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1
Clover, Faith Maire. « Contributions of gender and culture to aesthetic response ». Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187109.
Texte intégralRésumé :
The purpose of this study is to test and extend Parsons' (1987) theory of aesthetic development by gathering extensive data on the ways that Mexican American and Navajo females and males respond to selected art images. Studies of twelve participants, six Mexican American and six Navajo, were based on a series of semi-structured in-depth phenomenological interviews (Seidman, 1991). Participants from each culture included six male/female pairs for each of three age groups: upper elementary students, high school students and adults. Each participant responded a series of open-ended questions about a set of eleven art images. Participants described their cultural background and their own personal or educational experiences with art. The data was analyzed in several ways and used to develop a case or portrait for each participant and was compared across groups. Parsons' model with the addition of two additional stances and a rating on a naive/expert continuum was found useful in examining the ways education, experience, gender, and cultural background contributed to aesthetic responses to art images. The resulting cases should be useful in art teaching and teacher education and contribute to the literature of cases in education.
2
Pretorius, J. P. H., et Maltitz M. J. Von. « Artistry in education and aesthetic education : a report of arts-based staff training and learning ». Journal for New Generation Sciences, Vol 8, Issue 3 : Central University of Technology, Free State, Bloemfontein, 2010. http://hdl.handle.net/11462/573.
Texte intégralRésumé :
Published ArticleThe central theme of this article is to investigate the potential advantages to school management and teacher training in South Africa of an aesthetic approach or arts-based staff development. It is argued that the field of education with its specific body of professional and scientific knowledge seems unable to offer satisfying solutions to pressing problems in post-apartheid South African schools. It is suggested that the arts should be explored for answers and solutions. The opinions and attitudes of school management teams from some of the poorest schools in the Free State Province of South Africa were analysed in order to gauge whether any positive change had occurred in their professional knowledge, confidence and self awareness after the said teams had been exposed to arts-based staff training and learning workshops. The positive change that was detected may be ascribable to the application of an aesthetic approach being followed during in-service workshops. Statistical analysis of the pre- and post-unit responses of 117 attendants of management training workshops indicated that there had indeed been some statistically significant improvements in their professional knowledge, in their confidence as managers and in their perception of themselves as educational artists. Most appear to have been quite prepared to see themselves as educational artists. The positive changes could provide some encouragement and a kind of quantitative basis for the advocates of aesthetic education.
3
Tutas, Nazan. « A transactional approach to the teaching of literature in EFL situations : the effects of aesthetic and efferent teaching approaches on EFL undergraduates responses to literature ». Thesis, University of Reading, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336681.
Texte intégral
4
Ferreira, Luciana Haddad 1980. « Educação estética e prática docente : exercício de sensibilidade e formação ». [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/254170.
Texte intégralRésumé :
Orientador: Ana Maria Falcão de AragãoTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: Ao dialogar com presente texto, o leitor irá se deparar com uma investigação desenvolvida a partir das experiências de um grupo de formação continuada, para o qual foram convidados abertamente professores de Educação Básica que manifestassem interesse em participar de atividades em Educação Estética. A pesquisa analisa o impacto das experiências estéticas vivenciadas pelos participantes a partir das situações cotidianas e das reflexões ocasionadas pela própria prática profissional, colocadas em relação às propostas desenvolvidas nos encontros de formação. Foram produzidos e avaliados dados referentes às percepções das professoras diante das experiências que participam. Para tanto, diversas estratégias de criação e fruição em Arte foram contempladas no processo formativo das docentes, contribuindo também para o estabelecimento de diálogo e a ampliação de seu repertório cultural. Contando com referencial teórico pautado na abordagem Histórico-Cultural, articulo tais pressupostos com contribuições do campo da Filosofia da Educação e de autores que abordam temas referentes à Formação Docente, Reflexividade e Educação Estética. Com o intuito de fazer o entrelaçamento entre tais conceitos e as experiências vividas nos grupos de formação, pautei-me na abordagem qualitativa com utilização de diferentes instrumentos metodológicos, que oferecem múltiplas imagens dos saberes e das experiências dos docentes. Os eixos de análise dos dados dialogam entre si e mostram-se interdependentes, ainda que carreguem características distintas das descobertas e avanços das professoras ao longo da trajetória vivida. Foram analisados especificamente os aspectos referentes aos conhecimentos sensíveis, às construções narrativas, à experiência artística e aos processos reflexivos suscitados, elementos ressaltados pelas próprias professoras como potencialmente formativos. Finalizo o trabalho com as lições perceptíveis no recorte feito, transferindo para o chão da escola as principais constatações observadas ao longo da pesquisa. Sinalizo, assim, ser indispensável o exercício formativo de sensibilização que permitirá ao professor perceber sua potencialidade de atuação cotidiana, produzindo contextos que propiciem a criação e a formação sensível dos alunos.
Abstracr: To fully understand the context of this work, the reader is going to come across a research developed from the experiences of a group of continuing education, to which were invited openly Basic Education teachers who manifest an interest in participating in activities in Aesthetic Education. The research analyzes the impact of aesthetic experiences experienced by participants from daily situations and reflections caused by their professional practice, placed on the proposals developed in training meetings. We've produced and evaluated data regarding the perceptions of teachers on the experiences involved. In order to accomplish my objectives, various strategies of creation and enjoyment in art were covered in the training process of teachers, also contributing to the establishment of dialogue and the expansion of their cultural repertoire. Relying on theoretical framework grounded in a historical-cultural approach, articulate these assumptions with contributions from the field of philosophy of education and authors covering topics related to Teacher Training, Reflexivity and Aesthetic Education. In order to make the entanglement between these concepts and experiences in training groups I guided my work in the qualitative approach using different methodological tools, which provide multiple images of knowledge and experience of teachers. The parameters of analysis are related to each other and are also interdependent, even though they have distinct characteristics of discoveries and advances of the teachers along the trajectory. Specific aspects relating to sensitive knowledge, the narrative constructions, artistic experience and raised reflective processes, elements highlighted by teachers themselves as potentially formative were analyzed. I finish the work with the lessons in noticeable clipping done, by transferring to the school context the main findings observed during the research. I emphasize thus be indispensable formative exercise of awareness that enable the teacher to realize its potential for daily performance, producing contexts conducive to the creation and sensitive training of students
Doutorado
Psicologia Educacional
Doutora em Educação
5
LAGE, LIVIA LARISSA DE LIMA. « CONNECTIVE LINES BETWEEN CHILDHOOD AND TEACHING : THE ROLE FOR THE AESTHETIC EXPERIENCE IN TEACHER TRAINING PROCESS FOR CHILD EDUCATION ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=35544@1.
Texte intégralRésumé :
PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIROCONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
A pesquisa tem como objetivo compreender aspectos do processo formativo de oito professores de Educação Infantil que buscam desenvolver práticas pedagógicas em coerência com concepções de crianças enquanto sujeitos de direitos, social e historicamente situados, competentes em suas formas múltiplas de interagir e produzir cultura. O quê, em suas trajetórias formativas, vem favorecendo a aproximação entre a docência e as especificidades das crianças? Análise de relatórios de avaliação das crianças e entrevistas com os professores foram as duas estratégias metodológicas utilizadas. Relatórios são instrumentos de avaliação considerados documentação pedagógica: como o olhar docente se constitui ao documentar o percurso de desenvolvimento e aprendizagem das crianças? O que os professores compartilham nesses documentos sobre suas percepções das crianças? Analisando o documento como monumento, conforme sugere Jaques Le Goff (1996), verifico que os relatórios ora monumentalizam as culturas escolares, ora as culturas infantis, apontando para a coexistência tensionada de ambas perspectivas nas instituições de Educação Infantil. As análises revelam que as premissas institucionais e as condições de trabalho interferem de maneira relevante na produção dos relatórios. Já as narrativas docentes que emergiram das entrevistas referem-se à formação de maneira ampla, envolvendo experiências diversificadas: pessoais e profissionais. A dimensão pessoal, relacional e experiencial da docência e dos saberes docentes sobressaem como aspectos fundamentais da formação de determinada profissionalidade sensível à infância, que não se encerra em conhecimentos acadêmico-científicos e demanda, também, processos formativos que mobilizam a pessoa integralmente, nutrem e sensibilizam às linguagens da infância, apontando para a essencialidade das experiências estéticas na formação desses professores de Educação Infantil.
The research aims to understand what aspects of eight teacher s trainning processes whose practices are tuned with the conception of children as subjects with rights, historically and socially situated, legitimate in their own ways to interact and create culture, helps to aline teaching skills and childhood. Two methodological strategies were used in order to achieve this objective: analyses of children s evaluation reports and interviews with the teachers. The reports are instruments to evaluate the children s learning processes and development, considered pedagogical documentation. Does the process documentation about each child, allows the teacher to build up an specific way to perceive them? What do the teacher share, in these documents, about the way they perceive the children? Accordingly to Jaques Le Goff (1996) who suggests that document is monument, the analyses shows that the reports sometimes monumentalizes the school culture, and other times they monumentalize the children s culture. It reveals that both perspectives are conflictingly present in the institutions of child education. The analyses reveals that the institution s perspective and the work conditions are determinant of the way the report s are elaborated. Meanwhile, the theacher s narratives that emerges from the interviews reveals their training processes in a broad perspective: personal and professional. Personal, relational and experiential dimensions of the teacher s work and knowledge stands out as fundamental aspects of a training process that builds up professionals sensible to childhood. It demands not only theoretical knowlwdge and technical skills, but envolves the person multidimensinally in order to nourishe their sensitiveness to understand and approach the children s multiple languages, pointing out to the essenciality of the aesthetic experiences on these teacher s learning processes.
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SHEBANI, MEFTAH ALI. « HIGH QUALITY EDUCATION THROUGH AESTHETIC TRAINING : A CASE FOR ESTABLISHING A FINE ARTS REQUIREMENT IN THE GENERAL EDUCATION CURRICULUM ». Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184163.
Texte intégralRésumé :
John Dewey's formulation of the primacy of aesthetic experience in all human endeavor is investigated in order to promote the inclusion of a fine arts requirement in the curriculum of higher education. In particular, Dewey envisioned art as necessary to develop moral, thus social sensibility because moral precepts derive from imagination, and art is both the child and stimulator of creative imagination. An analysis of the "qualitative experience" concept provides an introduction to Dewey's fully-elaborated aesthetic theory. Subsequently, the role of such experience is evaluated in both personal and social terms. Then, it is argued that the establishment of a fine arts requirement in General Education is necessary to ensure the propagation of the experience. Supporting arguments from educational theorists and behavioral scientists serve to buttress the Dewey proposition as well as to demonstrate that the content of the proposed fine arts course must incorporate theoretical, historical and practical components.
7
Бурыченко, А. В., В. А. Дроздова et И. Г. Лебединская. « Специальная физическая подготовленность девочек, занимающихся эстетической гимнастикой ». Thesis, Сумский государственный университет, 2019. https://essuir.sumdu.edu.ua/handle/123456789/77446.
Texte intégralRésumé :
Детский возраст является
одним из наиболее ответственных периодов жизни человека в
формировании физического здоровья, совершенствования
умений и навыков, которые способствуют его физическому
совершенствованию в дальнейшем. Особое значение
приобретает повышение организационных форм спортивно-
массовой работы среди детей, дальнейшее совершенствование
методики тренировки юных спортсменов, привлечение их к
самостоятельным занятиям физическими упражнениями [2]. В
современной системе спортивной тренировки специальная
физическая подготовка играет важную роль и представляет
собой воспитание двигательных качеств и развитие физических
способностей, которые создают благоприятные предпосылки
необходимые в спортивной деятельности для достижения
высоких спортивных результатов [1]. Чтобы добиться
результатов в данном виде спорта требуется целенаправленный
методический подход к изучению физических нагрузок, особые
формы организации и содержания занятий, необходимых для
должного воздействия тренировочных нагрузок в подготовке
спортсменок.
Цель исследования – провести разработку и практическую
оценку методики, направленную на повышение уровня
специальной физической подготовленности юных гимнасток.
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Bender, Stuart M. « Learning the documentary lesson : Theory and practice in English ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/6.
Texte intégralRésumé :
This research investigates the problem of teaching documentary texts in the secondary English classroom in Western Australia. Historical studies of the subject indicate that it serves three functions; ethical training, aesthetic cultivation and rhetorical training. Previous research from the governmental perspective has investigated the problems associated with Literary texts, popular television drama and personal-response essay writing; it emerges that these familiar pedagogical activities are deployed in classrooms to function as opportunities to engage students in ethical training, often at the expense of the latter two functions. This research project is a post-positivist theoretical discussion supplemented by qualitative data in the form of interviews.
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Pontes, Gilvânia Maurício Dias de. « Arte na educação da infância : saberes e práticas da dimensão estética ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/70604.
Texte intégralRésumé :
O presente trabalho teve por objetivo investigar a relação entre experiências estéticas e prática docente com linguagens artísticas, narradas em memoriais produzidos por professores da educação da infância, no Curso de Especialização em Ensino de Arte e Educação Física na Infância, desenvolvido pelo Paideia/UFRN. A abordagem do tema experiência estética solicitou o estabelecimento de interfaces entre aportes teóricos que envolviam diferentes campos de conhecimento, tais como filosofia, semiótica, arte/educação e pedagogia. Trata-se de uma pesquisa de natureza qualitativa em que a metodologia assumiu, como princípios e estratégias de análise, a semiótica discursiva e alguns pressupostos da pesquisa (auto)biográfica, referentes à produção de narrativas como experiência de formação. O corpus da pesquisa foi composto por cinco memoriais de formação. Na análise dos textos, buscou-se identificar como as experiências estéticas dos professores estavam presentes nos discursos que teciam sobre a sua prática. A produção de sentido na leitura das narrativas dos professores ocorreu a partir do estabelecimento de relações entre estética, arte, ensino e infância. As conclusões indicam que as experiências estéticas vivenciadas por eles, em ambientes não formais e informais, constituemnos como leitores da arte e da estética do seu entorno. Considerar o professor como sujeito capaz de produzir sentido para as linguagens artísticas e práticas docente, requer observar sua inserção no mundo como sujeito encarnado, corporalmente envolvido com o seu entorno e com a sua cultura. A abordagem acerca da influência das experiências estéticas na intencionalidade das propostas com linguagens artísticas pode orientar os processos de reflexão sobre a prática docente e apontar desdobramentos para futuros trabalhos sobre a importância da dimensão estética na formação de professores da infância.The research presented here aimed to investigate the relation between aesthetic experience and teaching practice with artistic languages, narrated in memorials written by childhood education teachers from the Specialization Course in Art Teaching and Physical Education during Childhood developed by the Paideia group from the Federal University of Rio Grande do Norte/UFRN in Brazil. The approach to the theme aesthetic experiences asked for the establishment of interfaces among theoretical bases involving different fields of knowledge, such as philosophy, semiotics, art/education and pedagogy. This study has a qualitative nature wherein the methodology took on as principles and strategies of analysis the Discursive Semiotics and some assumptions from the (auto) biographical research that deals with narrative productions as events of formation. Five memorials of formation events made the research corpus. In the analysis of the texts, it was identified how the aesthetic experiences of the teachers are present in their discourses that weave their practices. The meaning production in the reading of the narratives of the teachers took place based on the establishment of relations among aesthetic, art, teaching and childhood. The conclusions indicate that the aesthetic events experienced by the teachers in no formal and informal contexts establish them as readers of art and aesthetic in their surrounding. Looking at the teacher as a subject able to produce meaning to artistic languages and teaching practice entails to observe their insertion in the world as bodily incarnate subjects involved in their surroundings and culture. The influence of aesthetic experiences in the intentionality of the proposals with artistic languages, as it was observed in this study, can orientate the processes of reflection about teaching practice and point out future studies about the importance of aesthetic dimension in childhood teacher training.
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Barreto, Ana Lucia de Oliveira. « Mediações estéticas na formação docente : contribuições ao desenvolvimento do sujeito professor ». Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21113.
Texte intégralRésumé :
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This research was made from the teacher training process, developed in a municipal school of Elementary School in the city of São Paulo. The research aimed to understand the meanings of educators on the constitutive role of aesthetic mediations and possible reverberations in their teaching practices. Anchored in a theoretical reference of Socio-historical Psychology (AGUIAR, 2006; AGUIAR et al, 2009; AGUIAR; BOCK, 2016), in Historical-Dialectical Materialism and in Historical-Critical Pedagogy (SAVIANI, 2003; 2004; 2008), I understand artistic production as a human objectification, in which the social being appropriates reality through shared reflective experiences and the senses , and art as an element that can enable subjects to critically understand reality, inciting transformative action. The objective of the training was to instigate teachers to review their teaching practices, from the perspective of humanization and awareness through art and ethical and political questions. The axis of the proposed training was to work directly with feeling, thinking, and acting in the school context, acting creatively, asking about the senses of what they do and what they see experiencing aesthetic learning situations. In order to produce the data we used, as a methodological instrument, questionnaires and the collective planning of a school activity, in addition the records of the discussions of the training groups were considered. The analysis and interpretation of the data were inspired by the Nucleus of Significance procedure (AGUIAR; OZELLA, 2006; 2013; AGUIAR; SOARES; MACHADO, 2015), seeking an interpretative analysis of the meanings produced by the participants. This course indicated that the teacher, when provoked by the reflection, starts to review his professional action and his own existence. Aesthetic mediations, in the perspective of breaking patterns of behavior, teaching, learning and curricular content, foster gaps and impel amplifications of thoughts, ways of seeing and feeling art, as well as being and being in the world. By questioning conceptions and choices, aesthetics articulates with ethical and political positioning, preserves and announces democratic values. The aesthetic dimension invigorates the educator in relation to learning to listen, to see, to be, to care and to have affection, and this unfolds in the production of knowledge, provoking the rethinking of exclusionary, discriminatory and alienating school practices
A presente pesquisa foi realizada a partir do processo de formação de professores, desenvolvido em uma escola municipal de Ensino Fundamental da cidade de São Paulo. O objetivo da pesquisa foi o de apreender as significações dos educadores sobre o papel constitutivo das mediações estéticas e possíveis reverberações em suas práticas docentes. Ancorada em um referencial teórico da Psicologia Sócio Histórica (AGUIAR, 2006; AGUIAR et al, 2009; AGUIAR; BOCK, 2016) no Materialismo Histórico Dialético, e na Pedagogia Histórico Crítica (SAVIANI, 2003; 2004; 2008) entendendo produção artística como uma objetivação humana, na qual o ser social se apropria da realidade por meio dos sentidos, e das experiências reflexivas compartilhadas, e a arte como elemento que pode capacitar os sujeitos para a compreensão crítica da realidade, incitando uma ação transformadora. O objetivo da formação foi o de instigar os professores a reverem suas práticas docentes, na perspectiva da humanização e sensibilização através da arte e questionamentos éticos e políticos. O eixo da formação proposta foi trabalhar diretamente com o sentir, o pensar e o agir no contexto escolar, atuando criativamente, indagando-se sobre os sentidos do que fazem e do que veem experenciando situações de aprendizagem estética. Para a produção dos dados utilizamos como instrumento metodológico questionários e o planejamento coletivo de uma atividade escolar, além disso foram considerados os registros das discussões dos grupos de formação. A análise e interpretação dos dados foi inspirada no procedimento Núcleos de Significação (AGUIAR; OZELLA, 2006; 2013; AGUIAR; SOARES; MACHADO, 2015) buscando uma análise interpretativa das significações produzidas pelos participantes. Tal percurso indicou que o professor quando provocado pela reflexão, passa a rever sua ação profissional e a sua própria existência.As mediações estéticas, na perspectiva da ruptura de padrões de comportamento, ensino, aprendizagem, conteúdos curriculares fomentam brechas, impulsionam ampliações de pensamentos, de formas de ver e sentir a arte, assim como o ser e o estar no mundo. Ao questionar concepções e escolhas, a estética se articula com o posicionamento ético e político, preserva e anuncia valores democráticos. A dimensão estética revigora o educador em relação ao aprender a ouvir, a ver, a ser, a cuidar, a ter afeto e isso se desdobra na produção de conhecimento, provocando o repensar das práticas escolares excludentes, discriminatórias, alienantes
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Xavier, Miriam Rodrigues. « Encontrando o humano na natureza : experiência estética e humanização de profissionais da saúde no solo sagrado de Guarapiranga ». Universidade Federal de São Paulo, 2017. http://repositorio.unifesp.br/11600/45802.
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Previous issue date: 26Embora a PNH indique a inserção de diretrizes humanísticas na formação do profissional de saúde, a sua presença no ensino superior ainda é muito tímida. Ainda que essencial para a boa prática médica, para muitos professores e alunos as disciplinas de humanidades são tidas como desinteressantes. Ela é abordada de forma superficial e os alunos desconhecem a abrangência significativa nas práticas de saúde. Durante muito tempo, a proximidade com o paciente era quase um imperativo para a prática da medicina. Com as mudanças culturais e sociais ocorridas ao longo do tempo houve uma transformação na medicina e prática da saúde que levaram, hoje, à discussão da necessidade de humanização na saúde. A humanização busca nas ações humanizadoras a recuperação, não somente da saúde física, mas principalmente do respeito, do direito, da generosidade, da expressão subjetiva e dos desejos das pessoas. A Humanização na saúde foi fundada no respeito à vulnerabilidade humana e na crença de que a relação do profissional e paciente está sempre sujeita a emoções que devem ser guiadas pelo sentimento de compromisso e compaixão que é indispensável no cuidar do outro. No entanto, sem a capacidade de sentir é impossível ter a capacidade de cuidar. Portanto a formação da sensibilidade é a necessidade mais importante e fundamental para o desenvolvimento de uma formação humanizadora. A presente pesquisa submetida e aprovada ao Comitê de Ética em Pesquisa da Universidade Federal de São Paulo sob Nº 48419915.3.0000.5505 e contando com 13 colaboradores profissionais da área da saúde objetivou investigar de que forma a experiência estética e reflexiva da natureza, própria das Humanidades, pode contribuir para a humanização em saúde. A pesquisa foi aplicada no Solo Sagrado de Guarapiranga, espaço pertencente à Igreja Messianica Mundial do Brasil. Para coleta dos dados, usamos técnicas advindas tanto da antropologia, no caso a observação participante como da História Oral de Vida, além de relatos redigidos pelos participantes após o termino de cada encontro. Combinando, observação participante, relatos da experiência e história oral de vida, foi possível uma visão mais ampla da experiência. A análise dos dados aconteceu à luz da Imersão/Cristalização proposta por Borkan (1999) e muito utilizada em pesquisas etnográficas. Observando as imagens que emergiram das falas, pôde-se perceber a caracterização de três grandes temas: a emoção, o impacto do primeiro momento, do primeiro contato com o Solo Sagrado; a reflexão que este impacto provoca e que leva a um despertar de si mesmos e também a uma nova consciência do outro e, finalmente, num terceiro nível, a mudança na maneira de ver o mundo lá fora. Através dos resultados obtidos podemos acreditar que a experiência estética da natureza realizada no Solo Sagrado de Guarapiranga é potencialmente humanizadora. Ela causa um afeto profundo e transformador, típico de uma “ampliação da esfera do ser”, conscientiza os participantes, principalmente no que diz respeito à suas próprias vidas, o levam a um encontrar ou, reencontrar, consigo mesmo, gerando conforme relatos, paz e equilíbrio. Desta forma estando bem consigo mesmo (utilizando a fala de um colaborador) transmitimos o bem ao nosso próximo e é possível olhar e cuidar de outras pessoas, o que para a área da saúde é fundamental. Como produto desta pesquisa desenvolvemos e apresentamos um Laboratório de Humanidades a partir da Experiência Estética da Natureza.
Although the PNH indicates the insertion of humanistic guidelines in the training of the health professional, its presence in higher education is still very timid. Although essential for good medical practice, for many teachers and students the humanities disciplines are regarded as uninteresting. It is covered superficially and students are unaware of the significant breadth of health practices. For a long time, proximity to the patient was almost imperative for the practice of medicine. With the cultural and social changes that have occurred over time, there has been a transformation in medicine and health practice that has led to the discussion of the need for humanization in health. Humanization seeks in the humanizing actions the recovery, not only of physical health, but mainly of respect, right, generosity, subjective expression and the desires of the people. Humanization in health was founded on respect for human vulnerability and on the belief that the relationship of the professional and patient is always subject to emotions that must be guided by the feeling of commitment and compassion that is indispensable in caring for the other. However, without the ability to feel it is impossible to have the ability to care. Therefore the formation of sensitivity is the most important and fundamental need for the development of humanizing training. The present research submitted and approved to the Research Ethics Committee of the Federal University of São Paulo under No. 48419915.3.0000.5505 and counting on 13 professional health professionals aimed to investigate how the aesthetic and reflective experience of nature, Can contribute to humanization in health. The research was applied in the Sacred Ground of Guarapiranga, a space belonging to the World Messianic Church of Brazil. In order to collect the data, we used techniques from both anthropology, in this case participant observation and Oral History of Life, as well as reports written by participants after the end of each meeting. By combining, participant observation, experience reports and oral history of life, a broader view of the experience was possible The analysis of the data happened in the light of the Immersion / Crystallization proposed by Borkan (1999) and much used in ethnographic researches. Observing the images that emerged from the speeches, one could perceive the characterization of three great themes: the emotion, the impact of the first moment, the first contact with the Sacred Ground; The reflection that this impact causes and that leads to an awakening of themselves and also to a new awareness of the other, and finally, on a third level, the change in the way of seeing the world out there. Through the obtained results we can believe that the aesthetic experience of the nature realized in the Sacred Ground of Guarapiranga is potentially humanizing. It causes a profound and transforming affection, typical of an "enlargement of the sphere of being," makes the participants aware, especially in regard to their own lives, lead to a find or to find, generating according to reports, peace and balance. In this way, being good with oneself (using a collaborator's speech) we transmit the good to our neighbor and it is possible to look and care for other people, which for the health area is fundamental. As a product of this research we have developed and presented a Laboratory of Humanities based on the Aesthetic Experience of Nature.
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Kerr, Junior Donald Hugh de Barros. « Cartografias da (Trans)Formação Docente : Uma Experiência Estética com o Cinema ». Universidade do Vale do Rio dos Sinos, 2012. http://www.repositorio.jesuita.org.br/handle/UNISINOS/4416.
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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
A presente tese resulta de uma captação de forças que procura esboçar, pelo uso que faz da cartografia, um mapa de possibilidades para um possível ato de (trans)formação docente. Uma vez que já se sabe dos tantos métodos para “formar” um professor, métodos esses que, em sua maioria, privilegiam a memória, o retorno ao mesmo e a identidade, nesta tese pergunta-se: Como trabalhar a (trans)formação docente buscando encontrar o que não se sabe? Como permitir um encontro quando se quer apostar no esquecimento? Como a imagem do cinema pode potencializar o conceito de arte como sensação e do próprio cinema como memória curta e imagemcristal? Considera-se que a própria escrita da tese, em suas rupturas, fragmentos e reflexões, pode ser um modo para se pensar em educação como criação e invenção. A cartografia aqui traçada fundamenta-se em autores da filosofia, da arte, do cinema e da formação docente. A tese que se assume e deseja-se demonstrar com essa cartografia é que a educação de um professor pode ser afetada pela concepção de arte como sensação, de educação como esquecimento e de cinema como imagem ótica e sonora pura, trazendo deslocamentos importantes para a formação de professores. Processo que tomado como invenção e criação é sempre perigoso, inesperado e imprevisível.
This thesis is a result of a collection of energies that try to outline, through the use of cartography, a map of possibilities for a possible action in teachers (trans)formation. Since it is already known about the many existing methods to “form” a teacher, methods that in most of the cases privileges the memory, the return to sameness and the identity, in this thesis we ask: How to work a (trans)formation in teachers, trying to find something that is not known? How to allow an agreement when forgetfulness is what people want to bet on? How does the image of cinema strengthen the concept of art as feeling as well as its own image as short memory and crystal-image? It is considered that the way in which this thesis itself was written, with its ruptures, fragmentations and reflections may be a way of thinking about education as creation and invention. The cartography used here is based in philosophy, art, cinema, and teacher training literature. The thesis that we assume and want to demonstrate with such cartography is that the education of a teacher may be effected by the conception of art as feeling, of education as forgetfulness, and of cinema as optical image and pure sound, therefore bringing about important changes in teacher training, a process that when believed as invention and creation is always dangerous, unexpected and unpredictable.
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Oliveira, Lucília Chaves de. « Educação e formação estética : entre a arte e a política ». Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/9085.
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Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG
This dissertation proposes to investigate the formative processes in the educational scope, with a view to understanding how aesthetics may or may not contribute to teacher training and performance. The purpose is to think about the relations between aesthetics and human formation as a socio-historical and cultural process in the specificity of the contemporary context and the challenges that arise from it. It seeks to analyze the interrelation of the sensible with the intelligible, considering them constituent elements of the human being in its totality. It also deals with art in its political potential, as a questioning element that favors reflection on the dominations imposed by the capitalist system, which imposes aesthetic standards aiming at the maintenance of powers and privileges of class, race and gender. Aesthetics is analyzed from a perspective of resistance with an emphasis on the feminist movement, taking as reference the contemporary feminine artistic movement. In this sense, education is understood as a non-neutral political field, a space of disputes, negotiations and interests, supported by epistemological conceptions which, if considered in their critical perspectives, can deconstruct sexist educational practices, constructing practices that consider the human in all its diversity.
Essa dissertação se propõe a investigar os processos formativos no âmbito educacional, com vistas a compreender como a estética pode contribuir, ou não, na formação e atuação docente. O propósito é pensar as relações entre estética e formação humana como processo socio-histórico e cultural na especificidade do contexto contemporâneo e os desafios que dele advém. Busca-se analisar a interrelação do sensível com o inteligível, considerando-os elementos constituintes do ser humano em sua totalidade. Aborda também a arte em seu potencial político, como elemento questionador que propicia a reflexão sobre as dominações impostas pelo sistema capitalista, que impõepadrões estéticos visando a manutenção de poderes e privilégios de classe, raça e gênero. A estética é analisada a partir de uma perspectiva da resistência com ênfase no movimento feminista, tomando como referência o movimento artístico feminino contemporâneo. Nesse sentido, a educação é compreendida como um campo político, portanto, não neutro, um espaço de disputas, negociações e interesses, sustentado por concepções epistemológicas as quais, se consideradas em suas perspectivas críticas, podem desconstruir práticas educativas sexistas, edificando práticas que considerem o humano em toda a sua diversidade.
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Lemos, Santiago. « Jogo virtual dalí ex : formação estética e ensino de artes visuais ». Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/8184.
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When reflecting on a student's formation in the society of the digital age, there is a need to take advantage of the resources available to contribute to the teaching / learning processes inside and outside the classroom. Most young are increasingly in contact with mobile devices such as mobile phones and tablets. They use these tools to access as social networks and also to participate in games. The latter, according to research, are most in demand and exist in wide variety, show their problems and abilities of educational interest. The Ministry of Education, for example, since 2008 organizes a bank of educational objects that exploit human resources, but the majority focuses on the areas of Mathematics and Sciences. For a subject of Visual Arts, for example, there is none that explores its contents. Establishment of easy access, the game Dalí eX, with reference base in the studies on language and subjectivity, besides static education, teaching of Visual Arts and Visual Culture. Theme as reference the genre RPG - RPG Game, which game of interpretation of people, where it is possible to live a fictitious world. The artistic production of Salvador Dalí was selected to compose his narrative.
Ao refletir sobre a formação do estudante na sociedade da era digital, observa-se a necessidade de aproveitar os recursos por ela disponibilizados para contribuir com os processos de ensino/aprendizagem dentro e fora de sala de aula. A maioria desses jovens tem cada vez mais contato com os dispositivos de tecnologia móvel como celulares e tablets. Eles utilizam essas ferramentas cotidianamente para acessar as redes sociais e também para participarem de jogos. Esses últimos, segundo pesquisas, são os mais procurados e existem numa grande variedade, mas poucos deles exploram temáticas de interesse educacional. O Ministério da Educação, por exemplo, desde 2008 organiza um banco de objetos educacionais que exploram esses recursos tecnológicos, mas a maioria se concentra nas áreas de Matemática e Ciências. Para a disciplina de Artes Visuais, por exemplo, não há nenhum que explore seus conteúdos. Esta dissertação pretende contribuir nesse sentido, ao apresentar um aplicativo de fácil acesso, o jogo Dalí eX, com base referencial nos estudos sobre linguagem e subjetividade, além de educação estética, ensino de Artes Visuais e Cultura Visual. Ele tem como referência o gênero RPG – Role Playing Game, que em português significa jogo de interpretação de personagens, onde é possível vivenciar um mundo fictício. A produção artística de Salvador Dalí foi selecionada para compor sua narrativa.
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Васько, Ольга Олександрівна, et Olha Oleksandrivna Vasko. « Розвиток естетичної компетентності майбутніх вчителів початкових класів методами продуктивного навчання ». ФОП Цьома С. П, 2017. http://repository.sspu.sumy.ua/handle/123456789/3192.
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Розглядаються естетична компетентність майбутніх вчителів початкових класів методами продуктивного навчання на прикладі навчальних завдань з дисципліни «Методика навчання освітньої галузі «Математика».The aesthetic competence of future teachers of elementary school classes by methods of productive training is considered on the example of educational tasks in discipline "Methodology of studying educational branch "Mathematics"
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Wrege, Raquel Casanova dos Santos, et Raquel Casanova dos Santos Wrege. « Reflexus : o pensamento reflexivo e a experiência estética na formação docente em artes visuais da UFPEL/RS ». Universidade Federal de Pelotas, 2018. http://guaiaca.ufpel.edu.br:8080/handle/prefix/3920.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Esta dissertação propõe um pensar sobre o processo de formação inicial docente em Artes Visuais, a partir do conceito de ação-reflexiva embasado no ato perceptivo do sujeito para o mundo ao seu redor. Compreende-se que durante a graduação, no Curso de Artes Visuais Licenciatura, é necessário que o futuro educador de Artes Visuais possa experienciar esteticamente os aspectos formativos. Desse modo, trata-se a experiência estética como meio de despertar uma postura mais ativa do discente para sua formação inicial. O estudo parte de abordagem qualitativa e se dá através de pesquisa-ação tendo como público-alvo discentes do Curso de Artes Visuais modalidade Licenciatura da UFPel. Fundamenta-se teoricamente no pensamento fenomenológico de Merleau-Ponty (1990, 1992, 1999), na concepção de profissional reflexivo de Schön (2000) e de prática reflexiva de Perrenoud (2002).
This dissertation proposes to think about the process of initial teacher training in Visual Arts, from the concept of action-reflexive based on the perceptive act of the subject to the world around him. It is understood that during the undergraduate, in th e Course of Visual Arts Degree, it is necessary that the future educator of Visual Arts can aesthetically experience the formative aspects. In this way, the aesthetic experience is treated as a means of awakening a more active posture of the student to his initial formation. The study is part of a qualitative approach and is given through the Research-Action-Participant having as target audience students of the Visual Arts Course UFPel's Licenciatura degree. It is theoretically based on Merleau-Ponty's phenomenological thinking (1990, 1992, 1999), on Schön's conception of reflexive professional (2000) and on reflexive practice by Perrenoud (2002).
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Tunmats, Lukas. « Estetiska uttrycksformer i svenskämnet : En kvalitativ studie av lärares arbete med estetiska uttrycksformer i ämnet svenska ». Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-72353.
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The purpose of this thesis is examining teachers’ view of working with aesthetic expressions in their teaching of the Swedish subject in first grade. The study examines the possibility to distinguish whether teachers’ aesthetic subject competence affects their choices of didactics in their Swedish subject teaching. Another important question in the study is how teachers believe that aesthetic expressions and methods can support the learners’ linguistic development. Carried out as a qualitative interview, the study asked four working class teachers questions primarily regarding their view of aesthetics and its relation to the Swedish subject. This thesis also includes questions related to the methods the teachers use in their daily work with the Swedish subject. For the purpose of problematizing the status of aesthetics, assessment and organizational aspects also form a basis for the thesis. The outcome of the study indicates that all teachers interviewed recognize a connection between aesthetic expressions and children’s linguistic development. Yet, in the interviews, patterns appear that imply that only qualified music and art teachers are able to relate and account for how the aesthetic expressions can support the learners’ linguistic knowledge in the Swedish subject. Means for developing the learners’ verbal and oral ability mentioned here include singing and rhythms. A cautious conclusion from this would be that first grade class teachers consider aesthetics as important in relation to the Swedish subject, but their methods vary by their individual subject matter competence. The aesthetic methods are highly valued by all informants, however, only used as a supporting means for first grade learners’ linguistic development by teachers with aesthetic subject competence. Considering the education of the new future so called “f-3” teachers comprise no subject knowledge of art, music and other aesthetic subjects, the outcome of this study is particularly important for the Swedish Ministry of Training and Science.Syftet med denna uppsats är att undersöka lärares syn på sitt arbete med estetiska uttrycksformer i sin svenskundervisning i årskurs ett. I undersökningen studeras om det går att urskilja om lärares ämnesbehörighet inom de estetiska ämnena påverkar deras motiveringar till sina ämnesdidaktiska val i svenskundervisningen. En viktig fråga i undersökningen är också hur lärare anser att estetiska uttrycksformer och arbetssätt kan gynna elevernas språkutveckling. Undersökningens tillvägagångssätt är därför en kvalitativ intervju där fokus ligger på fyra verksamma klasslärare och där intervjufrågorna behandlar företrädesvis deras syn på estetiken och dess relation till svenskämnet. Även frågor som berör lärarnas arbetssätt i vardagen i svenskämnet redovisas i uppsatsen. Bedömningsrelaterade och organisatoriska aspekter utgör också en grund av problematiserandet av estetikens status i detta examensarbete. Resultatet av undersökningen visar på att alla av de intervjuade lärarna ser en koppling mellan de estetiska uttrycksformerna och barnets språkutveckling. Dock framkommer det mönster i intervjuerna att enbart de lärare med ämnesbehörighet inom musik- och bildämnet kan berätta och förklara hur de estetiska uttrycksformerna kan stödja elevernas språkliga kunskaper i svenskämnet. Exempelvis nämns sång och rytm som hjälpmedel för att utveckla elevens verbala och muntliga förmåga. En försiktig slutsats av studien blir därför att klasslärare i årskurs ett uppfattar estetiken som viktigt i relation till svenskämnet, men att deras arbetssätt varierar beroende på lärarens ämnesbehörighet. Det estetiska arbetssättet värderas av alla informanter stort, men används enbart av de lärare med estetisk behörighet som ett stödjande hjälpmedel för elevens språkutveckling i årskurs ett. För utbildningsdepartementet är resultatet av denna uppsats viktigt då lärarutbildningen av framtidens nya f-3 lärare helt och hållet saknar ämneskunskaper för bild, musik och andra estetiska ämnen.
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Fagundes, André Luiz de Oliveira. « A dimensão do trágico na formação docente pela força estético-formativa do testemunho ». Universidade Federal de Santa Maria, 2016. http://repositorio.ufsm.br/handle/1/12052.
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This thesis was developed within the Research, Training, Knowledge and Professional Development Line (LP1), of the Postgraduate Program in Education, of the Education Center (CE), of the Federal University of Santa Maria (UFSM). The research unfolds from the following problematic: In a time of superficial understanding of the pain of others, how to recover the dimension of the tragic in teaching training, especially for what the potential of the literature of testimony, considered from an aesthetic and pedagogical dimension, can offer in terms of devices for the training process of the teacher in the context of post-traumatic social life? In these terms, the central aim of the thesis is: To recover and resignify the dimension of the tragic in teacher training, especially by what the aesthetic-affective force present in the testimonial work can lead to in a formation that is more involved with the humanity of the other. In more specific terms the objectives are: a) To undertake a critique of the presence of the epistemic-professional imperative in the scenario of teacher training, to the detriment of the broader training focused on concern for social justice, humanity on the other and human rights; b) To highlight, from historical bases, the importance of the tragic to the conception of human formation in its critical and aesthetic significance; c) Regarding the problem of human formation, highlight the theoretical and social imbrication between the idea of tragedy in the poetic-literary sense and the tragic sense as emanation of the polis and history; d) To elucidate the confluence between the category of the catastrophe and the expression of the tragic within the aesthetics present in the testimony, rethinking its implications in the context of the formative processes. The reasons for this work are justified by the idea that before setting the focus of teacher training in the concern with the list of skills and operational skills necessary to establish the idea of professionalization, we believe that it is vital to enter into a deeper and more essential aspect. Irremediably this leads to the reconfiguration of the teaching being, which, in turn, goes, according to the peculiarities of the present time, through the search for a re-signification of the tragic sense in the formation. The methodological orientation of the investigation follows the directions of the negative dialectic of Theodor Adorno.O presente trabalho de tese foi desenvolvido dentro da Linha de Pesquisa Formação, Saberes e Desenvolvimento Profissional (LP1), do Programa de Pós-graduação em Educação, do Centro de Educação (CE), da Universidade Federal de Santa Maria (UFSM). A pesquisa se desdobra a partir da seguinte problemática: Numa época de compreensão superficial da dor alheia, como recuperar a dimensão do trágico na formação, especialmente por aquilo que o potencial da literatura do testemunho, considerado a partir de uma dimensão estética e pedagógica, pode oferecer em termos de dispositivos para o processo formativo do professor no contexto de vida social pós-traumático? Nesses termos, o escopo central da tese é: Reaver e resignificar a dimensão do trágico na formação docente especialmente por aquilo que a força estético-afetiva presente na obra testemunhal pode suscitar para uma formação mais implicada com a humanidade do outro. Em termos mais específicos, os objetivos são: a) Empreender uma crítica à presença do imperativo epistêmico-profissional no cenário da formação docente em detrimento da formação mais ampla voltada para a preocupação com a justiça social, a humanidade do outro e os direitos humanos; b) Colocar em evidência, a partir de bases históricas, a importância do trágico para a concepção de formação humana em sua significação crítica e estética; c) No que tange ao problema da formação humana, destacar a imbricação teórica e social entre a ideia de tragédia no sentido poético-literário e o sentido do trágico como emanação da polis e da história; d) Elucidar a confluência entre a categoria da catástrofe e da expressão do trágico no âmbito da estética presente no testemunho, repensando suas implicações no contexto dos processos formativos. As razões deste trabalho se justificam pelo fato de que, antes de assentar o foco da formação de professores na preocupação com o rol de capacidades e habilidades operacionais necessárias ao estabelecimento da ideia de profissionalização, cremos ser vital adentrar um aspecto mais profundo e mais essencial. Irremediavelmente isso leva à reconfiguração do ser docente, o qual, por sua vez, passa, segundo as peculiaridades do tempo presente, pela busca de uma resignificação do sentido do trágico na formação. A orientação metodológica da investigação segue os encaminhamentos da dialética negativa, de Theodor Adorno.
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Oliveira, Júnior Isaias Batista de [UNESP]. « Professores e famílias não convencionais : uma proposta de intervenção e formação pelas lentes do cinema ». Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/139501.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
Vinculado à linha de estudos intitulada Processos Formativos, Diferença e Valores, esta pesquisa foi realizada junto ao Programa de Pós-Graduação em Educação da Universidade Estadual Paulista (FCT) e teve como objeto de investigação as percepções, valores e representações docentes em relação a famílias organizadas em modelos não convencionais. Assumimos como objetivo central para este estudo a elaboração, aplicação e avaliação de uma proposta de formação continuada com profissionais da educação infantil e do ensino fundamental, via experiência estética, cuja metodologia consistiu na projeção e contextualização de obras cinematográficas, com tema central baseado em famílias organizadas em modelos não convencionais e com processos de resiliência. Para corroborar este objetivo, buscamos referenciais na Teoria Bioecológica do Desenvolvimento Humano e na Teoria das Representações Sociais. Participaram da formação continuada 15 acadêmicas do primeiro e terceiro ano de licenciatura em Pedagogia da Universidade Estadual do Norte do Paraná, mas que já exercem a docência na educação infantil e anos iniciais do ensino fundamental na rede pública ou privada de ensino. O processo interventivo foi realizado em 8 encontros, com média de 5h de duração cada. Dentro de uma abordagem quali/quantitativa, os dados deste estudo foram obtidos em dois momentos: pré- e pós-intervenção. No pré-teste foram aplicados quatro instrumentos de pesquisa, a saber: questionário sociodemográfico, genograma familiar, técnica de evocação livre de palavras e inventário sobre representações de famílias. No pós-teste, os dois últimos testes foram reaplicados e neste momento fora acrescido o questionário de avaliação pessoal da intervenção. Durante o processo de formação utilizamos o diário de campo – constituído por observações do pesquisador e da auxiliar de pesquisa sobre as manifestações das participantes. Grupos em redes como o Facebook e WhatsApp foram criados para este momento e subsidiaram na coleta de dados. Estes instrumentos foram projetados de modo a conferir rigor científico ao estudo, portanto, foi necessário a construção de ferramentas que possibilitassem a avaliação dos conceitos, valores pessoais e profissionais, prévios e posteriores a formação continuada, das professoras sobre “família”, “família desestruturada” e “família ideal”, bem como suas percepções acerca das contribuições do cinema e das estratégias empregadas na formação docente. Os dados obtidos mediante evocação de palavras, imagens ou sentimentos foram tabulados e analisados com o auxílio do Software EVOC e seus subprogramas. Para as questões baseadas na Escala Likert recorremos ao Software SPSS versão 14.0, empregando o teste não paramétrico de Wilcoxon, levando em consideração o nível de significância de 5%. No que se refere ao diário de campo, as informações coletadas foram investigadas à luz da teoria da análise de conteúdo. Os resultados obtidos evidenciaram que houve alterações significativas do momento do pré- para o pós-teste. Concluímos que a experiência estética, propiciada pelo cinema e as estratégias empregadas no projeto de formação continuada, como as discussões, dinâmicas, as reflexões pessoais, trocas de ideias e o confronto de diferentes perspectivas entre as professoras do grupo compuseram o quadro que possibilitou as mudanças na percepção e valores docentes, ao proporcionarem as professoras um meio de comunicação rápido e próximo ao seu contexto cultural e social.
Related to the research line entitled Formative Processes, Difference and Values, this research was conducted along with the Postgraduate Education Program from São Paulo State University and had as object of study the perceptions, values and representations from teachers in relation to families arranged in unconventional designs. We assumed as a central goal for this study the development, implementation and evaluation of a proposal for continuing education with professionals in early childhood education and elementary school, via aesthetic experience, whose methodology consisted of the projection and contextualization of cinematographic works, with a central theme based on families organized in unconventional models and with resilience processes. To consolidate this goal, we sought references in the Bioecological Theory of Human Development and the Theory of Social Representations. 15 academics of the first and third year in Education Licentiate, from the State University of Northern Paraná, took part in the continuing education, but they were already engaged in teaching in early childhood education and early years of elementary education in public or private schools. The interventional procedure was performed in 8 meetings, with approximately 5 hours each. Within a quali-quantitative approach, the data from this study were obtained in two phases: pre- and post-intervention. In the pre-test, four research instruments were applied, namely: socio-demographic questionnaire, family genogram, free evocation of words and inventory of representations of families. In the post-test, the last two tests were reapplied and this time the questionnaire for personal evaluation of the intervention was added. During the training process we used the field diary - made by the researcher’s and research assistant’s observations on the manifestations of the participants. Groups on networks such as Facebook and WhatsApp have been created for this moment and subsidized data collection. Those tools were designed to provide scientific rigor to the study, therefore, it was needed to make instruments that would allow the evaluation of concepts; personal and professional values, pre- and post-continuing education, from the teachers on “family”, “dysfunctional family” and “ideal family”, as well as their perceptions about the contributions of cinema and strategies employed in teacher education. Data obtained by evocation of words, images or feelings were tabulated and analyzed with the help of EVOC Software and its sub-programs. For questions based on Likert scale, we used the software SPSS version 14.0 using the non-parametric Wilcoxon test, taking into account the level of significance of 5%. With regard to the field record, the information collected was investigated in light of the theory of content analysis. The results showed that there were significant changes in the time of pre- to post-test. Thus, we infer that aesthetic experience provided by the cinema, and the strategies employed in the continuing education project, such as discussions, group dynamics, personal reflections, exchange of ideas and the clash of different perspectives among the group of teachers formed the framework that enabled the changes in perception and teaching values, by providing teachers a quick and close means of communication to their cultural and social context.
FAPESP: 2014/04983-1
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Rawding, Michael D. « Controversy in aesthetics : implications for metacriticism in art education ». Thesis, De Montfort University, 1991. http://hdl.handle.net/2086/10688.
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Aesthetic controversy over the link between art and criticism is investigated with a view to exploring implications for metacriticism in art education. Artistic intention is defined as a principal controversy on the assumption that it is representative of disputes in aesthetics as a whole concerning the relative validity of divergent critical stances. A disparity is found to exist between the centrality of aesthetic controversy as a focus of metacriticism among aestheticians and its peripheral status in art education theorizing. On the (discipline-based) assumption that art teaching and learning should be grounded in the content and methods of artists, art historians, art critics, and aestheticians, this disparity is considered a research 'problem'. It is hypothesized that controversy in aesthetics is a potential source of curriculum development in art education. Relevant 'kinds' of theory are analyzed with a view to clarifying issues underlying aesthetic controversy, such as that prompted by intention. An analysis is made of standard oppositions in philosophy and aesthetics with particular reference to the divide between analytical and Continental philosophical traditions. underlying theoretical frameworks are identified and speculations made about the kinds of critical strategies that might arise from them. In this connection, teaching about intention in the field of literature education theory is explored in some detail with the a1m of discovering strategies for metacriticism that might be applied to art teaching. Moreover, the research addresses the problem of translating discipline-based content in respect of controversy into a pedagogy of metacriticism. Following an examination of pedagogical models in general education theory, it is concluded that fundamental controversy (in aesthetics) implies a paradoxical, though not illogical, alignment of 'commitment' and 'impartiality' in respect of subject content and wider educational goals. A synthesis is finally made of arguments arising from the analyses of separate kinds of theory and this culminates in a formulation of principles for teaching metacriticism. This is based on key aspects of aesthetic theory which, in combination, reflect not only the diversity but the contestability of art criticism, namely, the distinctions between intrinsic and extrinsic evidence, descriptive and interpretive statements, moral and aesthetic judgments, and between intentional ism and anti-intentionalism. Discussion of the metacritical principles is illustrated by reference to relevant classes of artworks. Moreover, the implications of teaching aesthetics and criticism as an interactive whole are discussed in respect of curriculum development and teacher training at both national and institutional levels. '!be study concludes with a reflective criticism of the research method and suggestions are made about possibilities for future research.
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Canda, Cilene Nascimento. « Todo mundo pode fazer teatro : o teatro do oprimido e a formação político-estética de trabalhadores da indústria ». Escola de Teatro, 2013. http://repositorio.ufba.br/ri/handle/ri/27317.
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A pesquisa, de caráter qualitativo, visa a analisar o processo de formação estética e política de trabalhadores da indústria pelo viés do Teatro do Oprimido. Para tanto, foram estudadas as características do contexto social contemporâneo, ressaltando o campo do trabalho e da estética contemporânea, com vistas a delimitar a importância do Teatro do Oprimido para a formação de trabalhadores na atual conjuntura social. A coleta de dados foi norteada pela abordagem qualitativa de pesquisa, tendo como método a pesquisa-ação. Nos procedimentos metodológicos, o jogo foi identificado como principal estratégia de formação estética e política, sendo ressaltado em diversas pesquisas no âmbito da Pedagogia do Teatro e do Teatro do Oprimido. O trabalho apresenta as etapas do processo formativo do Grupo Embasart, composto por trabalhadores da Empresa Baiana de Águas e Saneamento, ressaltando desde a aplicação de jogos e exercícios, os desafios de inserção do Teatro do Oprimido em uma indústria, o processo de encenação de Teatro-fórum, até a análise das intervenções produzidas pelos espect-atores do espetáculo Cresça e Apareça. Os dados empíricos foram analisados à luz da mediação do processo formativo de trabalhadores, dos depoimentos coletados sobre a experiência e da observação das intervenções dos espect-atores em um espetáculo de Teatro-fórum, procurando compreender o lugar do sujeito como cocriador da experiência teatral. A descrição detalhada dos dados obtidos e os resultados da pesquisa ampliam a compreensão de uma Pedagogia do Teatro do Oprimido como experiência complexa, pelo seu caráter estético, político e educativo. No texto, a técnica do Teatro-fórum é analisada em uma perspectiva de formação de atores e de espect-atores, de cunho crítico e improvisacional, destacando-se a mediação do curinga, visto como educador que provoca reflexões e estimula a participação ativa da platéia, como ensaio para novas ações cotidianas. A pesquisa revelou a influência da prática do Teatro do Oprimido para a ampliação do olhar estético, para a aprendizagem improvisacional e para um maior empoderamento do trabalhador em seu contexto do trabalho. Em virtude dos parcos estudos sobre Teatro do Oprimido, no âmbito da Pedagogia do Teatro, o trabalho aponta novas direções de pesquisa, especialmente a estimulação sensorial do corpo e da voz dos participantes de um processo de formação estético-político.
The research, qualitative, aims to analyze the aesthetic and politic training process of industrial workers by the Theater of Oppressed. For both, the characteristics of the contemporary social context were studied, highlighting the work and contemporary aesthetic field, with a view to delimit the Theater of Oppressed importancefor the workers training in the current social conjuncture. The data collect was guided by the research qualitative approach, having the research-action like a method. In the methodological procedures, the game was identified like the main strategy of aesthetic and politictraining, been highlighted in several researches in the Pedagogy of Theater and Theater of Oppressedscope. The work presents the steps of the GrupoEmbasart‟straining process, compounded by EmpresaBaiana de Águas e Saneamento‟sworkers, highlighting since the application of games and exercises, the challenges of Theater of Oppressed insertion in an industry, the process of theater-forum staging, to the analyze the interventions produced by spect-actors of the spectacle Cresça e Apareça. The empiric data were analyzed by the mediation of the workers training process, by testimonials collected about the experience and by the observation of the espect-actors interventions in a theater-forum spectacle, searching to understand the site of subject like theatrical experienceco-creator. The detailed description of the obtained data and the research results expand the comprehension of a Theater of Oppressed Pedagogy like a complex experience, by its aesthetic, politic and educational character. In the text, the theater-forum technique is analyzed in an actor and espect-actorstraining perspective, by critical and improvisational essence, highlighting the wildcard mediation, seemed like the educator that provokes reflections and stimulates the audience active participation, like a test to new everyday actions. The research demonstrates that the Theater of Oppressed practices influence to aesthetic viewexpansion, to the improvisational learning and to a more worker empowerment in his work context. Because the scant studies about Theater of Oppressed, in the Pedagogy of Theater scope, the work appoint to new researches directions, especiallythe participants‟ body and voice sensorial stimulation of the aesthetic-politics training process.
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Bonati, Patrícia Herreira. « A prosa literária infantil : objeto de prazer ou utilitarismo pedagógico ? » Universidade do Oeste Paulista, 2010. http://bdtd.unoeste.br:8080/tede/handle/tede/73.
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Previous issue date: 2010-12-13The research entitled " The children s literary prose in textbook: an instrument of pedagogical utilitarism or object of pleasure?" involves, thematically, the identification and analysis of the theoretical and methodological concepts, guiding the proposed practices by the textbook of Elementary Education (4th and 5th grades) for the reading of literary texts for children. The study, centered in the dialogic discourse (bakthinian and peircean) and the theory of intertextuality, it aims to reflect on the dual function of children s literature in the classroom: to instruct and amuse, to delight and teach, investigating the relationship between the quality of children s text and the methodology that is dispensed by the textbooks, its potential to arouse the reader reactions of sensible knowledge of the world or simply to serve as an educational tool-utility in carrying out diverse activities of the superficial nature on the read text (fill in forms, reading limited to scripts built of peripheral issues about the content of the text, copies, grammatical notes unrelated of the poetic message constructed by literary language in texts). We opted for Qualitative Research, defining it as a method of data collection for the case study, the Document Analysis. The objects of analysis are selected by the researcher Textbooks, among the examples listed by the guide of the National Textbook Program (NPDB) 2010. We found, with this investigation, that the literary text is treated, in the researched textbooks, as utilitarian object, as a monossemic discourse, unlinked from the real, human and social world.
A pesquisa intitulada A prosa literária infantil em livros didáticos: instrumento de utilitarismo pedagógico ou objeto de prazer? envolve, tematicamente, a identificação e análise das concepções teóricas e metodológicas, norteadoras das práticas propostas pelo livro didático da Educação Fundamental (4º e 5º anos) para a leitura do texto literário infantil. O estudo, centrado no discurso dialógico (bakthiniano e peirceano) e na teoria da intertextualidade, objetiva refletir sobre a dupla função da literatura infantil na sala de aula: instruir e dar prazer, investigando a relação existente entre a qualidade dos textos infantis e a metodologia que lhes é dispensada pelos livros didáticos, sua potencialidade para despertar no leitor reações prazerosas de conhecimento sensível do mundo ou simplesmente para servir de instrumento pedagógico-utilitário na execução de atividades diversas de natureza superficial sobre o texto lido (preenchimento de fichas; leitura limitada a roteiros constituídos de questões periféricas sobre os conteúdos do texto; cópias; observações gramaticais desvinculadas da mensagem poética construída pela linguagem literária dos textos). Optou-se pela Pesquisa Qualitativa, definindo-se como método de coleta de dados para o estudo de caso, a Análise Documental. Os objetos de análise são Livros Didáticos selecionados pela pesquisadora, dentre os exemplares indicados pelo guia do Programa Nacional do Livro Didático (PNLD) 2010. Constatou-se, com esta investigação, que o texto literário é tratado, nos livros didáticos pesquisados, como objeto utilitário, como um discurso monossêmico, desvinculado do mundo real, humano, social.
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Jackson, Lisa Kathleen. « The Theatre That Will Be : 'Devised Theatre' Methodologies and Aesthetics in Training and Practice ». VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1461.
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This thesis details my process of teaching Devising Theatre, a course of my own design, in Spring of 2005 and Fall of 2005. I address my curricular development from semester to semester (readings, assignments, assessments) as well as the students' responses to the material. Additionally, I discuss my reasons for teaching the course and the place that alternative theatre can and should have in theatre training programs and in the realization of feminist pedagogy.
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Lynch, Tosca. « 'Training the soul in excellence' : musical theory and practice in Plato's dialogues, between ethics and aesthetics ». Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4290.
Texte intégralRésumé :
This thesis offers a technically informed examination of Plato's pervasive, though not innocent, use of musical theory, practice and musical concepts more generally within the ambitious ethical project outlined in many of his dialogues: fostering the ‘excellence' of the soul. Starting from Republic 3, Chapter 1 will focus specifically on music stricto sensu in order to assess Plato's interpretation of the basic ‘building blocks' of musical performances, creating a core repertoire of musical concepts that will prepare the way to analyse Plato's use of musical terms or categories in areas that, at first sight, do not appear to be immediately connected to this art, such as politics, ethics and psychology. Chapter 2 examines a selection of passages from Laws 2 concerning the concept of musical beauty and its role in ethical education, demonstrating how Plato's definition is far from being moralistic and, instead, pays close attention to the technical performative aspects of dramatic musical representations. Chapter 3 looks first at the harmonic characterisation of the two central virtues of the ideal city, sophrosyne and dikaiosyne, showing how their musical depictions are not purely metaphoric: on the contrary, Plato exploited their cultural implications to emphasise the characteristics and the functions of these virtues in the ideal constitution. The second half of Chapter 3 analyses the Platonic portrayal of musical παρανομία, studying both its educational and psychological repercussions in the dialogue and in relations to contemporary Athenian musical practices. Chapter 4 looks at how different types of music may be used to create an inner harmonic order of passions in the soul in different contexts: the musical-mimetic education outlined in the Republic, the musical enhancement of the psychological energies in the members of the Chorus of Dionysus in the Laws, and finally the role of the aulos in the Symposium.
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Pellizzari, Luizana Pompeia Cardoso. « Reflexões sobre uma experiência estética com arte contemporânea : possibilidades educativas na formação de professores em artes visuais ». UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2006. http://tede2.uepg.br/jspui/handle/prefix/1233.
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Previous issue date: 2006-03-08This work describes an aesthetic experiment with students in the second year of the Visual Arts course at the State University of Ponta Grossa (PR) in 2004. Its central issue is: Could a certain practice of familiarization and production with contemporary art interfere in students’ conceptions and practices regarding art and the teaching of art? The focus of this proposal was the 26th International Bienal in São Paulo. Some initial inquiries guided the study, due to these students’ school background: how did their contact with art, mainly the contemporary one, develop? Which aesthetic processes have they been through? Could their conceptions and practice change with the teacher’s intervention? The reflections developed during the research time aimed at surveying concepts and practices that remain and the ones that change, as well as the possibility of inserting contemporary art as one of the subjects taught. The formulations of the dialectical materialism were used as theoretical-methodological reference in order to better understand the relations between art and society, art in the capitalist society and the government policies for the teaching of art in Brazil. The action-research was used as a methodological strategy so that an aesthetic experiment could be put into practice and from these possibilities of education and training of Visual Arts teachers could be extracted.
O trabalho relata uma experiência estética envolvendo a turma do 2º ano de Licenciatura em Artes Visuais da Universidade Estadual de Ponta Grossa (PR), no ano de 2004, tendo como questão central: uma prática de familiarização e produção com arte contemporânea poderia interferir nas concepções e práticas desses alunos quanto à arte e ensino de arte? O foco dessa proposta foi a 26ª Bienal Internacional de São Paulo. Algumas indagações iniciais nortearam o trabalho: dados os antecedentes escolares desses alunos: como se processou o contato com a arte e em especial com a contemporânea? Quais os processos estéticos pelos quais passaram? Haveria mudança de concepção e prática tendo em vista uma intervenção docente? As reflexões ocorridas durante a pesquisa objetivaram levantar conceitos e práticas que permanecem e que mudam bem como as possibilidades de inserção da arte contemporânea na atividade docente. Como referencial teórico-metodológico mais amplo foram utilizadas as formulações do materialismo dialético para compreender as relações entre arte e sociedade, arte na sociedade capitalista e as políticas para o ensino de arte no Brasil. A pesquisa-ação foi usada como estratégia metodológica para colocar em prática uma experiência estética e dela deduzir as possibilidades educativas na formação de professores de artes visuais.
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Divino, Elemar do Amor. « Estética, educação especial e a possibilidade de acolhimento da alteridade : Ursprung der Forschung ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/153006.
Texte intégralRésumé :
A presente dissertação de mestrado, vinculada à Pós-graduação em Educação da Universidade Federal do Rio Grande do Sul, Linha de Pesquisa Educação Especial e processos Inclusivos, tematiza a produção de conhecimento e o acolhimento da alteridade em educação especial pelas vias da estética. Trata-se de um estudo teórico, onde os conceitos dialogam com uma experiência formativa, através da análise das produções de uma professora-cursista, entre os anos de 2011 e 2014. O tecido argumentativo tem os fios Schiller. Outro operador importante são as formulações conceituais da pesquisadora Nadja Hermann ao aproximar a hermenêutica filosófica gadameriana da educação. Bakhtin ofereceu os instrumentos necessários a análise da forma enunciativa das narrativas e como determinam seu conteúdo. No entretecimento destes fios, os sentidos por ora propostos permitem distinguir nos escritos da professora Joana, dois gêneros enunciativos: o primeiro, instrutivo, extenso e descritivo. O segundo, de natureza poética, errante e capaz de estranhamento e acolhimento, possibilitando instaurar o diálogo. Esta análise, espera-se, estende à educação especial a possibilidade de questionar pressupostos naturalizados na prática pedagógica.This dissertation for a Master's Degree, linked to the Graduate Program in Education of the Federal University of Rio Grande do Sul, Line of Research of Special Education and Inclusive Processes, studies the production of knowledge and acceptance of otherness in special education by way of aesthetics. This is a theoretical study, in which concepts dialogue with a formative experience, by analyzing the productions of a teacher-intraining, during 2011 to 2014. This argumentative material is based on Schiller. Another important element is the conceptual formulations of Nadja Hermann, the researcher, when bringing Gadamer's philosophical hermeneutics to education. Bakhtin offered the necessary tools to analyze the expository form of narratives and how they determine their contents. In the interweaving of these elements, the meanings proposed for now allow us to distinguish two enunciative genres in the writings of Professor Joana: the first, the instructional, extensive and descriptive. The second genre, of a poetic nature, wandering and capable of estrangement and acceptance, making it possible to start a dialogue. It is expected that this analysis will extend the chance to question assumptions naturalized in pedagogical practice to special education.
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Lopez, Connie Chacon. « Fullerton College cosmetology curriculum manual ». CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2508.
Texte intégralRésumé :
This manual was developed to support the Cosmetology program at Fullerton College. The skills and competencies incorporated are based on the recommendations of the Fullerton College Cosmetology Department Advisory Board. Course of study includes the cognitive, psychomotor, and affective domains.
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Pimentel, Júnior Clívio. « Um sentido para as aparências : cenas e máscaras do/no cotidiano formativo ». reponame:Repositório Institucional da UFBA, 2012. http://www.repositorio.ufba.br/ri/handle/ri/13015.
Texte intégralRésumé :
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Esta pesquisa, construída através de um mergulho interpretativo nos cotidianos escolar e universitário vivenciados por uma turma de licenciandos em Ciências Biológicas da Universidade Federal da Bahia durante o exercício do estágio curricular supervisionado, tem como objetivo apresentar uma interpretação das aparências do estar-junto assumidas por e identificadas em um grupo através de um estudo do estado atual da formação científica universitária. Para tanto, a proposta metodológica, inscrita, prioritariamente, no paradigma qualitativo de pesquisa, foi construída a partir de interrelações estabelecidas entre as teorizações de Carvalho (2001), Erickson (1985) e Maffesoli (1996). Tais inter-relações culminaram na proposição de uma galeria temática construída a partir de episódios interpretativos como modo de apreensão e apresentação dos fenômenos cotidianos vivenciados em campo aliados a discussões de cunho teórico que apresentam as constatações construídas pelo autor. Os resultados revelam as compreensões construídas com referência aos valores e crenças compartilhadas por um determinado grupo que, ao lado da abertura da possibilidade de identificá-lo esteticamente enquanto tal, permite também, num movimento notadamente imanente, a auto-compreensão dos totens em torno dos quais o grupo se ajusta, formados na/pela própria existência nestes espaços formativos.
Salvador
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Lira, Lourdes Benedita de Oliveira. « Estética e imagem pessoal. O uso das tecnologias da informação e comunicação no curso de formação do tecnólogo na modalidade a distância ». Universidade Federal do Amazonas, 2015. http://tede.ufam.edu.br/handle/tede/5036.
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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The dissertation presented here investigates the Aesthetics and Personal Image in its conceptual foundations, mediated by new technological actors in the network formation of Technologist in Aesthetics and Personal Image in the distance. The research thus had locus as a techie course in the distance and the historical assumptions of Personal Aesthetics and Image as wire guides the research object composition. The motivation for the choice of the proposed theme is justified by the lived experience of the researcher as a teacher at a basic level courses, technical and technological. The research methodology was created from the qualitative approach. As for the methodological procedures, we opted for the field research in light of the Actor-Network Theory. The work is organized into three chapters, the loom: the first wire, which presents the basic threads that underlie the construction of the research object and their meanings; Tessitura: A Trama Image and Meaning, which is the intertwining of the wire guides to the base wire for the formation of the plot, considering that tessitura some elements for data analysis, as sources that support or refute statements and declarations and Trama of meanings in the light of Latour's theory (2012), while theoretical framework that supports this research, were enlisted human and non-human actors who provided data for the construction and analysis relevant to the object. For data analysis was used as theoretical and methodological basis of the Collective Subject Discourse (CSD) methodology developed by Lefevre (2005) consisting of a set of processes and procedures resulting in speech synthesis, derived from individual speeches fragments gathered by similarity senses becoming significant matter. Constitutes as a methodological procedure for collecting information, the open interview technique with the teacher students of Technologist course Aesthetics and Personal Image in the distance the presence support pole / Manaus, criteria chosen for the sample universe, as well as interviews with tutors and pole coordinator, actors involved in the fabric that constitutes the investigated network. As a result, the study showed no discussion of the conceptual foundations of aesthetics and personal image in the training course technologist in the distance, limited access to technological mediators and their potential for human actors in the process of teaching and learning at the pole, descaracterizando thus the function of technological mediators for mere intermediaries factor that affects the development and quality of the offered course.
A dissertação aqui apresentada investiga a Estética e Imagem Pessoal em seus fundamentos conceituais, mediados por novos atores tecnológicos na rede de formação do Tecnólogo em Estética e Imagem Pessoal na modalidade a distância. A pesquisa, assim, teve como lócus um curso tecnólogo na modalidade a distância e os pressupostos históricos da Estética e Imagem Pessoal como fios guias na composição do objeto de investigação. A motivação para a escolha do tema proposto se justifica pela experiência vivenciada da pesquisadora como docente em cursos de nível básico, técnico e tecnológico. A metodologia da pesquisa foi constituída a partir da abordagem qualitativa. Quanto aos procedimentos metodológicos, optou-se pela pesquisa de campo à luz da Teoria Ator-Rede. O trabalho está organizado em três capítulos, o Tear: os primeiros fios, que apresenta os fios de base, que fundamentaram a construção do objeto de pesquisa e seus significados; Tessitura: A Trama da Imagem e dos Significados, que consiste no entrelaçamento dos fios guias com os fios de base para a formação da trama, considerando-se nessa tessitura alguns elementos para a análise de dados, enquanto fontes que fundamentam ou refutam afirmações e declarações e A Trama dos Significados, à luz da teoria de Latour (2012), enquanto linha teórica que embasa essa pesquisa, foram alistados os atores humanos e não-humanos que forneceram dados para a construção e análise pertinentes ao objeto. Para análise de dados foi utilizado como base teórico-metodológica o Discurso do Sujeito Coletivo (DSC), metodologia desenvolvida por Lefevre (2005) que consiste em um conjunto de processos e procedimentos resultando em um discurso síntese, oriundos dos fragmentos de discursos individuais reunidos por similaridade de sentidos tornando-se matéria significante. Constitue como procedimento metodológico para coleta de informações, a técnica de entrevista aberta com os cursistas do curso Tecnólogo em Estética e Imagem Pessoal na modalidade a distância do Polo de apoio presencial/Manaus, critério eleito para o universo de amostra, além de entrevistas com tutores e coordenador do Polo, atores envolvidos na tessitura que constitue a rede investigada. Como resultado, o estudo evidenciou ausência de discussões dos fundamentos conceituais sobre a estética e imagem pessoal no curso de formação do tecnólogo na modalidade a distância, limitações de acesso aos mediadores tecnológicos e suas potencialidades pelos atores humanos do processo de ensino e aprendizagem no Polo, descaracterizando assim, a função de mediadores tecnológicos para meros intermediários, fator que compromete o desenvolvimento e a qualidade do curso ofertado.
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Marques, Edite Colares Oliveira. « A dimensÃo estÃtica na formaÃÃo do educador : a construÃÃo de um ideÃrio coletivo ». Universidade Federal do CearÃ, 2008. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=3137.
Texte intégralRésumé :
O objetivo deste trabalho à refletir sobre a dimensÃo estÃtica na formaÃÃo de nossos educadores oriundos das licenciaturas e dos cursos de Pedagogia, pois acreditamos ser ela indispensÃvel para que o professor possa ofertar um ensino significativo aos seus alunos, servido por uma rica experiÃncia cultural. Tal formaÃÃo deveria levÃ-lo a preocupar-se com os processos criativos que envolvem a crianÃa e o adolescente em fase de escolarizaÃÃo. Para abordar o tema, subdividimos a tese em dez capÃtulos. ApÃs introduzir a temÃtica, fazemos uma compilaÃÃo de momentos da histÃria, desde a RenascenÃa, em que a estÃtica à valorizada em sua dimensÃo formativa humana, para, posteriormente, num terceiro e quarto capÃtulos, abordar a questÃo da formaÃÃo de educadores e o ensino das artes atravÃs dos tempos atà a pÃs-modernidade. A partir do quinto capÃtulo, nos detivemos na realidade brasileira, esclarecendo sobre aspectos relevantes dos nossos traÃos socioculturais atà os dias de hoje, buscando preparar o leitor para o nosso foco central, qual seja o ensino de artes no Brasil de hoje. No sexto capÃtulo, refletimos sobre o campo da estÃtica no quadro da formaÃÃo docente donde concluÃmos que, embora as diretrizes para formaÃÃo do educador propalem um necessÃrio conhecimento, por parte dos docentes, em termos de cultura, arte e estÃtica, estes elementos estÃo ausentes dos programas das licenciaturas e da Pedagogia. Ainda, com relaÃÃo à formaÃÃo do educador, à constatado no presente trabalho que mesmo os professores de artes carecem, em sua formaÃÃo, de conhecimentos especÃficos na Ãrea, uma vez que a grande maioria, embora lecione arte, à graduada em outras Ãreas, fato decorrente da falta de oferta de cursos de licenciaturas na Ãrea. Tendo em vista a situaÃÃo acima mencionada esta pesquisa de doutorado propÃs, em sua metodologia, uma pesquisa-aÃÃo onde realizaram-se aÃÃes pragmÃticas no sentido de favorecer um processo de formaÃÃo a um grupo de professores em que a Arte foi vista como eixo central com a finalidade de ser uma opÃÃo aos interessados em ampliar experiÃncias com Arte e, assim, fortalecer o processo criativo de ensino escolar. Os instrumentos adotados foram: CriaÃÃo de uma AssociaÃÃo Profissional ligada ao Ensino de Artes; ManutenÃÃo de um grupo de estudo em: Arte, Cultura e EducaÃÃo; RealizaÃÃo de seminÃrios, oficinas; InstalaÃÃo de uma DVDTeca de artes visuais, bem como a criaÃÃo de uma sala de estudos e outra de Ãudio-visual ligadas à pesquisa. Finalizamos o presente trabalho corroborando com o que à consenso entre os autores: a imperatividade da formatividade da arte no desenvolvimento humano, por inÃmeros aspectos: o fomento da imaginaÃÃo, o domÃnio de tÃcnicas, a flexibilidade no pensamento; entre outros. Acreditamos que o processo de reformulaÃÃo curricular pelo qual passam os cursos de Pedagogia e Licenciaturas em geral, em funÃÃo das novas diretrizes para formaÃÃo docente, oferece uma grande oportunidade de formaÃÃo numa perspectiva de totalidade que, no nosso entender, permite uma polÃtica cultural mais consistente para a formaÃÃo docente.The aim of this paper is to think over the aesthetics dimension in the training of our teachers from the Undergraduate Course and the Education Course, because we believe it is essential for the teacher to offer a meaningful teaching to his students, plenty of rich cultural experiences. Such training should make him worry about the creative processes that involve the children and the adolescents in the education period. In order to approach this subject, we divided the thesis in ten chapters. After introducing the subject matter, we made a compilation of the historical moments, since the Renaissance, when the aesthetics is appreciated in its human formation dimension, to forward in the third and fourth chapters, to deal with the teachers training and the teaching of arts from the beginning of the history up to the modern age. From the fifth chapter on, we focused on the brazilian reality, clarifying relevant aspects of our sociocultural features up to the present days, aiming to prepare the reader to our main focus, the teaching of arts in Brazil nowadays. In the eight chapter, we think over the aesthetics field in the teachers training area. Thus, we concluded that, although the guidelines to the teachers training require a knowledge by the teachers, in terms of culture, arts and aesthetics, these elements are absent in the Undergraduate and Pedagogy programs. Yet, in connection to the teachers training, it is assumed in this paper that even the teachers of arts need, in their teaching, specific knowledge in their area. The great majority of teachers, in spite of teaching arts, they are graduated in other areas; it can be explained by the lack of Undergraduate courses offerred in this area. According to the situation mentioned above, this thesis proposes, in its methodology, an action research by which were done pragmatic actions aiming a training process to a group of teachers in which the art was seen as a central axis, with the purpose of being an option to the interested in adding experiences with arts and so that, it improves the creative process of scholar teaching. The tools used were: the creation of a professional association linked to the teaching of arts; maintenance of a group of study in arts, culture and education; achievement of seminars and workshops; installation of an audio visual room, as well as the creation of a study room connected to the research. We end this present paper exhibiting what is a consensus among the authors: the imperative quality of the art training in the human development, for several aspects: the stimulus to the imagination, the mastery of techniques, the maleability of the thought, so on. We believe that the process of the syllabus reformulation of the Pedagogy and Undergraduate Courses in general, due to the new teachers training guidelines, offers a great opportunity of training in its totality, as we can see, that allows a more consistent cultural politics to the teachers training.
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Moraes, Maria Beatriz Villas Boas de. « O belo na mediação pedagógica : as especificidades desta relação em ambientes virtuais de aprendizagem ». Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/9554.
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Previous issue date: 2011-03-16This research aimed at understanding beauty as a category of pedagogic mediation carried out by teachers using virtual learning environments as a tool for teaching. In order to accomplish objective, we sought to understand the sense of beauty in a virtual learning environment; the investigation of the potential that technology advancements offer to promote their presence; and the understanding of what features are highlighted in the subject, in the activities proposed, as well as in the interventions of the teacher that strengthen the idea of mediation involving the beauty in the course. The study was characterized as being qualitative, guided by a socio-historical approach and having, as methodological procedure, the analysis of documents comprised of the records generated in the virtual learning environment, as well as of interviews with instructors of the continuing education course, object of this investigation. The analysis of the data was carried out by general categories and subcategories that emerged from the theoretical framework underpinning the research and data. As a result, it was concluded that harmony was the sense of the beauty identified in the characteristics of the pedagogical intervention, more specifically in the role of the trainers, being also related to the consistency between the design and the teaching practice of the course, the day to day interactions, the presence of flexibility, the autonomy and authorship in the profile of the trainer and the possibilities that technological resources offered. Such evidences also allowed the development of the idea that beauty can be considered as a category of pedagogical mediation in virtual learning environments due to the fact that it favours the organization and how to understand it
Esta pesquisa teve como objetivo compreender o belo como uma categoria da mediação pedagógica realizada pelo professor em ambientes virtuais de aprendizagem. Para tanto, buscou-se o entendimento do sentido do belo no ambiente virtual de aprendizagem, a investigação do potencial que a tecnologia oferece para favorecer sua presença e da compreensão de que características se destacam nos conteúdos trabalhados, nas atividades propostas e nas intervenções do professor que fortalecem a idéia de mediação envolvendo o belo no curso. A pesquisa se caracterizou como qualitativa, orientada pela abordagem sócio-histórica, tendo como procedimentos metodológicos a análise documental, constituída pelos registros gerados no ambiente virtual de aprendizagem, e entrevistas com formadores do curso de aperfeiçoamento, objeto desta investigação. A análise dos dados foi realizada por meio de categorias gerais e subcategorias que emergiram do referencial teórico que fundamenta a pesquisa e dos dados. Concluiu-se que a harmonia foi o sentido do belo percebido nas características da mediação pedagógica, mais especificamente na atuação dos formadores e se relacionou também à coerência entre a concepção e a prática pedagógica do curso, ao cotidiano das interações, à presença da flexibilidade, da autonomia e da autoria no perfil do formador e às possibilidades que os recursos tecnológicos ofereceram. Estes indícios também permitiram desenvolver a idéia de que o belo pode ser considerado uma categoria da mediação pedagógica em ambientes virtuais de aprendizagem porque favorece a organização e a forma de compreendê-la
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Fiorillo, Risa Maree. « Music handbook for primary grade teachers ». CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/1739.
Texte intégralRésumé :
Academic research in the area of music and learning has proven that there is both a deficiency and need for classroom music education commencing at the primary grade levels. The research has shown that by incorporating music education into the academic curriculum the arts can be more effectively taught and other academic subject areas can gain from the diverse teaching strategies the arts bring to education. There are two goals of this project. One is to demonstrate to teachers what primary grade level students should be learning in music. A second goal of this project is to design a music education handbook for primary teachers that can serve as a basis for intergrating music into the curriculum. This handbook takes into consideration the general lack of sufficient teacher training in music instruction, along with teaching time constraints, and potential roadblocks, such as the acquisition of music and instrumental supplies.
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Pedroso, Eliana Regina Fritzen. « A HERANÇA DO ESQUECIMENTO : SABERES DOCENTES NAS NARRATIVAS DE FORMAÇÃO ». Universidade Federal de Santa Maria, 2015. http://repositorio.ufsm.br/handle/1/7198.
Texte intégralRésumé :
Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorThe present work fits the Research, Training, Knowledge and Professional Development (LP1) area, of the Postgraduate Program on Education of the Education Center, at the Federal University of Santa Maria (UFSM) and seeks explore the influences to the field of Education Philosophy on current teachers training in Brazil, approaching the research on this area and strengthening a process that is still recent, of thinking about the ethical and asthetical potential of the teaching knowledge. The need for this study is justified by the concern manifested in documents such as the National Curriculum Guidelines for the Undergraduate Course in Pedagogy (Brazil, 2006) and also by the theoretical and literature review, according to a critical-theoretical conception of education, in which the idea that the present time is substantially marked by the inheritance of forgetfulness underlies. The study was developed by means of a documental analysis of internship reports from the Pedagogy course of UFSM, following a qualitative approach and a hermeneutics-reconstructive understanding, outlining the present reports in the internship reports as training narratives. Therefore, the question is: how is the sensitivity in the training of teachers being developed for understanding of the remains of babarism in a time that is the heir of forgetfulness? Hence, the main objective of this research is to investigate the possibility of aggregating the asthetical-ethical horizon to the teaching knowledge, by means of the notion of experience, thematizing the narratives reverberated by the teachers under training in the time os forgetfulness. So, thinking about contributions about the pedagogical self-enlightenment of teaching provokes concern with the teaching rationality that circulates in the pedagogical environment. Within the work in question, this implies to assert how the practical-epistemological rationality, inserted in the syllabus of teachers training with some notion of knowledge and experience, limited to cognitiveness, contributed for the perpetuation of forgetfulness in the social sphere.
O presente trabalho de dissertação enquadra-se na Linha de Pesquisa Formação, Saberes e Desenvolvimento Profissional (LP1), do Programa de Pós-Graduação em Educação, do Centro de Educação, da Universidade Federal de Santa Maria (UFSM) e busca lançar problematizar as influências do campo da filosofia da educação sobre a atual formação de professores no Brasil, abordando as pesquisas dessa área e fortalecendo um processo que é ainda recente, de pensar acerca do potencial ético e estético dos saberes docentes. A necessidade deste estudo se justifica, pela preocupação manifestada em documentos como as Diretrizes Curriculares Nacionais para o Curso de Graduação em Pedagogia, licenciatura (BRASIL, 2006) e ainda pelo levantamento teórico-bibliográfico realizado, segundo uma concepção teórico-crítica de educação, na qual subjaz a ideia de que o tempo presente está marcado substancialmente pela herança do esquecimento. A pesquisa desenvolveu-se por meio de uma análise documental de relatórios de estágio do curso de Pedagogia Licenciatura Plena da UFSM, seguindo uma abordagem qualitativa e uma compreensão hermenêutica-reconstrutiva, delineando os relatos presentes nos relatórios de estágio como narrativas de formação. Diante disso, questiona-se: Como está sendo desenvolvida a sensibilidade no campo da formação de professores para compreensão dos vestígios da barbárie num tempo herdeiro do esquecimento? Desse modo, o objetivo central da pesquisa é investigar a possibilidade de agregar aos saberes docentes o horizonte ético-estético, por meio da noção de experiência, tematizando as narrativas repercutidas pelos professores em formação sob a influência de um tempo marcado pelo esquecimento. Assim, pensar contribuições acerca do autoesclarecimento pedagógico da docência provoca uma preocupação com as racionalidades docentes que circulam no ambiente pedagógico. No âmbito do trabalho em questão, isso implica perquirir como a racionalidade epistemológico-prática, inserida no currículo da formação de professores com uma noção de saber e experiência, limitada ao cognitivo, contribuiu para que se perpetue na esfera social a herança do esquecimento.
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Lundvall, Suzanne, et Jane Meckbach. « Ett ämne i rörelse : gymnastik för kvinnor och män i lärarutbildningen vid Gymnastiska centralinstitutet/Gymnastik- och idrottshögskolan under åren 1944 till 1992 ». Doctoral thesis, Stockholms universitet, Institutionen för samhälle, kultur och lärande (SKL), 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104109.
Texte intégralRésumé :
For almost 200 years the University College of Physical Education and Sports in Stockholm (former Royal Central Institute of Gymnastics; GCI later GIH; Stockholm College of Physical Education and Sports) has been educating PE teachers - and still does. In the very beginning and throughout the first 100 years, gymnastics was a major part of the studies at the institute, and also in ordinary schools. Early gymnastics were invented by Per Henrik Ling, the father of the Swedish Ling gymnastics, and later developed by his son, Hjalmar Ling. The part of the Ling system called pedagogical gymnastics, consisted of “daily gymnastic training exercises”, which showed how gymnastics should be taught and performed. The aim of this thesis is to follow and describe gymnastics as a subject and its development at the PE teacher-training programme at GCI/GIH. Special attention is placed on the movement part without apparatus (the floor exercise) for male and female students. The time period studied is 1944 to 1992. The thesis consists of two separate empirical studies, with a shared interview study of 12 former teacher educators participating in both studies. Besides the above-mentioned interviews, the methods used are document analyses and visual analyses. Triangulation is used in order to follow the changes of the subject’s content, figuration and representation. The first empirical study investigates the institution of gymnastics’- collective memory, its content and legitimacy. This is done by looking at what time was allotted to the subject in relation to other subjects, and also which concepts were used in relation to floor exercise. The interviews deal with the objectives of the subject and what kind of influences the former teacher educators came in contact with. From a semiotic approach, the second study deals with visual analyses of film sequences, with floor exercises performed by male and female students. (See enclosed CD). The film material comes from the Institute’s events. The content and composition of the film sequences are analysed, and the representation of the movements is interpreted by semiotic discourse analyses. The interview study deals with the former teacher educators’ pedagogical view of the formation of the gymnastics. The results show that in 1944 the subject gymnastics took approximately 40% of the total study time. In 1992 the time allocated for gymnastics has been reduced to approximately 9%. From the 1940s to the 1970s, two separate gymnastics discourses existed, one male and one female, expressed in the movement content and in the figuration of movements. The male discourse was maintained almost intact, without any changes. The female discourse, on the other hand, was continually changed and developed over the actual period of time, strongly influenced by rhythmic and dance. When coeducation was implemented in the late 1970s, a new culture of body movements was developed – which was unisex. Between 1949 and1970 in the film material, the masculine discourse was represented by the body image of a systematically trained and disciplined body, executing corrective gymnastics exercises, according to an instrumental way of looking at physical training. The smooth, healthy looking young body image of a woman, executing rhythmical aesthetical gymnastics, according to existing values, characterised the feminine discourse. There seems to have been aesthetics fostering rationality that ruled the female gymnastics. In 1985 the representation of the body image changed, and focus on the performance of the movements disappeared. The objectives of the subject have changed from the collective, corrective and/or aesthetical form of gymnastics to a gymnastic discourse where the attention of simplifying the movements, the individual and the social climate in the group are central. Finally, the findings show that four factors have influenced the changes and development of the subject and the teacher-training programme. Firstly, changes in society in terms of equality, gender roles and a changed role of the PE teacher. Secondly, the impact of the sport discourse outweighed the status of the gymnastics discourse and its legitimacy. The cultivating values, in terms of the aesthetical schooling for the female students, disappeared. Thirdly, the striving for research-related instructions in the teachertraining programme, (urged by the state from 1977) affected both time allotments for gymnastics and sports and the relation between theoretical and practical courses. Finally, over the years, the subject gymnastics has been strongly influenced by different scientific discourses: first the medical discourse, followed by the physiological discourse and from the1980s and on, by the social scientific (pedagogical) discourse.
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Marques, Edite Colares Oliveira. « A dimensão estética na formação do educador : a construção de um ideário coletivo ». www.teses.ufc.br, 2008. http://www.repositorio.ufc.br/handle/riufc/3083.
Texte intégralRésumé :
MARQUES, Edite Colares Oliveira. A dimensão estética na formação do educador: a construção de um ideário coletivo. 2008. 207f. Tese (Doutorado em Educação) – Universidade Federal do Ceará, Faculdade de Educação, Programa de Pós-Graduação em Educação Brasileira, Fortaleza–CE, 2008.Submitted by Maria Josineide Góis (josineide@ufc.br) on 2012-07-05T18:58:19Z No. of bitstreams: 1 2008_Tes_ECOMarques.pdf: 1408462 bytes, checksum: 567b57fb7906a9b72eba0dc056932694 (MD5)
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The aim of this paper is to think over the aesthetics dimension in the training of our teachers from the Undergraduate Course and the Education Course, because we believe it is essential for the teacher to offer a meaningful teaching to his students, plenty of rich cultural experiences. Such training should make him worry about the creative processes that involve the children and the adolescents in the education period. In order to approach this subject, we divided the thesis in ten chapters. After introducing the subject matter, we made a compilation of the historical moments, since the Renaissance, when the aesthetics is appreciated in its human formation dimension, to forward in the third and fourth chapters, to deal with the teachers training and the teaching of arts from the beginning of the history up to the modern age. From the fifth chapter on, we focused on the brazilian reality, clarifying relevant aspects of our sociocultural features up to the present days, aiming to prepare the reader to our main focus, the teaching of arts in Brazil nowadays. In the eight chapter, we think over the aesthetics field in the teachers training area. Thus, we concluded that, although the guidelines to the teachers training require a knowledge by the teachers, in terms of culture, arts and aesthetics, these elements are absent in the Undergraduate and Pedagogy programs. Yet, in connection to the teachers training, it is assumed in this paper that even the teachers of arts need, in their teaching, specific knowledge in their area. The great majority of teachers, in spite of teaching arts, they are graduated in other areas; it can be explained by the lack of Undergraduate courses offerred in this area. According to the situation mentioned above, this thesis proposes, in its methodology, an action research by which were done pragmatic actions aiming a training process to a group of teachers in which the art was seen as a central axis, with the purpose of being an option to the interested in adding experiences with arts and so that, it improves the creative process of scholar teaching. The tools used were: the creation of a professional association linked to the teaching of arts; maintenance of a group of study in arts, culture and education; achievement of seminars and workshops; installation of an audio visual room, as well as the creation of a study room connected to the research. We end this present paper exhibiting what is a consensus among the authors: the imperative quality of the art training in the human development, for several aspects: the stimulus to the imagination, the mastery of techniques, the maleability of the thought, so on. We believe that the process of the syllabus reformulation of the Pedagogy and Undergraduate Courses in general, due to the new teachers training guidelines, offers a great opportunity of training in its totality, as we can see, that allows a more consistent cultural politics to the teachers training.
O objetivo deste trabalho é refletir sobre a dimensão estética na formação de nossos educadores oriundos das licenciaturas e dos cursos de Pedagogia, pois acreditamos ser ela indispensável para que o professor possa ofertar um ensino significativo aos seus alunos, servido por uma rica experiência cultural. Tal formação deveria levá-lo a preocupar-se com os processos criativos que envolvem a criança e o adolescente em fase de escolarização. Para abordar o tema, subdividimos a tese em dez capítulos. Após introduzir a temática, fazemos uma compilação de momentos da história, desde a Renascença, em que a estética é valorizada em sua dimensão formativa humana, para, posteriormente, num terceiro e quarto capítulos, abordar a questão da formação de educadores e o ensino das artes através dos tempos até a pós-modernidade. A partir do quinto capítulo, nos detivemos na realidade brasileira, esclarecendo sobre aspectos relevantes dos nossos traços socioculturais até os dias de hoje, buscando preparar o leitor para o nosso foco central, qual seja o ensino de artes no Brasil de hoje. No sexto capítulo, refletimos sobre o campo da estética no quadro da formação docente donde concluímos que, embora as diretrizes para formação do educador propalem um necessário conhecimento, por parte dos docentes, em termos de cultura, arte e estética, estes elementos estão ausentes dos programas das licenciaturas e da Pedagogia. Ainda, com relação à formação do educador, é constatado no presente trabalho que mesmo os professores de artes carecem, em sua formação, de conhecimentos específicos na área, uma vez que a grande maioria, embora lecione arte, é graduada em outras áreas, fato decorrente da falta de oferta de cursos de licenciaturas na área. Tendo em vista a situação acima mencionada esta pesquisa de doutorado propôs, em sua metodologia, uma pesquisa-ação onde realizaram-se ações pragmáticas no sentido de favorecer um processo de formação a um grupo de professores em que a Arte foi vista como eixo central com a finalidade de ser uma opção aos interessados em ampliar experiências com Arte e, assim, fortalecer o processo criativo de ensino escolar. Os instrumentos adotados foram: Criação de uma Associação Profissional ligada ao Ensino de Artes; Manutenção de um grupo de estudo em: Arte, Cultura e Educação; Realização de seminários, oficinas; Instalação de uma DVDTeca de artes visuais, bem como a criação de uma sala de estudos e outra de áudio-visual ligadas à pesquisa. Finalizamos o presente trabalho corroborando com o que é consenso entre os autores: a imperatividade da formatividade da arte no desenvolvimento humano, por inúmeros aspectos: o fomento da imaginação, o domínio de técnicas, a flexibilidade no pensamento; entre outros. Acreditamos que o processo de reformulação curricular pelo qual passam os cursos de Pedagogia e Licenciaturas em geral, em função das novas diretrizes para formação docente, oferece uma grande oportunidade de formação numa perspectiva de totalidade que, no nosso entender, permite uma política cultural mais consistente para a formação docente.
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YANG, HUI-CHUN, et 楊惠君. « A Study of on Job Education and Training Needs Assessment of Aesthetic Medicine Employees ». Thesis, 2016. http://ndltd.ncl.edu.tw/handle/31640501633566250436.
Texte intégralRésumé :
碩士國立臺北護理健康大學
醫護教育研究所
104
Aesthetic medicine industry has developed rapidly in nearly 10 years, however, there is no regulation for aesthetic medicine employee (aesthetic medical nurse, aesthetic medicine consultant, and aesthetic medicine beautician) for their’s job qualification and in-service training .Therefore, there was few empirical research data on aesthetic medicine education and training. The purposes of this study were to investigate the training needs of the aesthetic medicine employees and the difference between their training needs on the training courses, the number of hours of teaching and teaching methods among these three groups. A cross - sectional design was conducted in this study. The samples of this study were 925 the aesthetic medicine employees who worked at the north and central area of aesthetic medicine institute, including medical centers, regional hospitals, local hospitals and clinics, in Taiwan. A “Study of Training Needs of Aesthetic Medicine Employees Questionnaire” was developed for the research tool. A total of 290 aesthetic medicine employees ( 33 %) including 104 aesthetic medical nurses, 66 aesthetic medicine consultants , 120 aesthetic medicine beauticians completed the the training needs assessment questionnaires. The data of the questionnaires was analyzed with SPSS22.0, including descriptive statistics (means, standard deviation, percentage) and one way ANOVA. The results of this study were: (1) the training courses include 6 topics: medical knowledge’, nursing professionalism, aesthetic medicine knowledge, beauty skills, communication skills and business marketing knowledge. The highest training need topic ranked by all these three groups was ‘communication skills’. The 2nd highest training need topic ranked by aesthetic medical nurses was ‘nursing professionalism’ and by aesthetic medicine consultants and aesthetic medicine beauticians was ‘aesthetic medicine knowledge’(2)In terms of the teaching hours, aesthetic medical nurses needed more teaching hours（7.04±5.28）in ‘nursing professionalism ‘than aesthetic medicine beauticians needed（4.99±3.56）（F=5.76, p < .05）;Aesthetic medicine beauticians needed more teaching hours in‘beauty skills’」（5.65±3.39）than aesthetic medicine consultants needed（4.45±2.76）（F=2.466, p < .10）of teaching hours demand ,There was no difference among these three groups in the other 4 topics; (3)In terms of the teaching methods, lecture style was the most preference by the participants in the topics of medical knowledge,aesthetic medicine knowledge,communication skills,business marketing knowledge.Demonstrating practice teaching method was the most preference by the participants in the topics of nursing professional,beauty skills.(4)The higher education background participants needed more on the topic of ‘medical knowledge'; The participants worked in the medical centers needed more training hours than those in the regional hospitals and clinics. We suggest the aesthetic medicine institutes should focus on the topic of ‘communication skills’ in the aesthetic medicine employee education training program to facilitate the employee to have better interaction and communication with the comsumors.We expect the results of this study may provide a reference for aesthetic medicine institutes to design training education for their employee.
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Lo, Huan-Yu, et 羅奐妤. « The Effect of Aesthetic Marketing Training toward Quality Sense– Moderating Variables of Job Involvement in Organization ». Thesis, 2014. http://ndltd.ncl.edu.tw/handle/k69bng.
Texte intégralRésumé :
碩士國立臺北大學
企業管理學系
102
Recently the word of “Aesthetics" has raised the attention widely in the field of marketing and management due to the huge economic benefits it brings. The application of aesthetics also helps to discover a brand new way of marketing to escape the restriction from regular product features such as price, function and specifications. Therefore; it is obviously that the element of aesthetics has strong connection with product conceptual, product design and marketing strategy. Marketing research reports also takes “Aesthetics” as an innovative topic. However, while most of the present studies focus on external product design and package, the aim of this study intends to discuss the aesthetics from organization inside, from its training process, and its possibility effect toward employees. The study is designed to figure out how “aesthetic marketing training perception” to enhance employees' “quality sense” and "job involvement" acts as mediator in order to learn about the interaction between these three factors. Through hierarchical regression analysis, the results showed that “aesthetic marketing training perception” has a significant effect on “quality work performance” and here “job involvement" does have a moderating effect. With respect that the result of this study can bring organization aesthetics research a new material for ongoing study and provide a reference direction for those organizations plan to implement corporate aesthetic into training course. Keywords: Aesthetics, Aesthetic marketing training, Quality sense
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Мамонтова, Дарія Ігорівна. « Підготовка майбутніх педагогів до естетичного виховання підлітків в умовах закладу загальної середньої освіти ». Магістерська робота, 2020. https://dspace.znu.edu.ua/jspui/handle/12345/4678.
Texte intégralRésumé :
Мамонтова Д. І. Підготовка майбутніх педагогів до естетичного виховання підлітків в умовах закладу загальної середньої освіти : кваліфікаційна робота магістра спеціальності 011 «Освітні, педагогічні науки» / наук. керівник Т. П. Голованова. Запоріжжя : ЗНУ, 2020. 87 с.UA : Робота викладена на 87 сторінках друкованого тексту, містить 2 рисунка. Перелік посилань включає 90 джерел, з них на іноземній мові – 1. Об’єкт дослідження: процес підготовки майбутніх педагогів до естетичного виховання підлітків в умовах закладу загальної середньої освіти. Предмет дослідження: педагогічні умови підготовки майбутніх педагогів до естетичного виховання підлітків в умовах закладу загальної середньої освіти. Мета дослідження: теоретично обґрунтувати та дослідити педагогічні умови, що забезпечують процес підготовки майбутніх педагогів до естетичного виховання підлітків в умовах закладу загальної середньої освіти. В роботі здійснено аналіз наукових джерел з проблеми підготовки майбутніх педагогів до естетичного виховання; розглянуто формування естетичної культури майбутніх педагогів в процесі професійної підготовки як передумову підготовки майбутніх педагогів до естетичного виховання підлітків; дослідити структурні елементи процесу підготовки майбутніх педагогів до естетичного виховання підлітків загальноосвітнього навчального закладу; розглянуто психологічні особливості підлітків у підготовці майбутніх педагогів до естетичного виховання; розглянуто педагогічну практику як одну із умов підготовки педагогів до естетичного виховання підлітків; схарактеризовано інноваційні технології підготовки майбутніх педагогів до естетичного виховання підлітків у закладі загальної середньої освіти. Наукова новизна: вперше виокремлено та схарактеризовано педагогічні умови підготовки майбутнього педагога до естетичного виховання підлітків в умовах закладу загальної середньої освіти.
EN : The work is presented on 87 pages of printed text, contains 2 figures. The list of references includes 90 sources, 1 of them in foreign language. The object of the study: the process of preparing future teachers for the aesthetic education of adolescents in a general secondary education institution. Subject of research: pedagogical conditions of preparation of future teachers for aesthetic education of teenagers in the conditions of general secondary education institution. The purpose of the study: to theoretically substantiate and investigate the pedagogical conditions that provide the process of preparing future teachers for the aesthetic education of adolescents in a general secondary education institution. The analysis of scientific sources on the problem of preparation of future teachers for aesthetic education is carried out in the work; the formation of aesthetic culture of future teachers in the process of professional training as a prerequisite for training future teachers for aesthetic education of adolescents; to study the structural elements of the process of preparing future teachers for the aesthetic education of adolescents in secondary schools; psychological features of teenagers in preparation of future teachers for aesthetic education are considered; pedagogical practice is considered as one of the conditions of preparation of teachers for aesthetic education of teenagers; Innovative technologies of preparation of future teachers for aesthetic education of teenagers in the institution of general secondary education are characterized. Scientific novelty: for the first time the pedagogical conditions of preparation of the future teacher for aesthetic education of teenagers in the conditions of the institution of general secondary education are singled out and characterized.
39
HSIEH, MENG-HSIU, et 謝孟秀. « A Case Study of Strategies for Tea Aesthetics Training Companies in China ». Thesis, 2015. http://ndltd.ncl.edu.tw/handle/5c97ga.
Texte intégralRésumé :
碩士明道大學
企業高階管理碩士班
103
Tea aesthetics in mainland China and Taiwan is the most important assets for an enterprise of tea private cram school. This study accomplished five aspects of plan, design, execution, verification, and evaluation with a private cram school by unifying the tea aesthetics training system and the strategic analysis. The talent cultivation can improve performance and the tea training course can assist a company or person turning their invisible assets which were like experience and ability into business operation for sustainable development of enterprises. According to the concept of training patterns, the development of education and training, the standard operating procedures were stablished by management rules and forms to implement education and training, strengthen personnel training in-house training and to enhance the training quality.
40
Hrubeš, Jakub. « Důvody vstupu jedinců do fitness centra ». Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306120.
Texte intégralRésumé :
The main theme of this thesis is to find out the reasons which leads different people to enter the fitness centres. The first part of the thesis is dedicated to a brief history of fitness and fitness centres, then the main focus is on the reasons of people to decide to go to a fintess centre. The key words are explained there. Lastly, the system of primary methods while using diagnosis equipment before a person enters a fitness centre is explained. The second part deals with finding out the actual reasons of various people for entering a fitness centre through the method of survey.
41
CHEN, AN-CHUAN, et 陳安川. « The Study for Social Educational Volunteers Participating in Educational Training and Job Involvement of the Motivation -- as an Example to the National Social Education Center in Taitung Life Aesthetics Center ». Thesis, 2008. http://ndltd.ncl.edu.tw/handle/24792947158452123175.
Texte intégralRésumé :
碩士國立臺東大學
教育學系(所)
96
The purpose of this study was to explore Taitung Life Aesthetics Center of volunteers for their participation in educational training as well as the motion in the work of voluntary service. To explore volunteer participation in educational training and educational psychological variables, from the intrinsic understanding of the changes in the course of their participation motivation to be able to provide more effective education training assessment. This study was used by questionnaire survey, investigation Taitung Life Aesthetics Center volunteers of total 1104 people, the motivation to participate in education and training as well as Jon involvement. AMOS Structural Equation Models were used by SPSS 12.0 statistical software package to analyze all data. According to research results, the conclusions and recommendations were as followings: 1. Participating in educational training motivation: the 5 scales among the average points were 4.16 showed that volunteers were endorsed their participation in the educational training of the motivation. On the other hand, “external incentive" factor scores were the highest from the means of 4.36. 2. Job involvement: the average points were 4.29 in overall job involvement; it showed that the volunteers were eager to the work of volunteer services. 3. Participating in educational training motivation and job involvement relationship between analysis: Adapter mode indicators by the test showed that the dynamic participation in educational training opportunities for significant impacts, it affected on ability was 0.849; for the importance of the work, affected on ability was 0.21. 4. Difference analysis: (1)The youngest, unmarried, or no children volunteers participating in educational training and the motivation were weakest. (2)The youngest, unmarried, or no children volunteers who worked in the voluntary service caused job involvement were lowest. Above all, this study would offer related suggestions and post study for National Taitung Life Aesthetics Center volunteers and branch centers.
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Κοσμέτος, Ευάγγελος. « Εκπαίδευση και πολιτισμός : Η πρόταση του «Προγράμματος Μελίνα» ». Thesis, 2012. http://hdl.handle.net/10889/6102.
Texte intégralRésumé :
Η εργασία αυτή διαπραγματεύεται το Πρόγραμμα «ΜΕΛΙΝΑ» το οποίο θεωρείται πρωτοποριακό στην Ελλάδα διότι προσφέρει, μέσα από τις δυνατότητες της τέχνης, την ευκαιρία για πολλαπλές αναγνώσεις τόσο των γνωστικών αντικειμένων όσο και των συναισθημάτων των μαθητών που μετέχουν στην επικοινωνία.
Η κεντρική ιδέα του προγράμματος είναι το παιδί και η αυτοεκτίμησή του, ο σεβασμός στις ανάγκες του, στις ικανότητές του, στους ρυθμούς και στους χρόνους του, στις ιδιαιτερότητές του.
Έτσι, το Πρόγραμμα έχει ως βασικό μέσο τις τέχνες για την προσέγγιση των γνωστικών αντικειμένων, αλλάζοντας τη μεθοδολογία του παραδοσιακού σχολείου και δίνοντας απάντηση στο πώς μπορούν να αναπτυχθούν κανονικά και ισάξια οι γνωστικές, συναισθηματικές, ψυχοκινητικές και κοινωνικές δεξιότητες του παιδιού, παράλληλα με την απελευθέρωση της φαντασίας και της δημιουργικότητάς του.This paper discusses the "MELINA" Project, which is considered innovative because it offers in Greece, through the possibilities of art, the opportunity for multiple interpretations of both the subjects and the emotions of the students involved in communication. The central idea is the child and his self-esteem, respect their needs, their abilities, and the pace of the times, the peculiarities. Thus, the program is a key instrument for the arts approach of disciplines, changing the methodology of traditional school and giving answer to that can grow normally and equally cognitive, affective, psychomotor and social skills of the child, along with the release imagination and creativity.
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Giles, Roy James. « The religious crisis in the poetry of Gerard Manley Hopkins ». Diss., 2003. http://hdl.handle.net/10500/2103.
Texte intégralRésumé :
Gerard Manley Hopkins produced poetry in the Victorian era which was noted for its originality of syntax and form. The essence underlying a large body of his poetry was his Catholic religion. His early religious poetry utilized nature-based metaphors to express his love of Christ and trace the immanence of God within nature. He borrowed heavily from the aesthetics of Pater and the philosophy of Duns Scotus. The dissertation explores these early influences and assesses their contribution to the formation of a unique religious interpretation of life and the formulation of an aesthetic congruent with this religion. The dissertation dissects early symptoms of religious doubt within his poetry and finally analyses his `Terrible Sonnet' phase in detail to ascertain whether the crisis so often described as occurring during this period was religious or merely reflected a loss of creative ability.English Studies
MA (English)
44
(8803076), Jordan M. McGraw. « Implementation and Analysis of Co-Located Virtual Reality for Scientific Data Visualization ». Thesis, 2020.
Trouver le texte intégralRésumé :
Advancements in virtual reality (VR) technologies have led to overwhelming critique and acclaim in recent years. Academic researchers have already begun to take advantage of these immersive technologies across all manner of settings. Using immersive technologies, educators are able to more easily interpret complex information with students and colleagues. Despite the advantages these technologies bring, some drawbacks still remain. One particular drawback is the difficulty of engaging in immersive environments with others in a shared physical space (i.e., with a shared virtual environment). A common strategy for improving collaborative data exploration has been to use technological substitutions to make distant users feel they are collaborating in the same space. This research, however, is focused on how virtual reality can be used to build upon real-world interactions which take place in the same physical space (i.e., collaborative, co-located, multi-user virtual reality).
In this study we address two primary dimensions of collaborative data visualization and analysis as follows: [1] we detail the implementation of a novel co-located VR hardware and software system, [2] we conduct a formal user experience study of the novel system using the NASA Task Load Index (Hart, 1986) and introduce the Modified User Experience Inventory, a new user study inventory based upon the Unified User Experience Inventory, (Tcha-Tokey, Christmann, Loup-Escande, Richir, 2016) to empirically observe the dependent measures of Workload, Presence, Engagement, Consequence, and Immersion. A total of 77 participants volunteered to join a demonstration of this technology at Purdue University. In groups ranging from two to four, participants shared a co-located virtual environment built to visualize point cloud measurements of exploded supernovae. This study is not experimental but observational. We found there to be moderately high levels of user experience and moderate levels of workload demand in our results. We describe the implementation of the software platform and present user reactions to the technology that was created. These are described in detail within this manuscript.