Bibliographies thématiques / Afro -Cuban culture

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Littérature scientifique sur le sujet « Afro -Cuban culture »

Auteur : Grafiati
Publié le 9 novembre 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Afro -Cuban culture"

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Benson, Devyn Spence. "Redefining Mestizaje: How Trans-Caribbean Exchanges Solidified Black Consciousness in Cuba." Small Axe: A Caribbean Journal of Criticism 25, no. 2 (2021): 91–108. http://dx.doi.org/10.1215/07990537-9384286.

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This essay recovers the history of 1960s and 1970s black movements in Cuba through an examination of works by Afro-Cuban intellectuals and their meetings with Caribbean thinkers to show the coexistence of mestizaje and black consciousness as a defining, but overlooked, feature of black activism in Cuba. While the existing literature locates black consciousness in the English- and French-speaking Caribbean, this essay highlights how Afro-Cubans in Spanish-speaking countries were not only aware of but also adapted Caribbean ideologies to local circumstances. Using oral histories, cultural produc
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García Yero, Cary Aileen. "To Whom It Belongs: The Aftermaths of Afrocubanismo and the Power over Lo Negro in Cuban Arts, 1938–1958." Latin American Research Review 57, no. 1 (2022): 1–18. http://dx.doi.org/10.1017/lar.2022.1.

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AbstractThis article explores the impact of Afrocubanismo on the development of Cuba’s arts during the 1940s and 1950s. The article follows the discursive output of artists, intellectuals, and cultural policymakers of different racial backgrounds over the deployment of lo negro to construct cubanidad. It argues that, if the 1920s and 1930s experienced a movement towards the construction of a homogeneous mestizo Cuba, the following decades reveal an effort by some artists to desyncretize lo cubano. While some intellectuals constructed notions of authenticity that circumscribed black art to blac
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Cunha, Olívia M. G. "Travel, Ethnography, and Nation in the Writings of Rómulo Lachatañéré and Arthur Ramos." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (2007): 219–57. http://dx.doi.org/10.1163/22134360-90002482.

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Analyses how the traveling to and residence in the US of Arthur Ramos from Brazil and Rómulo Lachtañéré from Cuba, between 1939 and 1952, influenced their (anthropological) writings on Afro-American cultures and religions, specifically with regard to the relation between nation and race. Author describes that while Ramos and Lachatañéré went to the US under differing conditions, in the case of Lachatañéré in exile, and had dissimilar intellectual and political perspectives, their writings during and after their stay revealed identical approaches to interpreting the relation between nation and
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Cunha, Olívia M. G. "Travel, Ethnography, and Nation in the Writings of Rómulo Lachatañéré and Arthur Ramos." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (2008): 219–57. http://dx.doi.org/10.1163/13822373-90002482.

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Analyses how the traveling to and residence in the US of Arthur Ramos from Brazil and Rómulo Lachtañéré from Cuba, between 1939 and 1952, influenced their (anthropological) writings on Afro-American cultures and religions, specifically with regard to the relation between nation and race. Author describes that while Ramos and Lachatañéré went to the US under differing conditions, in the case of Lachatañéré in exile, and had dissimilar intellectual and political perspectives, their writings during and after their stay revealed identical approaches to interpreting the relation between nation and
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Fuente, Alejandro de la. "Recent Works on Afro-Cuban Culture." Latin American and Caribbean Ethnic Studies 3, no. 1 (2008): 109–19. http://dx.doi.org/10.1080/17442220701865895.

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Román, Reinaldo. "Governing Man-Gods: Spiritism and the Struggle for Progress in Republican Cuba." Journal of Religion in Africa 37, no. 2 (2007): 212–41. http://dx.doi.org/10.1163/157006607x184834.

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AbstractThis article explores the contrasting careers of two Spiritist healers, one Spanish-born and the other Afro-Cuban. It suggests that the prosecution of the black man-god (Hilario Mustelier) and the public celebration of the ministry of the Spaniard (Juan Manso) attest to the consolidation of a political rationality burgeoning in Cuba at the turn of the twentieth century. Under this regime, government officials and journalists sought to alter the conditions that gave rise to 'fanaticism' to promote the modernization of the nascent republic. Following a discussion of the notions of race a
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Domínguez Barzaga, Maydelin. "Merceditas Valdés: un canto a la espiritualidad y tradiciones afrocubanas." ACCADERE. Revista de Historia del Arte, no. 8 (2024): 41–54. https://doi.org/10.25145/j.histarte.2024.08.02.

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Tour of the life and work of the Cuban singer Merceditas Valdés, mediator between Yoruba culture and Afro-Cuban music in commemoration of the centenary of her death. Through the analysis of documents, archives and written sources related to the artist and an exclusive interview with Agustín Montano Lis, a musician close to Merceditas, exploring the impact of her influence on Cuban music and religious syncretism. His testimony provides an intimate look. Being the African culture and the Yoruba deities fundamental to the history and culture of the island and the main theme in their music, endowi
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Martin Demers, Stephane. "Recreating Collective Memories of Africa in the Afro-Caribbean Diaspora." Caribbean Quilt 6, no. 1 (2022): 90–96. http://dx.doi.org/10.33137/cq.v6i1.36932.

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Forced to succumb to a life of enslavement, African-turned-Afro-Caribbean slaves devel- oped a collective image of their beloved homeland and forged an unbreakable chain of solidarity among their many ethnicities. The collective recreation of Africa as manifest in the imagination of Afro-Caribbean slaves through the practice of Cuban Santería and Haitian Vodou in sixteenth- to eigh- teenth-century Cuba and Haiti catalyzed their resistance to European subjugation. In partic- ular, these recreated cultural memories served as a foundation for the enslaved to subvert the dominant culture and resi
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WIRTZ, KRISTINA. ":Afro-Cuban Theology: Religion, Race, Culture, and Identity." American Anthropologist 109, no. 3 (2007): 558–59. http://dx.doi.org/10.1525/aa.2007.109.3.558.

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Vernooij, Joop. "Afro-Cuban theology. Religion, Race, Culture, and Identity." Exchange 37, no. 1 (2008): 96–97. http://dx.doi.org/10.1163/157254308x251403.

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Thèses sur le sujet "Afro -Cuban culture"

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Kocur, Zoya. "Art collectives, Afro-Cuban culture, and alternative cultural production, 1975-2010 : the performative interventions of OMNI Zona Franca and the struggle for space in the Cuban public sphere." Thesis, Middlesex University, 2013. http://eprints.mdx.ac.uk/11051/.

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This study presents an analysis of the appropriation of public space by cultural producers in Cuba, with a focus on art collectives, in particular, OMNI Zona Franca from Alamar, east of Havana. Based on primary research conducted with the artists, cultural producers, and scholars, I discuss OMNI’s work in the context of the history and formation of a nascent movement for civil society in Cuba, locating the collective’s work within the matrix of alternative and African diasporic cultural production. The latter is framed as part of a historical continuum and in the context of the discussion of r
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Redon, Klemia. "Héritage afro-cubain : Entre identité culturelle et représentation folklorique donnée à voir aux touristes (1992-2021)." Electronic Thesis or Diss., Université Grenoble Alpes, 2024. http://www.theses.fr/2024GRALL008.

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Chargé d’une histoire aussi complexe que riche, Cuba s’est converti en quelques années en une destination prisée pour la beauté de ses paysages, de ses plages mais aussi de la chaleur et de la convivialité qui se dégagent de ses habitants.Après une crise économique sans précédent qui frappe Cuba à partir du début des années 1990 appelée « el Periodo Especial en tiempo de paz », le gouvernement de Fidel Castro décide de développer une politique touristique visant à favoriser l’économie mise à mal par l’arrêt du soutien financier de l’Union Soviétique. Le « crocodile » de la Caraïbe, lieu straté
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Ramos, Miguel. "Lucumí (Yoruba) Culture in Cuba: A Reevaluation (1830S -1940s)." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/966.

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The status, roles, and interactions of three dominant African ethnic groups and their descendants in Cuba significantly influenced the island’s cubanidad (national identity): the Lucumís (Yoruba), the Congos (Bantú speakers from Central West Africa), and the Carabalís (from the region of Calabar). These three groups, enslaved on the island, coexisted, each group confronting obstacles that threatened their way of life and cultural identities. Through covert resistance, cultural appropriation, and accommodation, all three, but especially the Lucumís, laid deep roots in the nineteenth century tha
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Ayorinde, Christine Renata. "Afro-Cuban religiosity, revolution and national identity (cubanidad/cubania)." Thesis, University of Birmingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368423.

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Sá, Edmilson Siqueira de. "O mundo de ponta cabeça : negros em festa na capitania de Goiás e em Cuba." reponame:Repositório Institucional da UnB, 2006. http://repositorio.unb.br/handle/10482/4618.

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Dissertação (mestrado)—Universidade de Brasília, Departamento de História, 2006.<br>Submitted by Érika Rayanne Carvalho (carvalho.erika@ymail.com) on 2010-05-14T00:53:32Z No. of bitstreams: 1 2006_Edmilson Siqueira de Sá.pdf: 785818 bytes, checksum: 613bd76dc93df3083da00976936399c6 (MD5)<br>Approved for entry into archive by Lucila Saraiva(lucilasaraiva1@gmail.com) on 2010-05-14T03:16:19Z (GMT) No. of bitstreams: 1 2006_Edmilson Siqueira de Sá.pdf: 785818 bytes, checksum: 613bd76dc93df3083da00976936399c6 (MD5)<br>Made available in DSpace on 2010-05-14T03:16:19Z (GMT). No. of bitstreams: 1
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Rojo, Sergio. "Discriminación racial: Discurso oficial versus realidad en Cuba postrevolucionaria." Scholar Commons, 2018. http://scholarcommons.usf.edu/etd/7224.

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El objetivo de esta investigación es buscar y analizar las causas que han mantenido la discriminación racial dentro de Cuba después de 1959. En mi investigación pretendo examinar cómo la Revolución Cubana no eliminó la continuidad histórica de discriminación racial heredada del pasado. En mi análisis quiero verificar cómo el estereotipo y la imagen política del afrocubano que ha sido formada tras los cambios sociales ocurridos después del 1959, no es más que el resultado de una falacia política montada en nombre de la igualdad. Muchas de las políticas adoptadas por el estado se hicieron en pos
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Paes, Gabriela Segarra Martins. "A \'recomendação das almas\' na comunidade remanescente de Quilombo de Pedro Cubas." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01122009-160957/.

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A região entrecortada pelos rios Pilões, Nhunguara, Sapatu e Pedro Cubas era a mais rica zona de mineração de Eldorado (São Paulo), e o local para onde foram levados os primeiros escravizados que aportaram na região. Com a decadência da mineração, no final do século XVIII, muitos escravizados foram abandonados ou alforriados, transformando-se em camponeses, autônomos do ponto de vista econômico e religioso. O poder religioso era independente do clero oficial e concentrava-se nas mãos de leigos. Dessa forma, desenvolveu-se um catolicismo popular marcadamente diferente do catolicismo romano e re
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Kerestetzi, Katerina. "Vivre avec les morts : réinvention, transmission et légitimation des pratiques du palo monte (Cuba)." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100179.

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Cette thèse a pour objet le palo monte, culte initiatique d’origine bantoue que l’on pratique aujourd’hui sur tout le territoire cubain. Ses adeptes, les paleros, se lient rituellement à certains esprits des morts, les nfumbis, afin de bénéficier de leurs pouvoirs extraordinaires. Religion peu prescriptive, le palo monte laisse à ses adeptes une grande latitude en matière d’innovation rituelle et d’improvisation. En l’absence de corpus mythologique, de textes sacrés, de liturgie fixe et de toute autorité institutionnalisée, chaque groupe initiatique définit sa méthodologie religieuse de façon
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Amrhein, Saundra Marie. "Cuba's Chords of Change: Music, Race, Class & Motherhood at the turn of the 21st Century." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4277.

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This thesis is an ethnography and biographical study that examines the impact of the immense socioeconomic changes underway in Cuba at the turn of the 21st century and the flexible identity categories through which individuals navigate a social crisis. The biography and ethnography in this thesis are centered on the life of Violeta Aldama, an aging revolutionary and Afro-Cuban mother who struggles to make ends meet while fighting to steer her son, Brian, through a classical music education and into a music career. Amid growing racial inequalities when many Afro-Cubans are locked out of the mos
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Brunson, Takkara Keosha. "Constructing Afro-Cuban womanhood : race, gender, and citizenship in Republican-era Cuba, 1902-1958." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-08-4213.

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This dissertation explores continuities and transformations in the construction of Afro-Cuban womanhood in Cuba between 1902 and 1958. A dynamic and evolving process, the construction of Afro-Cuban womanhood encompassed the formal and informal practices that multiple individuals—from lawmakers and professionals to intellectuals and activists to workers and their families—established and challenged through public debates and personal interactions in order to negotiate evolving systems of power. The dissertation argues that Afro-Cuban women were integral to the formation of a modern Cuban identi
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Livres sur le sujet "Afro -Cuban culture"

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1943-, Pérez Sarduy Pedro, and Stubbs Jean 1946-, eds. Afro-Cuban voices: On race and identity in contemporary Cuba. University Press of Florida, 2000.

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Rodríguez-Mangual, Edna M. Lydia Cabrera and the construction of an Afro-Cuban cultural identity. University of North Carolina Press, 2004.

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Garoutte, Claire. Crossing the water: A photographic path to the Afro-Cuban spirit world. Duke University Press, 2007.

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(Editor), Judith Bettelheim, and Fernando Ortiz (Editor), eds. Cuban Festivals: A Century of Afro-Cuban Culture. Markus Wiener Publishers, 2001.

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Bettelheim, Judith. Cuban Festivals: A Century of Afro-Cuban Culture. Ian Randle Publishers,Jamaica, 2001.

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Gonzalez, Michelle A. Afro-Cuban Theology: Religion, Race, Culture, and Identity. University Press of Florida, 2009.

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Afro-cuban Theology: Religion, Race, Culture, And Identity. University Press of Florida, 2006.

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Fernando Ortiz on Music: Selected Writing on Afro-Cuban Culture. Temple University Press, 2018.

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Fernando, Ortiz. Fernando Ortiz on music: Selected writing on Afro-Cuban culture. Temple University Press, 2018.

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Arnedo-Gómez, Miguel. Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolás Guillén. Bucknell University Press, 2019.

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Chapitres de livres sur le sujet "Afro -Cuban culture"

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Annecchiarico, Milena. "Culture, Race, and Nation in Afro-Cuban Studies." In Routledge Handbook of Afro-Latin American Studies. Routledge, 2022. http://dx.doi.org/10.4324/9781003159247-47.

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Richardson, Jill Toliver. "Memory and the Afro-Cuban Missing Link in H.G. Carrillo’s Loosing My Espanish." In The Afro-Latin@ Experience in Contemporary American Literature and Culture. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31921-6_6.

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Tisdel, Michelle A. "From House-Temples to Museum Showcase: Afro-Cuban Religions, Heritage and Cultural Policy in Cuba." In Cultural Contestation. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91914-0_6.

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Anaya, Elizabeth. "“Salsa con Afro”: Remembering and Reenacting Afro-Cuban Roots in the Global Cuban and Latin Dance Communities." In Cultural Memory and Popular Dance. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71083-5_3.

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Presas, Alex. "Afro-Cuban Religions in Cuban Literature." In The Oxford Handbook of Caribbean Religions. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190916961.013.28.

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Abstract This chapter cites the influence of archival oralities of culture in correlation with Afro-Cuban religions featured in Cuban literature. It starts with a short overview of Manga-Mocha: cuento ñáñigo, representing Afro-Cuban themes in Spanish Caribbean literature. Even though the publication of Manga-Mocha was over a century ago, its thematic representation of Afro-Cuban religions has expanded into the portrayal of a strong communal identity in Cuban literature and culture. The conformation of a more diverse Cuban culture began with the gradual integration of Afro-Cuban values into the
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Wilks, Jennifer M. "“The Queen of Havana”." In Carmen in Diaspora. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197566145.003.0006.

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Abstract Drawing on performance ethnography, cultural history, and critical reception, Chapter 5 examines how the musical play Carmen la Cubana—conceived by British director Christopher Renshaw and written by Renshaw, Cuban playwright Norge Espinosa Mendoza, and British dramatist Stephen Clark—adapts Prosper Mérimée, Georges Bizet, and Oscar Hammerstein while celebrating Cuban culture and contending with its racial entanglements. From the outset, the musical reverses the cultural hierarchies of its French predecessors, with Afro-Caribbean music and spirituality taking center stage and European
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Anderson-GonzÁlez, Maya. "Race, Gender, and Sexuality in Cuban Digital Culture." In Afro-Latinx Digital Connections. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9781683402046.003.0005.

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Dr. Anderson-González studies the Afro-Cuban blogosphere as a way to identify how discourses of race, gender and sexuality shape the discussion and appropriation of digital tools in the island. The article also discusses how the digital should not be understood as a separated world from existing cultural structures, but, on the contrary, it must be seen as an added layer of culture. It is in the digital Cuban culture where the article showcases that structural inequalities continue to exist and, some cases, are magnified by the power of the digital, even in context where the lack of access to
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ANDERSON-GONZÁLEZ, MAYA. "Race, Gender, and Sexuality in Cuban Digital Culture." In Afro-Latinx Digital Connections. University of Florida Press, 2021. http://dx.doi.org/10.2307/j.ctv1mvw8mk.8.

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"“Vigía es Elegguá”." In Handmade in Cuba, edited by Kristin Schwain. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401520.003.0007.

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In a 2007 issue of Ediciones Vigía’s magazine for young people, Barquitos del San Juan, Rolando Estévez Jordán pays homage to Elegua, one of the most important orishas in the transcultural religious system of Santería. Through visual and cultural analyses of the journal, this chapter shows how Vigía became an Elegua within Cuban culture. Ediciones Vigía opened doors between Cuban national identity and Afro-Cuban culture, a contentious but interdependent pairing that has animated Cuban life since the liberation wars in the second half of the nineteenth century.
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Silverman, Carol. "Artful Politics of the Voice." In Social Voices. University of Illinois Press, 2023. http://dx.doi.org/10.5622/illinois/9780252045240.003.0008.

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This chapter shows how the stories and careers of three Afro-Cuban women singers—Graciela Pérez Grillo (1915–2010), Celia Cruz (1925–2003), and Lupe Victoria Yolí (1936–1992)—reflect gender and racial solidarity and shared expressions of Afro-Cuban womanhood, while at the same time highlighting the constraints of the entertainment industry with its racialized and gendered expectations, as well as the complex relationships between the singers and with the men in their lives. The chapter addresses a gender gap in the history of Cuban and Latin popular music, allowing “Cuban women performers to s
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Actes de conférences sur le sujet "Afro -Cuban culture"

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Flores García, Daniel, Hugo Flores García, and Matteo Riondato. "ClaveNet: Generating Afro-Cuban Drum Patterns through Data Augmentation." In AM '24: Audio Mostly 2024 - Explorations in Sonic Cultures. ACM, 2024. http://dx.doi.org/10.1145/3678299.3678335.

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Vitiuc, Alexandr. "The contribution of the bass guitar video cources to modern music education." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.14.

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This article is dedicated to the characteristic features of modern teaching to play the bass guitar, which is based on the study of video schools. The author considers the most representative publications for the bass guitar, focused on the practical use of the instrument in modern music. Particular attention is paid to the basics of playing the bass guitar, playing scales and arpeggios, slapping and tapping techniques, as well as to the study of Afro-Cuban styles.
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