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Articles de revues sur le sujet « Afro -Cuban culture »

Auteur : Grafiati

Publié le 9 novembre 2024

Mis à jour le 31 juillet 2025

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1

Benson, Devyn Spence. "Redefining Mestizaje: How Trans-Caribbean Exchanges Solidified Black Consciousness in Cuba." Small Axe: A Caribbean Journal of Criticism 25, no. 2 (2021): 91–108. http://dx.doi.org/10.1215/07990537-9384286.

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This essay recovers the history of 1960s and 1970s black movements in Cuba through an examination of works by Afro-Cuban intellectuals and their meetings with Caribbean thinkers to show the coexistence of mestizaje and black consciousness as a defining, but overlooked, feature of black activism in Cuba. While the existing literature locates black consciousness in the English- and French-speaking Caribbean, this essay highlights how Afro-Cubans in Spanish-speaking countries were not only aware of but also adapted Caribbean ideologies to local circumstances. Using oral histories, cultural produc

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García Yero, Cary Aileen. "To Whom It Belongs: The Aftermaths of Afrocubanismo and the Power over Lo Negro in Cuban Arts, 1938–1958." Latin American Research Review 57, no. 1 (2022): 1–18. http://dx.doi.org/10.1017/lar.2022.1.

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AbstractThis article explores the impact of Afrocubanismo on the development of Cuba’s arts during the 1940s and 1950s. The article follows the discursive output of artists, intellectuals, and cultural policymakers of different racial backgrounds over the deployment of lo negro to construct cubanidad. It argues that, if the 1920s and 1930s experienced a movement towards the construction of a homogeneous mestizo Cuba, the following decades reveal an effort by some artists to desyncretize lo cubano. While some intellectuals constructed notions of authenticity that circumscribed black art to blac

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Cunha, Olívia M. G. "Travel, Ethnography, and Nation in the Writings of Rómulo Lachatañéré and Arthur Ramos." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (2007): 219–57. http://dx.doi.org/10.1163/22134360-90002482.

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Analyses how the traveling to and residence in the US of Arthur Ramos from Brazil and Rómulo Lachtañéré from Cuba, between 1939 and 1952, influenced their (anthropological) writings on Afro-American cultures and religions, specifically with regard to the relation between nation and race. Author describes that while Ramos and Lachatañéré went to the US under differing conditions, in the case of Lachatañéré in exile, and had dissimilar intellectual and political perspectives, their writings during and after their stay revealed identical approaches to interpreting the relation between nation and

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Cunha, Olívia M. G. "Travel, Ethnography, and Nation in the Writings of Rómulo Lachatañéré and Arthur Ramos." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (2008): 219–57. http://dx.doi.org/10.1163/13822373-90002482.

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Analyses how the traveling to and residence in the US of Arthur Ramos from Brazil and Rómulo Lachtañéré from Cuba, between 1939 and 1952, influenced their (anthropological) writings on Afro-American cultures and religions, specifically with regard to the relation between nation and race. Author describes that while Ramos and Lachatañéré went to the US under differing conditions, in the case of Lachatañéré in exile, and had dissimilar intellectual and political perspectives, their writings during and after their stay revealed identical approaches to interpreting the relation between nation and

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Fuente, Alejandro de la. "Recent Works on Afro-Cuban Culture." Latin American and Caribbean Ethnic Studies 3, no. 1 (2008): 109–19. http://dx.doi.org/10.1080/17442220701865895.

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Román, Reinaldo. "Governing Man-Gods: Spiritism and the Struggle for Progress in Republican Cuba." Journal of Religion in Africa 37, no. 2 (2007): 212–41. http://dx.doi.org/10.1163/157006607x184834.

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AbstractThis article explores the contrasting careers of two Spiritist healers, one Spanish-born and the other Afro-Cuban. It suggests that the prosecution of the black man-god (Hilario Mustelier) and the public celebration of the ministry of the Spaniard (Juan Manso) attest to the consolidation of a political rationality burgeoning in Cuba at the turn of the twentieth century. Under this regime, government officials and journalists sought to alter the conditions that gave rise to 'fanaticism' to promote the modernization of the nascent republic. Following a discussion of the notions of race a

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Domínguez Barzaga, Maydelin. "Merceditas Valdés: un canto a la espiritualidad y tradiciones afrocubanas." ACCADERE. Revista de Historia del Arte, no. 8 (2024): 41–54. https://doi.org/10.25145/j.histarte.2024.08.02.

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Tour of the life and work of the Cuban singer Merceditas Valdés, mediator between Yoruba culture and Afro-Cuban music in commemoration of the centenary of her death. Through the analysis of documents, archives and written sources related to the artist and an exclusive interview with Agustín Montano Lis, a musician close to Merceditas, exploring the impact of her influence on Cuban music and religious syncretism. His testimony provides an intimate look. Being the African culture and the Yoruba deities fundamental to the history and culture of the island and the main theme in their music, endowi

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Martin Demers, Stephane. "Recreating Collective Memories of Africa in the Afro-Caribbean Diaspora." Caribbean Quilt 6, no. 1 (2022): 90–96. http://dx.doi.org/10.33137/cq.v6i1.36932.

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Forced to succumb to a life of enslavement, African-turned-Afro-Caribbean slaves devel- oped a collective image of their beloved homeland and forged an unbreakable chain of solidarity among their many ethnicities. The collective recreation of Africa as manifest in the imagination of Afro-Caribbean slaves through the practice of Cuban Santería and Haitian Vodou in sixteenth- to eigh- teenth-century Cuba and Haiti catalyzed their resistance to European subjugation. In partic- ular, these recreated cultural memories served as a foundation for the enslaved to subvert the dominant culture and resi

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WIRTZ, KRISTINA. ":Afro-Cuban Theology: Religion, Race, Culture, and Identity." American Anthropologist 109, no. 3 (2007): 558–59. http://dx.doi.org/10.1525/aa.2007.109.3.558.

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Vernooij, Joop. "Afro-Cuban theology. Religion, Race, Culture, and Identity." Exchange 37, no. 1 (2008): 96–97. http://dx.doi.org/10.1163/157254308x251403.

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Martínez-Fernández, Luis. "Afro-Cuban Theology: Religion, Race, Culture, and Identity." Hispanic American Historical Review 88, no. 3 (2008): 506–7. http://dx.doi.org/10.1215/00182168-2008-339.

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Otero, Solimar, and Kristina Wirtz. "Juramentos and Firmas : Narrating Assemblages in Afro-Cuban Religions." Narrative Culture 11, no. 1 (2024): 51–75. http://dx.doi.org/10.1353/ncu.2024.a928440.

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Abstract: This essay examines narratives produced with entities in Cuban Palo traditions for the purpose of invoking copresences through the assemblage of images, words, and bodies. The dead, nkisi, tell multilayered, coded stories of strife and affliction in ways that weaponize practitioners and objects. We bring together primary sources from the Lydia Cabrera Papers, alongside ethnographic encounters in Cuba with Congo-inspired material, culture, and spiritual elders to trace the afterlives of narrating assemblages. Following Édouard Glissant, we further argue for an understanding of Palo na

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Palmié, Stephan. "Santería grand slam: Afro-Cuban religious studies and the study of Afro-Cuban religion." New West Indian Guide / Nieuwe West-Indische Gids 79, no. 3-4 (2005): 281–300. http://dx.doi.org/10.1163/22134360-90002510.

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[First paragraph]Living Santería: Rituals and Experiences in an Afro-Cuban Religion. MICHAEL ATWOOD MASON. Washington DC: Smithsonian Institution Press, 2002. ix + 165 pp. (Paper US$ 16.95)Divine Utterances: The Performance of Afro-Cuban Santería. KATHERINE J. HAGEDORN. Washington DC: Smithsonian Institution Press, 2001. xvi + 296 pp. (Cloth US$ 40.00)The Light Inside: Abakuá Society Arts and Cuban Cultural History. DAVID H. BROWN. Washington DC: Smithsonian Institution Press, 2003. xix + 286 pp. (Cloth US$ 44.23)Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. DAVID

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Palmié, Stephan. "Santería grand slam: Afro-Cuban religious studies and the study of Afro-Cuban religion." New West Indian Guide / Nieuwe West-Indische Gids 79, no. 3-4 (2008): 281–300. http://dx.doi.org/10.1163/13822373-90002510.

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[First paragraph]Living Santería: Rituals and Experiences in an Afro-Cuban Religion. MICHAEL ATWOOD MASON. Washington DC: Smithsonian Institution Press, 2002. ix + 165 pp. (Paper US$ 16.95)Divine Utterances: The Performance of Afro-Cuban Santería. KATHERINE J. HAGEDORN. Washington DC: Smithsonian Institution Press, 2001. xvi + 296 pp. (Cloth US$ 40.00)The Light Inside: Abakuá Society Arts and Cuban Cultural History. DAVID H. BROWN. Washington DC: Smithsonian Institution Press, 2003. xix + 286 pp. (Cloth US$ 44.23)Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. DAVID

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Arnedo-Gómez, Miguel. "Debates on Racial Inequality and Afro-Cuban Culture inAdelante." Bulletin of Spanish Studies 88, no. 5 (2011): 711–35. http://dx.doi.org/10.1080/14753820.2011.587969.

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Rudakoff, Judith. "Cuba “AsiSomos” and the Fine Art of Survival." Canadian Theatre Review 78 (March 1994): 59–60. http://dx.doi.org/10.3138/ctr.78.010.

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From September 12-19, 1993, I co-ordinated a Theatre and Fine Arts Delegation which travelled in Cuba. The primary goal of this delegation was to begin to explore the Fine Arts in several regions of the country with particular emphasis on learning how the social, economic, political and religious conditions affect the contemporary creative work in terms of themes, imagery, form and structure and even, at times, venue. This was my second of five trips planned this year, facilitated by the Cuban Ministry of Culture and their Canadian representatives, Canada-Cuba Sports and Culture Festivals. The

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Duany, Jorge. "After the Revolution: The Search for Roots in Afro-Cuban Culture." Latin American Research Review 23, no. 1 (1988): 244–55. http://dx.doi.org/10.1017/s002387910003483x.

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Del Rosario Díaz, María. "The tragedy of the ñáñigos: Genesis of an unpublished book." New West Indian Guide / Nieuwe West-Indische Gids 79, no. 3-4 (2005): 229–37. http://dx.doi.org/10.1163/22134360-90002507.

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Reconstructs Fernando Ortiz' s anthropological study on Afro-Cuban culture since the early 20th c., in particular on the Abakuá male secret societies, also called "ñañigos", with origins in African societies in the Calabar region. Author describes how Ortiz developed from earlier positivist, criminological approaches to broader, appreciative studies of Afro-Cuban culture, with a lasting interest in the Abakuá societies. Ortiz studied several aspects of Abakuá and collected much data and information, and referred to Abakuá aspects in works from the 1930s and 1940s, and wrote articles on specifi

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Del Rosario Díaz, María. "The tragedy of the ñáñigos: Genesis of an unpublished book." New West Indian Guide / Nieuwe West-Indische Gids 79, no. 3-4 (2008): 229–37. http://dx.doi.org/10.1163/13822373-90002507.

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Reconstructs Fernando Ortiz' s anthropological study on Afro-Cuban culture since the early 20th c., in particular on the Abakuá male secret societies, also called "ñañigos", with origins in African societies in the Calabar region. Author describes how Ortiz developed from earlier positivist, criminological approaches to broader, appreciative studies of Afro-Cuban culture, with a lasting interest in the Abakuá societies. Ortiz studied several aspects of Abakuá and collected much data and information, and referred to Abakuá aspects in works from the 1930s and 1940s, and wrote articles on specifi

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Bravo, Alex. "The preservation of afro-cuban culture in the writings of Lydia Cabrera." Revista Surco Sur 5, no. 8 (2015): 31–35. http://dx.doi.org/10.5038/2157-5231.5.8.23.

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Cardoza-Orlandi, Carlos F. "Afro-Cuban Theology: Religion, Race, Culture, and Theology - By Michelle A. Gonzalez." Religious Studies Review 35, no. 2 (2009): 136. http://dx.doi.org/10.1111/j.1748-0922.2009.01348_1.x.

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Hackett, Susanne. "A re-visionist Her-story of De cierta manera ([1974] 1977): Reading Yoruba myth in Sara Gómez’s revolutionary classic¹." Studies in Spanish & Latin-American Cinemas 18, no. 2 (2021): 195–210. http://dx.doi.org/10.1386/slac_00046_1.

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Recent scholarship on Sara Gómez has expanded upon existing discourse on her work beyond her singular feature film, De cierta manera/One Way or Another ([1974] 1977) to examine not only her earlier documentary shorts of the 1960s, but to demonstrate the impact that her body of work has had on a subsequent generation of Cuban filmmakers who continue her mission to critique the Revolution through an antiracist and feminist lens ‐ contemporary filmmakers such as Gloria Rolando, Sandra Gómez and Susana Barriga. This article seeks to push this conversation forward by arguing several interrelated po

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Ortiz García, Carmen. "SEÑORAS DE LA TRADICIÓN. MUJERES FOLKLORISTAS EN CUBA." Revista Andaluza de Antropología, no. 19 (2021): 151–73. http://dx.doi.org/10.12795/raa.2021.19.10.

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In the history of Cuban anthropology, little attention has been paid to several women who have, nevertheless, obtained professional recognition from the international academic community. Calixta Guiteras Holmes is one such case, with her unique characters. Another less known but equally relevant woman was Carolina Poncet de Cárdenas, who formed a generation of highly active female pedagogues and folklorists. A different place is required to situate the life and work of a person who could be considered the modern founder of studies on Afro-Cuban religions, the writer and anthropologist Lydia Ca

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Ortiz García, Carmen. "SEÑORAS DE LA TRADICIÓN. MUJERES FOLKLORISTAS EN CUBA." Revista Andaluza de Antropología, no. 19 (2020): 151–73. http://dx.doi.org/10.12795/raa.2020.19.10.

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In the history of Cuban anthropology, little attention has been paid to several women who have, nevertheless, obtained professional recognition from the international academic community. Calixta Guiteras Holmes is one such case, with her unique characters. Another less known but equally relevant woman was Carolina Poncet de Cárdenas, who formed a generation of highly active female pedagogues and folklorists. A different place is required to situate the life and work of a person who could be considered the modern founder of studies on Afro-Cuban religions, the writer and anthropologist Lydia Ca

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Baguer, Grizel Hernández. "Fernando Ortiz on Music: Selected Writings of Afro-Cuban Culture by Robin D. Moore." Caribbean Studies 47, no. 2 (2019): 166–1639. http://dx.doi.org/10.1353/crb.2019.0023.

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Font-Navarrete, David. "Writing Orisha Music: Text, Tradition, and Creativity in Afro-Cuban Liturgy." Religions 12, no. 11 (2021): 964. http://dx.doi.org/10.3390/rel12110964.

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This essay examines the flow of music associated with orisha—anthropomorphic deities—across networks defined variously by art, scholarship, folklore, and religion, all of which overlap and nourish each other. Transmitted via oral tradition, written texts, and multimedia technologies, a handful of orisha-themed songs are analyzed as case studies in the subtle nexus of liturgy and cultural authenticity. Taken together, the songs shed light on a broader phenomenon in which creatively-minded, ostensibly-secular iterations of culture play a significant role in the dissemination and ongoing codifica

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Benson, Devyn Spence. "Cuba Calls: African American Tourism, Race, and the Cuban Revolution, 1959–1961." Hispanic American Historical Review 93, no. 2 (2013): 239–71. http://dx.doi.org/10.1215/00182168-2077144.

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Abstract This essay explores the role that conversations about race and racism played in forming a partnership between an African American public relations firm and the Cuban National Tourist Institute (INIT) in 1960, just one year after Fidel Castro’s victory over Fulgencio Batista. The article highlights how Cuban revolutionary leaders, Afro-Cubans, and African Americans exploited temporary transnational relationships to fight local battles. Claiming that the Cuban Revolution had eliminated racial discrimination, INIT invited world champion boxer Joe Louis and 50 other African Americans to t

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Schmidt, Jalane D. "The Antidote to Wall Street?" Latin American Perspectives 43, no. 3 (2016): 163–85. http://dx.doi.org/10.1177/0094582x16629460.

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When revolutionary Cuba’s governmental cultural policy apparatus cast Afro-Cuban religions as “folklore,” certain religious forms, especially Santería, gained visibility in scholarly investigations, publications, documentary films, and state-sponsored cultural programming. Since the 1990s these discursive treatments of Santería have been monetized by the Cuban tourism industry and state-owned manufacturers and repackaged as merchandise that garners the attention and revenues of Cuban consumers and international visitors. This “ethno-business” produces a paradox: Afro-Cuban popular religions—lo

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Palmié, Stephan, and Elizabeth Pérez. "'An All Too Present Absence: Fernando Ortiz's Work on Abaku? in its Sociocultural Context." New West Indian Guide / Nieuwe West-Indische Gids 79, no. 3-4 (2005): 219–28. http://dx.doi.org/10.1163/22134360-90002506.

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Focusses on the Abukuá associations, Afro-Cuban male initiatory secret societies, as such originated in Regla, Havana in 1836. Authors describe how Abakuá titleholders gained powerful social and labour positions in the Havana area, and how they were eventually outlawed in 1876. They point out how Abakuá societies by and since then were designated as negative and criminal in the public sphere, and condemned by many writers and politicians. They show how published accounts of Abakuá since the late 19th c and early 20th c. were thus seldom merely descriptive, but were presented as proof of Cuba's

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Palmié, Stephan, and Elizabeth Pérez. "'An All Too Present Absence: Fernando Ortiz's Work on Abaku? in its Sociocultural Context." New West Indian Guide / Nieuwe West-Indische Gids 79, no. 3-4 (2008): 219–28. http://dx.doi.org/10.1163/13822373-90002506.

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Focusses on the Abukuá associations, Afro-Cuban male initiatory secret societies, as such originated in Regla, Havana in 1836. Authors describe how Abakuá titleholders gained powerful social and labour positions in the Havana area, and how they were eventually outlawed in 1876. They point out how Abakuá societies by and since then were designated as negative and criminal in the public sphere, and condemned by many writers and politicians. They show how published accounts of Abakuá since the late 19th c and early 20th c. were thus seldom merely descriptive, but were presented as proof of Cuba's

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Quesada, Sarah Margarita. "The Dual Biopolitics in the Cuban Postplantation of Gloria Rolando’s Raíces de mi corazón." Small Axe: A Caribbean Journal of Criticism 25, no. 2 (2021): 50–68. http://dx.doi.org/10.1215/07990537-9384212.

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This essay focuses on the “dual” biopolitics of Cuban filmmaker Gloria Rolando’s Raíces de mi corazón (Roots of My Heart, 2001). In her film about an antiblack genocide in early-twentieth-century Cuba, Rolando seeks to recover the suppressed 1912 massacre of members of the black Cuban Partido Independiente de Color (the Independent Party of Color) and thousands of other Afro-Cubans through the plane of the intimate. The author argues that Rolando’s film challenges the myth of racial equality throughout Cuba’s modern history by celebrating Afro-Cuban traditions, from orisha rituals to patakíes

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 1-2 (2007): 101–62. http://dx.doi.org/10.1163/22134360-90002479.

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Frederick H. Smith; Caribbean Rum: A Social and Economic History (Franklin W. Knight)Stephan Palmié; Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition (Julie Skurski)Miguel A. De la Torre; The Quest for the Cuban Christ: A Historical Search (Fernando Picó)L. Antonio Curet, Shannon Lee Dawdy & Gabino La Rosa Corzo (eds.); Dialogues in Cuban Archaeology (David M. Pendergast)Jill Lane; Blackface Cuba, 1840-1895 (Arthur Knight)Hal Klepak; Cuba’s Military 1990-2005: Revolutionary Soldiers during Counter-Revolutionary Times (Antoni Kapcia)Lydia Chávez (ed.); Capitalism,

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 1-2 (2008): 101–62. http://dx.doi.org/10.1163/13822373-90002479.

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Frederick H. Smith; Caribbean Rum: A Social and Economic History (Franklin W. Knight)Stephan Palmié; Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition (Julie Skurski)Miguel A. De la Torre; The Quest for the Cuban Christ: A Historical Search (Fernando Picó)L. Antonio Curet, Shannon Lee Dawdy & Gabino La Rosa Corzo (eds.); Dialogues in Cuban Archaeology (David M. Pendergast)Jill Lane; Blackface Cuba, 1840-1895 (Arthur Knight)Hal Klepak; Cuba’s Military 1990-2005: Revolutionary Soldiers during Counter-Revolutionary Times (Antoni Kapcia)Lydia Chávez (ed.); Capitalism,

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Figueroa, Víctor. "Occupying Makandal: Resistance from The Margins in Yolanda Arroyo Pizarro’s Yo, Makandal." Latin Americanist 69, no. 2 (2025): 170–93. https://doi.org/10.1353/tla.2025.a962908.

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Abstract: This essay examines the poetry collection Yo, Makandal (2017), by the Puerto Rican writer Yolanda Arroyo Pizarro. The book offers an innovative representation of the Maroon leader François Makandal, who remains a seminal figure in Caribbean history and a pivotal symbol in the region’s cultural imaginary. As a historical figure, he holds an important place in the centuries of resistance that led to the Haitian Revolution. Makandal’s role in the region’s culture is also linked to his presence important literary works, chief among them El reino de este mundo (1949), by the Cuban Alejo C

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KITLV, Redactie. "Bookreviews." New West Indian Guide / Nieuwe West-Indische Gids 83, no. 1-2 (2009): 121–86. http://dx.doi.org/10.1163/13822373-90002463.

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Afro-Atlantic Dialogues: Anthropology in the Diaspora, edited by Kevin A. Yelvington (reviewed by Aisha Khan)Central Africans, Atlantic Creoles, and the Foundation of the Americas, 1585-1660, by Linda M. Heywood & John K. Thornton (reviewed by James H. Sweet)An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque, by Krista A. Thompson (reviewed by Carl Thompson)Taíno Indian Myth and Practice: The Arrival of the Stranger King, by William F. Keegan (reviewed by Frederick H. Smith) Historic Cities of the Americas: An Illustrated Encyclopedia, by David F. Marley (r

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BURDICK, JOHN. "Michelle A. Gonzalez, Afro-Cuban Theology: Religion, Race, Culture and Identity (Gainesville, FL: University Press of Florida, 2006), pp. xi+191, $59.95, hb." Journal of Latin American Studies 39, no. 3 (2007): 693–94. http://dx.doi.org/10.1017/s0022216x07003070.

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Filatova, Tetiana. "Guitar music by Heitor Villa-Lobos: genre traditions of Brazilian choro." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 141 (November 28, 2024): 96–116. https://doi.org/10.31318/2522-4190.2024.141.319210.

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The relevance of the article is to consider Brazilian guitar music as an important component of the modern South American repertoire. On the example of choros of famous composer Heitor Villa-Lobos connections with the folklore traditions of the country, Afro-Brazilian, AfroCuban primary and derivative patterns of the genre have been revealed. The main objective of the study is to discover in H. Villa-Lobos's guitar music metrorhythmic and intonation-melodic archetypes of the Brazilian choro genre as an essential component of the southeastern regions of the country. The novelty of the article c

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Badiane, Mamadou. "Miguel Arnedo-Gómez. Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolás Guillén. Lewisburg: Bucknell University Press, 2016." Revista Iberoamericana 84, no. 264 (2018): 818–21. http://dx.doi.org/10.5195/reviberoamer.2018.7640.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 67, no. 1-2 (1993): 109–82. http://dx.doi.org/10.1163/13822373-90002678.

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-Louis Allaire, Samuel M. Wilson, Hispaniola: Caribbean chiefdoms in the age of Columbus. Tuscaloosa: University of Alabama Press, 1990. xi + 170 pp.-Douglas Melvin Haynes, Philip D. Curtin, Death by migration: Europe's encounter with the tropical world in the nineteenth century. Cambridge: Cambridge University Press, 1989. xviii + 251 pp.-Dale Tomich, J.H. Galloway, The sugar cane industry: An historical geography from its origins to 1914. Cambridge: Cambridge University Press, 1989. xii + 266 pp.-Myriam Cottias, Dale Tomich, Slavery in the circuit of sugar: Martinique and the world economy,

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Palmié, Stephan. "Making sense of Santería: three books on Afro-Cuban religion." New West Indian Guide / Nieuwe West-Indische Gids 70, no. 3-4 (1996): 291–300. http://dx.doi.org/10.1163/13822373-90002624.

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[First paragraph]Santeria from Africa to the New World: The Dead Sell Memories. GEORGE BRANDON. Bloomington: Indiana University Press, 1993. x + 206 pp. (Cloth US$31.50) Working the Spirit: Ceremonies of the African Diaspora. JOSEPH M. MURPHY. Boston: Beacon, 1994. xiii + 263 pp. (Cloth US$ 25.00)Walking with the Night: The Afro-Cuban World of Santeria. RAUL CANIZARES. Rochester VT: Destiny Books, 1993. xii + 148 pp. (Paper US$ 12.95)Since 1959, the steady exodus from revolutionary Cuba has led to the gradual emergence of an Afro-Cuban religious diaspora in the United States. While this phenom

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KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 86, no. 3-4 (2012): 309–407. http://dx.doi.org/10.1163/13822373-90002420.

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A World Among these Islands: Essays on Literature, Race, and National Identity in Antillean America, by Roberto Márquez (reviewed by Peter Hulme) Caribbean Reasonings: The Thought of New World, The Quest for Decolonisation, edited by Brian Meeks & Norman Girvan (reviewed by Cary Fraser) Elusive Origins: The Enlightenment in the Modern Caribbean Historical Imagination, by Paul B. Miller (reviewed by Kerstin Oloff) Caribbean Perspectives on Modernity: Returning Medusa’s Gaze, by Maria Cristina Fumagalli (reviewed by Maureen Shay) Who Abolished Slavery: Slave Revolts and Abolitionism: A Debat

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Gelado, Viviana. "La legitimación de la música afrocubana en la crítica periodística de Alejo Carpentier." Aletria: Revista de Estudos de Literatura 17 (October 28, 2015): 67. http://dx.doi.org/10.17851/2317-2096.17.0.67-73.

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No marco do questionamento da “alta” cultura e da arte como instituição, levado a cabo pelos movimentos de vanguarda na América Latina, este trabalho analisa os meios utilizados por Alejo Carpentier no exercício da crítica musical, desenvolvida em crônicas jornalísticas e orientada pelo propósito de legitimar a música afro-cubana através do questionamento da cultura musical institucionalizada no final da década de vinte em Cuba.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 68, no. 1-2 (1994): 135–205. http://dx.doi.org/10.1163/13822373-90002664.

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-Peter Hulme, Simon Gikandi, Writing in limbo: Modernism and Caribbean literature. Ithaca: Cornell University Press, 1992. x + 260 pp.-Charles V. Carnegie, Alistair Hennessy, Intellectuals in the twentieth-century Caribbean (Volume 1 - Spectre of the new class: The Commonwealth Caribbean). London: Macmillan, 1992. xvii 204 pp.-Nigel Rigby, Anne Walmsley, The Caribbean artists movement, 1966-1972: A literary and cultural history. London: New Beacon Books, 1992. xx + 356 pp.-Carl Pedersen, Tyrone Tillery, Claude McKay: A black poet's struggle for identity. Amherst: University of Massachusetts Pr

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Abreu, Christina D. "The Story of Benny “Kid” Paret: Cuban Boxers, the Cuban Revolution, and the U.S. Media, 1959-1962." Journal of Sport History 38, no. 1 (2011): 95–113. http://dx.doi.org/10.5406/jsporthistory.38.1.95.

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Abstract This article examines the personal life history and professional boxing career of Afro-Cuban boxer Benny “Kid” Paret between 1959 and 1962. Paret died nine days after suffering a brutal beating in the ring at the hands of Emile Griffith, and this article focuses on the public discourse surrounding his death in the context of strained U.S.-Cuba relations, increased Cuban migration to the United States after 1959, and race and ethnic identity formation. Using major U.S. newspapers, magazines, and boxing periodicals as well as African-American and Spanish-language newspapers, this articl

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Gutiérrez, Mariela A. "Afro-Cuban Lyrics and Thematics in the ‘Canción Cubana’ as Musical Genre." Hispanic Research Journal 14, no. 4 (2013): 295–312. http://dx.doi.org/10.1179/1468273713z.00000000050.

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McLeod, Marc. "“We Cubans Are Obligated Like Cats to Have a Clean Face”: Malaria, Quarantine, and Race in Neocolonial Cuba, 1898-1940." Americas 67, no. 1 (2010): 57–81. http://dx.doi.org/10.1353/tam.0.0272.

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In a paper presented to the Academy of Medical, Physical and Natural Sciences of Havana on December 14, 1923, Dr. Jorge LeRoy y Cassá identified the “unsanitary immigration” to Cuba of Haitians and British West Indians as his country's most pressing health problem. “Those undesirable elements,” he contended, had introduced malaria, smallpox, typhoid fever, and intestinal parasites into eastern Cuba, maladies which then spread to the rest of the island. Through their “vices,” “violent crimes,” and “nefarious practices of brujerí;a [witchcraft],” in fact, Afro-Caribbean immigrants constituted a

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KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 86, no. 1-2 (2012): 109–96. http://dx.doi.org/10.1163/13822373-90002427.

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The African Diaspora: A History Through Culture, by Patrick Manning (reviewed by Joseph C. Miller) Atlas of the Transatlantic Slave Trade, by David Eltis & David Richardson (reviewed by Ted Maris-Wolf) Abolition: A History of Slavery and Antislavery, by Seymour Drescher (reviewed by Gregory E. O’Malley) Paths to Freedom: Manumission in the Atlantic World, edited by Rosemary Brana-Shute & Randy J. Sparks (reviewed by Matthew Mason) You Are All Free: The Haitian Revolution and the Abolition of Slavery, by Jeremy D. Popkin (reviewed by Philippe R. Girard) Fighting for Honor: The History o

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Gámez Torres, Nora. "Unbecoming blackness: the diaspora cultures of Afro-Cuban America." Ethnic and Racial Studies 37, no. 5 (2013): 889–90. http://dx.doi.org/10.1080/01419870.2013.847200.

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Dejmannee, Tisha. "Unbecoming blackness: the diaspora cultures of Afro-Cuban America." Social Identities 19, no. 2 (2013): 273–74. http://dx.doi.org/10.1080/13504630.2013.789221.

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de la Fuente, Alejandro, and Stanley R. Bailey. "THE PUZZLE OF RACIAL INEQUALITY IN CUBA, 1980s–2010s." Du Bois Review: Social Science Research on Race 18, no. 1 (2021): 73–96. http://dx.doi.org/10.1017/s1742058x21000060.

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AbstractContrasting perspectives on racism and racial inequality collide in contemporary Cuba. On the one hand, government officials argue that Cuba is a racially egalitarian country; though vestiges of historical racism subsist, systematic discrimination does not. On the other hand, social movement actors and organizations denounce that racism and discrimination are systemic and affect large sectors of the Afro-Cuban population. To draw these visions into scholarly dialogue, our analytic strategy consists in the comparative examination of both narratives as well as the empirical bases that su

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