Littérature scientifique sur le sujet « Amistad Research Center. Fine Arts Collection »

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Articles de revues sur le sujet "Amistad Research Center. Fine Arts Collection"

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Hills-Nova, Clare. "‘Highly idiosyncratic and only half tamed’: the Institute of Fine Arts libraries and art history in the United States." Art Libraries Journal 32, no. 3 (2007): 17–25. http://dx.doi.org/10.1017/s0307472200014930.

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The history of the Institute of Fine Arts library collections cannot be disentangled from the intellectual and physical history of the Institute itself. Housed in various locations since 1938, the collections have grown parallel to the interests of the IFA’s faculty, many of whom, in its early years, were exiles from Europe and brought different approaches to the study of art. Amidst New York’s array of outstanding art research libraries, the IFA’s once extremely modest collection now comprises some 175,000 volumes, divided between two libraries: the Chan Library (for art history and archaeolo
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Hidayati, Laila, and Yulsyofriend Yulsyofriend. "Perkembangan Motorik Halus Anak Pada Sentra Seni Dan Kreativitas Di Taman Kanak Kanak Islam Raudhatul Jannah Kota Payakumbuh." Jurnal Family Education 2, no. 2 (2022): 207–19. http://dx.doi.org/10.24036/jfe.v2i2.60.

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This study aims to describe the planning, implementation, and evaluation of children's fine motor development at the arts and creativity center at Raudhatul Jannah Islamic Kindergarten, Payakumbuh City. In this study using a qualitative method with a descriptive approach. This study uses data collection techniques in the form of observation, interviews, and documentation. The data analysis technique is carried out by collecting data, reducing data, presenting data and drawing conclusions. Based on the results of the research that has been done, it is stated that the learning planning for child
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Hidayati, Laila, and Yulsyofriend Yulsyofriend. "Perkembangan Motorik Halus Anak Pada Sentra Seni Dan Kreativitas Di Taman Kanak Kanak Islam Raudhatul Jannah Kota Payakumbuh." Jurnal Family Education 2, no. 2 (2022): 207–19. http://dx.doi.org/10.24036/jfe.v2i2.60.

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This study aims to describe the planning, implementation, and evaluation of children's fine motor development at the arts and creativity center at Raudhatul Jannah Islamic Kindergarten, Payakumbuh City. In this study using a qualitative method with a descriptive approach. This study uses data collection techniques in the form of observation, interviews, and documentation. The data analysis technique is carried out by collecting data, reducing data, presenting data and drawing conclusions. Based on the results of the research that has been done, it is stated that the learning planning for child
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Samchuk, Taras. "Fine art in the St. Vladimir University students‘ everyday life in the context of artistic life of Kyiv and nearby region (1834-1863)." Text and Image: Essential Problems in Art History, no. 2 (2018): 84–97. http://dx.doi.org/10.17721/2519-4801.2018.2.05.

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Research works devoted to the students of St. Vladimir University usually highlight either specific features of the educational process or some aspects of their everyday life. Student‘s artistic interest has been studied to the lesser extent. The article depicts the place of fine arts in the life of the St. Vladimir University students in the years 1834-1863. The author points out that the students’ interest in fine arts developed under the influence of the region’s artistic tradition. Therefore, specifics of the artistic life in Ukraine is analyzed in the article as well. Special attention is
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Kepin, Dmytro. "The bassoon as a monument of musical culture: source studies." Вісник Книжкової палати, no. 7 (July 28, 2022): 42–48. http://dx.doi.org/10.36273/2076-9555.2022.7(312).42-48.

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The article for the first time in Ukrainian historiography, museology and monumentology considers works of European fine art, where there is an image of a wind wooden musical instrument bassoon. Works of painting, graphics, works of monumental art (sculpture) are analyzed. This is a characteristic of the collections of bassoons in museums in Western Europe, the USA and Canada. Publications stored in the funds of the Vernadsky National Library of Ukraine, Yaroslav Mudryi National Library Of Ukraine, the National Historical Library of Ukraine, the National Scientific and Research Restoration Cen
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Syukri, Apdanil, Adek Cerah Kurnia Azis, Yudhistira Oscar Olendo, Srimutia Elpalina, and Christanto Syam. "KOLEKSI MUSEUM ADITYAWARMAN: SEBAGAI SUMBER BELAJAR SENI DAN BUDAYA." Gorga : Jurnal Seni Rupa 12, no. 2 (2023): 489. http://dx.doi.org/10.24114/gr.v12i2.51471.

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The Adityawarman Museum in West Sumatra plays a significant role in preserving and presenting a diverse collection of Minangkabau culture, encompassing various aspects of art, history, and culture. The aim of this research is to describe the collections of the Adityawarman Museum as one of the sources of learning for art and culture. This is a qualitative study with a descriptive approach. The museum gathers collections that include geologica, biologica, ethnographica, archaeologica, historica, numismatics/heraldry, philologica, ceramics, fine arts, and technology, reflecting a rich and divers
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Христина, Бойко, та Бойко Марта. "Презентування, поширення та популяризація єврейської історико-культурної спадщини у просторі сучасного музею (на прикладі польського досвіду)". ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 257–372. https://doi.org/10.5281/zenodo.1313224.

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In the article, the authors discussed the activities of Jewish museums in Ukraine and in the world. In each country, museums are created based on local traits and characteristics. The first Jewish museums in Europe are opened at the turn of the 19th and 20th centuries – in Vienna in 1893, in Prague in 1906, in Budapest and in Warsaw in 1910. In Ukraine, Judaic collections appear in the middle of the XIX century. In 1934, a Jewish Community Museum opened in Lviv, and one of the largest collections of Maximilian Goldstein's Jewish art in Poland was also accessible to visitors. After th
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Zwitscher-Maschine., Journal on Paul Klee /. Zeitschrift für internationale Klee-Studien. "Authors ZM16." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien 16 (November 14, 2024): 66–67. https://doi.org/10.5281/zenodo.14007676.

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<strong>Sarah Bock</strong> studierte Kunstgeschichte und Geschichte an der Ludwig-Maximilians-Universit&auml;t M&uuml;nchen. Sie absolvierte ihr M.&nbsp;A. Studium mit der Masterarbeit <em>Der Wiener Kunstmarkt in der Zwischenkriegszeit: Das Auktionshaus f&uuml;r Altert&uuml;mer Gl&uuml;ckselig GmbH (1919&ndash;1941)</em>. 2015&ndash;2016 arbeitete sie als freiberufliche Provenienzforscherin. Seit Ende 2015 ist sie im Team Provenienzforschung/Sammlungsarchiv in der St&auml;dtischen Galerie im Lenbachhaus und Kunstbau M&uuml;nchen t&auml;tig. 2022 war sie Mitherausgeberin der Publikation <em>K
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Mohamed, A. M. Gad-Elkareem, H. Abdelgadir Elkhatim, M. Badawy Ossama, and Kadri Adel. "Potential antidiabetic effect of ethanolic and aqueous-ethanolic extracts of Ricinus communis leaves on streptozotocin-induced diabetes in rats." December 2, 2018. https://doi.org/10.5281/zenodo.1828808.

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<strong>Potential antidiabetic effect of ethanolic and aqueous-ethanolic extracts of <em>Ricinus communis </em>leaves on streptozotocin-induced diabetes in rats</strong> &nbsp; Mohamed A. M. Gad-Elkareem, Elkhatim H. Abdelgadir, Ossama M. Badawy, Adel Kadri <strong>ABSTRACT</strong> Recently, herbal drugs and their bioactive compounds have gained popularity in the management of diabetes mellitus (DM) which has become an epidemic disease all over the world, especially prevalent in the Kingdom of Saudi Arabia (KSA). This study aimed to investigate the antidiabetic effect of ethanolic and aqueous
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Thèses sur le sujet "Amistad Research Center. Fine Arts Collection"

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"Art in the archives: The origins of the art representing the core of the Aaron Douglas Collection from the Amistad Research Center." Tulane University, 1992.

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The Aaron Douglas Collection of works of art in the Amistad Research Center, now at Tulane University, includes works of art little known to scholars of American art. It is a collection of two hundred and seventy examples by black and minority artists, most dating from 1925 to 1954. Fifty-two of this number have been illustrated with several in color. There is no published catalog. Though individual works have been shown in specialized exhibitions, virtually none of this group has been included in standard survey books used in courses teaching American art history. The vitality of these works
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Livres sur le sujet "Amistad Research Center. Fine Arts Collection"

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Beyond the blues: Reflections of African America in the fine arts collection of the Amistad Research Center. Amistad Research Center, 2010.

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