Bibliographies thématiques / Aesthetics, comparative

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Littérature scientifique sur le sujet « Aesthetics, comparative »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 27 février 2023

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Articles de revues sur le sujet "Aesthetics, comparative"

Loesberg, Jonathan. « Kant's Aesthetics and Wilde Form ». Victoriographies 1, n^o 1 (mai 2011) : 79–95. http://dx.doi.org/10.3366/vic.2011.0008.

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Although Wilde was convicted of Gross Indecency, not of having written questionable literature, critics frequently take his trial as a trial of his literature and his theories, and, in a sense, they are oddly enough right since, at key moments, the difficult of reading Wilde's writing becomes manifest in the difficulty of reading what occurs in the trials. That reading difficulty results from the alignment between Wilde's aestheticism and the ostensibly straighter Kantian aesthetics, a theory Wilde queered only by clarifying its paradoxes. Through a comparative reading of Kant's and Wilde's theories of natural and aesthetic beauty and the manifestation of Wilde's theory in The Picture of Dorian Gray (1891), this article will show how the ambiguities in Wilde's trial result from his insistence on a connection between his theoretical paradoxes and what he called his perverse desires, a connection that enriches both aesthetic theory and our understanding of the cultural significance of his trial.

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Al-Salam, Nadia A., Ahmed A. Al-Jaberi et Ahmed S. Al-Khafaji. « Measuring of Subjective and Objective Aesthetics in Planning and Urban Design ». Civil Engineering Journal 7, n^o 9 (1 septembre 2021) : 1557–68. http://dx.doi.org/10.28991/cej-2021-03091743.

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The article includes the concept of aesthetics through what has been dealt with in the literature by philosophers and researchers who have addressed this concept in an attempt to derive indicators of aesthetics. The article adopted a descriptive and analytical methodology by reviewing recent literature on the concept of aesthetics and its relation to urban planning and design issues. Many subjective and objective aesthetics indicators have been identified, some of which are classified under real aesthetics, and some under fake aesthetics. The indicators were applied to the Kufa Mosque complex and Sahla Mosque complex as a comparative case study. It was found that the indicators of real aesthetics have a higher weight in determining the final aesthetic judgment on the complex form versus the fake indicators, which in turn reinforced the weighting of the subjective aspect over the objective. This was consistent with the answer to the question directed to the sample about which complexes are more aesthetic. The answer was that the Kufa Mosque complex is most aesthetically. This was proven by the questions directed in the questionnaire, which outweighed the real aesthetic indicators for the Kufa Mosque complex. As for the results of analyzing the indicators of fake aesthetic were equal, as each complex achieved higher values in three indicators. Doi: 10.28991/cej-2021-03091743 Full Text: PDF

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Loginova, Marina V. « Ethno-aesthetics in the system ethnic culture : theoretical and methodological aspect ». Finno-Ugric World 13, n^o 2 (12 juillet 2021) : 169–79. http://dx.doi.org/10.15507/2076-2577.013.2021.02.169-179.

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Introduction. The article deals with the study of theoretical and methodological foundations of ethno-aesthetics as a “cultural code” of an ethnos through a systematic approach to solving the problem of the ratio of ethno-culture and ethno-aesthetics. The aim of the study is a philosophical analysis of ethno-aesthetics to determine the semantic potential of the symbolic capital of ethnic culture. Materials and Methods. The logic of the research, ascending from the abstract (definition of ethno-aesthetics) to the exact (ethno-futurism), is based on a systemic approach. It distinguishes the following methods: dialectical (ethno-aesthetics at the level of the singular, particular and universal), comparative-historical (transformation of ethno-aesthetic values); structural and functional (ethno-aesthetics as an open system of aesthetic values that serve as “markers” of ethnic originality). Results and Discussion. The author denotes the theoretical and methodological aspects of ethno-aesthetics in the modern conditions of being of an ethnos: ethno-aesthetic values, aesthetic ontology of ethnos, expression in ethno-aesthetics of the “spirit of a people”. In the ethnic world-picture the expression of the concept “spirit of the people” allows to highlight the levels of ethno-aesthetics in ethnoculture: substantial (aesthetic consciousness, aesthetic values that reflect/express the “spirit of a people”); functional-historical (transforming system of aesthetic relations and aesthetic experience of an ethnos). The author notes the relationship of ethno-aesthetic values with mentality, the “spirit of a people”, the deep layers of ethnic consciousness (traditions, rites, beliefs, mythological representations, archetypes), art as a system of creating symbolic images. The dialectics of single, special and universal with regard to aesthetic values distinguishes ethno-aesthetics as the level of being of special, which at the same time combines (values and creative potential of an ethnos in world exploration) and determines the specifics of understanding and interpretation by an ethnos the basic values (the beautiful, the tragic, the comic, etc.) and its fixation in the language. The source of aesthetic ontology is the experiencing by an ethnos life, nature, labour, creativity, which have creative and harmonizing potential. Conclusion. The author interprets ethno-aesthetics as an integral part of aesthetics, which creates a philosophical theory of an ethnos aesthetic relationship to the world (nature, art, labour), reflects the process of formation and development of aesthetic sensuality and aesthetic consciousness, the value of the world.

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Kurraz, Abdullah. « Artistic Narrative Structure of Ihsan Abdel Quduos and D. H. Lawrence's Novels : A Stylistic Comparative Sketch ». International Journal of Linguistics, Literature and Translation 5, n^o 3 (5 mars 2022) : 48–57. http://dx.doi.org/10.32996/ijllt.2022.5.3.6.

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This paper explores the artistic structures, aesthetics, and thematics in the literary works of Ihsan Abd Al-Quduos (the Arab writer) and D. H. Lawrence (the English writer) in terms of the narrative style, language, dialogue, settings, and characters through a textual analysis in the light of the premises of the narrative aesthetics, comparative assumptions and aesthetic intertextualities. Comparatively, the paper sheds light on the aspects of artistic aesthetics of structure and style between the two writers, basically the treatment of women, clarifying their narrative experiences. Therefore, this paper adopts the descriptive and analytical critical theory to explore similarities and dissimilarities in the aesthetics, style, and language of both writers' selected texts. The results of this paper textually reveal both authors' awareness of the nature of the fictional discourse as linguistic creativity and special artistic composition. Also, both novelists show some similarities and differences in narrative content, style, structure and themes, each according to his realistic experience as a result of the relationship with the surrounding environment and the cultural background. So, the two writers are very careful with all their art and creativity to endow their novels with aesthetics of expression and their structural and semantic spaces. The paper explores such issues in their selected narratives, which include Ihsan's Sleepless, The Dead End, A Nose and three Eyes, and Don't Turn off the Sun. Lawrence's novels include Sons and Lovers, Women in Love, The Lost Girl, Aaron's Rod, and Lady Chatterley's Lover.

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Kodalak, Gökhan. « Affective Aesthetics beneath Art and Architecture : Deleuze, Francis Bacon and Vogelkop Bowerbirds ». Deleuze and Guattari Studies 12, n^o 3 (août 2018) : 402–27. http://dx.doi.org/10.3366/dlgs.2018.0318.

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There is an aesthetic undercurrent traversing Deleuze's philosophy along confluent trajectories of Baruch Spinoza and Friedrich Nietzsche, which harbours untapped potentials and far-reaching consequences for contemporary discussions of art and architecture. According to this subterranean stream, aesthetic experience is generated, neither in ready-made mental faculties of a subject, nor in essential qualities of an object, but through affective interactions of a relational field. A cartographic inquiry of affective aesthetics constitutes the subject matter of this paper, beginning with a philosophical elaboration that connects aesthetic theories of Spinoza, Nietzsche and Deleuze, evolving via a comparative analysis of aesthetic processes specific to Francis Bacon's artistic assemblages and Vogelkop bowerbirds' architectural constructs, and concluding with the possibility of a non-anthropocentric aesthetics.

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Bettaieb, Donia, et Abeer Alsobahi. « Use of Design Theories and Principles in Visual Brand Identity Elements in Commercial and Retail Banks ». Journal of Visual Art and Design 14, n^o 2 (15 décembre 2022) : 111–37. http://dx.doi.org/10.5614/j.vad.2022.14.2.8.

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Studies on the processes that link logos and space design aesthetics to visual perception and recognition of visual brand identity (VBI) remain scant. Consequently, this study analyzed the visual correspondence between visual brand identity elements such as logos and interior spaces in commercial retail banking companies by assessing the foundations of their aesthetics formation and the role of aesthetic principles, aesthetic appraisal, and aesthetic impression. Using a qualitative approach, four commercial retail banking companies in Jeddah, Saudi Arabia were analyzed through semi-structured interviews with professional designers and design academics. A comparative method was used to determine the visual correspondence between the aesthetics of the logos and the interior spaces. The findings confirmed the importance of using design characteristics and theories for designing the elements of VBI. The results encourage the use of design for building visual correspondence between the elements of a visual identity of brands. This study provides a useful addition to knowledge on the place of design principles in the creation of VBI.

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Poškaitė, Loreta. « Everyday Aesthetics in the Dialogue of Chinese and Western Aesthetic Sensibilities ». Dialogue and Universalism 30, n^o 3 (2020) : 225–44. http://dx.doi.org/10.5840/du202030344.

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The paper examines the intercultural dimension of everyday aesthetics which was promoted by one of its most important Chinese proponents Liu Yuedi as a search for dialogue between various aesthetic traditions, in particular, those from the East and West. The aim of the paper is to explore some parallels between the traditional Chinese and contemporary Western aesthetic sensibilities, by looking for their common values and concepts which are gaining prominence in the discourse of everyday aesthetics. It begins with a survey of the contributions of Chinese and Western scholars; the survey concerns the relevance of Chinese (Confucian and Daoist) traditional aesthetics for everyday aesthetics, and examines particular features of the nature of perception in everyday aesthetics which is common to Chinese and Western artistic activities, aesthetic discourses and their conceptualizations. In the second section I discuss the “intercultural” concept of atmosphere as the de-personalized or “transpersonal”/intersubjective, vague and all-inclusive experience of the situational mood and environmental wholeness. I explore and compare the reflection of its characteristics in Western scholarship and Chinese aesthetics, especially in regard to the aural perception and sonic sensibility. The final section provides a comparative analysis of few examples of the integration of music into the environmental or everyday surrounding—in Daoist philosophy and Chinese everyday aesthetics, and Western avant-garde art (precisely, musical composition by John Cage 4’33). The analysis is concentrated on the perception of music in relation to the experience of atmosphere and everyday aesthetics, as they were defined in the previous sections. The paper challenges the “newness” of everyday aesthetics, especially if it is viewed from the intercultural perspective, and proposes the separation of its discourses into the investigation of its past and present.

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Sobolev, Yuriy. « Aesthetic Ideas and Concepts of the Hindu Tradition : Specific Features and Analogies ». Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, n^o 3 (21 juillet 2021) : 119–27. http://dx.doi.org/10.37482/2687-1505-v108.

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This article deals with the main ideas and basic concepts of Hindu aesthetics. The problem area reveals itself in the question of European culture’s perception of Hindu aesthetics. In this connection, the following questions are actualized: what can be considered as original aesthetic conceptions of Hinduism? is it possible to find direct analogies in other cultures? how relevant and correct is the conceptual apparatus describing various aesthetic phenomena? what is the role of the religious thought in the proposed aesthetic context? Proceeding from the historical and cultural position of aesthetic knowledge as it is presented in the European tradition, key approaches to the phenomenon of the aesthetic are shown, with the ideas of classical German philosophy – the cradle of aesthetic science (A. Baumgarten, I. Kant) – at the centre. The marked heterogeneity of aesthetic knowledge indicates its problematic status in the European historical-philosophical discourse and at the same time allows one to see, against its background, the harmonious place of aesthetics in Hindu culture. It mainly concerns the peculiarities of religious and worldview systems. Further, the paper studies the similarities and differences between the theoretical and ritual ideas and practices in Christianity and Hinduism. In particular, what they have in common is the importance of “threshold people” – liminal personae – in the spiritual life of society. Among the radical differences is the natural embedding of aesthetics in the religious system of India, while for European aesthetics, the religious world is just one of the spheres of the aesthetic. Using the method of comparative text analysis with reference to leading Russian orientalists and foreign researchers (V. Shokhin, D. Zilberman, E. Torchinov, R. Guénon, N. Gupta), the author takes a number of concepts as an example to demonstrate identity of religious and aesthetic ideas in Hindu and European cultures, as well as a possibility of mutual “cultural translation” of such basic concepts as aesthetics, the aesthetic, rasa and bhava.

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Hackett, Peter. « Aesthetics as a Dimension for Comparative Study ». Comparative Education Review 32, n^o 4 (novembre 1988) : 389–99. http://dx.doi.org/10.1086/446792.

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Pyrova, Tatiana Leonidovna. « Philosophical-aesthetic foundations of African-American hip-hop music ». Философия и культура, n^o 12 (décembre 2020) : 56–62. http://dx.doi.org/10.7256/2454-0757.2020.12.34717.

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This article is dedicated to the philosophical-aesthetic foundations of African-American hip-hop music of the late XX century. Developed by the African philosopher Leopold Senghor, the author of the theory of negritude, concept of Negro-African aesthetics laid the foundations for the formation of philosophical-political comprehension and development of the principles of African-American culture in the second half of the XX century in works of the founders of “Black Arts” movement. This research examines the main theses of the aesthetic theory of L. Senghor; traces his impact upon cultural-political movement “Black Art”; reveals which position of his aesthetic theory and cultural-political movement “Black Arts” affected hip-hop music. The author refers to the concept of “vibe” for understanding the influence of Negro-African aesthetics upon the development of hip-hop music. The impact of aesthetic theory of Leopold Senghor upon the theoretical positions of cultural-political movement “Black Arts” is demonstrated. The author also compares the characteristics of the Negro-African aesthetics and the concepts used to describe hip-hop music, and determines correlation between them. The conclusion is made that the research assessment of hip-hop music and comparative analysis of African-American hip-hop with the examples of global hip-hop should pay attention to the philosophical-aesthetic foundations of African-American hip-hop and their relation to Negro-African aesthetics, which differs fundamentally from the European aesthetic tradition.

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Thèses sur le sujet "Aesthetics, comparative"

Wu, Jiahua. « Landscape morphology : a comparative study of landscape aesthetics ». Thesis, University of Sheffield, 1992. http://etheses.whiterose.ac.uk/1851/.

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This research is about landscape aesthetics. Aesthetics is not purely Platonic but a result of human communication with nature which relates to landscape experience and, in turn, reflects and guides the way people appreciate, paint and design. This is an issue of art philosophy and design methodology. To link theory with practice, the relationship between landscape - both painted and designed - and aesthetic thinking is the most important topic discussed throughout the writing. To achieve a relatively complete understanding of landscape aesthetics, the discussion develops with reference to the historical, cultural, philosophical and technical contexts of both the East and the West. Some key issues such as Romanticism of the English School and Tao in Chinese landscape have been chosen as the central objects of attention in the study. The manner of discussion, reason and analysis is one of comparison. Taking into account the roles of philosophy in art and environmental design, 'Landscape Morphology', a systematic study of the language system of landscape art, design and education, is of high value in the area of environmental development, which substantially links the theory with environmental art and design, and foreshadows the future of landscape aesthetic research.

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Long, Geoffrey A. « Transmedia storytelling : business, aesthetics and production at the Jim Henson Company ». Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39152.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2007.
Includes bibliographical references (p. 177-181) and index.
Transmedia narratives use a combination of Barthesian hermeneutic codes, negative capability and migratory cues to guide audiences across multiple media platforms. This thesis examines complex narratives from comics, novels, films and video games, but draws upon the transmedia franchises built around Jim Henson's Labyrinth and The Dark Crystal to provide two primary case studies in how these techniques can be deployed with varying results. By paying close attention to staying in canon, building an open world, maintaining a consistent tone across extensions, carefully deciding when to begin building a transmedia franchise, addressing open questions while posing new ones, and looking for ways to help audiences keep track of how each extension relates to each other, transmedia storytellers can weave complex narratives that will prove rewarding to audiences, academics and producers alike.
by Geoffrey A. Long.
S.M.

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Vitali, Valentina. « The aesthetics of cultural modernisation : Hindi cinema in the 1950s ». Thesis, University of Ulster, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268856.

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Tanchio, Paul Albert. « Transcultural aesthetics and contemporary art ». Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10225.

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‘Transcultural aesthetics’, in Proceedings of the Pacific Rim Conference in Transcultural Aesthetics (1998), is a generic term used by comparative philosophers and aestheticians to denote a theoretical assessment of distinctive applied aesthetic concepts and experience of cultures. This thesis is concerned with transcultural art and transcultural aesthetics, and it uses the argument put forward by comparative philosopher and aesthetician Eliot Deutsch, in his On Truth: An Ontological Theory (1979), that its practitioners’ distinctive art forms, especially Anselm Kiefer, Imants Tillers, John Young, Gao Xingjian, Helmut Federle and Lee Ufan, all bear a consistent singular presentation of intentionality – crossing boundaries that are philosophical, material and aesthetic – one that draws its relationship of unity-in-diversity (an expression of unity without uniformity and diversity without fragmentation) to pure human experience. I will analyse these art forms creation with reference to key transcultural concepts such as ‘catharsis’ (cleansing), ‘kenosis’ (emptying) and ‘homeostasis’ (harmonising into equilibrium), as drawn from the Chinese, Indian and European aesthetics traditions (commonly known as unity traditions by Philosopher Karl Jaspers) and argue that transcultural aesthetics calls for critical theoretical reflexion on the hermeneutics of discourse and action, as well as on the ‘selves-as-agents’ hermeneutic: a cultivation of insight into one’s own approach to the one regulative ideal of inter-dialogue among multiple cultures. These three key concepts of transcultural aesthetics allow practitioners to regard a form of transcultural unity as the site of their final purpose and meaning in their art and practices. Finally, the actions of practitioners in their practices are not performed in a moment of impulse, but rather they stemmed from a concerted, unified motivation.

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Evans, Robert A. « An Aesthetic Attitude : An East - West Comparison of Bullough and Nishida ». Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1274279326.

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Carlin, Gerald. « Art and authority : a comparative study of the modernist aesthetics of Ezra Pound ». Thesis, University of Warwick, 1994. http://wrap.warwick.ac.uk/4164/.

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Due to the pressure to define a contemporary literature, 'High' modernism in English is often presented as a univocal canon of authors and works whose ideals have been identified and surpassed. This study attempts to re-emphasise the diversity of this writing by showing how crises in inherited authority were 'staged' by its aesthetics. The manner of this staging is examined in the writings and programmes of a selected group of authors while a focus is provided by the aesthetics of Ezra Pound. Pound's work is taken to be of especial interest because of the scope of his influence in establishing a 'modern' movement, the extremism of his writing's antagonism to authority, and the ambiguity of critical responses that the politics of his project continue to elicit. Chapter 1 examines the ways in which Pound promotes an 'aesthetics' of history and politics as the key to contemporary revolutionary change, and views his writing through a body of thinking which considers that the artwork, and not authority, might 'found' a modem culture. Chapter 2 treats Pound's metaphysics, showing how 'de-authorised' conceptions of religion, sexuality and language underpin this project. Chapter 3 deals with the writing of T. S. Eliot, and with the particular anti-aesthetics that inhabit his criticism and the draft of The Waste Land. Eliots project is shown to oppose Pound's by defining a desired authority against the power of art, an opposition that Pound's editing of The Waste Land effectively masks. Chapter 4 discusses the 'mass' aesthetics of James Joyce's Ulysses, and shows that the processes of self-interrogation that feature in this work realign the antipathy between art and authority in ways that militate against the ideals of a Poundian art of 'power'. Chapter 5 treats the work of D. H. Lawrence as a site where an empowered art and culture is both overtly promoted and intrinsically challenged. The proximity of Lawrence's programmatic modernism to Pound's is stressed, while an inbuilt antagonism to its own ideals is shown to sharply distinguish the dynamic trajectory of Lawrencean aesthetics from a Poundian art of self-authorisation. While establishing the antagonism between art and authority as a common focus for modernism, this study underlines differences and antipathies that emerge between the projects and texts under discussion, charting the diversity of responses to a commonly felt crisis. The study concludes with a discussion of Pound's post-war poetry, examining the fate of a writer who failed to extend into his own aesthetics the insights that modem crises in authority delivered.

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Elliott, Maren Nelson. « Border aesthetics : the photograph as fictionalized document in Norma Cantu's Canicula, Art Spiegelman's Maus, and Rea Tajiri's History and Memory ». The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406719850.

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Jakubowski, Philip. « Masters thesis / ». Online version of thesis, 1992. http://hdl.handle.net/1850/11152.

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Hyslop, Rachel Ann. « The concept of typology in Schiller, Nietzsche and Jung an historical and comparative study / ». Connect to e-thesis, 2007. http://theses.gla.ac.uk/285/.

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Thesis (MPhil(R)) - University of Glasgow, 2007.
MPhil(R) thesis submitted to the Department of German, Faculty of Arts, University of Glasgow, 2007. Includes bibliographical references. Print version also available.

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Clopton, Kay Krystal. « Now Hear This : Onomatopoeia, Emanata, Gitaigo, Giongo – Sound Effects in North American Comics and Japanese Manga and How They Impact the Reading Experience ». The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1525744652209227.

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Livres sur le sujet "Aesthetics, comparative"

Kit Wah Man, Eva, et Jeffrey Petts. Comparative Everyday Aesthetics. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463723367.

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Leading international scholars present analysis and case studies from different cultural settings, East and West, exploring aesthetic interest and experience in our daily lives at home, in workplaces, using everyday things, in our built and natural environments, and in our relationships and communities. A wide range of views and examples of everyday aesthetics are presented from western philosophical paradigms, from Confucian and Daoist aesthetics, and from the Japanese tradition. All indicate universal features of human aesthetic lives together with their cultural variations. Comparative Everyday Aesthetics is a significant contribution to a key trend in international aesthetics for thinking beyond narrow art-centered conceptions of the aesthetic. It generates global discussions about good, aesthetic, everyday living in all its various aspects. It also promotes aesthetic education for personal, social, and environmental development and presents opportunities for global collaborative projects in philosophical aesthetics.

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Chaudhury, Prabas Jivan. Studies in comparative aesthetics. 2^e éd. Santiniketan : Visva-Bharati Research Publications, 1990.

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Chaudhary, Angraj. Comparative aesthetics, East and West. Delhi, India : Eastern Book Linkers, 1991.

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Comparative aesthetics : East and West. Delhi : Eastern Book Linkers, 2012.

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Mukherji, Ramaranjan. Comparative aesthetics : Indian and Western. Calcutta : Sanskrit Pustak Bhandar, 1991.

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1948-, Wilkinson Robert, dir. New essays in comparative aesthetics. Newcastle, UK : Cambridge Scholars Pub., 2007.

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Roshan, Shamman. Comparative poetics : Aesthetics of the ineffable. New Delhi, India : Intellectual Pub. House, 1988.

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Six names of beauty. New York : Routledge, 2004.

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Bian yuan zheng he : Zhu Guangqian he Zhong xi mei xue jia de si xiang guan xi = Bian yuan zheng he : Zhuguangqian he Zhongxi meixuejia de sixiang guanxi. Hefei Shi : Anhui jiao yu chu ban she, 2003.

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Six names of beauty. New York : Routledge, 2006.

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Chapitres de livres sur le sujet "Aesthetics, comparative"

Watanabe, Shigeru. « Animal Aesthetics from the Perspective of Comparative Cognition ». Dans The Science of the Mind, 129–62. Tokyo : Springer Japan, 2012. http://dx.doi.org/10.1007/978-4-431-54123-3_7.

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Imamichi, Tomonobu. « Mimesis and Expression ; A Comparative Study in Aesthetics ». Dans Facts and Values, 139–47. Dordrecht : Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-009-4454-1_11.

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McKnight, Lucinda. « Tin Shed Science : Girls, Aesthetics, and Permeable Learning ». Dans Handbook of Comparative Studies on Community Colleges and Global Counterparts, 1–26. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51949-4_94-1.

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Engel, Manfred, et Juergen Lehmann. « The Aesthetics of German Idealism and Its Reception in European Romanticism ». Dans Comparative History of Literatures in European Languages, 69–95. Amsterdam : John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/chlel.xviii.07eng.

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Giacomoni, Paola. « Mountain landscapes and the aesthetics of the sublime in Romantic narration ». Dans Comparative History of Literatures in European Languages, 107–21. Amsterdam : John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/chlel.xxiii.10gia.

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Kivy, Peter. « Fictional Form and Symphonic Structure : An Essay in Comparative Aesthetics ». Dans Philosophy of Literature, 47–64. Oxford, UK : Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324327.ch3.

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Rousell, David, et Dilafruz Williams. « Section Introduction : Ecological Aesthetics : New Spaces, Directions, and Potentials ». Dans Handbook of Comparative Studies on Community Colleges and Global Counterparts, 1–15. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51949-4_86-1.

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Cajete, Gregory A., et Dilafruz R. Williams. « Eco-aesthetics, Metaphor, Story, and Symbolism : An Indigenous Perspective ». Dans Handbook of Comparative Studies on Community Colleges and Global Counterparts, 1–27. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51949-4_96-1.

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Rousell, David, et Amy Cutter-Mackenzie. « Uncommon Worlds : Toward an Ecological Aesthetics of Childhood in the Anthropocene ». Dans Handbook of Comparative Studies on Community Colleges and Global Counterparts, 1–23. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51949-4_88-1.

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Rousell, David, et Amy Cutter-Mackenzie-Knowles. « Uncommon Worlds : Toward an Ecological Aesthetics of Childhood in the Anthropocene ». Dans Handbook of Comparative Studies on Community Colleges and Global Counterparts, 1–23. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51949-4_88-2.

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Actes de conférences sur le sujet "Aesthetics, comparative"

Temel, Dogancan, et Ghassan AlRegib. « A comparative study of computational aesthetics ». Dans 2014 IEEE International Conference on Image Processing (ICIP). IEEE, 2014. http://dx.doi.org/10.1109/icip.2014.7025118.

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Jie, Chen. « Comparative study between Chinese and western music aesthetics and culture ». Dans 2015 International Conference on Social Science and Technology Education. Paris, France : Atlantis Press, 2015. http://dx.doi.org/10.2991/icsste-15.2015.35.

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Jovanovic-Popovic, Milica. « AESTHETICS IN VERNACULAR ARCHITECTURE : A COMPARATIVE ANALYSIS OF THE FORM OF VERNACULAR ARCHITECTURE IN THE BALKANS, AN AESTHETIC APPROACH ». Dans 14th SGEM GeoConference on NANO, BIO AND GREEN � TECHNOLOGIES FOR A SUSTAINABLE FUTURE. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgem2014/b62/s27.057.

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Rosalina, Asri, et Deddy Wahjudi. « Comparative Study of the Wisdom Values in the Sundanese Traditional Houses and the Stilt House Designed by Architect Tan Tjiang Ay ». Dans International Conference on Aesthetics and the Sciences of Art. Bandung, Indonesia : Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338619.

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Ping, Hu. « A Comparative Study of Eastern and Western Music Aesthetics from the Perspective of Cross-culture ». Dans 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Paris, France : Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.316.

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Tabisz, Stanisław. « City as a work of art ». Dans Virtual City and Territory. Barcelona : Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8109.

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Impressional and comparative reflection about the existence and the operation of selected cities in a context of their unique aesthetics and beauty, by a painter, draftsman and designer, the chancellor of the Academy of Fine Arts in Krakow. A description of a direct experience of the city seen as an open work of art, specific in its structural complexity both in its material and spiritual atmosphere

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N, Nourin, Hazeena R et Asif Basheer. « A Review on the Seismic Performance Assessment of Steel Diagrid Structures ». Dans International Web Conference in Civil Engineering for a Sustainable Planet. AIJR Publisher, 2021. http://dx.doi.org/10.21467/proceedings.112.37.

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In recent years, there is rapid increase in the construction of high rise structures due to the increase in population, high cost of land and restriction in horizontal growth due to less space. The advancements in the development of technological solutions and construction methods of high rise structures led to the innovative structural systems. One of the important criteria that need to be considered in the design of high rise structures is minimization of lateral loads. Hence, the importance of lateral load resisting system increased than structural systems that resist gravitational loads. Lateral loading due to wind and earthquake are the major factors that have to be considered in the design of high-rise structures. Diagrid structural system is recognized as a unique system in construction of high rise structures which is a variation of tubular structures. It consists of inclined members instead of vertical columns in conventional structures to carry both gravity and lateral loads. It gains popularity due to its structural efficiency and aesthetic potential gained by its unique geometric configuration. The present work reviews studies regarding seismic performance assessment of steel diagrid structures, studies on seismic performance factors of steel diagrid structures, impact of shear-lag effect and comparative studies on diagrids. Diagrids are found to be an efficient structural system for high rise structures in terms of structural efficiency as well as aesthetics. Also, it provides more economy, in terms of consumption of steel, thus making it cost-effective and eco-friendly.

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Maciejko, Alicja. « Analysis of the use of houses on the T-plan to shape the plans of community housing complexes with low development intensity ». Dans 8th International Conference on Human Interaction and Emerging Technologies. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002808.

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The article presents the idea of low-intensity residential development with the use of single-story T-plan apartments with a built-up area of 70 - 80 m2, combined into multi-family layouts, containing up to several dozen apartments individually accessible from the ground level. Housing estates can be formed both regularly and freely, because the various and unusual layouts possible to arrange result from the idea of the house plan itself, which can be connected with each other on four sides. The idea is presented against the background of the standards that apply in the planning of social housing and refugee settlements using the method of comparative analysis. Due to the production technology of repetitive dwelling units that can be combined into elaborate individual arrangements, T-plan housing estates are a solution in which, in addition to economic parameters, important issues of aesthetics, ergonomics, sustainability, individualization and psychological aspects of living are taken into account while meeting the demands of sustainable development. These solutions may also become an alternative to monotonous regular terraced housing, commonly used nowadays.

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Sardenberg, Victor, et Mirco Becker. « Aesthetic Measure of Architectural Photography utilizing Computer Vision : Parts-from-Wholes ». Dans Design Computation Input/Output 2022. Design Computation, 2022. http://dx.doi.org/10.47330/dcio.2022.ggnl1577.

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The existing methods for solution space navigation require numerical values to score solutions. The authors introduce a method of quantitative aesthetic evaluation utilizing Computer Vision (CV) as a criterion to navigate solution spaces. Therefore, aesthetics can complement structural, environmental, and other quantitative criteria. The work stands in the extended history of quantifying the visual aesthetic experience. Some precedents are: Birkhoff [1933] and Max Bense [1965] built an approach with experiments to empirically support a measure, whereas Birkin [2010], Ostwald, and Vaughan [2016] devised the first computational methods working on vector drawings. Our research automates and accelerates aesthetic quantification by utilizing CV to extract computable datasets from images. We are especially keen on architectural images as a shorthand to assign an aesthetic value to design, aiming to navigate the solution space in architecture. This work devises a method for rearranging parts in architectural images focusing on formal aspects, in opposition to semantic segmentation where objects unrelated to architectural design (cars, persons, sky…) are quantified to score images [Verma and Jana and Ramamritham 2018]. It uses Maximally Stable Extremal Regions (MSER) [Matas 2004] to recognize architectural parts because it is superior to similar methods such as SimpleBlobDetector in this task. Our method disassembles the parts in a diagram of scaled parts (Fig. 2) to analyze them in isolation, and a diagram of connectivity graph (Fig. 3), to evaluate relationships. These diagrams are examined to compare photos of buildings, cars, and trees to assess the applicability of such a method to a range of objects. Parts and connections are thus quantified, and these values are inputted in a refined version of Birkhoff’s formula to calculate an aesthetic score for each image for navigating the solution space. Finally, it tests the method to draw comparisons between the discrete and continuous paradigms (Fig. 1) in the contemporary discourse of architecture, comparing Zaha Hadid Architects` Heydar Aliyev Centre and Gilles Retsin´s Diamonds House to argue that there is a difference between the aesthetic effects of continuous and discrete designs, besides their distinction in tectonic logic. The method proved to be an efficient procedure for comparatively quantifying the aesthetic judgment of architectural images, enabling designers to incorporate aesthetics as a complementary criterion for solution space navigation in computational design. The method of computational aesthetic measure for solution space navigation and its calibrations via crowdsourced evaluation of images is further detailed in a paper by the authors being published at the 2022 eCAADe conference.

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Armstrong, Jessica L., Ian C. Garretson et Karl R. Haapala. « Gate-to-Gate Sustainability Assessment for Small-Scale Manufacturing Businesses : Caddisfly Jewelry Production ». Dans ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-34559.

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Recent manufacturing research has focused attention on methods for improving the sustainability performance of high-volume manufacturing. Most manufacturing businesses operate at the small to medium scale, however, and would benefit from the transfer of knowledge gained from this work to lower volume production. To demonstrate an example of this knowledge transfer, the sustainability performance of two manufacturing strategies is investigated for small-scale caddisfly jewelry production. Control over the aesthetics of the end product is an important feature of jewelry manufacturing. In this case, however, increasing product quality control can have life cycle impacts which are unaccounted for in typical decision making. To make a decision between two caddisfly jewelry manufacturing strategies, a comparative gate-to-gate sustainability assessment was performed. The method combines life cycle inventory analysis, life cycle costing, and worker injury risk assessment to develop a holistic comparison encompassing the three pillars of sustainability. The assessment revealed tradeoffs between environmental impacts, costs, and social impacts for the two scenarios. Thus, hierarchical importance of the three sustainability pillars is needed to make stakeholder decisions. In this small-scale manufacturing case, such decision-making is found to be primarily driven by the personal values of the business owners.

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Rapports d'organisations sur le sujet "Aesthetics, comparative"

NELYUBINA, E., et L. PANFILOVA. ASSESSMENT OF THE QUALITY OF EDUCATIONAL ELECTRONIC PUBLICATIONS AND RESOURCES. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2658-4034-2021-12-4-2-85-97.

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Now the whole life of a person has switched to online mode. These changes also affected the education system. This means the need to introduce new technologies into the educational process. Books, manuals, printed publications are being replaced by electronic educational resources. Providing up-to-date, verified information to students has always been and remains one of the most important functions of the teacher. Unfortunately, with the transition of training to the online mode, the teacher cannot use his literature when conducting classes. In this regard, there is a need to use electronic resources. On the one hand, the development of the global network implies the presence of a large number of a wide variety of sites, which cannot but be a positive aspect, because both the teacher and the student can independently choose a resource that will be most understandable. But on the other hand, the variety of Internet resources implies the presence of unverified, false information, which can negatively affect the quality of education. That is why it is necessary to analyze new information systems. The problem is the presence of a large number of information technologies and resources used in education. Purpose. The goal is to conduct a comparative analysis of educational electronic publications and resources most often used by teachers of the natural science cycle in terms of their fullness, accessibility and use in the educational process. Method or methodology of the work. The requirements for the organization of a comprehensive examination suggest an approach that includes an examination of technical and technological, psychological, pedagogical and design-ergonomic aspects of the creation and use of educational electronic publications and resources, in our work we were based precisely on generalized research methods: 1) Technical and technological expertise (technical component of the site, its position in the network). 2) Psychological and pedagogical expertise (component by the type of educational electronic publication or resource, level of education, type and form of the educational process, assessment of the content and scenario of the informatization tool). 3) Design-ergonomic expertise (assessment of the quality of interface components of educational electronic publications and resources, their compliance with uniform ergonomic, aesthetic and health-saving requirements; assessment of the quality of interface components of educational electronic editions and resources, their compliance with uniform ergonomic, aesthetic and health-saving requirements). Results. The main sites that are frequently used by teachers of the natural science cycle of disciplines are the Russian Textbook corporation, the Enlightenment group of companies, the Binom publishing house, the Digital Age School, the practical significance of the study is determined by the high level of readiness of the results obtained, during the study it was found that it is advisable to introduce an information-electronic educational site - the Russian textbook corporation - into the pedagogical practice of the implementation of natural science subjects. The advantages of this server were established and recommendations for its use in the educational process were developed. Practical implications: the results obtained are expedient to be applied in educational institutions of the Russian Federation.

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