Bibliographies thématiques / Art, Baule

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Littérature scientifique sur le sujet « Art, Baule »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 6 février 2022

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Articles de revues sur le sujet "Art, Baule"

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Groff, David H., et Susan Mullin Vogel. « Baule : African Art, Western Eyes ». International Journal of African Historical Studies 32, no 2/3 (1999) : 432. http://dx.doi.org/10.2307/220355.

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Vogel, Susan Mullin. « Baule : African Art Western Eyes ». African Arts 30, no 4 (1997) : 64. http://dx.doi.org/10.2307/3337555.

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Förster, Till, Susan Mullin Vogel et Till Forster. « Baule African Art/Western Eyes ». African Arts 31, no 3 (1998) : 16. http://dx.doi.org/10.2307/3337573.

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Adams, Monni. « Baule African Art/Western Eyes ». African Arts 31, no 3 (1998) : 72. http://dx.doi.org/10.2307/3337579.

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Lopasic, Alexander, et Susan M. Vogel. « Baule : African Art, Western Eyes ». Journal of the Royal Anthropological Institute 5, no 3 (septembre 1999) : 481. http://dx.doi.org/10.2307/2661302.

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Abiodun, Rowland. « Vogel’s Baule : African Art, Western Eyes wins 1998 Herskovits Award ». ASA News 32, no 1 (mars 1999) : 6–7. http://dx.doi.org/10.1017/s0002021400016212.

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Soppelsa, Robert T. « Dreaming the Other World : Figurative Art of the Baule, Côte d'Ivoire ». African Arts 27, no 2 (avril 1994) : 77. http://dx.doi.org/10.2307/3337097.

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Ravenhill, Philip L. « Likeness and Nearness : The Intentionality of the Head in Baule Art ». African Arts 33, no 2 (2000) : 60. http://dx.doi.org/10.2307/3337777.

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Pudov, Gleb. « On a Type of Russian Chests Called «Baul» of the 18th-19th Centuries. History and Art Style ». Bulletin of Baikal State University 30, no 4 (30 décembre 2020) : 560–65. http://dx.doi.org/10.17150/2500-2759.2020.30(4).560-565.

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The study of specific types of chests is one of the most prolific areas of the research of Russian chest production. However, today they receive insufficient attention from researches. This paper deals with the history of one of the types of Russian chests called «baul». The issues of their appearance in Russia, their connection with European items (in particular, Scandinavian ones) are considered and specific museum works are analyzed. The comparative method is used to identify the artistic features of Russian «bauls». Items of Russian and foreign museum collections were used. The author draws several conclusions: the chest called «baul» is an independent type of Russian chests; the «baul» as a type of chest was most likely borrowed by Russian craftsmen from Western Europe; despite of the obvious similarity that can be seen in its form and design, Russian and foreign products have their own art style; Russian masters were participants in the pan-European cultural process.
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Fite, Gilbert C., et Karen Gerhardt Britton. « Bale o'Cotton, The Mechanical Art of Cotton Ginning ». Arkansas Historical Quarterly 52, no 3 (1993) : 349. http://dx.doi.org/10.2307/40030857.

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Thèses sur le sujet "Art, Baule"

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Jäger, Theo. « Pierre Bayles Philosophie in der "Réponse aux questions d'un provincial" / ». Marburg : Tectum Verl, 2004. http://catalogue.bnf.fr/ark:/12148/cb39155723m.

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Stricker, Nicola. « Die maskierte Theologie von Pierre Bayle / ». Berlin : W. de Gruyter, 2003. http://catalogue.bnf.fr/ark:/12148/cb399005027.

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Lieshout, Helena Henrica Maria van. « Van boek tot bibliotheek : de wordingsgeschiedenis van de "Dictionaire historique et critique" van Pierre Bayle (1689-1706) / ». Grave : [S. n.], 1992. http://catalogue.bnf.fr/ark:/12148/cb388208087.

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Bost, Hubert. « Un "intellectuel" avant la lettre, le journaliste Pierre Bayle, 1647-1706 : l'actualité religieuse dans les Nouvelles de la République des lettres, 1684-1706 / ». Amsterdam : APA-Holland university press, 1994. http://catalogue.bnf.fr/ark:/12148/cb356898720.

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Egger, Franz. « Beiträge zur Geschichte des Predigerordens : die Reform des Basler Konvents 1429 und die Stellung des Ordens am Basler Konzil 1431-1448 / ». Bern : P. Lang, 1991. http://catalogue.bnf.fr/ark:/12148/cb377186292.

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Roser, Sandrine. « L'art à l'abbaye de Baume-les-Messieurs dans la première moitié du XVe siècle ». Besançon, 2003. http://www.theses.fr/2003BESA1036.

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Au XVe siècle, la restauration de l'abbaye de Baume (Jura), ruinée depuis 1336, fut le fait de deux abbés : Amé de Chalon (1389-1431) et Henri de Salins (1431-1451 ?). Après avoir redressé le temporel, le premier restaura dès 1399 les bâtiments conventuels, l'église et sans doute une partie du cloître. Pour le chantier, il utilisa le système des corvées et exploita les proches carrières de Crançot. Le réfectoire et de nombreux vestiges des importants aménagements liturgiques qu'il fit réaliser subsistent : des stalles, trois autels, de nombreuses statues ayant appartenu au jubé, à l'autel majeur et à sa chapelle particulière, inspirées d'œuvres de Dijon ou Poligny. L'abbé fit ériger son somptueux tombeau sous une arche, au nord du sanctuaire, orné de peintures murales et de plusieurs sculptures. Son successeur éleva l'actuelle façade occidentale de l'église, dotée de statues et restaura une vaste chapelle mariale hors-œuvre, typique de l'architecture clunisienne, et s'y fit inhumer
Au XVe siècle, la restauration de l'abbaye de Baume (Jura), ruinée depuis 1336, fut le fait de deux abbés : Amé de Chalon (1389-1431) et Henri de Salins (1431-1451 ?). Après avoir redressé le temporel, le premier restaura dès 1399 les bâtiments conventuels, l'église et sans doute une partie du cloître. Pour le chantier, il utilisa le système des corvées et exploita les proches carrières de Crançot. Le réfectoire et de nombreux vestiges des importants aménagements liturgiques qu'il fit réaliser subsistent : des stalles, trois autels, de nombreuses statues ayant appartenu au jubé, à l'autel majeur et à sa chapelle particulière, inspirées d'œuvres de Dijon ou Poligny. L'abbé fit ériger son somptueux tombeau sous une arche, au nord du sanctuaire, orné de peintures murales et de plusieurs sculptures. Son successeur éleva l'actuelle façade occidentale de l'église, dotée de statues et restaura une vaste chapelle mariale hors-œuvre, typique de l'architecture clunisienne, et s'y fit inhumer
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Kmetz, John. « The Sixteenth-century Basel songbooks : origins, contents and contexts / ». Bern ; Stuttgart ; Wien : P. Haupt, 1995. http://catalogue.bnf.fr/ark:/12148/cb36963427v.

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Anhalt, Astrid. « Schreib-Spiele mit Systemen im Spiegel der Dekonstruktion : Lektüren zu Homo falsus von Jan Kjærstad, Brev in April von Inger Christensen und Ifølge loven von Solvej Balle / ». München : H. Utz, 2002. http://catalogue.bnf.fr/ark:/12148/cb390899060.

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Hoeffel, Jean-Théophile Hubert François. « Histoire du baume minéral alsacien ou pétrole de la Vallée de Saint-Lambert / ». Merkwiller-Pechelbronn (67250) : Association des amis du musée du pétrole de Pechelbronn, 1997. http://catalogue.bnf.fr/ark:/12148/cb361950849.

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Chiassaï, Marc. « Aragon peinture : la peinture dans les romans d'aragon depuis les cloches de bale jusqu'a la semaine sainte ». Caen, 1993. http://www.theses.fr/1993CAEN1126.

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Il s'agit d'etudier la plage, le role et la signification de la peinture et des peintre dans l'oeuvre romanesque d'aragon. Afin de comparer le satut de la peinture dans l'oeuvre d'aragon avec celui que la peinture occupe dans la realite, la premiere partie de cette etude traite de la peinture comme phenomene sociologique, intellectuel et historique (le marche, les debats esthetiques, la fin de la periode academique. . . ). Par ailleurs nous avons essaye d'etablir quelles consequence les positions d'aragon sur l'art ont sur son oeuvre, en interrogeant les romans ecrits entre 1934 et 1958, a savoir le cycle du monde reel, aurelien et la semaine sainte. De plus nous cherchons quels types de relations il est possible d'etablir entre l'appartenance d'aragon au p. C. F. , sa fidelite a sa jeunesse et la presence de la peinture dans son oeuvre. Nous etu dions la contradiction entre la defense du realisme et la permanence du surrealisme, tant au sein des choix picturaux (presence, absence, ou disparition de certains courants picturaux), que de l'acte d'ecriture (essentiellement au travers de l'utilisation du collage)
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Livres sur le sujet "Art, Baule"

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Baule. Milan : 5 Continents, 2008.

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Boyer, Alain-Michel. Baule. Milan : 5 Continents, 2008.

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Vogel, Susan Mullin. Baule : African art, western eyes. New Haven, Conn : Yale University Press, 1997.

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Ravenhill, Philip L. The self and the other : Personhood and images among the Baule, Côte d'Ivoire. Los Angeles : Fowler Museum of Cultural History, University of California, 1994.

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Ravenhill, Philip L. Dreams and reverie : Images of otherworldmates among the Baule, West Africa. Washington, (D.C.) : Smithsonian Institution Press, 1996.

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Ravenhill, Philip L. Dreams and reverie : Images of otherworld mates among the Baule, West Africa. Washington : Smithsonian Institution Press, 1996.

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Rivière, Marceau. Baoulé : Collection de Marceau Rivière : Galerie Ratton-Hourdé, Paris, juin 2002. Paris] : Ciel bleu mer calme, 2002.

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Tom, Roche, dir. Baile Atha Cliath = : Dublin 4. Donaghadee, N. Ireland : Cottage Publications, 2006.

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Honegger, Gottfried. Kunst ist eine Frucht vom Baume der Erkenntnis. Sous la direction de Hölscher Eva. München : Chorus, 2000.

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Pontefract, Bernard. L' Abbaye de Baume-les-Messieurs, Jura. Paris : Erti éditeur, 1993.

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Chapitres de livres sur le sujet "Art, Baule"

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Gantini, Christina, et Himasari Hanan. « The Impact of Tourism Industry on the Sustainability of Traditional Bale Banjar in Denpasar ». Dans Proceedings of the 6th International Conference of Arte-Polis, 177–85. Singapore : Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5481-5_17.

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Cerny, Gerald. « Refuge in Holland : Ministry in the Walloon Church of Rotterdam and the Republic of Letters in the Time of Pierre Bayle, 1685–1709 ». Dans Theology, Politics and Letters at the Crossroads of European Civilization, 54–121. Dordrecht : Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-4343-8_3.

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Daniel, Stephen H. « Berkeley’s Appropriation of Bayle’s Constitutive Skepticism ». Dans George Berkeley and Early Modern Philosophy, 189–94. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192893895.003.0013.

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Both Bayle and Berkeley retain the concept of substance without endorsing either (a) the Cartesian view that spiritual substance is conceivable apart from its faculties of will and understanding, or (b) the Lockean view that we do not know the essential attributes or properties of either material or spiritual substance. Like Bayle, Berkeley speaks of substance not as something that can be abstracted from its attributes or modes but as constituted only by properties that are known to us (including its attributes or modes).
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Bellaviti, Sean. « El Baile Del Pueblo ». Dans Música Típica, 225–61. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936464.003.0008.

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In this final chapter, the author provides a macro perspective of the música típica genre as a form of national music, focusing on the challenges musicians face as performers of a popular commercial music that is, at the same time, firmly rooted in folkloric traditions to which Panamanians remain deeply attached. Through a series of case studies, the author shows that the “pull” of tradition is a constant in música típica musicians’ lives. This is never more evident than in ongoing discussions regarding what to call this music and the challenge of sorting out the demands of baile performance as distinguished from shows patronized by concertgoers, or even viewed by a nation-wide television audience. This sense of música típica’s unchanging nature also lies at the heart of the perplexity and frustration felt by performers when they consider the unrivalled popularity música típica enjoys in Panama even as it is virtually unknown beyond the country’s borders. Finally, when compared to most other forms of popular music in Panama, the sense of national pride provoked by música típica’s connection to folkloric music and the fact that it is embraced by so many Panamanians means that musicians are praised for their contributions to modernizing the genre even as they run the risk of being accused of undermining what is regarded by many Panamanians as the nation’s cultural patrimony.
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Sutcliffe, Adam. « Reason, Toleration, Emancipation ». Dans What Are Jews For ?, 62–106. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691188805.003.0003.

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This chapter centers on the eighteenth century as the period in which the primary purpose of Jews was to sharpen the elaboration of key philosophical concepts. It explores the work of Pierre Bayle, whose Historical and Critical Dictionary in the 1700s baffled eighteenth-century readers over its elusive positioning of Judaism as the marker of the limits of rational philosophy. It also reviews the vexed preoccupation of Voltaire with Jews that stemmed from his structurally similar but temperamentally different positioning of them as fundamentally antithetical to enlightenment reason. The chapter also explains the paradigm of exceptionalism that framed the work and reception of Jewish thinkers in the period, including Moses Mendelssohn. It describes the penetrating mind and noble character of Mendelssohn that became the model for the dramatic hero of Gotthold Ephraim Lessing's masterpiece Nathan the Wise, in which Jewish purpose was cast as the exemplification of rational universalism.
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« ARE ATHEISTS FANATICS ? VARIATIONS ON A THEME OF LOCKE AND BAYLE ». Dans Rousseau and l’Infâme, 225–38. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789401206655_015.

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Bellaviti, Sean. « Epilogue ». Dans Música Típica, 262–68. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936464.003.0009.

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The epilogue examines the events that unfolded when an unusual confluence of events placed a top música típica band on the stage of Canada’s premier salsa festival only weeks after the Panamanian soccer team had scored its first ever and only goal in a World Cup match. Describing the series of in-the-moment decisions that occurred during the course of the performance, the stage-side discussion of the musicians longing for a genuine change to the standard baile routine, and the response of Panamanian festival goers who were still high on the strong feelings of national pride produced by their small country’s entry into one of the world’s most important sporting events, the author shows that when it comes to its capacity to represent the nation, some of the reasons why música típica has not caught on widely outside the country, indeed, the significant barriers to international fame that it has historically encountered are, at the same time, the very features that for Panamanians makes música típica el baile del pueblo.
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Manning, Jane. « ALISON BAULD (b. 1944)Banquo’s Buried (1982) ». Dans Vocal Repertoire for the Twenty-First Century, Volume 1, 29–32. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199391028.003.0009.

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This chapter discusses the first of a trilogy of solo scenas from Shakespeare. Although the music may appear simple on the page, it is highly disciplined, and conceived with a clear idea of its desired interpretation. Bauld likes, where possible, to adapt and fine-tune details when working with performers, to make sure that any ambiguities of notation (often to do with variations of pitched speech) can be clarified. This is very much performers’ music, as it feels immediate and vital. Her love of Shakespeare is furthermore central to her art, and her sense of the timing of declamatory verse is acute, responding to the myriad possibilities of verbal inflections. She employs conventional notation in the main, but occasionally dispenses with time signatures for passages of rapid speech or whispering.
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Galeotti, Anna Elisabetta. « 3. Toleration ». Dans Issues in Political Theory. Oxford University Press, 2014. http://dx.doi.org/10.1093/hepl/9780199680436.003.0004.

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This chapter examines the philosophical and political problems associated with toleration. The philosophical problems relate to the nature and justification of toleration, while the political problems relate to the question of whether contemporary democracy can or cannot afford to tolerate this or that practice, and, more specifically, whether a worse danger for liberal society and liberal values is represented by toleration or intolerance. The chapter first provides an overview of the traditional doctrine of toleration before discussing the moral analysis of toleration. It then explores the contemporary liberal theory of toleration, along with toleration as recognition. A case study addresses the contest over purpose-built mosques in Europe. Key Thinkers boxes featuring John Milton and Pierre Bayle are also presented.
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Harris, James A. « 1. Human nature ». Dans Hume : A Very Short Introduction, 4–28. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198849780.003.0002.

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‘Human nature’ looks at the theory of human nature developed by Hume in Books One and Two of A Treatise of Human Nature. In these books, Hume’s theory of nature is presented as an account of the faculty of understanding, of the passions, and of the relation between them. The biographical context for this theory of human nature is important here, in terms of the intellectual crisis that Hume went through in the early 1730s. Key influences on Hume’s theory of human nature included Pierre Bayle, Bernard Mandeville, and John Locke. Hume reformulated his theory of human nature in his later works. There are limitations of the theory as can be revealed in remarks made by Hume about racial difference.
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Actes de conférences sur le sujet "Art, Baule"

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Milacek, McKenna S., Joshua Schultz et Mark Muszynski. « Revisiting Low Income Residential Construction Options in Spokane ». Dans IABSE Congress, New York, New York 2019 : The Evolving Metropolis. Zurich, Switzerland : International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0241.

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<p>Affordable housing plays an important role in providing equal opportunity for individuals within most communities in the United States. In the area of eastern Washington State, in particular, there is currently a dearth of affordable housing options; especially for larger families. This lack of three- and four- bedroom residences presents a challenge for the City of Spokane, and the low-income residents seeking housing. This paper provides a preliminary look at certain alternate construction approaches for stand-alone houses with the end goal of optimizing taxpayer funding available, and to reduce living expenses for occupants. Two possible alternative approaches [structural insulated panels (SIPs) and straw bale wall construction] are compared to traditional wood frame construction; all in terms of cost and structural performance. Alternate foundation options are also currently under consideration. It appears that certain alternate construction techniques are worthy of a fresh look; particularly straw bale construction.</p>
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Asimopolos, Laurențiu, et Natalia-Silvia Asimopoli. « GEOLOGICAL AND GEOPHYSICAL STUDY FOR ELABORATION OF GEOTHERMAL MODEL IN ORADEA-BAILE FELIX AREA ». Dans GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b1/v2/12.

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Thermal methods consist of measuring thermal gradient and satellite data, which can be used to determine the Earth's surface temperature and thermal inertia of surficial materials, of thermal infrared radiation emitted at the Earth's surface. Thermal gradient measuring, with a knowledge of the thermal conductivity provides a measure of heat flow. Conditions that may increase or decrease and heat flow are influenced by hydrologic, topographic factors and anomalous thermal conductivity. Also, oxidation of sulphide bodies in-place or on waste deposits, if sufficiently rapid, can generate thermal anomalies, which can provide a measure of the amount of metal being released to the environment. The geothermal gradient on the territory of Romania, the increase of the temperature with the depth, has an average value of 2.5°-3°C/100m, which corresponds to a temperature of 100° C at 3000 m deep. There are many areas where the value of the geothermal gradient differs considerably from this average. For example, in areas where the rock plate suffered rapid dips and the basin was filled with sediment "very young "from a geological point of view, the geothermal gradient may be less than 1° C/100m. On the other hand, in other geothermal areas the gradient exceeds much this average. These areas are true underground thermal reservoirs of potentially high geothermal energy which under certain favourable conditions can be exploited to serve heating installations and domestic hot water systems. The geothermal prospecting for the entire territory of Romania, carried out by temperature measurements allowed the development of geothermal maps, highlighting the temperature distribution at different depths. Geophysical data obtained through various methods and geophysical modelling provide generalized and non-unique solutions to the geometry of underground geological relations as well as to the physical characteristics of different formations. The non-uniqueness of these models (solutions to the direct problem) arises from the impossibility of knowing the boundary conditions between different strata, which together with the propagation equations of the different fields (depending on the geophysical method used for the investigation of the basement) form the systems that offer the solutions of the model
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Mejía Vallejo, Clara Elena, et Juan Deltell Pastor. « Búsquedas para el establecimiento de una relación armónica con el paisaje. Dos exploraciones paralelas ». Dans LC2015 - Le Corbusier, 50 years later. Valencia : Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.586.

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Resumen: Los proyectos para la Sainte-Baume y para Cap Martin retoman el hilo de varias de las investigaciones realizadas previamente por Le Corbusier en torno a la vivienda de densidad media construidas a partir de muros de carga, como son las Maisons Loucheur (1929), las Maisons Murodins (1940), las Maisons pour Maîtres et Contremaîtres de la S.P.A (1940) y las Unités Transitoires (1944). No obstante, es posible afirmar que en ellos se opera una búsqueda nueva que tiene que ver con la asociación de estos módulos residenciales en pro de formar un conjunto coherente y unitario, analizando las implicaciones que ello tiene con respecto al paisaje. A la par que Le Corbusier reflexiona sobre la métrica y optimiza la distribución de estos espacios residenciales, continúa trabajando de manera intensa con la sección para intentar encontrar la manera adecuada de llegar al suelo y de relacionarse tanto con el entorno natural sobre el que el edificio se apoya, como con el paisaje lejano con el que se pretende dialogar. A esta búsqueda se suma otra que ahonda en la necesidad de una definición material acorde. A partir de estas premisas se orquesta un diálogo a varias bandas que recoge reflexiones sobre forma y proporción, sobre materialidad y sintaxis constructiva, así como sobre el entendimiento de una relación deseada entre el hombre y la naturaleza.Abstract: The projects for the Sainte-Baume and Cap Martin take up the thread of several previous investigations by Le Corbusier about the medium density housing built from load-bearing walls, as they are the Maisons Loucheur (1929), the Maisons Murodins (1940), the Maisons pour Maîtres et Contremaîtres of the SPA (1940) and the Unites Transitoires (1944). However, one can say that in them lies a new search that has to do with the association of these residential units in favour of forming a coherent and unified whole, analysing the implications that those create with the landscape. At the same time that Le Corbusier makes a reflexion on metrics and optimize the distribution of these premises, he continues to work intensively with section in order to try to find the appropriate way to reach the ground and to relate both to the natural environment on which the building rests, as well as with the distant landscape. In parallel to this work appears a search that delves into the need for a consistent material definition according to it. From these premises he establishes a dialogue that gathers several bands reflections on form and proportion, about materiality and constructive syntax, as well as the understanding of a desired relationship between man and nature.Palabras clave: Le Corbusier; paisaje; búsqueda; Cap Martin; Roq et Rob; Sainte-Baume.Keywords: Le Corbusier; landscape; search; Cap Martin; Roq et Rob; Sainte-Baume.DOI: http://dx.doi.org/10.4995/LC2015.2015.586
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Bergamini, Isabella, et Daniele Fanzini. « Design education learning : developing skills of observing and managing intangible system in young generations ». Dans Systems & Design : Beyond Processes and Thinking. Valencia : Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3328.

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There is consensus among researchers are recognizing that managing and projecting in complexity multidimensionality (Manzini, Baule, &amp; Bertola, 2004) represents one of the mains challenges and constants of contemporaries’ processes of innovation. This systemic distinguishing peculiarity makes impossible to standardize the design processes because every single situation needs to be solve by adopting different strategies (Celaschi &amp; Deserti, 2007). Nevertheless, those innovative processes can be developed and managed by refer us to tools and practices of design into the paradigms of multidisciplinary and multidimensional. However, what happens when professors have to transmit those concepts to young students of design faculties? We have to consider that normally those students are coming from second-degree schools, which programs usually still insist on content rigidly divided in disciplines and don´t consider how the contemporary relation between space and time has overturned for them (Morin, 2001). Young students generally disclaim their past in the meaning of heritage, values and techniques knowledge; they live in the present, a time that does not exist; a time that today results enormously expanded by globalization processes. They still living in a reality of which territorial capital subsystems are characterized by an entropic strong dichotomy of entities in opposition but, on the other hand, in balance within themselves, as for example topics as material/immaterial, collective/identity, culture/industry, etc. So, which are the design didactic challenges to provide horizontal skills for allowing young students to understand complexity and manage knowledge of the reality? This article will discuss the case study of the perception among design of a newly generation admitted at the Innovation and Design Engineering Degree of the Universidad Panamericana – Guadalajara Campus. As expected, in this new generation we can especially observe a resistance to consider the sociocultural, business, technological and territorial dimensions as systems that strategically characterized and affected plural aspects of the design innovation processes. The contribute then proceed in analyzing case studies of didactic activities for creating skills and sensibility able to develop this capability to observe, select and manage the intangible in order to optimize the design of the tangible in the young generations.DOI: http://dx.doi.org/10.4995/IFDP.2016.3328
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Tello Collado, Santiago. « Abd al Malik : le fluide vital du rap ». Dans XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia : Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3022.

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Uno de los aspectos más llamativos, al tiempo que complejos de la música rap es lo que conocemos como flow. Diferentes autores como Marc (2008) o Béthune (2004), sobre la estética del rap, hacen referencia a este concepto difícil de definir. Partiendo de su sentido más orgánico, en tanto que líquido en movimiento, el flow en el rap requiere estar provisto de enorme y cristalina vitalidad en el recitado de los versos, lo que le confiere uno de los aspectos más atractivos, al tiempo que complejos, en este tipo de música. Procedente de la locución americana to rap, entre chismorrear o darle al pico o, simplemente contar cualquier cosa, el rap song puede definirse como la dicción medio cantada y medio hablada de textos elaborados, rimados y ritmados producida sobre una base musical de mezclas de extractos de otras fuentes sonoras, denominadas samplers. Esta manifestación como tal se materializa en una performance que se lleva a cabo en la calle, surgida en los 70 en Nueva York (Lapassade et Rousselot, 1998, p.9). El rap debe su exégesis a la música popular jamaicana, siendo el género demandado en los 70 entre la militancia negra estadounidense. Ya casi en los 80, observamos el resultado de esta música capaz de mezclar baile y política. No olvidemos que, al igual que el jazz, el blues, el soul o el rhythm and blues, el rap es parte integrante del arte negro americano. A diferencia de lo que pasó en los EEUU, el rap francés no comienza en la calle, sino que estaba dirigido o bien a los media o al show. Abd Al Malik, uno de los raperos más líricos, sensibles y delicados en la escena francesa, imprime a sus canciones un tratamiento cristalino y personal con su particular flow. DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3022
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Bosch Reig, Ignacio, Luis Bosch Roig, Valeria Marcenac et Nuria Salvador Luján. « Linear parks understood as vertebration instruments of the city ». Dans 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia : Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6136.

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This research raises as thesis the idea that Linear Park is an urban instrument capable of vertebrate the city and, consequently, of regenerate it. To this end, ten parks strategically located in big cities such as Rio de Janeiro, London, Paris, Madrid, Barcelona, ​​or in medium or small cities such as Valencia, Castellón or Figueres, have been analyzed. Of this analysis we have deduced some characteristics that are considered key in the linear and transversal vertebration of the city, such as: - Green axis-corridor approach - Sequence of events with integration of public buildings - Continuity derived from the union of different areas - Promotion of active leisure activities, individual or collective: sports, cultural, .... - Capability of relation and regeneration of ecosystems: forest, meadow, orchard, nurseries, water, city, .... - Capability to restore environment, with reduction in CO2, in noise pollution, ... - Establish relations between the city and the territory with definition of natural parks - Contribute to prevent thermal inversion in the city - Establish a beginning and an end as recognizable elements in city. - Confrontation of opposites: static or dynamic; soft (green) or hard (pavement); unitary or fragmentary, cartesian or organic, ... The parks thus understood can be organized in diverse typologies, such us: classic order; in net; upholstery-continuos map; linear order with grooves, tapes or bands; landscaper and naturalist; ... .. The work delves into these themes by recognizing tools of interest such as: harmonic relationship; human scale; non-guided tours; sensory experimentation: spaces, sights, aromas, sounds, colorful, ...; unexpected and random; pragmatic and passionate; order within disorder; activation of spaces without hierarchies or apriorisms; flee from monotony; evocations; ... KEY WORDS: linear park, green corridor, city vertebrador, urban regeneration, sensorial experimentation, harmonious relationship, ... REFERENCES: Referred to the following urban parks: Paseo de Copacabana, 1979 Burle Max; La Vilette project 1975, León Krier; La Vilette 1981-87, Bernard Tschumi; Turia Park, 1981, Ricardo Bofill; Botanic Garden, Barcelona, ​​2002, Carlos Ferrater; Thames Barrier Park, London, 2000, Signes Group; Garden of the senses, Castellón, Del Rey-Magro; Park of the Manzanares, Madrid, Burgos-Garrido; Les Aigües Park, Figueres, Oliac-Batle; Parque Cabecera, Valencia, De Miguel-Corell-Muñoz
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