditional Japanese aesthetics and prospectively reflected on the modern aesthetic ideology of Japanese society after Meiji Restoration. This paper explores the aes

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39

Bristow, Joseph. "Politics, Aesthetics, Play: The Radical Aesthetic and “Epistemic Possibility”." Genre 58, no. 1 (2025): 53–65. https://doi.org/10.1215/00166928-11684130.

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Abstract In The Radical Aesthetic (2000), Isobel Armstrong provides an incisive critique of Terry Eagleton's condemnation of the “Kantian Imaginary” in The Ideology of the Aesthetic (1990). Her objections are twofold. First, Eagleton presents this structure as one in which the subject is immobilized by an all-consuming and pleasurable maternalism that inhibits collective action for radical change. Secondly, Eagleton extends his objections to the Kantian Imaginary to suggest that the aesthetic, upon which the consoling pleasures of the beautiful and the sublime are built, is by definition ideol

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Dolan, Patrick R. "16-bit dissensus: post-retro aesthetics, hauntology, and the emergency in video games." Replay. The Polish Journal of Game Studies 8, no. 1 (2022): 7–26. http://dx.doi.org/10.18778/2391-8551.08.01.

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Santiago Zabala reveals a crisis in modern society that perceives a world dominated by oppressive neoliberal ideology as acceptable and unproblematic. He claims that today’s greatest emergency is that we fail to notice other emergencies in society. To break out of this state, we need an aesthetic force to shock individuals into a new awareness. Unfortunately, while many social and global issues have recently come to widespread attention, the emergency still prevails in many forms of media. For example, the emergency in AAA video games appears in their continual push for higher resolution graph

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Jay, Martin. ""The Aesthetic Ideology" as Ideology; Or, What Does It Mean to Aestheticize Politics?" Cultural Critique, no. 21 (1992): 41. http://dx.doi.org/10.2307/1354116.

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Arifin, Moch Zainul. "MENIM(B)ANG DISENSUS: POLITIK DAN ESTETIKA SENO GUMIRA AJI DARMA DALAM CERPEN SAKSI MATA." ATAVISME 22, no. 1 (2019): 47–60. http://dx.doi.org/10.24257/atavisme.v22i1.525.47-60.

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This study aims to discuss Seno Gumira Ajidarma's political and aesthetic disensus efforts towards the representative regime of the Utan Kayu Community and the Soeharto ethical regime through the short story "Saksi Mata". Seno's census efforts were displayed through the short story "Saksi Mata" seen from class migration and author's ideology, socio-political conditions, and narrative aesthetics at the time so as to destabilize the police hierarchy and establishment of the regime. Departing from this, how "Saksi Mata" offers an aesthetic form through the census of political and aesthetic struct

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Roach, Joseph R. "Theatre History and the Ideology of the Aesthetic." Theatre Journal 41, no. 2 (1989): 155. http://dx.doi.org/10.2307/3207856.

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Albrecht, Thomas. "Donner à voir l'idéologie: Althusser and Aesthetic Ideology." Journal of French and Francophone Philosophy 14, no. 2 (2004): 1–28. http://dx.doi.org/10.5195/jffp.2004.458.

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Lee, You-Jin. "Build-A-Bear Workshop: Its Aesthetic and Ideology." Art Education 61, no. 6 (2008): 20–24. http://dx.doi.org/10.1080/00043125.2008.11652073.

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Lord, Timothy C. "The Ideology of the Aesthetic (review)." Philosophy and Literature 16, no. 2 (1992): 374–76. http://dx.doi.org/10.1353/phl.1992.0010.

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Monelle, Raymond. "Adam Krims (ed.), Music/Ideology: Resisting the Aesthetic." Music Analysis 20, no. 3 (2001): 407–13. http://dx.doi.org/10.1111/1468-2249.00145.

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Culler, Jonathan. ""Paul de Man's War" and the Aesthetic Ideology." Critical Inquiry 15, no. 4 (1989): 777–83. http://dx.doi.org/10.1086/448518.

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Gamal, Abdrabbo Yasmine, and Abdrabbo Cherine Gamal. "Aesthetics in Kitsch Art: the Aesthetic Ideology and Teleological Purpose behind the Charged Sentimentality." ESPES. The Slovak Journal of Aesthetics 13, no. 2 (2024): 13–23. https://doi.org/10.5281/zenodo.14761982.

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Pensky, Max. "Natural History and Aesthetic Truth in Aesthetic Theory." New German Critique 48, no. 2 (2021): 23–41. http://dx.doi.org/10.1215/0094033x-8989218.

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Abstract Theodor W. Adorno’s claim in Aesthetic Theory that artworks have a truth content, and that this truth content in turn depends on philosophical interpretation, is among the work’s most challenging and obscure claims. This article argues that “The Idea of Natural History,” Adorno’s lecture dating to 1932, offers important resources for interpreting the claim of art’s truth content. Reading the lecture’s core idea of transience, the article proposes that the form of philosophical interpretation Adorno develops there illuminates one way to clarify what Adorno means, in Aesthetic Theory, b

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