Articles de revues : « Art, Baule »

1

Groff, David H., et Susan Mullin Vogel. « Baule : African Art, Western Eyes ». International Journal of African Historical Studies 32, n^o 2/3 (1999) : 432. http://dx.doi.org/10.2307/220355.

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Vogel, Susan Mullin. « Baule : African Art Western Eyes ». African Arts 30, n^o 4 (1997) : 64. http://dx.doi.org/10.2307/3337555.

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Förster, Till, Susan Mullin Vogel et Till Forster. « Baule African Art/Western Eyes ». African Arts 31, n^o 3 (1998) : 16. http://dx.doi.org/10.2307/3337573.

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Adams, Monni. « Baule African Art/Western Eyes ». African Arts 31, n^o 3 (1998) : 72. http://dx.doi.org/10.2307/3337579.

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Lopasic, Alexander, et Susan M. Vogel. « Baule : African Art, Western Eyes ». Journal of the Royal Anthropological Institute 5, n^o 3 (septembre 1999) : 481. http://dx.doi.org/10.2307/2661302.

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Abiodun, Rowland. « Vogel’s Baule : African Art, Western Eyes wins 1998 Herskovits Award ». ASA News 32, n^o 1 (mars 1999) : 6–7. http://dx.doi.org/10.1017/s0002021400016212.

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Soppelsa, Robert T. « Dreaming the Other World : Figurative Art of the Baule, Côte d'Ivoire ». African Arts 27, n^o 2 (avril 1994) : 77. http://dx.doi.org/10.2307/3337097.

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Ravenhill, Philip L. « Likeness and Nearness : The Intentionality of the Head in Baule Art ». African Arts 33, n^o 2 (2000) : 60. http://dx.doi.org/10.2307/3337777.

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Pudov, Gleb. « On a Type of Russian Chests Called «Baul» of the 18th-19th Centuries. History and Art Style ». Bulletin of Baikal State University 30, n^o 4 (30 décembre 2020) : 560–65. http://dx.doi.org/10.17150/2500-2759.2020.30(4).560-565.

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The study of specific types of chests is one of the most prolific areas of the research of Russian chest production. However, today they receive insufficient attention from researches. This paper deals with the history of one of the types of Russian chests called «baul». The issues of their appearance in Russia, their connection with European items (in particular, Scandinavian ones) are considered and specific museum works are analyzed. The comparative method is used to identify the artistic features of Russian «bauls». Items of Russian and foreign museum collections were used. The author draws several conclusions: the chest called «baul» is an independent type of Russian chests; the «baul» as a type of chest was most likely borrowed by Russian craftsmen from Western Europe; despite of the obvious similarity that can be seen in its form and design, Russian and foreign products have their own art style; Russian masters were participants in the pan-European cultural process.

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Fite, Gilbert C., et Karen Gerhardt Britton. « Bale o'Cotton, The Mechanical Art of Cotton Ginning ». Arkansas Historical Quarterly 52, n^o 3 (1993) : 349. http://dx.doi.org/10.2307/40030857.

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Cousins, Peter H., et Karen G. Britton. « Bale o' Cotton : The Mechanical Art of Cotton Ginning ». Technology and Culture 35, n^o 3 (juillet 1994) : 621. http://dx.doi.org/10.2307/3106279.

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Amâncio, Edson José. « Dostoevsky and Stendhal´s sydrome ». Arquivos de Neuro-Psiquiatria 63, n^o 4 (décembre 2005) : 1099–103. http://dx.doi.org/10.1590/s0004-282x2005000600034.

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Stendhal’s syndrome occurs among travelers when they encounter a work of art of great beauty. It is characterized by an altered perception of reality, emotional disturbances, and crises of panic and anxiety with somatization. The patient profile described originally for this syndrome was of particularly sensitive individuals who were admirers of works or art: artists, poets, writers and art students, among others. The Russian writer Fyodor Mikhailovich Dostoevsky suffered from epilepsy and there is evidence that he presented the symptoms of Stendahl’s syndrome while contemplating some works of art, particularly when viewing Hans Holbein’s masterpiece, Dead Christ, during a visit to the museum in Basle.

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Laursen, John Christian. « Bayle the Man, Bayle the Political Animal ». Eighteenth-Century Studies 37, n^o 3 (2004) : 504–7. http://dx.doi.org/10.1353/ecs.2004.0025.

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Azéma, Marc, et Florent Rivère. « Animation in Palaeolithic art : a pre-echo of cinema ». Antiquity 86, n^o 332 (juin 2012) : 316–24. http://dx.doi.org/10.1017/s0003598x00062785.

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Marc Azéma a Palaeolithic researcher and film maker has been exploring the representation of animal movement in cave art for more than 20 years, and here shares with us his latest examples, culled from the parietal art in the Chauvet Cave (Ardèche) and La Baume Latrone (Gard). Here he has shown that Palaeolithic artists have invented systems of breaking down movement and graphic narrative. His co-author, Florent Rivère, discovered that animal movement was also represented in more dynamic ways—with the use of animals drawn on a spinning disc. In these flickering images created by Palaeolithic people, the authors suggest, lie the origins of cinema.

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Lara Huete, Eva. « LOS MATACHINES : EL PERSONAJE Y SUS ACCIONES ». Acotaciones. Revista de Investigación y Creación Teatral 2, n^o 43 (10 décembre 2019) : 157–77. http://dx.doi.org/10.32621/acotaciones.2019.43.06.

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Este artículo expone la investigación previa y la puesta en escena del baile al final de la folla Disparates Concertados, texto de 1735 de Marcos de Castro. Su presentación en el I Congreso de teatro mu-sical español del s. XVIII, (teatro breve), estaba vinculada a la ponencia del profesor Germán Labrador en la que analizaba este fin de fiesta y su baile. El objetivo de mi investigación ha sido identificar el baile descrito en el texto original con los bailes de matachines, ya que la palabra mata-chinerías aparece en el texto que introduce la escena y es consistente con el tipo de acciones, indumentaria y carácter del baile que se describe en el texto.

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García-Hernández, Benjamín. « El origen de bable y su reinterpretación onomatopéyica ». Archivum 65, n^o 65 (27 juillet 2015) : 75. http://dx.doi.org/10.17811/arc.65.2015.75-90.

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Meier, Nikolaus. « Art and museum libraries in Switzerland ». Art Libraries Journal 21, n^o 4 (1996) : 23–26. http://dx.doi.org/10.1017/s0307472200010075.

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Die Situation der Kunstbibliotheken in der Schweiz ist durch verschiedene historische Faktoren geprägt. Die Kulturhoheit der verschiedenen Kantonsrepubliken und die vier Landessprachen haben in der Vergangenheit die Entwicklung einer einheitlichen Bibliothekslandschaft erschwert. Ebenso wenig mündete die von großen Persönlichkeiten geprägte Entwicklung der Kunstwissenschaft und des Museumswesens in eine vielfältige Landschaft von Kunstbibliotheken. Die drei Zentren für Kunstbibliotheken sind Basel, Zürich und Genf. Eine Kunstbibliothek für die italienischsprachige Schweiz, wie u.a. in einem kürzlich enstandenen Grundlagenbericht für Kunstgeschichte empfohlen wird, ist immer noch ein Desiderat.The situation of Swiss art libraries is determined by different historic developments. The different Swiss cantons, with their sovereignty in cultural matters, and the four official languages of the country, have impeded the development of a homogeneous libraries’ scene. The development of art libraries has been constrained by the slow and erratic growth of art history and museology. In Switzerland there are three centres for art libraries: Basle and Zurich, and Geneva, in French-speaking Switzerland. An art library for Italian-speaking Switzerland - as once again recommended in a recently published Grundlagenbericht für Kunstgeschichte (= Basic Report for Art History) - is still desired.

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Brown, Kenneth. « Dos «nuevos» cuadros artísticos en colecciones estadounidenses inspirados en el Quijote. Escena de baile (¿1656-1658?), anónimo pero atribuido a Joos van Craesbeeck (Neerlinter, Flandes 1605/1606-Bruselas ca. 1660), y Dorotea (1823), de John Quidor (Tappan, Estado de Nueva York 1801-Jersey City, Nueva Jersey 1881) ». Anales Cervantinos 41 (30 décembre 2009) : 83. http://dx.doi.org/10.3989/anacervantinos.2009.004.

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Una descripción detallada y analítica de dos cuadros artísticos inspirados en la novela Don Quijote de la Mancha, y que han quedado anteriormente olvidados o malinterpretados. Pertenecen a colecciones de arte norteamericanas. Son Dorotea (1823), del neoyorkino John Quidor, que está en el Brooklyn Museum of Art, Nueva York, y Escena de baile (1656-1658), atribuido al maestro del barroco flamenco Joos van Craesbeeck, que se encuentra en el Rosenbach Museum and Gallery, de Filadelfia. El argumento presentado es que en la obra de Quidor su artista ha superado con colores vívidos y un juego inteligente de perspectiva una mera imitación de una antigua ilustración en blanco y negro, y que en la obra atribuida a van Craesbeeck, además de las figuras de don Quijote y Sancho Panza en un baile de máscaras, aparecen también los duques de Alba, ya que el joven duque en aquel momento era gobernador general de los Países Bajos españoles.

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Minvielle Larousse, Nicolas. « Largentière (Ardèche). Baume de Viviers ». Archéologie médiévale, n^o 45 (1 décembre 2015) : 289. http://dx.doi.org/10.4000/archeomed.7907.

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Bocco Guarneri, Andrea. « Architect Werner Schmidt's Straw-Bale Construction ». Key Engineering Materials 600 (mars 2014) : 727–38. http://dx.doi.org/10.4028/www.scientific.net/kem.600.727.

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Werner Schmidt (Trübbach, Switzerland, 1953) is one of the most interesting contemporary 'green' architects, particularly experienced in straw-bale building. His accomplishments include now 20 straw-bale buildings of which 14 at least partially load-bearing. This paper extracts some essential principles from his work and explains in detail his technological solutions. This is the result of a thorough analysis, carried on during the preparation of a monograph. The success of his approach derives from many factors, among which: - Schmidt's training as a mason. In contrast with many fellow architects, his designs are rooted in practicality and feasibility. Moreover, he actively participates to the construction work. - His holistic vision of ecological building: straw bales are chosen because of the overall advantages they offer. Preferably, he adopts a modified 'Nebraska' technique, using high-density 'jumbo bales' forming more than 120 cm thick walls. This rather unique method assures rapidity of construction, and allows to solve a number of criticalities associated with 'small bale' building. - Not seeking the highest possible performances lets to focus economic and technical efforts on few elements that really need to be state-of-the-art. The envelope can be built with simple techniques, while parts that need be built precisely (stairs, cooking implements, baths, etc.) can be prefabricated. Schmidt's work shows that high ecological consideration can be coupled with convincing architectural results. The quality of his buildings in terms of energy performance, living value, and beautiful form constitutes a good practice promoting new ways to 'green' architecture.

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Vievee Francis. « Smoke Under the Bale ». Callaloo 32, n^o 1 (2008) : 110. http://dx.doi.org/10.1353/cal.0.0355.

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Walters, Chase P., Scott C. Dietsche, Joseph R. Keene, Joshua C. Friede et Kevin J. Shinners. « Increasing Single-Pass Corn Stover Yield by Combine Header Modifications ». Transactions of the ASABE 63, n^o 4 (2020) : 923–32. http://dx.doi.org/10.13031/trans.13823.

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HighlightsRotary knives were added to an ear-snapper header to increase corn stover yield in a single-pass biomass system.Stover yield increased with the number of knives but at the expense of combine productivity and fuel consumption.Bale moisture was often greater than would be considered appropriate for good aerobic conservation.Abstract.Modifications were made to a conventional ear-snapper corn header to increase corn stover yield when a single-pass round baling system was integrated with a combine harvester. To collect more leaves and top portions of stalks, knives oriented parallel to the deck plates were added to shear crop material above the ear-snapper rolls. Stover yield was primarily altered by the number of knives on the header; and to a lesser extent by the fore-and-aft position of the knives and the header height. The number of knives on a 12-row header was varied from two to six in increments of two. Stover yield increased linearly with the number of knives, and dry basis stover yield ranged from 1.1 Mg ha-1 (no knives) to 3.6 Mg ha-1 (six knives) over the five years of data collected (2012 to 2016). Combine productivity decreased linearly and specific fuel consumption increased linearly with greater stover yield. Combine productivity declined by as much as 50% when six knives were used. Dry basis bale density decreased linearly with the number of knives because the dense cobs became a smaller fraction of the total bale mass. In three of the five years, bale moisture increased linearly with the number of knives; in those three years, bale moisture was typically greater than 30% (wet basis). Adding knives to the header increased single-pass stover yield but at considerable cost to combine harvester productivity, and aerobic bale conservation would be challenged by high bale moisture. Keywords: Baling, Combine, Corn, Density, Moisture, Productivity, Stover, Yield.

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Bickford, Kathleen E., et Philip L. Ravenhill. « Dreams and Reverie : Images of Otherworld Mates among the Baule, West Africa ». African Arts 31, n^o 2 (1998) : 12. http://dx.doi.org/10.2307/3337512.

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Stern, Sara. « Porträt Tim Lüth ». kma - Klinik Management aktuell 10, n^o 03 (mars 2005) : 78–81. http://dx.doi.org/10.1055/s-0036-1573218.

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Tim Lüth ist noch nicht einmal 40 Jahre alt. Dennoch ist der Ingenieur seit fast einem Jahrzehnt Professor am Berliner Universitätsklinikum Charité und hat bereits den renommierten Alfred-Krupp-Preis verliehen bekommen. Und woher das alles? Als Student brachte Lüth Robotern das Tischtennis-Spielen bei, später baute er den weltweit ersten Roboter für Gesichtsoperationen. Aber damit sind seine Ziele noch lange nicht erreicht.

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Plaza Orellana, Rocío. « Marie Guy-Stéphan y el Jaleo de Jerez. Un daguerrotipo de baile español ». Archivo Español de Arte 91, n^o 364 (19 novembre 2018) : 418. http://dx.doi.org/10.3989/aearte.2018.26.

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En este artículo se estudia el daguerrotipo del Instituto del Patrimonio Cultural de España (IPCE), que con el número de referencia SB-9999, representa a la bailarina francesa Marie Guy-Stephan, retratada con la indumentaria del baile del Jaleo de Jerez.

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Lamb, Sarah. « Seeking Bauls of Bengal. Jeanne Openshaw ». Journal of Anthropological Research 60, n^o 4 (décembre 2004) : 579–81. http://dx.doi.org/10.1086/jar.60.4.3631151.

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Loria Calderon, Tyrone Mauricio, et Carlos David Carmona Gómez. « Efecto agudo del baile como ejercicio aeróbico sobre el balance estático en personas mayores de 50 años ». Revista Iberoamericana de Ciencias de la Actividad Física y el Deporte 9, n^o 2 (28 juin 2020) : 61–74. http://dx.doi.org/10.24310/riccafd.2020.v9i2.8022.

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Introducción: El equilibrio en personas mayores de 50 años se vuelve fundamental para mantener una adecuada movilidad, y así poder realizar actividades del día a día como bañarse o caminar; un adecuado equilibrio brinda autonomía a las personas. Objetivo: analizar el efecto agudo del baile como ejercicio aeróbico sobre el balance estático en personas adultas mayores. Método: Participantes: 25 sujetos hombres y mujeres, de un Proyecto de actividad física para la Persona Adulta Mayor de la Región de Occidente de Costa Rica. Procedimientos: Se evaluó un solo grupo en dos condiciones: intervención (1 hora de baile) y control. Las mediciones se realizaron en dos días diferentes (48 horas de diferencia). La investigación contó con un pretest (antes de la clase de baile) y dos postest (inmediatamente después de la clase de baile y una hora después), la muestra fue no probabilística, se aleatorizó las condiciones. Instrumentos: Apoyo monopodal, (AM) y la Prueba de equilibrio en forma de “T”. Para el registro de los datos se ha utilizado un dispositivo inercial WIMU PRO (RealTrack Systems. Almería. España). Para el cálculo de los estadísticos CV sobre la señal del acelerómetro se utilizó el software S PROTM (RealTrack Systems. Almería. España). El sensor utilizado en esta investigación ha sido la combinación de la señal de los 3 acelerómetros tri-axiales de los que está compuesto el dispositivo (acelerómetro ±2G. 1 acelerómetro ±16G y 1 acelerómetro ±100G). Los datos han sido registrados a una frecuencia de muestreo de 1000 Hz. Análisis estadístico: se realizó un análisis descriptivo de la muestra a través de la media y la desviación típica. La distribución de normalidad de los datos fue realizada mediante la prueba Shapiro-Wilk. Tras esta prueba se utilizó un análisis de la varianza (ANOVA de 2 vías de medidas repetidas en ambos factores) de medidas repetidas para identificar las diferencias entre medias de las series realizadas. El ajuste post-hoc de Bonferroni se utilizó para las comprobaciones dos a dos (Field. 2013). Los datos fueron tratados mediante SPSS v24.0 (IBM). El nivel de significancia se estableció en p< 0.05. Resultados: Los sujetos analizados presentaban los siguientes datos antropométricos (edad: 67.6 ± 6.59 años; altura: 155.8 ± 7.39 cm; peso: 68.69 ± 10.80 Kg; IMC (índice de masa corporal): 28.44 ± 4.71 kg/m2). En cuanto al coeficiente de variación (CV), para la prueba de apoyo monopodal pie derecho (AM-PD), en la condición control como en la condición experimental hubo cambios significativos entre mediciones y entre condiciones. Y en la prueba apoyo monopodal pie izquierdo (AM-PI), se encontraron cambios significativos únicamente entre condiciones. En la otra prueba de apoyo monopodal T (Apoyo monopodal T pie derecho (AMT-PD), hubo cambios significativos en la condición experimental y entre condiciones. Y en apoyo monopodal T pie izquierdo (AMT-PI), encontramos cambios significativos igual que la prueba AMT-PD. Conclusión: El ejercicio aeróbico tiene un efecto agudo positivo en el equilibrio de las personas mayores de 50 años. El efecto mejora después de una hora de tomar la clase de baile.

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Ivanova, S. V., et L. A. Volodina. « The influence of Czech and Russian humanist educators on the development of children’s literature in France in the first half of the twentieth century ». Literature at School, n^o 4, 2020 (2020) : 43–55. http://dx.doi.org/10.31862/0130-3414-2020-4-43-55.

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The article discusses the development of children’s literature in France, which influenced all European children’s literature, which went along the path of education, training and parenting, in contrast to American children’s literature, which took a course primarily on entertainment. The study presents the reasons for the pedagogical path of children’s French literature, shows the foundations of approaches that are rooted in the humanistic ideas of the Russian writer and educator L.N. Tolstoy, the Czech educator F. Bakule and his follower L. Havranek. Russian artists who emigrated from the Soviet Russia (for various reasons), but who were closely connected with the Russian education, also played a fundamental role in this influence. The influence of the concept of the development of children by means of art, developed by F. Bakule, on the publishing projects of the French educator P. Faucher is analyzed in particular. The scientist, educator, book publisher P. Faucher is shown as the central figure of this successful book-publishing project. His role in this project, as well as his importance as a person who influenced the development of children’s literature, are known. At the same time, little is known about the sources of his pedagogical creativity, his book publishing ideas, and there is no scientific coverage of the role of artists in the implementation of pedagogical ideas in book publishing. The issue is resolved by the example of the publication of a series of children’s books “Albums of Father Beaver”, which had been published for about thirty years (in the 1930s and 1960s), was translated into 20 languages. In 2018, the series was included in the UNESCO Memory of the World Register. The article is to some extent interdisciplinary in nature, the authors needed to turn, first of all, to the pedagogical science, but also to the art criticism and research in the field of book publishing.

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Karim, Anwarul, et Charles Capwell. « The Music of the Bauls of Bengal ». Asian Folklore Studies 46, n^o 1 (1987) : 140. http://dx.doi.org/10.2307/1177905.

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Russo, Giuseppina. « Fabio Viti, Il potere debole. Antropologia politica dell’Aitu nvle (Baule, Costa d’Avorio) ». L'Homme, n^o 157 (1 janvier 2001) : 295–97. http://dx.doi.org/10.4000/lhomme.5791.

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Simonin, Olivier. « Baume-les-Dames (Doubs). Îlot Saint-Vincent ». Archéologie médiévale, n^o 46 (1 décembre 2016) : 170. http://dx.doi.org/10.4000/archeomed.7154.

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Santarcangelo, Vincenzo, et Riccardo Wanke. « The Early Stage of Perception of Contemporary Art Music : A matter of time ». Organised Sound 25, n^o 2 (août 2020) : 130–41. http://dx.doi.org/10.1017/s1355771820000047.

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By way of a multidisciplinary approach, this article advances the idea that our listening to certain practices of contemporary art music (electroacoustic, classical contemporary, and electronic music) relies on precise connections to the early stage of perception. These styles of music are characterised by essential sound configurations that evolve in time, thus eliciting a sensorial impact which transcends features regarding sound sources and affective responses. Listeners grasp what Scruton calls ‘pure events’ in a ‘world of sound’, being able to distinguish, separate and sort acoustic stimuli. The article establishes a key parallel among seminal works of Bregman, McAdams, Kubovy, Bayle and other authors, highlighting a fundamental agreement of perceptual studies in psychology, neurophysiology and musicology for the understanding of the early stage of sound perception. Music practices typical of this perspective develop certain sound configurations, such as figure/ground arrangements, recurrent elements and morphological distinction, that closely mirror our innate mechanisms of prediction in perception. A parallel is made between studies in the philosophy of perception and the neurophysiology which allows us to postulate the idea that these styles of music are essentially based on pure temporal proto-objects.

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Kesselring, Krista. « Representations of Women in Tudor Historiography : John Bale and the Rhetoric of Exemplarity ». Renaissance and Reformation 34, n^o 2 (1 avril 1998) : 41–61. http://dx.doi.org/10.33137/rr.v34i2.10834.

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The writings of Anne Askew and the Princess Elizabeth have received attention as two of a small number of published works by women in the Tudor period. The lengthy additions and glosses of their editor, John Bale, have garnered much less notice. Bale appropriated these writings for the use of protestant polemic, and presented their authors as exemplary historical agents worthy of emulation by men and women alike. By situating these two women in his apocalyptic rewriting of the past, he created for women a place in the new protestant history of the realm. The struggle of the True and the False Churches provided for Bale a fluid situation in which women might be required to assume behaviours typically labeled masculine; he used these writings, and the sanction of historical precedent, to advocate an active, public role for educated women.

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Vanhoutte, Jacqueline A. « Engendering England : The Restructuring of Allegiance in the Writings of Richard Morison and John Bale ». Renaissance and Reformation 32, n^o 1 (1 février 2009) : 49–77. http://dx.doi.org/10.33137/rr.v32i1.11777.

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This paper examines the way in which old systems of allegiance are interrogated, and replaced by an emergent nationalism in two writers closely associated with the Cromwell government: Richard Morison and John Bale. In their attempt to contruct nationhood in sixteenth-century England, both Morison and Bale adapt late medieval ways of imagining community in order to provoke a shift in allegiance and a reunification of the English nation modelled on patriarchal structures.

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Salomon, Carol, et Charles Capwell. « The Music of the Bauls of Bengal ». Journal of the American Oriental Society 109, n^o 2 (avril 1989) : 322. http://dx.doi.org/10.2307/604458.

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Kenshur, Oscar. « Pierre Bayle and the Structures of Doubt ». Eighteenth-Century Studies 21, n^o 3 (1988) : 297. http://dx.doi.org/10.2307/2738686.

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ARINLI, Yağmur. « BİSİKLET, BALE VE HENTBOL SPORCULARINDA ALT EKSTREMİTE KAS FİBRİL TİPİ DAĞILIMLARININ KARŞILAŞTIRILMASI ». Journal of Academic Social Sciences 94, n^o 94 (1 janvier 2019) : 63–70. http://dx.doi.org/10.16992/asos.14896.

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Shan, Wenjuan, et Wei Tang. « Data-Driven Optimal Control for Pulp Washing Process Based on Neural Network ». Mathematical Problems in Engineering 2020 (22 février 2020) : 1–16. http://dx.doi.org/10.1155/2020/9816192.

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Pulp washing process has the features of multivariate, time delay, nonlinearity. Considering the difficulties of modeling and optimal control in pulp washing process, a data-driven operational-pattern optimization method is proposed to model and optimize the pulp washing process in this paper. The most important quality indexes of pulp washing performance are residual soda in the washed pulp and Baume degree of extracted black liquor. Considering the difficulties of modeling, online measurement of these indexes, two-step neural networks, and multivariate logistic regression are used to establish the prediction models of residual soda and Baume degree. The mathematical model of the washing process can be identified, and the indexes can meet the production requirements. In the target of better product quality, low cost, and low energy consumption, a multiobjective problems is solved by ant colony optimization algorithm based on the optimized operational-pattern database. It shows that the theoretical analyses are correct and the practical applications are feasible, optimization control system has been designed for the pulp washing process, and the practical results show that pulp production increased by 20% and water consumption decreased by nearly 30%. This method is effective in the pulp washing process.

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Haile, Demewoz, Abulie Takele, Ketema Gashaw, Habtamu Demelash et Dabere Nigatu. « Predictors of Treatment Failure among Adult Antiretroviral Treatment (ART) Clients in Bale Zone Hospitals, South Eastern Ethiopia ». PLOS ONE 11, n^o 10 (7 octobre 2016) : e0164299. http://dx.doi.org/10.1371/journal.pone.0164299.

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Bergeret, Agnès. « Saint-Maurice-Navacelles (Hérault). Grotte de la Baume Auriol ». Archéologie médiévale, n^o 39 (1 décembre 2009) : 342. http://dx.doi.org/10.4000/archeomed.20942.

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Thernot, Robert. « Saint-Maximin-la-Sainte-Baume (Var). 41, rue Colbert ». Archéologie médiévale, n^o 45 (1 décembre 2015) : 190–91. http://dx.doi.org/10.4000/archeomed.7637.

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Hochman, L. « The Other as Oneself : Mendelssohn, Diogenes, Bayle, and Spinoza ». Eighteenth-Century Life 28, n^o 2 (1 avril 2004) : 41–60. http://dx.doi.org/10.1215/00982601-28-2-41.

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Adnyana, I. Nyoman Putra, et I. Kadek Sumadiyasa. « ORNAMEN PURA PENATARAN BUJANGGA SANGGING PRABANGKARA BANJAR KEBON KECAMATAN BLAHBATUH GIANYAR PERSPEKTIF PENDIDIKAN SENI RUPA KEAGAMAAN HINDU ». WIDYANATYA 1, n^o 2 (31 octobre 2019) : 77–91. http://dx.doi.org/10.32795/widyanatya.v1i2.499.

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Ornaments of Penataran Bujangga Sangging Prabangkara Temple Kebon Village Blahbatuh Gianyar, is one of the forms of Hindu religious fine art education which is very unique in its visual working process hereditary done incompletely as a means of religious belief, in its development become a phenomenon in its field. So it is interested to be examined under the title "Ornaments of Penataran Bujangga Sangging Prabangkara Temple Kebon Village, Blahbatuh District, Gianyar Perspective of Hindu Religious Fine Arts Education". With the formulation of the problems 1). Why Ornaments of Penataran Bujangga Sangging Prabangkara Temple are done incompletely/unfinished. 2). What is the shape of the ornaments of Penataran Bujangga Sangging Prabangkara Temple 3). What are the values of Hindu Religious Fine Arts Education contained in the ornaments of Penataran Bujangga Sangging Prabangkara Temple. In the discussion, it was found that why Ornaments in Bujangga Sangging Prabanggkara Temple were done in incomplete/unfinished because of the Trust Systems to the ancestors, as a hereditary tradition. Unique Specific Ornament Forms, Imperfect Forms on; Gelung Kori Ornaments, Bale Kukul Ornaments, Masceti Pelinggih Ornaments, Monument Ornaments, 2 Pengadangan Monument Ornaments. Elements of fine art found in the ornamentation of Penataran Bujangga Sannging Prabangkara Temple; Curved Lines, Flat Lines, Slanted Lines, Straight Lines, Balance and Contrast. The values of fine art education and Hindu religious ornaments; Ethic education: Sangging attitude, aesthetic: Unity, Balance, Contrast, Accents. Social: community social, cooperation. Religious: forms of religious objects.

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Paganini, Gianni. « Towards a "Critical" ; Bayle : Three Recent Studies ». Eighteenth-Century Studies 37, n^o 3 (2004) : 510–20. http://dx.doi.org/10.1353/ecs.2004.0027.

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Rijati, Sri, Tania Intan, Vincentia Tri H et Ferli Hasanah. « Pendampingan Kunjungan Budaya Wisatawan Prancis Di Kampung Seni Dan Budaya Jelekong Bale Endah Kabupaten Bandung ». JATI EMAS (Jurnal Aplikasi Teknik dan Pengabdian Masyarakat) 2, n^o 1 (27 mars 2018) : 44. http://dx.doi.org/10.36339/je.v2i1.109.

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This independent community service activity is entitled the assistance of french travelers visits culture in theVillage of Arts and Culture Jelekong Bale Endah - Bandung. The head of the PPM and members of PPM were acted asFrench interpreter at various activities in the village of GiriHarja or better known as Village of Jelekong. The mainobjective of this activity is to introduce of Arts and culture village of Jelekong as potential tourism assets to Frenchtourists. With this activity, Jelekong is expected as a center of art and culture which can not only preserve Sundaneseculture but can also be more widely known and be able to develop a variety of artistic and cultural potential that alreadyexists. The activities that have been done are Sundanese culinary cooking demonstrations, painting workshop, Jaipongworkshop, and martial arts workshop. These activities are considered successful because of Jelekong people and Frenchtourist’s participation were high enough in series of activities

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Digelmann, Patrick. « Saint-Maximin-la-Sainte-Baume (Var). Le jardin de l’Enclos ». Archéologie médiévale, n^o 45 (1 décembre 2015) : 223. http://dx.doi.org/10.4000/archeomed.7978.

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Gros, Jean-Michel. « Pierre Bayle, nouvelliste de la République des Lettres (1684–1687) ». University of Toronto Quarterly 89, n^o 4 (avril 2021) : 675–92. http://dx.doi.org/10.3138/utq.89.4.04.

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Hofmann, Armin. « Thoughts on the Study and Making of Visual Signs, Basle School of Design/Yale School of Art, 1947 to 1985 ». Design Quarterly, n^o 130 (1985) : 1. http://dx.doi.org/10.2307/4091152.

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Morey, James H. « The Death of King John in Shakespeare and Bale ». Shakespeare Quarterly 45, n^o 3 (1994) : 327. http://dx.doi.org/10.2307/2871234.

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Pradnya Sutara, I. Made, I. Ketut Suwena et I. Wayan Suardana. « PERENCANAAN PAKET WISATA BUDAYA DI DESA KESIMAN KECAMATAN DENPASAR TIMUR ». Jurnal IPTA 4, n^o 1 (1 juillet 2016) : 66. http://dx.doi.org/10.24843/ipta.2016.v04.i01.p12.

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Bali have one city, it is Denpasar City, within tourism potencies that can be build to be package tours. Kesiman Traditional Village is one of many villages in Denpasar City that has many tourism potency, the potency is cultural tourism potencies that can be found, such as : art attraction, historical place, traditional fashion and food, villager activities based on culture, hospitality of the villagers. Those cultural Potencies which found in Kesiman Traditional Village can be pack to be cultural package tours. Regard to planning cultural package tour, the formulation of issues are : (1) What is the potencies that can be found in Kesiman Traditional Village, East Denpasar? (2) How the planning cultural package in Kesiman Traditional Village? The technique to collecting data did through observation, interviews, documentation, and books literature. The result of the research is known that Kesiman Traditional Village has cultural tourism potencies and those potencies can be package into cultural package tour, those are : Barong and Keris Dance, Wadah Maker, Pengrebongan Temple, Kesiman Castle, Odah Turut Balinese House, Balinese Dance and Music Lesson in Bale Banjar Ceramcam Kesiman, Made Sudyatmika Paint Lesson, Ananda Balinese Boutique, Kertalangu Tourist Village with jogging track surrounded by rice field, fishing pond, and World Peace Gong, and Kroya Kites House. Those potencies then package into planning cultural package tour in the form of tables, essay, and graphic. Those are package into cultural package tour, those are : (1) History and Spirit of Kesiman Cultural Tour, (2) Beautiful Art of Kesiman Cultural Tour, (3) Art and Local Activities of Kesiman Cultural Tour.

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