Littérature scientifique sur le sujet « Architecture Design Architectural practice »

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Articles de revues sur le sujet "Architecture Design Architectural practice"

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Andjelkovic, Katarina. « Kinesthetic Imagination in Architecture : Design and Representation of Space ». Život umjetnosti, no 106 (30 novembre 2020) : 22–35. http://dx.doi.org/10.31664/zu.2020.106.02.

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Histories of architecture have long-recognized the vital role of concepts, strategies and principles exchanged between architecture and film, which reconfigured their systems of knowledge and made this relationship rich. Nonetheless, film has been used mainly as an instrument of narration and representation in architecture, only rarely engaged in questioning how it affects the way we understand, think and design space. Some of the most recent architectural design practices have recognized that film, using its specific screen environment, can provide a source of new architectural imagination while contextualizing our kinesthetic experience of space. In this article, I will examine how kinesthetic imagination has informed architectural practice in relation to the established practices of architectural representation.
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Clelland, Doug. « On the establishment of new communities : Allerton Bywater and Osbaldwick Fields ». Architectural Research Quarterly 4, no 3 (septembre 2000) : 219–36. http://dx.doi.org/10.1017/s1359135500000257.

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Two competition designs have provided frameworks for ideas for the establishment of new communities. The projects provided the opportunity for the design team to consider core architecture (urban and architectural space) and its relationship with extended architectures (detailed design and construction). The building designs have been required to meet performance standards considerably in excess of recent UK norms. This paper describes the design approach and demonstrates how research (university and practice based) has contributed to the two submissions.
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Kattein, Jan. « Made in Architecture : Education as collaborative practice ». Architectural Research Quarterly 19, no 3 (septembre 2015) : 295–306. http://dx.doi.org/10.1017/s1359135515000500.

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In an attempt to make architectural education more relevant to professional architectural practice and as a response to increasing tuition fees, major changes to university curricula in the UK are afoot. This brings unprecedented opportunities to re-consider what and how universities teach - and to make architectural education more relevant to real-world challenges.Last year, undergraduate design unit UG3 at the Bartlett School of Architecture completed an innovative project. The unit teamed-up with educational charity Global Generation to design and build a series of small buildings for a real client on a real site in King’s Cross. The article ‘Made in Architecture: Education as collaborative practice’ evaluates the emerging tradition of the live project as a vehicle for teaching architecture students about teamwork, collaboration and engagement. These skills - although increasingly significant to architectural practice - have until now been largely side-lined by university curricula.Only if educators and practitioners together embrace new opportunities for architects to engage and empower communities can the profession reverse increasing marginalisation and re-define it’s remit in the face of new social and environmental challenges.
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Scott, Andrew. « Design Strategies for Green Practice ». Journal of Green Building 1, no 4 (1 novembre 2006) : 11–27. http://dx.doi.org/10.3992/jgb.1.4.11.

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Should green buildings not only work differently, but also look, feel, and be conceived differently? The emergence of LEED accreditation as the leading form of environmental performance monitoring and its associated points and checklist format can mask the necessity for architectural projects to have focused and effective design strategies that integrate sustainability with the design process. Green accountability does not always go hand in hand with architectural quality: a good building is certainly not necessarily a green building, while a green building is not always a good work of architecture. So it becomes important to recognize the unique character and possibilities in each project and then to develop environmentally responsive concepts that support and enhance the form of the architecture. This article discusses the current context for “Green Design Practice” through a series of quite different design assignments where the focus is upon enabling the design to emerge from the recognition of the “environmental and sustainability potential.”
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Cifuentes Quin, Camilo Andrés. « The Platonic Forehand and Backhand of Cybernetic Architecture ». Leonardo 52, no 5 (octobre 2019) : 429–34. http://dx.doi.org/10.1162/leon_a_01796.

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Since the 1960s, the field of digital architecture has been grounded on a computational practice of design, which has been inseparable from cybernetic constructions of architectural issues. The result of the former has been a common oscillation, in digital architectural practices, between the construction of design problems in reference to technoscientific notions and its construction as a reification of such resources. This article analyzes these aspects of digital architecture in reference to N.K. Hayles's vision of the construction of knowledge as a “seriation” and her conception of the “platonic forehand and backhand” in the work of scientists. Finally, the author identifies possible scenarios for a cybernetic practice of architecture that is not necessarily trapped in technocratic and reified visions of design issues.
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Wang, Xue Yong, Bo Zhou, Wen Dong et Jing Wei Gong. « Modern Representation of Traditional Architectural Style ». Applied Mechanics and Materials 584-586 (juillet 2014) : 272–75. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.272.

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Based on the architectural design practice of Peach Blossom Valley Traffic Control and Training Center, this paper probes into several key points of modern architecture creation from the aspects of local cultural context, adaptation to local conditions, traditional signs and architectural style, etc., emphasizing that traditional local architectural culture should be inherited and developed in the modern architecture design.
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Hatton, Brian. « Exploring architecture as a critical act, questioning relations between design, criticism, history and theory ». Architectural Research Quarterly 8, no 2 (juin 2004) : 105–8. http://dx.doi.org/10.1017/s1359135504000132.

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This conference, which took place 25–27 November 2004, was held by the Bartlett School of Architecture in association with the Architectural Humanities Research Association (AHRA). Its stated aim was to examine the relationship between critical practice in architecture and architectural criticism, intending to place architecture in an interdisciplinary context with reference to modes of criticism in other disciplines, specifically art criticism, and to explore modes of critical practice in architecture: buildings, drawings and texts. Brian Hatton attended the second day of the conference; his comments on the first day are based on discussions with colleagues and reading of transcripts.
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Medvidovic, Nenad, Eric M. Dashofy et Richard N. Taylor. « The Role of Middleware in Architecture-Based Software Development ». International Journal of Software Engineering and Knowledge Engineering 13, no 04 (août 2003) : 367–93. http://dx.doi.org/10.1142/s0218194003001330.

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Software architectures promote development focused on modular functional building blocks (components), their interconnections (configurations), and their interactions (connectors). Since architecture-level components often contain complex functionality, it is reasonable to expect that their interactions will be complex as well. Middleware technologies such as CORBA, COM, and RMI provide a set of predefined services for enabling component composition and interaction. However, the potential role of such services in the implementations of software architectures is not well understood. In practice, middleware can resolve various types of component heterogeneity — across platform and language boundaries, for instance — but also can induce unwanted architectural constraints on application development. We present an approach in which components communicate through architecture-level software connectors that are implemented using middleware. This approach preserves the properties of the architecture-level connectors while leveraging the beneficial capabilities of the underlying middleware. We have implemented this approach in the context of a component- and message-based architectural style called C2 and demonstrated its utility in the context of several diverse applications. We argue that our approach provides a systematic and reasonable way to bridge the gap between architecture-level connectors and implementation-level middleware packages.
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Andjelkovic, Katarina. « The spatial context of the cinematic aspect of architecture ». Facta universitatis - series : Architecture and Civil Engineering 13, no 2 (2015) : 123–35. http://dx.doi.org/10.2298/fuace1502123a.

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This paper presents the findings, conclusions and results of my PhD research entitled, "The spatial context of the cinematic aspect of architecture". The purpose of this paper is to present the possibilities of adopting the cinematic qualities of architecture as an approach to tracing current modifications in contemporary architectural discourse in relation to the paradigmatic change of perception of urban space towards a movement perspective. The design process tradition, which comprises a standard series of procedural exercises aided by new technology, is in contrast to the experimental architectural research of the last decade that has clearly demonstrated the tendency to enrich the limited traditional approach in order to extend human vision beyond what is perceivable. Accordingly, I propose that we can test the cinematic aspect of architecture, first having harmonized the relationship between architecture and film through their common methodological and didactic approaches. To verify the cinematic aspect of architecture in theory, practice and education, and to maintain the level of creativity present in design practice, I initiated a reassessment of current design practice and proposed alternative architectural design strategies.
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Fan, Li Ya, et Xue Qiang Wang. « Architecture Design Curriculum Reform Practice Triggered by the British Architectural Education and Certification System ». Applied Mechanics and Materials 638-640 (septembre 2014) : 2393–96. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2393.

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This paper based on the best architecture universities education concept, through the analysis of the architecture education mode, put forward the current architectural education reform and development directions. From the perspective of curriculum practice, probes into the new mode of curriculum and education, enhance the comprehensive ability and creative thinking of students; Reference to CRIT rating chart patterns, join in the concept of "workshop", Create local and broader academic building information platform, provides the domestic architectural education improvement ideas.
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Thèses sur le sujet "Architecture Design Architectural practice"

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Dean, Penelope. « Delivery without discipline architecture in the age of design / ». Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1779835461&sid=6&Fmt=2&clientId=48051&RQT=309&VName=PQD.

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Ram, Mohan Nethra Mettuchetty. « Emerging technologies in architectural visualization implementation strategies for practice / ». Master's thesis, Mississippi State : Mississippi State University, 2003. http://library.msstate.edu/etd/show.asp?etd=etd-04072003-164447.

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Ng, Kal, et 吳家龍. « Architectural cinema : a theory of practice for digital architectural animation ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B4308574X.

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Armstrong, Jeffrey Kent. « The homeowner as designer : a method for improving architect-clinet communication ». Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61677.

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Delport, Hermie Elizabeth. « Towards design-build architectural education and practice : exploring lessons from educational design-build projects ». Thesis, Cape Peninsula University of Technology, 2016. http://hdl.handle.net/20.500.11838/2393.

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Thesis (DTech (Architectural Technology))--Cape Peninsula University of Technology, 2016.
This research explores design-build projects in architectural education. The design-build studio is an alternative to the conventional theory-oriented studio. In design-build projects students both design and build real buildings. Internationally, design-build projects have increased rapidly in architectural programmes over the past decade. Literature suggests that design-build projects are relevant for architectural education, but that there is a definite need for more theoretical and critical exploration. Design-build projects in the context of this study are defined as socially responsive, inhabitable, full-scale investigations. The value of this pedagogical construct for educators, students, architectural practice and society in general was an underpinning theme guiding this exploration. Design-build projects are located on the boundary between theory and practice. This research provides a view into my journey across this boundary, immersing myself in both the theoretical and practical. Principles of the designbuild process and design research mapped the research path. The research process commenced with the initiation of and active participation in a number of design-build constructions. Through critical reflection on the construction experiences and the literature, specific pedagogical and practice implications were explored. Cultural historical activity theory provided me with a sense of theoretical direction in this journey. Collaboration as a pedagogical tool and the possibility of exposing students to alternative practice possibilities were foregrounded as being uniquely situated within the design-build project. The value of this research is the contribution it makes to the current international call for a clearer understanding of the pedagogical and practice merit of design-build projects.
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Anderson, Curtis Warren. « The relationship between design theory and architectural practice ». Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/23406.

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Gabriel, Gerard Cesar. « COMPUTER MEDIATED COLLABORATIVE DESIGN IN ARCHITECTURE : THE EFFECTS OF COMMUNICATION CHANNELS ON COLLABORATIVE DESIGN COMMUNIATION ». University of Sydney, 2000. http://hdl.handle.net/2123/3961.

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Doctor of Philosophy (PhD)
Up till now, architects collaborating with other colleagues did so mostly face-to-face (FTF). They had to be in the same space (co-located) at the same time. Communi-cation was ‘spontaneous’ and ideas were represented, whether verbal or non-verbal, by talking and using ‘traditional drawing tools’. If they were geographically displaced, the interaction was then space affected as well as the probability of being time affected. In this case communication was usually mediated through the tele-phone, and graphically represented ideas were sent by Fax or posted documents. Recently, some architectural firms started using modems and Internet connections to exchange information, by transferring CAD drawings as well as design informa-tion, through e-mail and file transfer protocol (FTP). Discussing ideas in architecture, as a more abstract notion, is different from discuss-ing other more concrete arguments using video conferencing. It is more important to ‘see’ what is being discussed at hand than ‘watch’ the other person(s) involved in the discussion. In other words the data being conveyed might be of more impor-tance than the mode of communication. Taking into consideration recent developments in computer and communication technologies this thesis investigates different communication channels utilised in architectural collaboration through Computer Mediated Collaborative Design (CMCD) sessions as opposed to FTF sessions. This thesis investigates the possi-ble effects these different channels have on collaborative design in general and col-laborative design communication in particular. We argue that successful CMCD does not necessarily mean emulating close prox-imity environments. Excluding certain communication channels in a CMCD envi-ronment might affect the flow and quantity of synchronous collaborative communica-tion, but not necessarily the quality and content of mutually communicated and rep-resented design ideas. Therefore different communication channels might affect the type of communication and not necessarily the content of the communication. We propose that audio and video are not essential communication channels in CMCD environments. We posit that architects will collaborate and communicate design representations effectively although with some differences, since those two chan-nels might cause interruptions and successful collaborative sessions can take place without them. For this purpose we conducted twenty-four one-hour experiments involving final year architecture students all working to the same design brief. The experiments were divided into three categories, FTF, full computer mediated collaborative design sessions (CMCD-a; audio-video conferencing plus whiteboard as a shared drawing space) and limited computer mediated collaborative design sessions (CMCD-b; with Lambda MOO used as a chat medium plus whiteboard as a shared drawing space). The experiments were video and audio taped, transcribed and coded into a custom developed coding scheme. The results of the analysed coded data and observations of the videotapes provided evidence that there were noticeable differences between the three categories. There was more design communication and less communication control in the CMCD-b category compared to the FTF and CMCD-a categories. Verbal communi-cation became shorter and straight to the point in CMCD-b as opposed to spontane-ous non-stop chat in the other two categories. Moreover in CMCD-b the subjects were observed to be more reflective as well as choosing and re-examining their words to explain ideas to their partners. At times they were seen scrolling back through the text of the conversation in order to re-analyse or interpret the design ideas at hand. This was impossible in FTF and CMCD-a sessions, since the sub-jects were more spontaneous and audio representations were lost as soon as they were uttered. Also the video channel in the CMCD-a category was ignored and hardly used except for the first few minutes of the experiments, for a brief exchange of light humour on the appearance of each subject. The results obtained from analysing the experiments helped us conclude that differ-ent communication channels produce different collaborative environments. The three categories of communication for architectural collaboration explored in our ex-periments are indicative of the alternatives available to architects now. What is not clear to architects is why they would choose one category over another. We pro-pose that each category has its own strengths and difficulties for architectural col-laboration, and therefore should be selected on the basis of the type of communica-tion considered to be most effective for the stage and tasks of the design project.
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Baharoon, Walid A. M. « Architect-user communication process through the use of computers in multi-unit housing design ». Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59621.

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It is commonly believed that by involving the user in the design process of his dwelling unit, a higher level of satisfaction could be achieved. Attempts have been made in several countries to include users in the design process of their units using different communication media including computers. However, today computers have been implemented primarily for the use of architects. This study aims at narrowing the architect-user communication gap by using computers in multi-unit housing design. The author reviews past work in user involvement in the design process through the use of computers and the possibility of introducing computers into the North American homebuilding Industry. Through an algorithm the author will demonstrate how the communication process can take place. Two simulations were conducted in order to test the proposed system in a realistic situation. The results of the study suggest that the user is able to make his own decisions, control his budget and satisfy his needs independently within a reasonable amount of time. These results could have further positive impact on the architect, user, building industry and the built environment.
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Yuncu, Onur. « Research By Design In Architectural Design Education ». Phd thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12610061/index.pdf.

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Research by design refers to the design of architectural research as an integral part of architectural design processes. In 1980s, it emerged as a third way in design research that was dominated until then by the methods of natural sciences and humanities. With this new formulation of design research, a methodological and epistemological transformation occurs, leading to the integration of practical knowledge into architectural research. The primary epistemological question transforms from knowing what design is and knowing how to design to knowing what through the act of design. The integration of the act of design in research transforms the status of design in design research from being an object of inquiry to being a research approach. In the literature on research by design, this transformation is often related with Donald Schö
n&rsquo
s conceptualization of &ldquo
reflective practice.&rdquo
The main discussion of reflective practice is primarily methodological rather than epistemological. Although it provides methodological insights, it is not sufficient to constitute an epistemological basis for research by design. Thus, the epistemological basis of research by design has not yet been adequately defined. In this study, the notion of &ldquo
reflective practice&rdquo
is investigated in a broader context relating it to its sources in the concepts of &ldquo
tacit knowledge&rdquo
and &ldquo
action research.&rdquo
A conceptual framework for research by design is constructed by relating these concepts with the discussions on research by design and with practical philosophy, the implications of which has remained rather uninvestigated in this context. Aristotle&rsquo
s elaboration of knowledge generation in action and the concept of phron&
#275
sis (practical knowledge, prudence, or practical wisdom) constitute the underpinning of this conceptual framework. The conceptual framework that is constructed on the basis of the key concepts in practical philosophy is discussed in the context of architectural design education. When architectural design education is formulated as a process of research by design within this framework, knowledge generated in the educational design processes promises not only to improve the particular educational context and architectural education but eventually to contribute to architectural knowledge.
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Cohill, Andrew Michael. « Patternmakers and toolbuilders : the design of information structures in the professional practice of architecture / ». Diss., This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-05042006-164522/.

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Livres sur le sujet "Architecture Design Architectural practice"

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Architectural design procedures. 2e éd. London : Arnold, 1999.

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Audrito, Franco. Lo Studio65 : Architettura e design. [Italy] : Arcaedizioni, 1995.

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Audrito, Franco. Lo Studio65 : Architettura e design. (Italy) : Arcaedizioni, 1995.

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Design innovation for the built environment : Research by design and the renovation of practice. Abingdon, Oxon : Routledge, 2012.

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Jaki, Howes, et ebrary Inc, dir. Using computers in architectural practice. London : E&FN Spon, 1997.

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Hocine, Bougdah, dir. Integrated strategies in architecture. New York : Taylor & Francis, 2006.

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Autodesk Revit Architecture 2010 in practice. Sudbury, Mass : Jones and Bartlett Publishers, 2011.

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A theory for practice : Architecture in three discourses. Cambridge, Mass : MIT Press, 1995.

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Lawrence, Roderick J. Housing, dwellings and homes : Design theory, research and practice. Chicester, West Sussex : Wiley, 1987.

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Deutsch, Randy. BIM and integrated design : Strategies for architectural practice. Hoboken, N.J : Wiley, 2011.

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Chapitres de livres sur le sujet "Architecture Design Architectural practice"

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Blythe, Richard, et Leon van Schaik. « What If Design Practice Matters ? » Dans Design Research in Architecture, 53–70. London : Routledge, 2021. http://dx.doi.org/10.4324/9781315258126-4.

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Murray, Shane. « Design Research : Translating Theory into Practice ». Dans Design Research in Architecture, 95–116. London : Routledge, 2021. http://dx.doi.org/10.4324/9781315258126-6.

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Miesbauer, Cornelia, et Rainer Weinreich. « Classification of Design Decisions – An Expert Survey in Practice ». Dans Software Architecture, 130–45. Berlin, Heidelberg : Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39031-9_12.

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Angelov, Samuil, Jos Trienekens et Rob Kusters. « Software Reference Architectures - Exploring Their Usage and Design in Practice ». Dans Software Architecture, 17–24. Berlin, Heidelberg : Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39031-9_2.

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Hernández, Antonio Garrote, et María N. Moreno García. « Metadata Architecture in RESTful Design ». Dans REST : From Research to Practice, 459–71. New York, NY : Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-8303-9_21.

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Broffman, Andrew. « Tangentyere Design : Architectural Practice and Cultural Agency in Central Australia ». Dans The Handbook of Contemporary Indigenous Architecture, 381–411. Singapore : Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6904-8_15.

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Bascherini, Enrico. « Urban and Architectural Identity, the Meaning of the Architectural Vocabulary ». Dans Putting Tradition into Practice : Heritage, Place and Design, 994–1000. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_102.

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Fraser, Murray. « ‘A Two-Fold Movement’ : Design Research as Dialectical Critical Practice ». Dans Design Research in Architecture, 217–48. London : Routledge, 2021. http://dx.doi.org/10.4324/9781315258126-12.

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Lago-Novás, J. « Stop Designing Architecture, Design Your Practice ! » Dans Construction and Building Research, 3–9. Dordrecht : Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-7790-3_1.

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Fantin, Shaneen, et Gudju Gudju Fourmile. « Design in Perspective : Reflections on Intercultural Design Practice in Australia ». Dans The Handbook of Contemporary Indigenous Architecture, 433–64. Singapore : Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6904-8_17.

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Actes de conférences sur le sujet "Architecture Design Architectural practice"

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Sosa, Manuel E., Tyson Browning et Ju¨rgen Mihm. « Studying the Dynamics of the Architecture of Software Products ». Dans ASME 2007 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/detc2007-34761.

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This paper reports on an exploratory study of how the architecture of a software product evolves over time. Because software is embedded in many of today’s complex products, and it is prone to relatively rapid change, it is instructive to study software architecture evolution for general insights into product design. We use metrics to capture the intrinsic complexity of software architectures as they evolve through successive generations (version releases). We introduce a set of product representations and metrics that take into account two important features used to manage the complexity in software products: layers and modules. We also capture organizational data associated with the product under development. We propose a three-step approach for the analysis and illustrate it using successive versions of an open source product, Ant. One of our findings is that software architectures seem to evolve in a non-linear manner similar to the S-shaped curve that characterizes technology evolution at the industry level. We also find several parallel patterns among architectural and organizational dynamics. Implications for research and practice are discussed.
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Otto, Kevin, et Katja Ho¨ltta¨-Otto. « Incorporating Field Effects Into Modular Architecture Methods ». Dans ASME 2010 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/detc2010-28780.

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Prior research on methods and algorithms to create modules and modular architectures deal with minimizing interactions between modules and increasing the commonality between products. While these approaches are a good start and provide good suggestions for preliminary architecture, these algorithms ignore the fact that some design solutions cannot be placed in regions of high heat, high pressure, high magnetic fields, etc. The exclusion of such field effect constraints often results in architecture clustering algorithms forming impractical solutions. In this paper, we introduce a field based definition of modularity constraints that incorporate these practical embodiment considerations. We demonstrate the method via examples and a detailed case study in medical device industry. We find that the field based module definitions not only bring the constraints of fields to the attention of the designer, but it also enables new creative solutions through movement of the field boundaries over different functions or components. Generally, only the two endpoint set-of-functions need be at different field values, and the intermediary parts or functions connecting them can be in either field. We conclude with a set of architectural guidelines to bridge the gap between current work and practical architectural synthesis considerations.
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Ku, Kihong, Christian Jordan et Jim Doerfler. « Pedagogical Explorations of an Open- Source Architecture Paradigm in Emerging Design Technologies ». Dans AIA/ACSA Intersections Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.aia.inter.16.1.

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Open-Source Architecture is an emerging paradigm advocating peer-to-peer collectivity, inclusiveness and participatory culture in architectural design. These conditions support a broad interest at the intersection of education, research and practice in emerging design technologies exploring formal complexity, performance, biomimicry and responsiveness. In the last decade, rich participatory, open-source communities, open-source software, and open-source hardware, created by and designed for the fields of parametric and algorithmic design, visual programming, and physical computing have emerged with resulting opportunities for change in architectural education. We discuss pedagogical approaches that introduce pathways for open-source cultures in architectural design and personal learning networks for professional development.
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Carney, Jeffrey A. « Delta Building : Science, Engineering, and an Opportunity for Design Leadership ». Dans 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.54.

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Trans-disciplinary design research is leading to significant academic production, pedagogical innovation, and in the process transforming architectural design practice. Melding parallel movements of “design thinking” and “trans-disciplinary Research”, architecture is centrally positioned to achieve significant agency in the increasingly urgent effort to adapt to climate change. In the university setting, this has enabled new institutes to develop rapidly, creating new opportunities and challenges for architectural education, research, and practice.
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Dossick, Carrie Sturts, Rahman Azari, Yong-Woo Kim et Omar El-Anwar. « IPD in Practice : Sustaining Collaboration in Healthcare Design and Construction ». Dans Architectural Engineering Conference 2013. Reston, VA : American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784412909.036.

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Chatterjee, Abheek, Richard Malak et Astrid Layton. « Exploring System of Systems Resilience vs. Affordability Trade-Space Using a Bio-Inspired Metric ». Dans ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22396.

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Abstract The objective of this study is to investigate the value of an ecologically inspired architectural metric called the Degree of System Order in the System of Systems (SoS) architecting process. Two highly desirable SoS attributes are the ability to withstand and recover from disruptions (resilience) and affordability. In practice, more resilient SoS architectures are less affordable and it is essential to balance the trade-offs between the two attributes. Ecological research analyzing long-surviving ecosystems (nature’s resilient SoS) using the Degree of System Order metric has found a unique balance of efficient and redundant interactions in their architecture. This balance implies that highly efficient ecosystems tend to be inflexible and vulnerable to perturbations while highly redundant ecosystems fail to utilize resources effectively for survival. Motivated by this unique architectural property of ecosystems, this study investigates the response to disruptions vs. affordability trade-space of a large number of feasible SoS architectures. Results indicate that the most favorable SoS architectures in this trade-space share a specific range of values of Degree of System Order. This suggests that Degree of System Order can be a key metric in engineered SoS development. Evaluating the Degree of System Order does not require detailed simulations and can, therefore, guide the early stage SoS design process towards more optimal SoS architectures.
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« Coupled Modeling and Monitoring of Phase Change Phenomena in Architectural Practice ». Dans 2018 Symposium on Simulation for Architecture and Urban Design. Society for Modeling and Simulation International (SCS), 2018. http://dx.doi.org/10.22360/simaud.2018.simaud.009.

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Wyatt, David F., David C. Wynn et P. John Clarkson. « A Computational Method to Support Product Architecture Design ». Dans ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-11138.

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The choice of product architecture can affect many factors, from the technical performance of a product to the design effort required, production costs, and satisfaction of lifecycle requirements. This paper explores how computational tools can augment creative methods in product architecture design. It describes a method for synthesising product architectures in the form of networks of components. The set of architectures for a product is specified using constraints on the structure of the network. The method has been implemented as a software tool, and an example illustrates how this might be used in practice. Discussion of the example highlights some of the issues which arise through using the method, particularly those of constructing an appropriate set of constraints, and of identifying promising architectures from the large set of synthesis results. Further work will address these issues and evaluate the approach in practice, to compare the cost-benefit ratio with more conventional methods for architecture design (e.g. brainstorming).
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Schroepfer, T. « Global design practice : IT-based collaboration in AEC-projects ». Dans DIGITAL ARCHITECTURE 2006. Southampton, UK : WIT Press, 2006. http://dx.doi.org/10.2495/darc060081.

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Clifford, Dale. « Academic | Practice Partnership— Developing Responsive Architecture ». Dans AIA/ACSA Intersections Conference. ACSA Press, 2015. http://dx.doi.org/10.35483/acsa.aia.inter.15.2.

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Academic entities have the ability to assemble resources and form ‘local labs’ able to creatively address complex technical problems. This paper describes academic partnerships with professional practice that offer responsive materials design expertise not available in many architectural firms. The following projects are funded by grants, gifts, and consultation mechanisms with architectural firms during the Request for Qualifications (RFQ) and the Request for Proposals (RFP) phase in competitive design solicitations. The RFQ and the RFP mechanisms are high-value low-risk means for architectural firms to add research and development capabilities to their project team. Example are given of two collaborative projects that have brought practice-based research to the architectural office and brought practical experience to students.
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Rapports d'organisations sur le sujet "Architecture Design Architectural practice"

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Bachmann, Felix, Len Bass, Jeromy Carriere, Paul Clements, David Garlan, James Ivers, Robert Nord et Reed Little. Software Architecture Documentation in Practice : Documenting Architectural Layers. Fort Belvoir, VA : Defense Technical Information Center, mars 2000. http://dx.doi.org/10.21236/ada377988.

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Cook, Stephen, et Loyd Hook. Developmental Pillars of Increased Autonomy for Aircraft Systems. ASTM International, janvier 2020. http://dx.doi.org/10.1520/tr2-eb.

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Increased automation for aircraft systems holds the promise to increase safety, precision, and availability for manned and unmanned aircraft. Specifically, established aviation segments, such as general aviation and light sport, could utilize increased automation to make significant progress towards solving safety and piloting difficulties that have plagued them for some time. Further, many emerging market segments, such as urban air mobility and small unmanned (e.g., small parcel delivery with drones) have a strong financial incentive to develop increased automation to relieve the pilot workload, and/or replace in-the-loop pilots for most situations. Before these advances can safely be made, automation technology must be shown to be reliable, available, accurate, and correct within acceptable limits based on the level of risk these functions may create. However since inclusion of these types of systems is largely unprecedented at this level of aviation, what constitutes these required traits (and at what level they must be proven to) requires development as well. Progress in this domain will likely be captured and disseminated in the form of best practices and technical standards created with collaboration from regulatory and industry groups. This work intends to inform those standards producers, along with the system designers, with the goal of facilitating growth in aviation systems toward safe, methodical, and robust inclusion of these new technologies. Produced by members of the manned and unmanned small aircraft community, represented by ASTM task group AC 377, this work strives to suggest and describe certain fundamental principles, or “pillars”, of complex aviation systems development, which are applicable to the design and architectural development of increased automation for aviation systems.
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Burns-Dans, Elizabeth, Alexandra Wallis et Deborah Gare. A History of the Architects Board of Western Australia, 1921-2021. The Architects Board of Western Australia and The University of Notre Dame Australia, 2021. http://dx.doi.org/10.32613/reports/2021.1.

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An economic and population boom in the 1890s created opportunities for architects to find work and fame in Western Australia. Architecture, therefore, became a viable profession for the first time, and the number of practicing architects in the colony (and then state) quickly grew. Associations such as the Western Australian Institute of Architects were established to organise the profession, but as the number of architects grew and Western Australian society matured, it became evident that a role for government was required to ensure practice standards and consumer protection. In 1921, therefore, the Architects Act was passed, and, in the following year, the Architects Board of Western Australia was launched. This report traces the evolution and transformation of professional architectural practice since then, and evaluates the role and impact of the Board in its first century.
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