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Littérature scientifique sur le sujet « Andreï (1957-....) »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 2 février 2022

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Articles de revues sur le sujet "Andreï (1957-....)"

Frank, Suzanne. « John Voelcker : redefining his place in Team 10 and post-war British architectural culture ». Architectural Research Quarterly 16, n^o 1 (mars 2012) : 59–73. http://dx.doi.org/10.1017/s1359135512000292.

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The British architect John Voelcker (1927–72) was a founding member of the small international, avantgarde group, Team 10 (1953–81), an outgrowth of the Congrès Internationaux d'Architecture Moderne (CIAM). Voelcker was one of six authors of the document, ‘Doorn Manifesto’, a ‘Statement on Habitat’ that emphasised ‘vital human associations’. The Manifesto appeared in 1954, one year after Voelcker exhibited the ‘Zone’, his Architectural Association senior thesis and one of the first acknowledged Team 10 efforts, in Aix-en-Provence at the ninth CIAM meeting (1953). The Zone (on which he collaborated with Pat Crooke and Andrew Derbyshire between 1951 and 1952), as well as a north London dwelling that he designed for Humphrey Lyttelton (1957–58), and his contribution to agricultural vernacular building projects in Kent, are prototypical examples of Team 10's work. Voelcker's distance from the large-scale, analytical rationalism of CIAM and his interest in a socialminded vernacular aligned him with Team 10. Voelcker eventually published three articles on Team 10: the most notable one in Arena (1965), as well as another in Architects' Year Book (1957) and a third in Carré bleu (February 1960). These situate him plausibly as a historian of the group. In one of these essays Voelcker advocates an ‘open aesthetic’ that is not clearly defined, but that implicitly calls on architects to avoid imposing pre-ordained symbols and to include references to the past in their designs without, however, being rigidly imitative, as was the case, he argues, with the deleterious medieval features of Milan's Torre Velasca (1957) designed by BBPR.

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Wanner, Adrian. « Russian Hybrids : Identity in the Translingual Writings of Andreï Makine, Wladimir Kaminer, and Gary Shteyngart ». Slavic Review 67, n^o 3 (2008) : 662–81. http://dx.doi.org/10.2307/27652944.

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Authors writing in a language other than their native tongue have become a common phenomenon in an era of increased international mobility. This article is devoted to three Russian-born émigré writers—Andreï Makine (b. 1957), Wladimir Kaminer (b. 1967), and Gary Shteyngart (b. 1972)—all of whom have achieved literary stardom with books written in French, German, and English, respectively. Although each of the three authors has a distinctive style and ideological position, in his own way each projects a “Russian” persona to the western public. Using the notion of cultural hybridity, Adrian Wanner explores the various strategies these authors have adopted in fashioning an identity for themselves that is tailored to meet the demands of the reading public in their respective host nations while exploiting the cachet of the Russian “brand name” in today's global literary economy.

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Magonet, Jonathan. « Rabbi Andre Ungar z’l ». European Judaism 54, n^o 1 (1 mars 2021) : 153–55. http://dx.doi.org/10.3167/ej.2021.540115.

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Rabbi Ungar was born in Budapest to Bela and Frederika Ungar. The family lived in hiding with false identity papers from 1944 under the German occupation. After the war, a scholarship brought him to the UK where he studied at Jews’ College, then part of University College, and subsequently studied philosophy. Feeling uncomfortable within Orthodoxy, he met with Rabbi Harold Reinhart and Rabbi Leo Baeck and eventually became an assistant rabbi at West London Synagogue. In 1954 he obtained his doctorate in philosophy and was ordained as a rabbi through a programme that preceded the formal creation of Leo Baeck College in 1956. In 1955 he was appointed as rabbi at the progressive congregation in Port Elizabeth, South Africa. Very soon his fiery anti-Apartheid sermons were condemned in the Afrikaans newspapers and received mixed reactions from the Jewish community. In December 1956 he was served with a deportation order and was forced to leave the country.

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Andreev, Alexander Alekceevich, et Anton Petrovich Ostroushko. « PETROVSKY Boris Vasilievich – academician of RAS and RAMS, the Minister of health of the USSR, Director of all-Union scientific center of surgery, AMS USSR (to the 110 anniversary from the birthday) ». Vestnik of Experimental and Clinical Surgery 11, n^o 2 (30 juin 2018) : 150. http://dx.doi.org/10.18499/2070-478x-2018-11-2-150.

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Petrovsky Boris Vasilievich (1908-2004) - Doctor of Medicine, Professor, Honored Scientist of the RSFSR (1957), Academician of the Russian Academy of Sciences (1966) and RAMS (1957), Minister of Health of the USSR (1965-1980), Director of the All-Union Scientific Center for Surgery Academy of Medical Sciences of the USSR, Hero of Socialist Labor (1968), laureate of Lenin (1960) and State Prizes of the USSR (1971).He was born in 1908 in the city of Essentuki. In the years 1916-1924.He studied at the second stage school in Kislovodsk. After graduating from the Medical Faculty of Moscow State University. M.V. Lomonosov worked as a surgeon in the district hospital, the head of the health center of the plant in Podolsk (1931), the junior doctor of the tank brigade and infirmary in Naro-Fominsk (1932), an intern, an assistant, a senior research fellow at the Moscow Oncology Institute and a clinic general surgery at Moscow State University (since 1938). In 1937 he defended his thesis. In 1938, Mr .. B.V. Petrovsky was given the title of senior research fellow (assistant professor). Boris Vasilievich was the deputy head of the field hospital, the leading surgeon of the Karelian Front (1939-1940), a senior researcher at the Moscow Oncological Institute (1940-1941), assistant professor of general surgery at the 2 nd Moscow Medical Institute. N.I. Pirogov (1941). From the first days of WWII BV. Petrovsky is the leading surgeon of hospitals in the Western, Bryansk and the 2 nd Baltic fronts. In the years 1944-1945. B.V. Petrovsky works as a senior lecturer in the Department of Faculty Surgery of the Military Medical Academy. CM. Kirov in Leningrad. In 1945-1948 years. - Deputy Director for Scientific Research Institute of Clinical and Experimental Surgery of the USSR Academy of Medical Sciences. In 1946 he was the first in the USSR to perform successful operations for esophageal cancer with its one-horn intrathoracic plasty. In 1947, Mr .. B.V. Petrovsky defended his doctoral dissertation. In the years 1948-1949. - Professor of the Department of General Surgery 2nd Moscow Medical Institute. N.I. Pirogov. In 1949-1951 years. B.V. Petrovsky - Director of the Department of Hospital Surgery, Head of the 3rd Surgical Clinic of the University of Budapest. In the years 1951-1956. - Head of the Department of Faculty Surgery of the 2 nd Moscow Medical Institute. N.I. Pirogov. In 1953 he was elected a corresponding member of the Academy of Medical Sciences of the USSR. In the years 1953-1965. - Chief Surgeon of the 4th Main Directorate of the Ministry of Health of the USSR. Since 1955, B.V. Petrovsky - deputy chairman, since 1965 - chairman of the All-Union Scientific Society of Surgeons. Since 1956 - Head of the Department of Hospital Surgery and Director of the State Hospital Surgical Clinic of the Medical Faculty of the 1 st Moscow Medical Institute. THEM. Sechenov. In 1957, Mr .. B.V. Petrovsky was elected a full member of the Academy of Medical Sciences of the USSR and he was awarded the honorary title of Honored Worker of Science of the RSFSR and Azerbaijan SSR. In 1960 he was awarded the Lenin Prize for the development and implementation of new operations on the heart and large vessels. 1963 - Organizer and Director (1963-1988), since 1989 - Honorary Director of the All-Union Scientific Center of Surgery of the USSR Academy of Medical Sciences All-Union Scientific Center of Surgery of the USSR Academy of Medical Sciences. In 1964, Mr .. B.V. Petrovsky performed the first successful operation for prosthetics of the mitral valve of the heart with a mechanical (seamless) fixation. In 1965, for the first time in the USSR, he successfully performed kidney transplantation to man. In the years 1965-1980. - Minister of Health of the USSR. In 1966 he was elected a full member of the USSR Academy of Sciences. In 1968, B.V. Petrovsky - privedovo-but the title of Hero of Socialist Labor (1968). In 1971 he was awarded the State Prize of the USSR for the development and introduction into clinical practice of kidney transplantation. In 1979 he was chairman of the Scientific Surgical Council under the Presidium of the Academy of Medical Sciences of the USSR. B.V. Petrovsky was a delegate to the XXII, XXIII, XXIV and XXV Congresses of the CPSU (1961, 1966, 1971, 1976), Deputy of the Supreme Soviet of the USSR (1962-1984), candidate member of the Central Committee of the CPSU (1966, 1971, 1976). He died on May 4, 2004, at the 96th year of his life. Buried at the Novodevichy Cemetery in Moscow.B.V. Petrovsky - honorary member of 14 foreign scientific medical societies, honorary doctor of 8 universities. He was awarded 16 orders and 8 medals, including the Orders of the Red Star (1942), Lenin (1961, 1965, 1968, 1978), the Second World War (1943, 1985), the October Revolution (1971), Friendship of Peoples 1993), "For Services to the Fatherland" II degree (1998), St. Andrew the Apostle (2003). Laureate of the Lenin (1960) and State Prizes of the USSR (1971), the International Leonard Bernard Prize (1975), the im. NI Pirogova RAMS (1998), the N.N. Burdenko of the Academy of Medical Sciences of the USSR (1953) and A.N. Bakuleva (2003). B.V. Petrovsky owns more than 500 scientific works, including 40 monographs. He created one of the largest scientific surgical schools (more than 150 doctors of sciences, of which more than 70 are the heads of clinics and large hospitals).

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Lobodenko-Senani, Kateryna. « Korliarov Andrei, Culture russe en exil, Europe 1917-1947 ». Revue européenne des migrations internationales 30, n^o 1 (1 mars 2014) : 155–56. http://dx.doi.org/10.4000/remi.6710.

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Pashkeeva, Natalia. « Andrei Korliakov, Culture russe en exil en Europe, 1917‑1947 ». Cahiers du monde russe 55, n^o 3-4 (1 juillet 2014) : 496–500. http://dx.doi.org/10.4000/monderusse.8132.

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Walsh, Nicolas. « Andrew Gitter, MD, 1957–2003 ». Archives of Physical Medicine and Rehabilitation 84, n^o 6 (juin 2003) : 937. http://dx.doi.org/10.1016/s0003-9993(03)00341-1.

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LODGE, ANTHONY. « Professor David Andrew Trotter 1957–2015 ». Journal of French Language Studies 26, n^o 2 (12 avril 2016) : 219–20. http://dx.doi.org/10.1017/s0959269515000551.

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JFLS has lost one of its most distinguished editors and friends. Rarely, in my experience, has the death of an academic caused such grief as the untimely passing, on 24th August last, of David Trotter.

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Cohen, Stephen D. « Walter Wilson Stothers (1946–2009) ». Glasgow Mathematical Journal 52, n^o 3 (25 août 2010) : 711–15. http://dx.doi.org/10.1017/s0017089510000534.

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Walter Wilson Stothers was born in Glasgow on 8 November 1946. A third (youngest) son, he had the identical name to his father. From childhood, however, he had always been known by his middle name ‘Wilson’, so that his father, a Glasgow GP, would never be referred to as ‘Old Walter’. His mother, as Jean Young Kyle, had herself graduated in Mathematics in 1927, a rare achievement for a woman at that time. After attending the local primary school 1952–1956, Wilson completed his primary education in the preparatory classes in Allan Glen's School, then a distinguished Glasgow boys school with a scientific emphasis, progressing to the secondary school in 1958 and ending by becoming Dux in 1964. He also played in the school rugby first XV. From 1964–1968 he was a student in the Science Faculty of Glasgow University. His original intention was to take Honours in Chemistry and, indeed, he won the Chemistry prize in his first year. But he excelled in all subjects, winning the Faraday medal in the Intermediate Honours (second year) class in Natural Philosophy (Physics). After that he concentrated on Mathematics and became the top student, gaining a First Class Honours degree, as well as the Cunninghame Medal and a Jack Scholarship to Peterhouse College, Cambridge (1968). Before commencing postgraduate studies he married Andrea Watson in September 1968. At Cambridge from 1968–1971 he studied for a Ph.D. in number theory under the supervision of Peter Swinnerton-Dyer and graduated in 1972 with the thesis Some Discrete Triangle Groups. By then he was becoming aware of the strange realm inhabited by mathematicians that he seemed to be entering. So when his Cambridge room-mate Bob Odoni, at a research meeting they were attending as postgrads, asked, ‘Wilson, do you realise that we are the only normal people here’, Wilson felt compelled to respond, ‘What makes you think that we are normal?’

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Alexeevich, Andreev Alexander, et Anton Petrovich Ostroushko. « Andrey Gavrilovic Rusanov – the first Chairman of the Voronezh medical surgical society (to the 145th of birthday) ». Journal of Experimental and Clinical Surgery 12, n^o 3 (3 juin 2019) : 207. http://dx.doi.org/10.18499/2070-478x-2019-12-3-207-207.

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Andrew G. Rusanov (03.02.1874–9.10.1949) was born on 3 February 1874 in the city of Ostrogozhsk of the Voronezh province. Andrey Gavrilovich graduated from the 1st Voronezh classical gymnasium with a silver medal and the medical faculty of Moscow University (1989). In 1900 he passed the test for a senior doctor of medicine and in 1902 became a Zemstvo doctor and then head of hospitals in the Penza and Ekaterinoslav provinces. Andrey Gavrilovich Rusanov moved to Voronezh in January 1907 and took the position of senior doctor of the provincial Department and surgeon of the provincial hospital (1907-1919), organized and headed the Voronezh medical surgical society, created a paramedic and obstetric school. In 1912, Rusanov prepared and defended his doctoral thesis. In 1918, Rusanov Was elected head of the hospital surgical clinic of the Voronezh state medical Institute. During the great Patriotic war of 1941-1945 he worked in the hospitals of Voronezh, Tambov and Ulyanovsk. In December 1943 he returned to Voronezh and again headed the Department of hospital surgery. In Voronezh, he was the first to do an appendectomy, the surgery to children about brain herniation, successfully produced orthopedic intervention, first in the USSR made a successful resection of the stomach about a perforated ulcer. One of the first to apply bestmoney method of treatment of wounds. A. G. Rusanov the author of over 70 scientific papers, 3 monographs, under his leadership were defended 3 doctor's and 19 candidate's theses. Rusanov was awarded the Order of the red banner of labor and medals. In 1946 he was elected to the Supreme Soviet of the USSR. In 1949, Andrey Gavrilovich died. A. G. Rusanov named lane in Voronezh (1962). In the state archive of the Voronezh region there is a personal Fund of Rusanov (P-2980). Memorial plaques are devoted to it: on buildings of the 2nd and 3rd city hospitals of the city of Voronezh.

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Thèses sur le sujet "Andreï (1957-....)"

Mistreanu, Diana. « Andreï Makine et la cognition humaine. Pour une transbiographie ». Electronic Thesis or Diss., Paris Est, 2019. http://www.theses.fr/2019PESC0085.

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Cette thèse consiste en une analyse systématique de la représentation de la cognition humaine dans l’œuvre romanesque d’Andreï Makine. Nous interprétons sa prose à travers le prisme des études littéraires cognitives, un champ théorique et méthodologique qui se trouve à l’interface de l’interprétation littéraire et des sciences cognitives, explorant le rapport entre la fiction d’une part, et l’esprit et le cerveau humains d’autre part. Nous nous penchons sur l’illustration de l’affect, de l’imagination et des limites de la cognition, sans ignorer les techniques narratives et les figures stylistiques qui convergent pour créer une œuvre qui ne se contente pas de représenter le réel, mais se donne comme objectif de le transfigurer. Ainsi, nous envisageons notre corpus dans une perspective dynamique selon laquelle il sert de trait d’union entre l’auteur et le lecteur. De ce fait, nous nous demandons quel peut être son impact sur la cognition du lecteur, en proposant en même temps une hypothèse innovante concernant le rapport entre l’œuvre et l’auteur. N’étant ni autobiographique (dans l’acception de Philippe Lejeune), ni autofictionnelle (Vincent Colonna), la création romanesque de Makine exige du critique de théoriser un nouveau concept qui lui permette de la définir. Nous appelons ce concept, qui désigne la recréation consciente et récurrente, par le biais de la fiction, d’un événement biographique fondamental, une « transbiographie »
This dissertation proposes a systematic analysis of Andreï Makine’s oeuvre. We read his prose through the prism of cognitive literary studies, a recent theoretical and methodological field which explores the interaction between literary interpretation on the one hand, and the human brain and mind on the other. We focus on the depiction of the affect, the imagination and the limits of cognition, while pinpointing, at the same time, the narrative techniques and the stylistic devices that contribute to create a work whose goal is not only to illustrate reality, but also to transfigure it. Thus, we analyse Makine’s novels from a dynamic perspective, asking what impact they could have on the reader, and proposing an innovative hypothesis concerning the relation between the author and his literary output. According to this hypothesis, the writer’s work is not autobiographical (according to Philippe Lejeune’s definition of the concept of autobiography) nor autofictional (Vincent Colonna), and it requires the coining of a new concept able to define it. We call this concept – which consists of the conscious and recurrent recreation of a meaningful autobiographical event through the means of literary fiction – a “transbiography”

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Bellemare-Page, Stéphanie. « Par-delà l'histoire : regards sur l'identité et la mémoire dans l'œuvre d'Andreï Makine ». Doctoral thesis, Université Laval, 2010. http://hdl.handle.net/20.500.11794/21633.

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Cette thèse, intitulée "Par-delà l'Histoire : regards sur l'identité et la mémoire dans l'œuvre d'Andreï Makine" propose une analyse originale des rapports entre Histoire, mémoire et littérature dans l'œuvre de cet écrivain français d'origine russe. La thèse dans l'ensemble tend à démontrer que l'univers makinien est marqué à la fois par une emprise et une mise à distance de l'Histoire : aux migrations géographiques et identitaires forcées par l'Histoire se juxtaposent d'autres formes de déterritorialisation, ontologique et poétique, qui projettent les personnages dans un monde différent. L'œuvre, tout en étant ancrée dans l'Histoire, défend une vision idéalisée de l'Art, de l'amour et de la nature, comme territoires du sacré. La première partie, intitulée "Du mythe au mirage : perspectives identitaires", débute par un survol des mythes fondateurs de l'imaginaire franco-russe, explorés sous l'angle de l'histoire de ses dynamiques interculturelles. Les stratégies d'appropriation de cet héritage par Makine sont ensuite analysées à travers des personnages et des symboles "limitrophes", c'est-à-dire à la croisée des mondes français et russe. L'argumentaire de la thèse tend à défendre l'idée que la richesse de l'œuvre réside non seulement dans son biculturalisme mais aussi et surtout dans le rapport à l'identitaire qu'il dévoile, exploré à travers tout un réseau de métaphores optiques ; le regard posé sur l'autre est constamment brouillé par les mirages, les effets-trompeurs, dans un style déroutant pour le lecteur qui peut, à son tour, difficilement échapper aux pièges des illusions que lui tend le narrateur. En résulte une écriture du doute qui marque de façon indélébile, dans toute l'œuvre de Makine, la rencontre de l'altérité. La deuxième partie, "De l'indicible à l'innommable : les voix de la beauté et de la violence", propose une lecture diachronique de l'œuvre et s'attarde à la notion de "surconscience linguistique" (Gauvin), qui s'exprime chez Makine par une focalisation sur la voix et renonciation. Cette analyse met en lumière les rapports de domination entre les différentes formes de discours (idéologique, individuel, collectif, etc.). L'objectif est de montrer comment, chez Makine, l'Histoire, le collectif, s'interpose dans les rapports humains et forme une entrave à l'expression des personnages, confondue avec une voix persécutrice intériorisée ou un discours hégémonique dominant. Ces voix sont des obstacles à la constitution de l'ethos discursif des personnages, qui tend à se renforcer au fil de l'œuvre jusqu'à devenir une parole forte, signifiante, résistante. Contre une pensée obstruée par les mécanismes qui la gouvernent, l'intertextualité joue le rôle de réfèrent qui occupe une large part de l'espace symbolique des premiers romans. Or, cette fonction de l'intertextualité est remise en question dans les dernières œuvres de l'écrivain, où l'on observe une confrontation entre une figure d'écrivain de plus en plus assumée et diverses formes d'autorité telles que l'institution, la loi ou l'éditeur. La troisième partie, "Histoire, mémoire, filiations" porte sur la philosophie de l'Histoire chez Makine, sur l'exercice de la mémoire et les configurations temporelles du roman. L'analyse de la représentation de l'Histoire dans le roman makinien tend à démontrer que celle-ci est tributaire d'une mémoire directe ou indirecte de la dictature et la guerre, et a comme fonction dans le roman de bouleverser les destinées humaines. Ce constat conduit à la compréhension du projet poétique de l'écrivain, qui vise à combattre l'instrumentalisation de l'Homme par les idéologies pour mettre en lumière la singularité de chaque vie humaine. On en conclut que la mémoire mythifiée constitue une narration alternative à un discours hégémonique omnipotent, et vient panser les blessures du passé et du présent. Contre une représentation de l'Histoire dont la marche semble inexorable, le personnage makinien survivra grâce à la reterritorialisation dans un espace poétique et atemporel, voire sacré. En bout de ligne, c'est l'Histoire qui est instrumentalisée par le roman, où elle est à la fois omniprésente et rejetée, et devient une véritable métaphore de la condition humaine.

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Selmani-Belabd, Samia. « Romans francophones et représentations du féminin : autour de Va savoir de Réjean Ducharme, Agave de Hawa Djabali et La femme qui attendait d'Andreï Makine ». Perpignan, 2007. http://www.theses.fr/2007PERP0796.

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La représentation féminine a connu à travers les temps et les littératures de nombreux rebondissements. Les littératures francophones ont également rencontré ce bouleversement romanesque du statut de l'héroïne, notamment dans la période contemporaine. Partant d'un présupposé narratologique, notre analyse cerne de prime abord la place réelle de la femme au sein des romans francophones, québécois, algérien et russe. Notre étude se focalise sur la remise en question de l'héroïne par rapport aux personnages traditionnels, ainsi que son immersion dans l'ère du soupçon. Etant absente et désagrégée dans le foyer incertain des "myriades d'impressions", l'héroïne francophone se trouve flanquée dans le néant. Ayant perdu son statut de personnage, elle demeure l'objet de l'histoire racontée, et assujettie au reste des personnages, qui la façonnent à leur manière. L'héroïne francophone devient en conséquence l'ombre d'elle-même.

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Dal, Molin Nathalie. « L'image de la femme dans la littérature du fantastique et l'imaginaire latino-américains et français ». Toulouse 2, 2002. http://www.theses.fr/2002TOU20004.

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Durant des décennies, les comportements "machistes" ont transformé les femmes en objets. Cependant, les écrivains du Fantastique et de l'Imaginaire les définissent comme des êtres complexes et dignes d'intérêt. Narratrices homodiégétique ou protagonistes, elles constituent l'élément structurant des récits. Les décrivant comme des êtres instables ou en proie à une dépression profonde, ces auteurs soulignent le dédoublement et l'émiettement que connaît leur personnalité, confrontée à la domination masculine. Les figures féminies se réfugient dans un univers intime, composé de souvenirs et de rêveries. Leur vision du monde environnant s'en trouve altérée, par la superposition de cet univers intérieur imaginaire, et le monde extérieur. La confusion entre le rêve et la "réalité" s'accentue lorsque les femmes s'enferment dans un huis-clos dont le clair-obscur favorise à la fois l'introspection et l'émergence de l'onirisme. L'élément fantastique s'y développe d'autant plus aisément que ces personnages s'évertuent à recréer le monde ludique de l'enfance dans leur espace intérieur. Celui-ci, corrélé à "l'inquiétante étrangeté", s'apparente aux espaces des contes de fées où l'animal et l'objet possèdent des caractères humains. Mystérieuses de ce fait, les femmes suscitent une fascinantion ou un véritable fanatisme auprès de leur entourage, qui désire détenir une connaissance absolue du personnage féminin. Celui-ci, de manière parardoxale, affiche un attrait sans borne pour les pratiques religieuses et pour le parapsychisme. Par leur comportements parfois extrêmes, les femmes acquièrent, aussi au sein du couple, une supériorité sur l'homme et parfois une suprématie absolue; leur imago se rapprochent sensiblement et s'identifie à celle du Diable. Ce dernier, incarnation mythique renvoie au désir de mythifier la Femme (Horacio Quiroga, Adelai͏̈da Garcia Morales, Silviana Ocampo, Julio Cortazar, Andrei͏̈ Makine)
For decades, chauvinist behaviour has transformed women into objects. However writers of the Fantastic or the Imaginery define them as complex beings worthy of interest. Homodiegetic narrator or protagonist, they constitute the founding element of these stories. By describing as unstable beings or prey to deep depression these authors draw attention to the dual nature and the fragmentation of their personnality in the face of masculine domination. Feminine characters take refuge in an interior universe, made up of memories and daydreams. Their vision of the surrounding world finds itself thus changed by the superposition of this private imaginary universe or the outside world. The confusion between dream and reality becomes stronger when women look themselves behind-closed doors where achiaroscuro favours at one and the same time introspection and the emergence of fantasising. The fantastic element develops all the more easily these characters try to recreate the play world of their childhood within their inner space. This space coreelated with the disturbing strangeness has similarities with the world of fairy stories where the animal and the object have humain characteristics. In this way mysterious, women arouse a fascination or a veritable fanaticism in their family circle where everyone wants to have absolute knowledge of the feminine character. The feminine chararcter paradoxically express limitless attraction for religious practise and for the parapsyche. Through their behaviour, at times extreme, women acquise within the cuple a superiority over men and sometimes absolute supremacy. Their imago commes remarkably closer to and identifies with that of the Devil. This mythic incarnation refers to the desire for the mystification of Woman (Cuentos de Amor/ de Locura y de Muerte, Quiroga, El Sur/ Bene, Garcia Morales, Cornelia Frente al Espejo/ Y Asi Sucesivamente, Ocampo, Queremos Tanto a Glenda, Cortazar, Le Testamment Français, Makine)

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Herbin, Frédéric. « La critique artiste des lieux culturels en France : 1967-1977 ». Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2019.

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Prenant comme bornes chronologiques les grandes mutations que connait le paysage institutionnel français, ce travail analyse comment les lieux culturels deviennent un terrain d'action critique pour les artistes. La première partie montre qu'avec l'indexation de l'oeuvre sur le contexte les pratiques in situ sont l'aboutissement de la logique d'ancrage dans la société que les courants artistiques des années 1960 promeuvent. En proposant une généalogie de ces pratiques à partir des oeuvres de Jean-Michel Sanejouant, Mark Brusse et Daniel Buren, l'auteur défend l'idée qu'elles constituent un préalable nécessaire à la mise en cause des lieux culturels. La seconde partie engage une discussion des catégories établies par l'historiographie - majoritairement anglo-saxonne. Si les récits développés au sujet des notions "Site specificity" et d'"Institutional critique" informent la reflexion, il est proposé en retour de les réviser à l'aune du cas français, notamment de l'oeuvre d'André Cadere. La troisième partie aborde les rapports que les pratiques artistiques critiques entretiennent avec les mouvements contestataires : après les soulèvements de 1968, les lieux culturels deviennent de véritables espaces de protestation. En s'intéressant à une série d'évènements significatifs, tels que les Biennales de Paris de 1969 et 1971, l'exposition "72-72" ou l'ouverture du Centre Georges Pompidou, l'auteur explore les multiples positions et modes d'action critiques qui s'invitent sur le terrain des lieux culturels : vision réformatrice, activisme, pratiques artistiques critiques. Ce travail constitue ainsi une investigation sur les rapports entre mouvements sociaux et critique artiste dans la France des années 1960-1970
Taking as chronological markers the major changes that the French institutional landscape experiences, this work analyzes how cultural places become a field of critical action for artists. The first part shows that with the indexing of the work on the context in situ practices are the result of the logic of anchoring in society that 1960s artistic movements promote. By providing a genealogy of these practices from the works of Jean-Michel Sanejouand, Mark Brusse and Daniel Buren, the auhor argues that they are a necessary prerequisite for the questioning of cultural venues. The second part undertakes a discussion of the categories established by the historiography - mainly Anglo-Saxon. If the stories developed about the concept "Site specificity" and "Institutional critique" inform the discussion, it was proposed in return for review in the light of the French case, especially the work of André Cadere. The third part discusses the reports that the critical artistic practices have with the protest movements : after the uprisings of 1968, cultural veneus become real protest sites. By focusing on a series of significant events such as the Paris Biennials of 1969 and 1971, the "72-72" exhibition or opening of thez Pompidou Centre, the author explores the multiple positions and modes of critical action that invite in the field of cultural venues : reforming vision, activism, critical artistic practices. This work is thus an investigation on the relationship between social movements and artist critic in France from 1960-1970

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Mayer-Rieckh, C. M. « Memory and wholeness in the work of Andrei Platonov, Valentin Rasputin and Andrei Tarkovskii ». Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1306765/.

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This thesis explores how wholeness (tselostnost' or tsel'nost'), a central theme and impulse of Russian nineteenth-century philosophy, is expressed in the work of three different twentieth-century Russian artists. Tselostnost' is understood here as Russian philosophy‘s enduring preoccupation with the essential, original wholeness of the universe, an ideal state from which the human world has fallen and which man seeks to regain. Particular attention is paid to the way in which this idea was taken up and developed by a range of nineteenth-century Russian thinkers: Petr Chaadaev, Aleksei Khomiakov, Ivan Kireevskii, Nikolai Fedorov, Vladimir Solov‘ev and Fedor Dostoevskii. In their works, the vision of the universe as an ideal tselostnost' is connected with a number of key key concepts from Russian philosophy, among which are: tsel'noe znanie, sobornost', and vseedinstvo. The main body of the thesis bases its analysis on selected writings by Andrei Platonov (1899-1951) and Valentin Rasputin (1937- ), and on the cinematic oeuvre of Andrei Tarkovskii (1932-1986). It explores how in the work of all three artists, tselostnost' is repeatedly linked with the theme of memory, framing the worldviews they express and influencing their aesthetic. The work of these three men, crossing two artistic media and realised with different levels of complexity, also spans a historical period which stretches from the 1920s to the present. The choice of these three very different artists to explore these ideas is integral to the wider aim of this study, which is to investigate the pervasiveness and longevity of the ideal of the whole in Russian culture, as well as the consistency with which it has been expressed. In addition, the examination of the three artists' work is a contribution to the wider critical discussion about the close links between the Russian philosophical and literary traditions.

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Lahanque, Reynald Borreli Guy. « Le réalisme socialiste en France 1934 - 1954 / ». Nancy : Université Nancy 2, 2002. http://cyberdoc.univ-nancy2.fr/htdocs/docs_ouvert/doc115/2002NAN21025_1.pdf.

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Rider, Alistair John. « Carl Andre sculptures, politics, 1959-1976 ». Thesis, University of Leeds, 2005. http://etheses.whiterose.ac.uk/1643/.

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This work is premised on the assumption that the excuses for not engaging properly with Carl Andre's corpus will not stand forever, and that his art is capable of sustaining considerably more attention than it has been afforded to date. Focusing predominantly on a select number of works from 1959 (when Andre moved to New York City) to 1976 (the year of the media orchestrated uproar over the Tate Gallery's purchase of Equivalent VIII) this dissertation assessesth e singular nature of his brand of late modernism. Much to the chagrin of many, few US artists of the 1960s aligned themselves so intimately with a Marxist cause or thought so carefully about art's commodity status. This project takes these facts seriously and attempts to approach the art accordingly. The works discussed include America Drill (1963), the Equivalents (1966), Lever (1966), Gold Field (1966), 5x 20 Altstadt Rectangle (1967), Joint (1968), Quincy Book (1973), Twelfth Copper Corner (1975) and Manet (1980).

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West, Russell. « Figures de la maladie chez andre gide ». Lille 3, 1996. http://www.theses.fr/1996LIL30004.

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Cette these se veut une lecture des figures de la maladie presentes dans l'oeuvre d'andre gide. Le role de la maladie subit une evolution a travers la production litteraire; elle symbolise d'emblee la peur devant le monde, ensuite la decouverte de la difference propre au sujet, et finalement devient le moteur d'un engagement ethique et politique par rapport a la societe
This thesis offers a reading of the figures of disease as they are present and evolue in the works of andre gide. Originally disease symbolises the author's fear of the world; later it evoles from being the sign of the individualis difference into the trigger for ethical and political engagement

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Caraffa, Ricardo Cesar. « Fundação de assistencia a infancia de Santo Andre 1967-1987 : 20 anos de experiencia de um sistema de saude voltado a area materno-infantil ». [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/309141.

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Orientador : Emerson Elias Merhy
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Ciências Médicas
Made available in DSpace on 2018-08-01T06:25:02Z (GMT). No. of bitstreams: 1 Caraffa_RicardoCesar_M.pdf: 31422883 bytes, checksum: 0de28ede59c68cc1bd2133294e9da743 (MD5) Previous issue date: 2001
Resumo: O estudo se constitui na descrição e análise de uma instituição, enquanto experiência de um modelode atenção à saúde matemo-infantil,em 20 anos de sua história, entre 1967 e 1987, na cidade de Santo André (SP). Trata-se da Fundação de Assistência a Infância de Santo André - FAISA, entidade que surge em um determinado contexto e apresenta entre suas características, aspectos pioneiros e inovadores para a época de sua aparição. Buscando entender como essa entidade surge, volta-se no tempo para se descrever como se delimita a conformação de um campo de prática pediátrico, ou seja, desde o início do desenvolvimento do cuidado dedicado à infância até os princípios da atenção integral à saúde da criança. Na mesma perspectiva procura-se oferecer um panorama da conjuntura onde se desenvolvem a Pediatria brasileira, as políticas de saúde matemo-infantil e as políticas gerais de saúde pública no Brasil. A descrição do histórico da FAISA, da organização de seus serviços, de seu modelo de atenção e do impacto que têm sobre a saúde das crianças em Santo André, bem como a análise da manifestação do contexto em que essa surge, através de textos, documentos históricos encontrados e de entrevista realizada com um ator institucional, que se reveste da maior importância por ter sido formulador do modelo apresentado, toma-se o corpo central desse estudo. Estima-se que o trabalho tenha valor para aqueles que se debruçam sobre as questões pertinentes às formulações de modelos e políticas públicas de saúde, assim como na afirmação do Sistema Único de Saúde
Abstract: The study is composed of the description and analysis of an institution that is a model of attention to matemal-infantile health, in 20 years of its history, between 1967 and 1987, in the city of Santo André (SP). Such institution is "Fundação de Assistência a lnfância de Santo André -FAISA", an entity that appeared in a certain context and presents, in its characteristics, pioneer and innovatory aspects for the time of its appearance. ln order to understand how this entity started, let us go back in time to describe how the conformation of a pediatric practice field is delimitated, that is, since the beginning of the development of the care dedicated to the children until the principIes of full attention to a child's health. ln the same perspective, we try to offer a panorama of the conjuncture in which Brazilian Pediatrics has developed, the maternal-infantile health policies and the public health general policies in Brazil. The description of the FAISA background, the organization of its services, its model of attention and the impact it has on the health of the children in Santo André, as well as the analysis of the manifestation of the context in which it appeared, through texts, historical documents found and an interview with an institutional actor who is of great importance, for he was the creator of the model presented; these are the main topics of this study. This work might be of great value for those who deal with issues regarding the formulation of models and public policies of health, as well as the affirmation of the Sole System of Health
Mestrado
Saude Coletiva
Mestre em Saude Coletiva

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Livres sur le sujet "Andreï (1957-....)"

Thomkins, André. André Thomkins, menschenmöglich : Federzeichnungen, 1947-1977. Sous la direction de Luckhardt Ulrich et Hofmann Werner 1928-. Köln : DuMont, 1988.

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Magritte, René. Lettres à André Bosmans : 1958-1967. [Paris] : Seghers, 1990.

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Jepsen, Hans Lyngby. Lisa og andre noveller 1953-1967. [Copenhagen] : Lindhardt og Ringhof, 1990.

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Gide, André. André Gide-Thea Sternheim : Correspondance, 1927-1950. [Lyon] : Centre d'études gidiennes, Université Lyon II, 1986.

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Wiplinger, Peter Paul. Farbenlehre : Und andere Gedichte 1967-1987. Klagenfurt : Alekto Verlag, 1987.

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Molles, Andrew. Andrew Molles 1907-1975 : Ein Lebenswerk in zwei Jahrzehnten. Sous la direction de Baum Peter 1939-, Aigner Carl 1954- et Kunst Halle Krems. Krems : Kunsthalle Krems, 2005.

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Fourgeron, Andre. Andre Fourgeron : Pie ces de tache es 1937-1987. Paris : Galerie Jean-Jacques Dutko, 1987.

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Alfano, Andrea. Andrea Alfano (1879-1967). Soveria Mannelli (Catanzaro) : Rubbettino, 2002.

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André, Masson. André Masson [1896-1987]. Madrid : Museo Nacional Centro de Arte Reina Sofía, 2004.

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André, Masson. André Masson : 1896-1987. [Reykjavik] : Listasafn Islands, 1990.

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Chapitres de livres sur le sujet "Andreï (1957-....)"

Gorelik, Gennady. « Die Terrorwelle 1937 ». Dans Andrej Sacharow, 51–66. Basel : Springer Basel, 2013. http://dx.doi.org/10.1007/978-3-0348-0474-5_4.

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Kivimaki, Mika. « Steptoe, Andrew (1951–) ». Dans Encyclopedia of Behavioral Medicine, 1880–81. New York, NY : Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-1005-9_851.

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Kivimaki, Mika. « Steptoe, Andrew (1951–) ». Dans Encyclopedia of Behavioral Medicine, 1–2. New York, NY : Springer New York, 2020. http://dx.doi.org/10.1007/978-1-4614-6439-6_851-2.

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Kivimaki, Mika. « Steptoe, Andrew (1951–) ». Dans Encyclopedia of Behavioral Medicine, 2140–41. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39903-0_851.

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Kayas, Lucie. « Épithalame (1953) ». Dans André Jolivet, 85–104. Abingdon, Oxon ; New York, NY : Routledge, 2019. : Routledge, 2018. http://dx.doi.org/10.4324/9780429429255-6.

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Fitoussi, J. P. « Shonfield, Andrew Akiba (1917–1981) ». Dans The New Palgrave Dictionary of Economics, 1–2. London : Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1721-1.

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Fitoussi, J. P. « Shonfield, Andrew Akiba (1917–1981) ». Dans The New Palgrave Dictionary of Economics, 12280–81. London : Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1721.

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Erstic, Marijana. « Livia als Emma ». Dans »Madame Bovary, c'est nous!« - Lektüren eines Jahrhundertromans, 109–30. Bielefeld, Germany : transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839452844-009.

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Im Zentrum des Aufsatzes »Livia als Emma« steht Luchino Viscontis Film »Senso« (1954, dt. »Sehnsucht«). André Bazin zufolge ist dieser Film »der romanhaften Ästhetik ähnlich, die in der Tradition Flauberts steht und besonders durch den Naturalismus bekräftigt ist.« Zwar hat Viscontis Senso eine andere literarische Vorlage als Gustave Flauberts so genannten realistischen Roman »Madame Bovary«, doch ist seine Contessa Livia in ihrem Selbstbetrug und vielleicht auch in ihrem nüchtern geschilderten schwärmerischen Charakter Flauberts Figuren nahe. Diese sind bekanntlich für eine sentimentale Erziehung empfänglich, so vor allem, auf je unterschiedliche Art, Frédéric Moreau und Emma Bovary. Luchino Viscontis Film zeigt in flaubertscher Manier, was passiert, wenn der Wunsch nach einem anderen und vermutlich besseren Lieben und Leben jemanden ergreift, der zur Oberschicht gehört - und das inmitten einer Revolution. Der italienische Neorealist gestaltet in »Senso« aus der gleichnamigen Novelle Camillo Boitos einen filmischen und typisch italienischen Ehebruchsroman, der mit Verweisen auf die großen Romane des 19. Jahrhunderts arbeitet. So wird Livias und Emmas vergleichbare Vorliebe für Liebes-Sujets in Luchino Viscontis Film »Senso« auch als entlarvendes Kristallbild (Gilles Deleuze) eingesetzt. Der Beitrag befasst sich mit Parallelen und Unterschieden zwischen Text und Film.

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Cardullo, R. J. « Erich Von Stroheim [1885–1957] ». Dans André Bazin, the Critic as Thinker, 165–70. Rotterdam : SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-878-5_7.

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Vedder, H. « Forschungsschwerpunkt neuroprotektive Wirkungen von Östrogenen und anderen Steroiden ». Dans Universitätskolloquien zur Schizophrenie, 227–30. Heidelberg : Steinkopff, 2004. http://dx.doi.org/10.1007/978-3-7985-1957-2_29.

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Actes de conférences sur le sujet "Andreï (1957-....)"

Requena Ruíz, Ignacio, et Daniel Siret Soleil. « Construcciones ambientales para el hábitat moderno : Le Corbusier y André Missenard (1937-57) ». Dans LC2015 - Le Corbusier, 50 years later. Valencia : Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.659.

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Resumen: Desde final de los años 30, la formulación de una nueva sensibilidad cultural, tecnológica y política hacia el clima, entendido en un sentido amplio, replanteó la relación entre el cuerpo humano y su entorno. El presente artículo confronta la obra de Le Corbusier ante dicha hipótesis de evolución del paradigma higienista previo. A partir de una investigación original en los archivos de la Fondation Le Corbusier, el objeto principal es el estudio de los intercambios teóricos y los aportes técnicos entre el arquitecto y André Missenard. El ingeniero, referente en el entorno científico, industrial y político de la época, resulta una pieza clave para entender la relevancia de la dimensión ambiental del hábitat propugnado por Le Corbusier durante los años 50. En particular, este trabajo aborda tanto los métodos de ideación (Grille Climatique) como su materialización espacial, técnica y sensorial (Unités d’habitation y Maison du Brésil). Las conclusiones del artículo muestran la evolución de los postulados habitacionales de Le Corbusier, que partiendo de la “Ville Radieuse”, acabó por integrar las ideas de la “Science des climats artificiels” en el proyecto arquitectónico, buscando “Rétablir les conditions nature” en el hábitat moderno. Abstract: Since the late-1930s, the emergence of a renewed cultural, technological and political approach towards the notion of climate reformulated the relationship between bodies and their milieux. This article analyses the works of Le Corbusier through the lens of this hypothesis of the hygienist paradigm’s evolution. Based on an original research at the archives of the Fondation Le Corbusier, this paper focuses on the theoretical discussions and the technical collaboration of the architect with André Missenard. This engineer, a key figure in the scientific, industrial and political environment of his time, played a main role to understand the relevance of the ambient dimension in Le Corbusier’s housing proposals in the 1950s. In particular, this paper deals with the design methods (Grille Climatique), as well as their spatial, technical and sensory materialization (Unités d'habitation and Maison du Brésil). The conclusions of the article show the evolution of Le Corbusier’s postulates, which beginning from his early proposal for the “Ville Radieuse”, managed to integrate the contributions of the “Science des climats artificiels” in architectural design looking for “Rétablir les conditions nature” in modern housing. Palabras clave: André Missenard; climas artificiales; control ambiental; Le Corbusier. Keywords: André Missenard; artificial climates; thermal ambiances; Le Corbusier. DOI: http://dx.doi.org/10.4995/LC2015.2015.659

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Cardenas, Ariel Gasca, et Edilberto Gutierrez. « The Challenge of Crossing the Andes : A Data Base Analysis and Peru LNG Project Description ». Dans ASME 2013 International Pipeline Geotechnical Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/ipg2013-1951.

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As of the date this paper is written pipelines in South America comprises 113000 kms of transmission lines including Oil, Gas, Condensates, and refined products from which approximately 17% (19400 kms) crosses the Andes reaching elevations up to near 5000mts. Rugged terrain combined with the geology, weather conditions (especially rain intensity) and continuous pipe ruptures in the past impose serious challenges for the pipeline industry that makes the design, construction and operation substantially different from other pipelines in the world. The records have shown that the threat of Ground movement/weather-related pipeline ruptures in the Andes plays a significant role since the percentage of the risk associated with geotechnical causes is substantially higher than any other parts such as Europe or United States. Thus the rate of pipeline failures due to natural forces is significant higher than the average industry. Peru LNG is a 406km × 34in gas pipeline transporting natural gas from the jungle side of Peru to the Pacific Coast where a LNG terminal has been installed. Peru LNG’s pipeline currently holds the record of being the highest Gas Pipeline of the world with a maximum elevation of 4901 meters above sea level. Project completion was done in May 2010 and lessons learnt from similar projects were taken into account since project designs. This paper is divided in two parts. First, it compares pipeline ruptures frequencies due to natural forces in the Andes with other pipelines in different terrains based on historical cases compiled by the authors. Secondly, it explains the different phases of Pipeline Project in rugged terrain from the conceptual design until the operations stage and the role of Pipeline Geotechnical Engineers in this process based on PERU LNG’s pipeline experience. It also describes some of the main features of the PLNG pipeline project. A comprehensive flow chart provides general guidance for future pipeline projects in similar conditions.

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Talley, Daniel, Thomas L. Davis et Robert D. Benson. « San Andres carbonate reservoir characterization from four‐dimensional, multi‐component seismic attribute analysis ». Dans SEG Technical Program Expanded Abstracts 1997. Society of Exploration Geophysicists, 1997. http://dx.doi.org/10.1190/1.1886157.

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Garci´a, Hugo, Carlos Nieves et Juan Diego Colonia. « Integrity Management Program for Geo-Hazards in the OCENSA Pipeline System ». Dans 2010 8th International Pipeline Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ipc2010-31162.

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Oil pipelines systems for hydrocarbons transportation are linear projects that can reach great lengths. For this reason, theirs paths may cross different geological formations, soil types, navigable or torrential waters; and they may face geotechnical and hydrological instability problems such as creeping slopes, geological faults, landslides, sudden river surges and differential settling which causes different relative movements between the soil and the pipeline. The OCENSA (Oleoducto Central S.A) 30″ and 36″ diameter system was built in 1997 to transport crude oil from the eastern foothills of the Andes to the Caribbean Coast along some 830 km of the Eastern Andes mountains range and the spurs of the central Andes mountains range of Colombia: it was a major challenge to secure the integrity of the pipeline in the face of natural events.

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García, Hugo, Carlos Nieves et Juan Diego Colonia. « Integrity Management Program for Geo-Hazards in the OCENSA Pipeline System ». Dans ASME 2013 International Pipeline Geotechnical Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/ipg2013-1918.

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Oil pipelines systems for hydrocarbons transportation are linear projects that can reach great lengths. For this reason, theirs paths may cross different geological formations, soil types, navigable or torrential waters; and they may face geotechnical and hydrological instability problems such as creeping slopes, geological faults, landslides, scour and differential settling which causes different relative movements between the soil and the pipeline. The OCENSA (Oleoducto Central S.A) 30″ and 36″ diameter system was built in 1997 to transport crude oil from the eastern foothills of the Andes to the Caribbean Coast along some 830 km of the Eastern Andes mountains range and the spurs of the central Andes mountains range of Colombia: it was a major challenge to secure the integrity of the pipeline in the face of natural events.

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Topolinsky, Ken M., et German D. Ordoñez R. « Colombian Crude Export System Begins Full Operation ». Dans 1998 2nd International Pipeline Conference. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/ipc1998-2009.

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Shipments began in October 1997 along Oleoducto Central S.A (OCENSA), the 837 km oil export system, consisting of 406, 762 and 914 mm (16”, 30” and 36”) diameter pipe, from eastern Colombia to the country’s north coast on the Carribean Sea. Start-up follows the completion of a phased construction program which began in 1993–94 and ended in September 1997. The system transports production from the Cusiana / Cupiagua oilfields, and several adjacent smaller production fields in the eastern foothills of the Andes to an offshore terminal loading unit 11 km offshore. The authors provide an operating overview of this system designed to handle some 88,410 m3/d (556 kbd) and some of its operating challenges.

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« KULINARISCHE TRANSFERS AUS ANDEREN REGIONEN UND KULTURRÄUMEN : DER NIEDERSCHLAG IN WESTDEUTSCHEN UND ÖSTERREICHISCHEN KOCHBÜCHERN 1950–1980 ». Dans digital humanities austria 2018. Vienna : Austrian Academy of Sciences Press, 2020. http://dx.doi.org/10.1553/dha-proceedings2018s154.

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Smith, W. Hoxie, James J. Reeves et S. Douglas Bacon. « The geostatistical mapping of effective porosity utilizing petrophysics and seismic attribute analyses, Grayburg and San Andres shallow shelf carbonate reservoirs, Permian Basin, U.S.A. » Dans SEG Technical Program Expanded Abstracts 1997. Society of Exploration Geophysicists, 1997. http://dx.doi.org/10.1190/1.1886115.

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Gonzalez, Angel, Jesus Fuentes et James Helwig. « Case study of a complex inverted structure, Barinas‐Acarigua area, frontal Venezuelan Andes ». Dans SEG Technical Program Expanded Abstracts 1997. Society of Exploration Geophysicists, 1997. http://dx.doi.org/10.1190/1.1886108.

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Quintana Guerrero, Ingrid. « Dattiers Andinos y la Búsqueda Paciente en Rue de Sèvres, 1948-1959 ». Dans LC2015 - Le Corbusier, 50 years later. Valencia : Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.548.

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Resumen: Con la Unidad de Habitación marsellesa, el Atelier Le Corbusier transformaba su personal y métodos. Recurrentemente, se ha denominado a ésta como la fase del Grand Atelier, en cuyo ocaso surgieron nuevos desafíos y elementos para un “espacio inefable”. De límites imprecisos, esa Búsqueda Paciente implicaba un estado de ánimo transicional que confrontaba a Le Corbusier con sus propios métodos y con algunos de sus colaboradores, a los que peyorativamente atribuyó el apodo de dattiers (datileras), debido a su presunta arrogancia y baja productividad. Este trabajo reconstruye los principales aspectos del paso de algunos colaboradores suramericanos de Le Corbusier por París entre 1948 y 1959. Su participación fue larga e intensa, alcanzando en ocasiones el estatus de coordinadores y abordando obras en todas las escalas. Aún cuando, entre ellos, sólo Augusto Tobito fue directamente calificado como dattier, sus colegas colombianos compartían algo de su rebeldía, autonomía o destreza; de ahí que les hagamos extensivo ese apelativo. Así pretendemos construir un relato que contrarreste las abundantes narrativas sobre proyectos e influencia del franco-suizo en territorio andino. Abstract: With Marseille Housing Unit, the Atelier Le Corbusier began a transformation of its staff and methods. Frequently, this phase is known as Le Grand Atelier, receiving new challenges during its ending, and conceiving new elements for an “ineffable space”. With undefined boundaries, the Patient Research involved a transitional frame of mind opposing Le Corbusier to his own proceedings and to some of his collaborators. Pejoratively, the master named them as dattiers (datepalms), due to their alleged arrogance and low productivity. This work reconstructs several aspects of the internship of some South American collaborators on Le Corbusier at Paris between 1948 and 1959. Their participation was extended and intense, allowing them to reach, in some cases, the status of coordinators, and engaging works in all the scales. Even though just Augusto Tobito was directly called as dattier, his Colombian coworkers shared his rebellion, autonomy or skills. That is why we also use that adjective for them. We intend to create a complementary story for plenty of narratives about projects and influences of the French-Swiss architect in the Andes territory.Palabras clave: Le Corbusier; arquitectos modernos suramericanos; planes urbanos; proyectos de habitación. Keywords: Le Corbusier; South American Modern architects; urban plans; housing project. DOI: http://dx.doi.org/10.4995/LC2015.2015.548

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Rapports d'organisations sur le sujet "Andreï (1957-....)"

van Donk, Susanne, Tom Ysebaert et Ingrid Tulp. Trends van steltlopers en andere benthos etende vogels in de Oosterschelde : 1987-2017/2018. Yerseke : Wageningen Marine Research, 2020. http://dx.doi.org/10.18174/537451.

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Meisel-Roca, Adolfo. La continentalización de la isla de San Andrés, Colombia : Panyas, raizales y turismo, 1953-2003. Bogotá, Colombia : Banco de la República, août 2003. http://dx.doi.org/10.32468/dtseru.37.

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Trentham, R. C., R. Weinbrandt et W. Robinson. An integrated study of the Grayburg/San Andres Reservoir, Foster and South Cowden Fields, Ector County Texas. Quarterly report, January 1--March 31, 1997. Office of Scientific and Technical Information (OSTI), mai 1997. http://dx.doi.org/10.2172/661399.

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Trentham, R. C., R. Weinbrandt et W. Robinson. An integrated study of the Grayburg/San Andres Reservoir, Foster and South Cowden Fields, Ector County, Texas. Annual report, August 1, 1996--July 31, 1997. Office of Scientific and Technical Information (OSTI), décembre 1997. http://dx.doi.org/10.2172/563229.

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Taylor, A. R. ,. Hickman, T. S. ,. Justice, J. J. Application of reservoir characterization and advanced technologies to improve recovery and economics in a lower quality shallow shelf Sand Andreas Reservoir : Quarterly technical report, January 1, 1997--March 31, 1997. Office of Scientific and Technical Information (OSTI), avril 1997. http://dx.doi.org/10.2172/565151.

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Taylor, A. R., T. S. Hickman et J. J. Justice. Application of reservoir characterization and advanced technology to improve recovery and economics in a lower quality shallow shelf San Andres reservoir. Quarterly progress report, October 1--December 31, 1997. Office of Scientific and Technical Information (OSTI), janvier 1998. http://dx.doi.org/10.2172/661335.

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Taylor, A. R., T. S. Hickman et J. J. Justice. Application of reservoir characterization and advanced technology to improve recovery and economics in a lower quality shallow shelf San Andres Reservoir. Annual report, August 4, 1996--August 3, 1997. Office of Scientific and Technical Information (OSTI), juillet 1997. http://dx.doi.org/10.2172/661338.

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Taylor, A. R., T. S. Hickman et J. J. Justice. Application of reservoir characterization and advanced technology to improve recovery and economics in a lower quality shallow shelf San Andres reservoir. Quarterly progress report, July 1--September 30, 1997. Office of Scientific and Technical Information (OSTI), juillet 1997. http://dx.doi.org/10.2172/661339.

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Taylor, A. R., T. S. Hickman et J. J. Justice. Application of reservoir characterization and advanced technology to improve recovery and economics in a lower quality shallow shelf San Andres reservoir. Quarterly progress report, April 1--June 30, 1997. Office of Scientific and Technical Information (OSTI), juillet 1997. http://dx.doi.org/10.2172/661341.

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Taylor, A. R., T. S. Hickman et J. J. Justice. Application of reservoir characterization and advanced technology to improve recovery and economics in a lower quality shallow shelf San Andres reservoir. Quarterly progress report, January 1--March 31, 1997. Office of Scientific and Technical Information (OSTI), juillet 1996. http://dx.doi.org/10.2172/661343.

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