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Articles de revues sur le sujet « Architectural practices »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 2 février 2022

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1

Andjelkovic, Katarina. "Kinesthetic Imagination in Architecture: Design and Representation of Space." Život umjetnosti, no. 106 (November 30, 2020): 22–35. http://dx.doi.org/10.31664/zu.2020.106.02.

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Histories of architecture have long-recognized the vital role of concepts, strategies and principles exchanged between architecture and film, which reconfigured their systems of knowledge and made this relationship rich. Nonetheless, film has been used mainly as an instrument of narration and representation in architecture, only rarely engaged in questioning how it affects the way we understand, think and design space. Some of the most recent architectural design practices have recognized that film, using its specific screen environment, can provide a source of new architectural imagination wh

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Schaeverbeke, Robin, and Hélène Aarts. "‘Architectural literacy’: Functions of architectural drawing." Drawing: Research, Theory, Practice 6, no. 1 (2021): 83–97. http://dx.doi.org/10.1386/drtp_00052_3.

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‘Literacy’ refers to the ability to both assign meaning to – and to create messages. Transposing this concept to ‘architectural literacy’ could refer to the assigning of meaning to architectural messages and the ability to create such messages. ‘Architectural literacy’ suggests that architects employ a distinct language to communicate, process and design spatial propositions and that the knowledge of such literacy could be of importance to a broader community. In architectural practices, drawing is used to discourse about forms and spaces. Our approach to disassemble architectural drawings in

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Georgopoulou, Maria. "Vernacular Architecture in Venetian Crete: Urban and Rural Practices." Medieval Encounters 18, no. 4-5 (2012): 447–80. http://dx.doi.org/10.1163/15700674-12342115.

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Abstract The architecture built in Venice’s colony on Crete between its establishment in 1211 and the Ottoman conquest of the island in 1669 displays an intermingling of Western (Latin) architectural traditions with pre-Venetian Byzantine (Orthodox) forms and styles. Previous scholarship has explored the urban architecture of Venetian Crete, but less attention has been granted to the many rural Orthodox churches of the later medieval period that dot the Cretan countryside. While the official monuments of Cretan cities have been interpreted as employing architectural forms with a strong ideolog

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Matkovic, Predrag, Mirjana Maric, Pere Tumbas, and Marton Sakal. "Traditionalisation of agile processes: Architectural aspects." Computer Science and Information Systems 15, no. 1 (2018): 79–109. http://dx.doi.org/10.2298/csis160820038m.

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Mechanisms of agile processes, suited for cost reduction and timely reaction to dynamic market changes, have also been recognized as useful in the development of complex software solutions. Recent studies focused on expansion of agile processes point to a viable possibility for coexistence and integration of complementary elements of agile and traditional development. Within the scope of this paper, this phenomenon is referred to as traditionalisation of agile processes. Software architecture modeling is one of the most sensitive issues associated with incorporation of elements of traditional

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Andri Yatmo, Yandi. "Renewing Theories, Methods and Design Practices: Challenges for Architectural Education." SHS Web of Conferences 41 (2018): 02003. http://dx.doi.org/10.1051/shsconf/20184102003.

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Architectural education should promote the advancement of knowledge that is necessary as the basis for the development of excellent design practice. Architectural education needs to respond appropriately to the current issues in the society. To find its way into the society in an appropriate way, architecture needs to be liquid. The ability to address the liquidity of architecture requires educational approach that promotes the ability to work with a range of design methods and approaches. There are several principles that become the basis for developing architectural education that could stre

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Hernández Pérez, Flor de Maria, and Julio Ariel Hurtado Algeria. "Difficulties and challenges in the incorporation of architectural practices." Sistemas y Telemática 14, no. 38 (2016): 74–86. http://dx.doi.org/10.18046/syt.v14i38.2290.

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The architecture software has become a key asset for software organizations because it facilitates achieving quality goals and developing of easy evolvable products. However, in small organizations, software architecture is usually a vague idea about the structure of solution. In this paper, a case of applying several methods of architecture (QAW, ADD and VaB) with small teams constituted by software developers, during a course of software development, is presented. Some difficulties to trace and correctly document the rationale associated with quality attributes, tactics architectural and sel

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Drobnjak, Boško. "Architecture as a textual phenomenon: Alexander Brodsky's architectural practices of appropriation." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 531–42. http://dx.doi.org/10.5937/saj1903531d.

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This paper analyses architecture created through appropriating existing materials while focusing on strategies of intertextuality. It argues that the meaning of an architectural object does not derive from itself, or its poetic concepts, but rather from its relationship with other architectural objects, other art works as texts, cultural texts, and everyday practices. My aim is to show various theoretical problems of the theory of architecture and art, which as a network of overlapping texts of culture, surround the architectural production of Alexander Brodsky. Here I use different and varied

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Chidlow, Joyce. "Information needs of architectural practices." Art Libraries Journal 16, no. 3 (1991): 18–24. http://dx.doi.org/10.1017/s0307472200007264.

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Libraria is a small business which provides a visiting library service to architectural practices. Although practices vary, their information needs are similar, and are met from the several categories employed by Libraria to organise information materials: technical literature, trade literature, samples, consultants and contractors, company information, fine art and reference, maps, journals, and in-house material. Information from these categories must be available as required to support successive stages in the building design process from inception to completion. Library services in the con

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Stickells, Lee. "Conceiving an architecture of movement." Architectural Research Quarterly 14, no. 1 (2010): 41–51. http://dx.doi.org/10.1017/s1359135510000564.

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Ideas about movement were fundamental for Modernist architecture of the early twentieth century and are ubiquitous in contemporary theory and practice. The shifting theoretical terrain in which bodily movement is made sense of has continuously produced different understandings of architectural possibilities. For example, where in much early Modernism, and in present conventional practice, movement is often articulated in terms of technical, functional circulation and narrativised aesthetic experience (the architectural promenade), other recent practices adopt more ambivalent approaches. The em

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Stenslie, Stahl, and Magne Wiggen. "Preemptive Architecture: Explosive Art and Future Architectures in Cursed Urban Zones." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 29. http://dx.doi.org/10.25038/am.v0i12.165.

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This article describes the art and architectural research project Preemptive Architecture that uses artistic strategies and approaches to create bomb-ready architectural structures that act as instruments for the undoing of violence in war. Increasing environmental usability through destruction represents an inverse strategy that reverses common thinking patterns about warfare, art and architecture. Building structures predestined for a constructive destruction becomes a creative act. One of the main motivations behind this paper is to challenge and expand the material thinking as well as the

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Emmons, Paul. "Diagrammatic Practices: The Office of Frederick L. Ackerman and "Architectural Graphic Standards"." Journal of the Society of Architectural Historians 64, no. 1 (2005): 4–21. http://dx.doi.org/10.2307/25068122.

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The office of Frederick Ackerman (1878-1950) was the source of the first modern architectural handbook, Architectural Graphic Standards (1932), which was intended as a radical manifesto. Basing his practice on the economic critique of "conspicuous consumption" by Thorstein Veblen (1857-1929), Ackerman was a leader of the technocratic movement. Ackerman directed his employees to develop factual architectural data. The authors of Graphic Standards, Charles Ramsey (1884-1963) and Harold Sleeper (1893-1960), worked at Ackerman's firm, and it was for Ackerman's projects that the first versions of t

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Shapiro, Michael J. "Architecture as event space: Violence, securitisation, and resistance." European Journal of International Security 4, no. 3 (2019): 366–85. http://dx.doi.org/10.1017/eis.2019.13.

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AbstractCentral to the conception of this article is the architectural theorist Bernard Tschumi's dictum, ‘There is no architecture without action, no architecture without events, no architecture without program … no architecture without violence.’ Shaped as well by Eyal Weizman's conception of ‘forensic architecture’, the focus of the investigation is on Israel's architecture of security and on the corresponding Palestinian architecture of resistance. Emphasising an encounter of cartographies that reveals the way Palestinians make life livable in response to the architectural violence they fa

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Schmidt, Tyson. ""... the menace posed to public healthy "insantiary pahs": Sir Māui Pōmare's clean up of Māori architecture." Architectural History Aotearoa 8 (January 1, 2011): 47–57. http://dx.doi.org/10.26686/aha.v8i.7100.

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Apirana Ngata, Te Puea Hērangi and Wiremu Rātana each left behind what Deidre Brown calls "a major architectural movement" – Ngata staged an architectural renaissance based on traditional practices, Te Puea looked to develop a blending of building practices, and Rātana pointed to a new direction altogether. Sir Māui Pōmare, however, left no distinctive architecture that embodied his views of his people's future, and has largely been overlooked in New Zealand's architectural history as a result. Pōmare's crusade to improve the health of Māori communities, however, did have a pervasive and direc

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Cifuentes Quin, Camilo Andrés. "The Platonic Forehand and Backhand of Cybernetic Architecture." Leonardo 52, no. 5 (2019): 429–34. http://dx.doi.org/10.1162/leon_a_01796.

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Since the 1960s, the field of digital architecture has been grounded on a computational practice of design, which has been inseparable from cybernetic constructions of architectural issues. The result of the former has been a common oscillation, in digital architectural practices, between the construction of design problems in reference to technoscientific notions and its construction as a reification of such resources. This article analyzes these aspects of digital architecture in reference to N.K. Hayles's vision of the construction of knowledge as a “seriation” and her conception of the “pl

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Tamke, Martin, Paul Nicholas, and Mateusz Zwierzycki. "Machine learning for architectural design: Practices and infrastructure." International Journal of Architectural Computing 16, no. 2 (2018): 123–43. http://dx.doi.org/10.1177/1478077118778580.

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In this article, we propose that new architectural design practices might be based on machine learning approaches to better leverage data-rich environments and workflows. Through reference to recent architectural research, we describe how the application of machine learning can occur throughout the design and fabrication process, to develop varied relations between design, performance and learning. The impact of machine learning on architectural practices with performance-based design and fabrication is assessed in two cases by the authors. We then summarise what we perceive as current limits

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FARENHORST, RIK, PATRICIA LAGO, and HANS VAN VLIET. "EAGLE: EFFECTIVE TOOL SUPPORT FOR SHARING ARCHITECTURAL KNOWLEDGE." International Journal of Cooperative Information Systems 16, no. 03n04 (2007): 413–37. http://dx.doi.org/10.1142/s0218843007001706.

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Knowledge management plays an important role in the software architecting process. Recently, this role has become more apparent by a paradigm shift that views a software architecture as the set of architectural design decisions it embodies. This shift has sparked the discussion in both research and practice on how to best facilitate sharing of so-called architectural knowledge, and how tools can best be employed. In order to design successful tool support for architectural knowledge sharing it is important to take into account what software architecting really entails. In this paper, we define

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Kousoulas, Stavros. "Shattering the black box: Technicities of architectural manipulation." International Journal of Architectural Computing 16, no. 4 (2018): 295–305. http://dx.doi.org/10.1177/1478077118801937.

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This article attempts to reverse a fallacy often met in architectural theories and practices: that of a supposed input which through processes of what one can broadly call translations generates a built output. The input–output fallacy produces an architectural black box that treats both architectural thinking and doing as a mere process of projecting, representing and annotating ‘properly’ what will later be executed. On the contrary, a manipulative account of architecture as an active process of ecological engineering will pave the way for not only reversing the fallacy but also towards a pa

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Petrescu, Doina, Prue Chiles, and ‘The Agency’. "Agency: alternative practices and alternative worlds." Architectural Research Quarterly 13, no. 2 (2009): 109–11. http://dx.doi.org/10.1017/s1359135509990194.

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This edition of arq assembles a selection of papers presented at the Conference ‘Agency’ organised by the research group called ‘The Agency’ initiated in 2007 in the School of Architecture at the University of Sheffield. We offered to host the 5th AHRA International Conference, giving it the theme of ‘Agency’ and hoping that the submissions would energise the relationships between the humanities, the architectural profession, and society.

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Doglio, Federica. "Episodes toward a Fluxarchitecture. The work of George Maciunas, Shadrach Woods and Joachim Pfeufer." ZARCH, no. 9 (December 4, 2017): 208–17. http://dx.doi.org/10.26754/ojs_zarch/zarch.201792278.

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Fluxus, an artistic movement that emerged in 1960, crossed borders within the arts. Soon it expanded to include sculpture, poetry, performance, photography, and cinema, taking on a multi-disciplinary character that regularly crossed or erased borders within the arts. Its relationship to architecture, however, is more complex. In the 1960s, a few architects sought to resolve contradictions between the principles of Fluxus and the presumptions of their own field, and explored the possibilities of change —flux— in architectural practice. This article will investigate possible connections between

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Zhang, Liang-Jie, and Jia Zhang. "Service Oriented Solution Modeling and Variation Propagation Analysis Based on Architectural Building Blocks." International Journal of Web Services Research 10, no. 4 (2013): 39–61. http://dx.doi.org/10.4018/ijwsr.2013100102.

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In spite of the widely recognized benefits of applying Service Oriented Architecture (SOA) to design enterprise-scale software systems, its actual application practice is not always a success. One major reason is the lack of a systematic engineering process and tool supported by reusable architectural artifacts. Toward this ultimate goal, this paper proposes a new method of architectural building blocks (ABB)-based SOA solution design and it is applicable to any layered or tiered infrastructure. The authors present the modeling of solution-level architectural artifacts and their relationships,

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REPINA, Evgeniya A., and Dariya N. ROMANOVA. "EVOLUTION OF PROFESSIONAL INTEREST FOR ANONYMOUS LANGUAGE PHENOMENON." Urban construction and architecture 7, no. 1 (2017): 87–93. http://dx.doi.org/10.17673/vestnik.2017.01.15.

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The relevance of modern Russian anonymous architecture is studied. The evolution of the concept «anonymous» and the variety of its connotations in different contexts are viewed. A brief overview of researches influenced on new values formation is presented. Philosophical and cultural background of inclusion of anonymous language in professional field are analyzed as well as mutual influence of artistic and architectural practices. The question of research typological boundaries is raised. The examples of anonymous language legitimation in Russian and world professional architectural practice a

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Craig, James A., and Matthew Ozga-Lawn. "Emerging practices in design research." Architectural Research Quarterly 19, no. 3 (2015): 202–3. http://dx.doi.org/10.1017/s1359135515000597.

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This issue of arq explores how academic researchers are practicing design, and how architectural practitioners are researching design. Pedagogy has emerged as a theme bridging these two distinct subfields. Likewise, they are connected through explorations of the nature of architectural representation and process, examining how ideas, strategies, and spaces are communicated across academia and practice. The ever-changing field of architectural representation, and how we engage with it, often escapes close reading. By drawing particular attention to it, the issue aims to highlight the state of d

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Dimitrova, Venetsiya. "The internationalization of architectural practice : Mobilizing dependence to secure and enhance (relational) autonomy on the construction site." socio.hu 10, Special Issue (2020): 108–17. http://dx.doi.org/10.18030/socio.hu.2020en.108.

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More than any other profession, architecture has been shaped by the tension between autonomy and heteronomy. Recently, however, this dichotomy is seen as unproductive for understanding architects’ practices in-depth, especially in the context of the growing internationalization that is transforming and restructuring architectural practice. The paper applies the lens of ‘relational autonomy’, grasping architectural practice in relation to the actions of other built environment professionals, and to material artefacts. Dependence is framed not as a threat but as a productive potential. The focus

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Delitz, Heike. "Architectural Modes of Collective Existence: Architectural Sociology as a Comparative Social Theory." Cultural Sociology 12, no. 1 (2017): 37–57. http://dx.doi.org/10.1177/1749975517718435.

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This article proposes a cross-cultural, comparative architectural sociology as a means of sociological analysis. It also emphasizes the social positivity of architecture. After a short overview of architectural sociology and its history, the article outlines a sociological theory which sees architecture and related practices as a constitutive ‘mode of collective existence’. The article argues that architecture (in a broad sense) is not a mere ‘reflection’ or ‘mirror’ of society, but rather a constitutive and transformative medium of the imaginary institution of society (Castoriadis), its assem

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Bredella, Nathalie, and Carolin Höfler. "Processes and practices in computational design." Architectural Research Quarterly 21, no. 1 (2017): 5–9. http://dx.doi.org/10.1017/s135913551700029x.

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Every architectural design emerges from a process. The different tools and media constitutive of these processes in turn foster approaches to architecture, as well as the creation of new categories of knowledge. With the progressive development of computer-based design techniques, the contemplation of the procedural aspects of architecture becomes increasingly significant for the production and reception of architecture.It is from this perspective that this special issue sets out to examine the specific roles that processes and practices play in computer-based design by seeking to illuminate t

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Burmaz, Branko. "Concept of a device as an analytical tool in research of architectural queer space." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 259–74. http://dx.doi.org/10.5937/saj1602259b.

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Some analyses of spatial practice in architecture use the concept of architectural structure as a device of perception. Metaphor of a device makes possible to merge static representations of spatial models, with dynamic spatial experiences. In research of architectural queer space, a space produced through self-organized practices, and ignored by architectural discipline, concept of a device as an analytical tool, which confronts what is lived, to what is conceived, can be fairly useful. I consider the two of devices, one introduced by Beatriz Colomina as a framing device in her analysis of ge

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Saxon, Richard. "Global practice implications Reactions to Duany The West is running out of talent …" Architectural Research Quarterly 5, no. 3 (2001): 197–99. http://dx.doi.org/10.1017/s1359135501211245.

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Paolo Tombesi sets out a very interesting thesis that Asia will become the ‘back office’ of Western design practice in, ‘A true south for design? The new international division of labour in architecture’ (arq 5/2, pp.171–180). There are many instances of this happening already, though mainly in engineering and in US style architectural practice where documentation consists of the application of rules-based methods and the work used to be done by ‘tracers’. Practices with computer-based standard detailing can have schematic drawings worked up overnight and corrections similarly serviced. UK arc

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Kurath, Monika. "Architecture as a Science: Boundary Work and the Demarcation of Design Knowledge from Research." Science & Technology Studies 28, no. 3 (2015): 81–100. http://dx.doi.org/10.23987/sts.55343.

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Recent STS literature has described a trend of academisation in higher education and universities in which administrative bodies and formalised practices like evaluations have gained increased influence. This article discusses the impact of such trends on the discipline of architecture, focusing on the strains and boundaries that architectural faculties face in their research and teaching practice. Specifically, the development of design knowledge from individual and multiple theoretical and methodological approaches, the tight connection with tacit knowledge forms, as well as the use of non-f

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Johanes, Mikhael, and Yandi Andri Yatmo. "Composing the Layer of Knowledge of Digital Technology in Architecture." SHS Web of Conferences 41 (2018): 05002. http://dx.doi.org/10.1051/shsconf/20184105002.

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The use of digital tools in architectural practice has been evolving significantly. In following such developments, architectural practice has been incorporating digital technology not only to meet the current demand but also to pursue the vast amount of possibilities ahead. However, the integration of digital technology in architectural knowledge has been reasonably operative that produces uncritical understanding, and it tends to put architects as a passive user of technology. This paper argues that there are layers of knowledge that nees to be acknowledged and nourished accordingly in embra

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Cukic, Iva, Ksenija Pantovic, and Jasna Kavran. "Methodology and philosophy of architecture and urban planning: Analysis of three methodological models in the field of architectural discourse." Facta universitatis - series: Architecture and Civil Engineering 13, no. 2 (2015): 87–96. http://dx.doi.org/10.2298/fuace1502087c.

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Architecture reflects on itself since Vitruvius, but it is difficult to define its epistemological base, so interpretations are sometimes developed in other disciplines. Thinking about architecture is about reflection on and extension of architectural concepts, cultural practices, and interrelated areas of art, philosophy, politics, etc. Incompleteness of understanding is obvious, and it points us toward a paradigm of complex thinking. Contemporary theoretical field of architecture is largely a product of postmodern architectural thought. This paper examines the position from which to build a

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Paterson, Aaron, Sarosh Mulla, and Marian Macken. "Drawing the room | Drawing within the room." Drawing: Research, Theory, Practice 5, no. 2 (2020): 261–75. http://dx.doi.org/10.1386/drtp_00036_1.

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This project report outlines ongoing collaborative design research that addresses aspects of architectural drawing, in particular scale and time. This project is discussed through the lens of the inhabitation of drawing: in both the making of, and encountering, drawing. ‘Drawing the Room | Drawing within the Room’ (2019) couples projective drawings with post factum documentation – or creative post-occupancy data – of built houses. Using motion capture technology, the movements of inhabitation are captured and translated to line work animations. The resulting drawings of inhabitation are projec

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Salura, Purnama, and Stephanie Clarissa. "Interpretation of the Meaning of Mosque Architecture : A Case Study Mosque 99 Cahaya in Lampung, Sumatera Island, Indonesia." International Journal of Engineering & Technology 7, no. 2.2 (2018): 48. http://dx.doi.org/10.14419/ijet.v7i2.2.12321.

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This research traced the relationship that exists between the expressions of mosque architecture with the meaning created. The method used for this research is: Firstly, recording building which is based on the theory about the scope of the building. Secondly, described the entire composition and building properties. Thirdly, interpreted the meaning that is created both on the outside and in the view of the space inside. Based on the results of the analysis, it can be concluded that the outside architectural form of the mosque tends to be interpreted as an abstract monument. While it’s inner s

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Munting, Paul, and Hoffie Cruywagen. "Quality management in South African architectural practices." Building and Environment 43, no. 4 (2008): 444–52. http://dx.doi.org/10.1016/j.buildenv.2006.09.001.

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Arayici, Y., P. Coates, L. Koskela, M. Kagioglou, C. Usher, and K. O'Reilly. "BIM adoption and implementation for architectural practices." Structural Survey 29, no. 1 (2011): 7–25. http://dx.doi.org/10.1108/02630801111118377.

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Arif, A. A., and A. H. Karam. "Architectural practices and IT: local vs international." Journal of Engineering, Design and Technology 3, no. 2 (2005): 155–63. http://dx.doi.org/10.1108/17260530510815385.

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SUMINO, Koichiro. "RELATIONSHIP MARKETING : STRATEGIC STUDY FOR ARCHITECTURAL PRACTICES." Journal of Architecture and Planning (Transactions of AIJ) 76, no. 668 (2011): 1919–27. http://dx.doi.org/10.3130/aija.76.1919.

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Xu, Jin, and Lei Zhang. "Causes of Architect’s “Absence” in Green Building Practices." Advanced Materials Research 1092-1093 (March 2015): 563–66. http://dx.doi.org/10.4028/www.scientific.net/amr.1092-1093.563.

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Beginning from an analysis of the green building evaluation and labeling projects reviewed, this paper has a comprehensive analysis on the low content of green design and obvious “absence” of architects in the majority of evaluation and labeling projects by use of the theories of green architecture and economics. The author holds that such “absence” is originated from the external economy and technical complexity of green buildings and attributes the causes to two aspects: First, there is no sound and effective incentive mechanism in the environment in which the architects are, especially the

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Goncharova, Natalia Vladimirovna, Larisa Evgen'evna Baklyskaia, Maria Borisovna Zadokhina, and Alisa Aleksandrovna Denisova. "Educational meaning of on-location practice for the students of architectural specialties." Педагогика и просвещение, no. 1 (January 2021): 58–71. http://dx.doi.org/10.7256/2454-0676.2021.1.35098.

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The subject of this research is the vocational training of the students of architectural specialties and the the need for on-location practices in the Russian and foreign historical cities. The relevance of this topic is defined by the fact that the importance of such practices is questioned in the context of development of new educational curricula. Analysis is conducted on the historical aspect, the role of practice in vocational training, as well as peculiarities of perception of reality by the future architects and designers and cognitive activity in the open-air environment. The author ou

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Parnell, Stephen. "Architecture's expanding field: AD magazine and the Post-Modernisation of architecture." Architectural Research Quarterly 22, no. 1 (2018): 55–68. http://dx.doi.org/10.1017/s1359135518000295.

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This article investigates architecture's ‘expanded field’ – its turn towards culture during the 1980s when the profession expanded its interest to the softer practices of architectural culture. It looks in particular at the emerging enterprises of exhibitions, competitions and awards, publications, and symposia and lectures in the ‘long 1980s’, taken as the Academy years of AD magazine from 1977 – 1992.This period of AD is synonymous with architectural Post-Modernism, as Academy published much of Charles Jencks’ work on Post-Modernism, including six of the seven ever-larger editions of The Lan

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Pjesivac, Zeljka. "Architectural promenade as scene of writing: the Jussieu library (1992) by Oma/Rem Koolhaas." Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 431–38. http://dx.doi.org/10.2298/fuace160930033p.

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This study investigates implementation of the conceptual and textual techniques associated with poststructuralism (such as the poststructuralist concepts of writing, text, intertext, discoursive practices) in Rem Koolhaas's project the Jussieu Library (1992) planned within the Sorbonne University complex in Paris. The main hypothesis of the study is that Koolhaas produces in the project for the Jussieu Library transgression of language of modernistic architecture conceiving the concept of architectural promenade as a scene of writing. In other words, from the understanding of the concept of ar

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Blagojević, Ljiljana. "Architecture utopia realism: Thematic framework." SAJ - Serbian Architectural Journal 6, no. 3 (2014): 138–45. http://dx.doi.org/10.5937/saj1402138b.

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The term or concept of realism seems to be recurring in recent theoretical inquiries, from debates in philosophy and aesthetics to those in theory and practice of architecture. Since 2000, the architectural discourse has been concerned with a wide range of related issues coming from its own post-critical debates on utopianism and realism and the possibility of an 'utopian realism', as suggested by Reinhold Martin (2005). The debates on realism resonate in the architectural theory anew as a reflection on the Manifesto of New Realism by the philosopher Maurizio Ferraris from 2011. The questions

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Wang, Chen, Wan Thing Hong, and Hamzah Abdul-Rahman. "Architectural Examination on Feng Shui Bedroom." Open House International 43, no. 2 (2018): 40–48. http://dx.doi.org/10.1108/ohi-02-2018-b0007.

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Bedroom Feng Shui practices have been criticized as myth over the years but in fact having its scientific origin that is not purely superstitious. This paper aims to examine whether the architects' design practice for bedroom interior arrangement is concurring with the recommended bedroom Feng Shui practices. The study has successfully interviewed 16 architects from diverse backgrounds to avoid bias, seeking their design perspectives in bedroom interior configuration. Subsequently, the interviewees submitted sketches of ideal bedroom layout based on their expertise, with pre-set requirements.

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Silberberger, Jan. "Architecture Schools and Their Relationship with Research: It’s Complicated." Dimensions 1, no. 1 (2021): 77–84. http://dx.doi.org/10.14361/dak-2021-0110.

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Editorial Summary In »Architecture Schools and Their Relationship with Research: It’s Complicated«, Jan Silberberger describes the problematic divide between practicing architects that teach design at architecture schools and scholars investigating the practices of designing from a theoretical or social scientific perspective. Identifying three recurrent misunderstandings between these two groups, he stresses the lack of awareness about genuine research approaches within the discipline of architecture. Emphasizing the interconnectivity of research and practice, Silberberger highlights the pote

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Wang, Yuqian, and Yi Yang. "A Study on Meteorological Architecture." E3S Web of Conferences 237 (2021): 03027. http://dx.doi.org/10.1051/e3sconf/202123703027.

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Under the background of global warming and energy crisis, exploring the new relationship between architecture and climate has always been a hot spot in the construction industry. Thus, a new design pattern “meteorological architecture” guided by a localized meteorological condition is developed. The paper starts with the distinction of the concepts of “meteorology” and “climate” to explains the connotation of “meteorological architecture”. Through the analysis of current theories and practices related to meteorological architecture, a new principle of architectural space division and architect

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Grunskis, Tomas. "KŪRYBINIO EKSPERIMENTO SAMPRATOS ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 35, no. 1 (2011): 21–27. http://dx.doi.org/10.3846/tpa.2011.03.

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While analysing creative experiments in architecture, one finds a number of different phenomena and examples, not so easy to discuss in a more or less systematic way. These phenomena and results, in one or another way related to experimental architecture, can hardly be defined by a single category and, as shown by the history of architecture, have become one of its driving forces contributing to the development of architecture in the course of time. The issue of the concepts of architectural experimentation on the whole is important and urgent in two aspects. First of all, such concepts are us

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Sasi, Ashwini. "Redefining: Cultural Impression in Princely States During Colonial Period." Resourceedings 1, no. 2 (2018): 88. http://dx.doi.org/10.21625/resourceedings.v1i2.325.

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India is well diverse with a variety of cultural and traditional practices. Impact of age-old practices redefined the idea of culture and tradition, not only as a hereditary system, but also as part of art and architecture. Factors such as the cultural changes between North and South India, impact of the British, changes in spatial organization and patriarchy and matrilineal system drew an impact on cultural impression of India through time. Palaces (04th —18th century) and the lifestyle of the heirs, being a soul example to exhibit the Indian uniqueness, gradually inclined towards Briti

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Lukito, Yulia Nurliani, and Fildza Miranda. "The Earlier Era of Eco-Technology: Pavilions at the Colonial Exhibition of Pasar Gambir and the ‘Eastern-Western’ Architectural Influences in the Netherlands Indies." E3S Web of Conferences 67 (2018): 04042. http://dx.doi.org/10.1051/e3sconf/20186704042.

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This paper examines architecture in the Netherlands Indies and analyses how some innovation in the practice of architecture is actually coming from an adaptation to local conditions. It is in the notion of sustainable architecture not as a single entity of Western descendent but as loaded with cultural, historical and local contexts that this paper gravitates. As the discussion are pavilions in Pasar Gambir of Batavia - a temporary architecture practices - and ITB main hall that was designed with a strong connection to local conditions. During the Dutch colonial time in Indonesia there was alr

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Farmer, Graham. "Re-contextualising design: three ways of practising sustainable architecture." Architectural Research Quarterly 17, no. 2 (2013): 106–19. http://dx.doi.org/10.1017/s1359135513000468.

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The predominant model of sustainable architecture is based on a sharp differentiation between technical and social realms that tends to situate architectural design practice in an ambiguous and marginalised position. Sustainable architecture as a whole has come to be dominated by a focus on engineering design with a related emphasis on energy efficiency and climate-change strategies that seek to improve the economic performance of buildings whilst providing little or no consideration of the wider contexts of architectural design and production. This paper argues for an expanded understanding o

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Anatoliev, Mitko. "Some Public Buildings of Vasilyov-Tsolov Architectural Bureau." Sledva : Journal for University Culture, no. 41 (August 20, 2020): 104–10. http://dx.doi.org/10.33919/sledva.20.41.15.

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After a short survey of influences of German architecture on the formation of Bulgarian architectural scene after the Liberation (1878), the paper focuses on the interwar period known for its architectural practices, consisting of two leading architects. The influence of the modernist movements from this period on the classical architecture of the state and public buildings in Bulgaria is traced through the history of Vasilyov-Tsolov Architectural Bureau, its formation and philosophy. The article presents four examples of their significant projects, which are the pinnacle of their careers and

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Šuvaković, Miško. "Architecture as cultural practice." SAJ - Serbian Architectural Journal 1, no. 3 (2009): 171–88. http://dx.doi.org/10.5937/saj0903171q.

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In this study my intention is to interpret the "discursive" and the "ideological" differences between the architecture of postmodernism and the architecture of globalism. I will point to the paradigmatic differences between these practices and also to some specific "local examples" of execution of social quality by means of architecture being the "cultural instrument" of actualities realization. This study was written by interdisciplinary methodology of cultural studies based on Fuko's discursive analysis and Altizer's ideological analysis of the architectural productions.

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