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Littérature scientifique sur le sujet « Allegoria moderna »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Allegoria moderna"

Álvarez sj, Carlos. "Del Corpus (mysticum) a La fábula (mística). Continuidades y rupturas entre Henri de Lubac y Michel de Certeau." Teología y Vida 64, no. 2 (2023): 143–70. http://dx.doi.org/10.7764/tyv642.e1.

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La presente contribución indaga una dimensión de la intensa y compleja relación intelectual entre Henri de Lubac y Michel de Certeau, graficada en el paso del Corpus Mysticum a La fábula mística. En particular nos detenemos en una arista del proyecto intelectual de Lubac que busca desempolvar las potencialidades de la simbólica medieval para contrarrestar las nefastas derivas de la racionalidad moderna. Dicho proyecto se inspira en una ontología sacramental y en la centralidad de la allegoria in factis, heredada del pensamiento de los Padres de la Iglesia. La reflexión que realiza Certeau en L

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Crisp, Peter. "The Pilgrim’s Progress: Allegory or novel?" Language and Literature: International Journal of Stylistics 21, no. 4 (2012): 328–44. http://dx.doi.org/10.1177/0963947012444953.

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A tradition going back to Coleridge asserts that The Pilgrim’s Progress is not a true allegory but rather a proto-novel expressive of early modern individualism. The work is radically individualistic, but it is also truly an allegory. Recent research has emphasized how closely related metaphor often is to metonymy and how intimately the two can interact to produce metaphtonymy. This interaction is just as important in allegory as in purely linguistic metaphor and metonymy. The Pilgrim’s Progress makes subtle use of conceptual metaphtonymy to express its individualism. Although the degree of in

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Campbell, Julie. "Allegories of Clarity and Obscurity: Bunyan's and Beckett's." Samuel Beckett Today / Aujourd'hui 24, no. 1 (2012): 89–103. http://dx.doi.org/10.1163/18757405-024001006.

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This article explores the ways in which Beckett's can be considered a modern allegory that both uses and confuses the methods of traditional allegory. John Bunyan, in , was able to depend upon his readers' knowledge of the Bible to decode the allegorical nature of the tale of Christian and his endeavours to overcome sinfulness and reach heaven. This discussion is concerned with the way Beckett redefines the allegoric mode in , simultaneously encouraging and thwarting the reader's interpretive activity, and the ways in which the allusions to Bunyan's text play a part in this process.

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Orgad, Zvi. "Prey of Pray: Allegorizing the Liturgical Practice." Arts 9, no. 1 (2019): 3. http://dx.doi.org/10.3390/arts9010003.

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Numerous images embedded in the painted decorations in early modern Central and Eastern European synagogues conveyed allegorical messages to the congregation. The symbolism was derived from biblical verses, stories, legends, and prayers, and sometimes different allegories were combined to develop coherent stories. In the present case study, which concerns a bird, seemingly a nocturnal raptor, depicted on the ceiling of the Unterlimpurg Synagogue, I explore the symbolism of this image in the contexts of liturgy, eschatology, and folklore. I undertake a comparative analysis of paintings in medie

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Maskarinec, Malika. "Allegory and Analogy in Menzel’s The Iron Rolling Mill." Zeitschrift für Kunstgeschichte 84, no. 1 (2021): 58–77. http://dx.doi.org/10.1515/zkg-2021-1003.

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Abstract Adolph Menzel’s Das Eisenwalzwerk, or Moderne Cyklopen (The Iron Rolling Mill, or Modern Cyclopes) from 1875 depicts an analogy central to nineteenth- century thought, namely, that between the human motor and the combustion engine. The painting visualizes the differing rhythms of these two “machines” and the entropy produced as a result of that difference. The painting’s reflection on labor also elaborates an allegory of the activity of painting. Such an allegorical reading, motivated by particular attention to the objects placed in the painting’s foreground, entails a reevaluation of

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Ackerman, Alan. "The Prompter’s Box: Modern Drama’s Allegories of Allegory." Modern Drama 49, no. 2 (2006): 1–8. http://dx.doi.org/10.3138/md.49.2.1.

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Ackerman, Alan. "The Prompter’s Box: Modern Drama’s Allegories of Allegory." Modern Drama 49, no. 2 (2006): 147–54. http://dx.doi.org/10.3138/md.49.2.147.

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Ackerman, Alan L. (Alan Louis). "The Prompter's Box: Modern Drama's Allegories of Allegory." Modern Drama 49, no. 2 (2006): 147–54. http://dx.doi.org/10.1353/mdr.2006.0058.

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Morton, Stephen. "Decolonizing allegory and anti-imperialist critique in the longue durée of extractivism." Literature, Critique, and Empire Today 59, no. 1 (2024): 73–84. http://dx.doi.org/10.1177/30333962241236094.

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A re-thinking of the critical vocation of the Journal of Commonwealth Literature is long overdue. The British Commonwealth of Nations that was first established in 1949 has continued to provide a neo-colonial framework for Britain and its former dominions (particularly Australia and Canada) to extract raw materials, capital, and labour from former British colonies and commodity frontiers within settler colonies. For this reason, the British Commonwealth of Nations may be understood as a zombie-like system of extractivism, in which a moribund imperial power stumbles on by draining the postcolon

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Grillo, Jennie. "The Envelope and the Halo: Reading Susanna Allegorically." Interpretation: A Journal of Bible and Theology 72, no. 4 (2018): 408–17. http://dx.doi.org/10.1177/0020964318784242.

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The tale of Susanna in the Greek versions of the book of Daniel has its roots in allegorical readings of Hebrew Scripture, and the church has read the story of Susanna both as an allegory of the church and of Christ. The allegorical treatment of Susanna as the church is the most acceptable to modern criticism, since it preserves the narrative coherence of the book; but the more fragmentary, piecemeal allegory of Susanna as Christ was compelling in antiquity, especially in visual interpretations. This essay explores how allegorical readings of Susanna as a Christ figure capture an essential par

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Thèses sur le sujet "Allegoria moderna"

Ferrari, Sarah. "Le ragioni culturali del "dipingeremoderno". Paesaggio, ritratto e allegoria a Venezia negli anni di Giorgione." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3423769.

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This research project aims to gain an in-depth analysis of Venetian Humanism giving evidence to facts, institutions and individual characters playing a significant role in relation to the development of new iconographies in Venetian painting. Particular attention has been given to Neoplatonic philosophy (the debate on the immortality of the soul); the new philology introduced by Ermolao Barbaro; the fortune of pastoral poetry (Theocritus and Sannazaro); the vernacular language (Bembo’s Asolani). Specific investigation into the art of Bellini, Giorgione and the young Titian has been undertaken,

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Culatti, Marcella <1972&gt. "La raffigurazione delle arti in Italia: le allegorie della pittura e della scultura in epoca moderna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/612/1/culatti_tesi.pdf.

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Winthrop, Emily. "Allegories of the Modern: The Female Nude in Art Nouveau." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4203.

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Modernism is a plurality, not a singular concept. This project explores examples of Art Nouveau nudes to describe the particular expressions of the modern through varied and complicated allegorical bodies. The female nude as a nexus for ideals of gender, art, and beauty, is informed by and constructs the understanding of these ideals within society. Art Nouveau thus employed the nude to represent complex manifestations of modernity. Three diverse cases provide the subjects of each chapter. All explore modernism through objects and interiors, in public and private environments, and each connec

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Brummer, Esther Elliott. "The development of the Nuptial Allegory in early modern Venice." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609942.

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Spadaro, Katrina Lucia. "Epistemologies of Play: Folly, Allegory, and Embodiment in Early Modern Literature." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/25949.

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This thesis argues that the textual stylistics, and embodied forms, of Early Modern folly are complicit in constructing and maintaining networks of knowledge. This function emerges from a Menippean history that positions the Silenus Box – an interface of grotesque form and hidden knowledge – as an allegory for exegesis. In applying this allegory to the aesthetics and bodies of Early Modern folly, this thesis suggests that folly assumes an arbitrative role in epistemic networks. A prominent marker of this function is the discursive communities forming around, and through, foolery, rendering it

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Zlatescu, Andrei-Paul. "Prospero's planet, magic, utopian and allegorical injuctions in the rise of the modern state." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq30837.pdf.

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Swannack, Frank Ian. "The political allegory of lovesickness and the lovesick womb in early modern studies, with an emphasis on Spenser." Thesis, University of Salford, 2010. http://usir.salford.ac.uk/26930/.

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The Elizabethan poet Edmund Spenser published his sonnet sequence Visions of the Worlds Vanitie in a collection called Complaints in 1591, and the Amoretti and Epithalamion in 1595. I am analysing these poems and other appropriate early modern texts by using the allegorical vehicle of the Renaissance medical and philosophical notion of lovesickness. However, in the late sixteenth and early seventeenth centuries, lovesickness is either interchangeable with or replaced by love-melancholy, which is a more fashionable illness describing the courtly Lover's suffering for his Lady. I am arguing that

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Paiva, Juliana Zanetti de. "Os nossos antepassados, de Italo Calvino, como alegoria do sujeito moderno." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269949.

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Orientador: Eduardo Sterzi de Carvalho Júnior<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-27T13:30:16Z (GMT). No. of bitstreams: 1 Paiva_JulianaZanettide_M.pdf: 24170742 bytes, checksum: 3d3f48b1a21422af2dcf63d63f7ccaa0 (MD5) Previous issue date: 2015<br>Resumo: O objetivo do nosso estudo é refletir sobre as três personagens principais da obra Os nossos antepassados como figurações alegóricas do sujeito moderno. O percurso que escolhemos percorrer foi apresentar alguns elementos sobre Calvino e a rela

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Temple, Camilla Isabel Eva. "Inscription, ecphrasis and allegory : the reception of the ancient Greek epigram and the Renaissance emblem in early modern English literature." Thesis, University of Bristol, 2016. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738195.

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Livres sur le sujet "Allegoria moderna"

Pinottini, Marzio. Simbolo e allegoria nell'estetica moderna. Bulzoni, 1999.

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Rovereto, Museo d'arte moderna e. contemporanea di Trento e. Mito e allegoria: Nell'opera di Bonazza, Ratini, Disertori : Trento, MART, Palazzo delle Albere, 24 gennaio-31 marzo 2004 : breve guida. MART, 2004.

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Alessandra, Tiddia, ed. Mito e allegoria: Nell'opera di Bonazza, Ratini, Disertori : Trento, MART, Palazzo delle Albere, 24 gennaio-31 marzo 2004 breve guida. MART, 2004.

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Museo d'arte moderna e contemporanea di Trento e Rovereto. Mito e allegoria: Nell'opera di Bonazza, Ratini, Disertori : Trento, MART, Palazzo delle Albere, 24 gennaio-31 marzo 2004 : breve guida. MART, 2004.

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Tarnowski, Glen. Modern allegories. Masterpiece Pub., 2007.

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Hunter, Lynette. Modern Allegory and Fantasy. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0.

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Giugliano, Antonello. Nietzsche, Rickert, Heidegger ed altre allegorie filosofiche. Liguori, 1999.

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Giugliano, Antonello. Nietzsche, Rickert, Heidegger ed altre allegorie filosofiche. Liguori, 1999.

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Fisette, Serge. Joëlle Morosoli: Allegorie de la contrainte. Glendon Gallery, York University, 1998.

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Kaltenbrunner, Regina, and Beatrix Koll. Allegorie: Die Sprache der Bilder. Dom Quartier, 2017.

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Chapitres de livres sur le sujet "Allegoria moderna"

v. Graevenitz, Gerhart. "Gewendete Allegorie Das Ende der „Erlebnislyrik“ und die Vorbereitung einer Poetik der modernen Lyrik in Goethes Sonett-Zyklus von 1815/1827." In Allegorie. VS Verlag für Sozialwissenschaften, 1998. http://dx.doi.org/10.1007/978-3-663-11957-9_5.

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Hellerstein, Marjorie. "Between The Acts: Virginia Woolf’s Modern Allegory." In Allegory Revisited. Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0898-0_14.

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Hunter, Lynette. "Modern Allegory and Fantasy." In Modern Allegory and Fantasy. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_5.

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Hunter, Lynette. "Theories of Allegory." In Modern Allegory and Fantasy. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_4.

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Real, Julian. "“A Prodigal Absurd Coxcomb”: The Cockered Child in Early Modern Comedy." In Shakespeare’s Forgotten Allegory. Routledge, 2023. http://dx.doi.org/10.4324/9781003450566-5.

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Hunter, Lynette. "Introduction." In Modern Allegory and Fantasy. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_1.

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Hunter, Lynette. "Genre." In Modern Allegory and Fantasy. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_2.

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Hunter, Lynette. "Theories of Fantasy." In Modern Allegory and Fantasy. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_3.

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Lerner, Ross. "Allegories of Fanaticism." In Literature, Belief and Knowledge in Early Modern England. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71359-5_7.

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Burns, Edward. "Rhetorical Character: History and Allegory." In Character: Acting and Being on the Pre-Modern Stage. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09594-0_3.

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Actes de conférences sur le sujet "Allegoria moderna"

Figura Lange, Karen, and Sandra Davis Lakeman. "An Allegory of Good Government: A Comparison of Gothic Siena and Modern Los Angeles." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.26.

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As our American cities struggle with the problems of growth and development, the human initiated disasters of crime and violence threaten the very existence of the urban core ofmost large cities. Los Angeles dominates the American crime scene with its gangs and drug dealers, where violent crime will strike one in every three Angelenos in their lifetime. The city is a leading example of environmental disintegration preceding rampant crime. In fact, environmental decay, drug use and crime continue to rise apparently in collaboration with each other. Additionally, the social service organizations

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Nissan, Ephraim. "Semitic-language names formed by semantic motivation from ‘less’, and their transcultural fortune: Whig leaders at Balliol as Dryden’s “sons of Belial”, and Swahili Mbilikimo for ‘Pygmy’." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/19.

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The biblical compositional pattern “sons of no X” for “X–less ones” has been somewhat (just a bit) productive in Modern Hebrew, but as the Old Testament has been so influential across cultures since the Septuagint became available in the Hellenistic world, one comes across novel uses to which “son of Belial” has been put, such as in Dryden’s political allegory in Absalom and Achitophel, even as the etymology of Belial was not transparent to ones who did not know Hebrew and its word /bli/ ‘without’. Moreover, Arabic /bala/ ‘without’ also occurs in wordformation, and as the influence of Arabic a

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Гусейнов, М. А. "THE ORIGINALITY OF N. MAGOMEDOV'S PROSE: FEATURES OF POETICS, GENRE." In ПРОБЛЕМА ЖАНРА В ФИЛОЛОГИИ. Crossref, 2022. https://doi.org/10.34775/n3444-3836-3138-k.

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В статье рассмотрена малая проза кумыкского писателя Набиюллы Магомедова. Вводимая в научный оборот впервые, она характеризуется своеобразной поэтикой; характерными приметами текстов являются оживление, аллегория, притчевость. Многожанровость прозы автора проявляется в оперировании жанрами рассказа, литературной сказки, притчи. Самобытность, оригинальность авторского стиля продиктована и тем, что современная действительность чаще всего воспроизводится через мир зверей, животных. The article examines the small prose of the Kumyk writer Nabiyulla Magomedov. Introduced into scientific circulation

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Murovec, Barbara Kristina. "Visual Representation of the Young Widow-Mother in the Early Modern Times: The Castle of Slovenska Bistrica and the Patronage of Maria Juliana Countess Vetter von der Lilie." In XVII. Dani Cvita Fiskovića: Žene u/o umjetnosti. Sveučilište u Zagrebu, Filozofski fakultet, Odsjek za povijest umjetnosti, 2024. http://dx.doi.org/10.17234/9789533791654.04.

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The article provides an insight into methodological approaches and research questions in early modern studies of female patronage, relevant to the visual representation of a young mother-widow from Inner Austria. Maria Juliana Countess Vetter von der Lilie (1672–1708) inherited the Castle of Slovenska Bistrica in Styria (Slovenia) after husband’s death in 1695. Although the Castle was redecorated after 1717 by Ignaz Maria Count Attems, the uncle of the deceased, several spaces can still be linked to the women’s patronage. A biblical quotation on the main portal announces that a wise woman buil

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Wlochova, Andrea, and Karolina Slamova. "JAN AMOS COMENIUS AND HIS QUEST FOR ENNOBLING MAN�S LIFE." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.19.

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In 2020, the Czech Republic commemorated an anniversary of a significant humanistic thinker, writer, and theologist, whose importance has exceeded the borders of the Czech lands. Jan Amos Comenius (28 March 1592 � 15 November 1670) is a leading representative of the Czech culture of the 17th century, and he became famous, especially as an author of didactic works, which represented a breakthrough in the field of education and inspired the way to modern educational methods. These works were based on Comenius� tireless effort to look for didactic means to spread the knowledge he managed to gathe

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