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Thèses sur le sujet « Art, European – 18th century »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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1

Schneider, Leann G. "Capturing Otherness on Canvas: 16th - 18th century European Representation of Amerindians and Africans." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437430892.

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2

Abel, Jonathan 1985. "Jacques-Antoine-Hippolyte, Comte De Guibert: Father of the Grande Armée." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700071/.

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Jacques-Antoine-Hippolyte, comte de Guibert (1743-1790) dedicated his life and career to creating a new doctrine for the French army. Little about this doctrine was revolutionary. Indeed, Guibert openly decried the anarchy of popular participation in government and looked askance at the early days of the Revolution. Rather, Guibert’s doctrine marked the culmination of an evolutionary process that commenced decades before his time and reached fruition in the Réglement of 1791, which remained in force until the 1830s. Not content with military reform, Guibert demanded a political and social

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3

Weiss, Victoria A. "Food and the Master-Servant Relationship in Eighteenth and Nineteenth-Century Britain." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984138/.

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This thesis serves to highlight the significance of food and diet in the servant problem narrative of eighteenth and nineteenth-century Britain and the role of food in master-servant relationships as a source of conflict. The study also shows how attitudes towards servant labor, wages, and perquisites resulted in food-related theft. Employers customarily provided regular meals, food, drink, or board wages and tea money to their domestic servants in addition to an annual salary, yet food and meals often resulted in contention as evidenced by contemporary criticism and increased calls for legi

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4

Gilbert, Bennett. "Some Neglected Aspects of the Rococo: Berkeley, Vico, and Rococo Style." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1872.

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The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically unified, but nevertheless its tremendous productivity and appeal throughout Occidental culture has proven difficult to explain. Having no contemporary theoretical literature, the Rococo is commonly taken to have been a final and degenerate form of the Baroque era or an extravagance arising from the supposed careless frivolity of the elites, including the intellectuals of the Enlightenment. Neither approach adequately accounts for Rococo style. Naming the Rococo raises profound issues for understa

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5

Jarrett, Nathaniel W. "Collective Security and Coalition: British Grand Strategy, 1783-1797." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984129/.

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On 1 February 1793, the National Convention of Revolutionary France declared war on Great Britain and the Netherlands, expanding the list of France's enemies in the War of the First Coalition. Although British Prime Minister William Pitt the Younger had predicted fifteen years of peace one year earlier, the French declaration of war initiated nearly a quarter century of war between Britain and France with only a brief respite during the Peace of Amiens. Britain entered the war amid both a nadir in British diplomacy and internal political divisions over the direction of British foreign policy

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6

Baker, Daniel Alexander. "Technologies of encounter : exhibition-making and the 18th century South Pacific." Thesis, University of the Arts London, 2018. http://ualresearchonline.arts.ac.uk/13703/.

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Between 1768 and 1780 Captain James Cook led three epic voyages from Britain into the Pacific Ocean, where he and his fellow explorers- artists, naturalists, philosophers and sailors, were to encounter societies and cultures of extraordinary diversity. These 18th Century South Pacific encounters were rich with performance, trade and exchange; but they would lead to the dramatic and violent transformation of the region through colonisation, settlement, exploitation and disease. Since those initial encounters, museums in Britain have become home to the images and artefacts produced and collected

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Teruzzi, Marta. "Byzantium and Florentia. Byzantine art in Florence from the 13th to the 18th century." Thesis, IMT Alti Studi Lucca, 2017. http://e-theses.imtlucca.it/231/1/Teruzzi_phdthesis.pdf.

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The research is placed within the complex matter of the individuation and the comprehension of the movable Byzantine heritage in Italy, and focuses on Tuscany and specifically on Florence as a case study. The main aim of the research is to analyse the movable Byzantine heritage existing today in Florence, also in its historical aspects. Modern heritage is understood as the result of a long process of cultural choices and of dominant interpretations given throughout the centuries, and the research wants to address a double matter: on one side, the principal purpose is to define the extent of

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8

Tsang, Wing-yi. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B40040355.

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9

Tsang, Wing-yi, and 曾穎怡. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B40040355.

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10

Turner, Grace S. "An Allegory for Life: An 18th century African-influenced cemetery landscape, Nassau, Bahamas." W&M ScholarWorks, 2013. https://scholarworks.wm.edu/etd/1539623360.

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I use W.E.B. Du Bois' reference to the worlds 'within and without the veil' as the narrative setting for presenting the case of an African-Bahamian urban cemetery in use from the early eighteenth century to the early twentieth century. I argue that people of African descent lived what Du Bois termed a 'double consciousness.' Thus, the ways in which they shaped and changed this cemetery landscape reflect the complexities of their lives. Since the material expressions of this cemetery landscape represent the cultural perspectives of the affiliated communities so changes in its maintenance consti

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11

Hennings, Jan. "Russian diplomatic ceremonial and European court cultures 1648-1725." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609625.

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12

Giust, Anna. "Towards Russian Opera: Growing National Consciousness in 18th - Century Operatic Repertoire." Doctoral thesis, Università degli studi di Padova, 2012. http://hdl.handle.net/11577/3422536.

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The nationalistic music critics of the 19th century (V. V. Stasov, among others), searching in the past for the legitimacy of the emerging national school of The Five, built in music the 'myth' of Mikhail I. Glinka, the founder of the two major branches through which the Russian Opera was to produce its best successes: the historical epic set up with the opera A Life for the Tsar (1836) and the magical fairy-tale opera inaugurated with Ruslan and Lyudmila (1842). This myth was fueled by Soviet historiography in the 20th century, and survives today, at a time when, at least on an informative, t

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Wong, Mei-kin Maggie, and 黃美堅. "Collecting and picturing the orient: China's impact on nineteenth-century European Art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2954452X.

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14

Dworsky, Joel Garrett. "Ghosts on the Coast of Paradise: Identifying and Interpreting the Ephemeral Remains of Bermuda's 18th Century Shipyards." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626650.

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15

Gerhold, Emily. "American Beauties: The Cult of the Bosom in Early Republican Art and Society." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/353.

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This interdisciplinary project offers new research to introduce the American cult of the bosom, which emerged in the years following the Revolutionary War and helped shape the discourse around women’s roles in the early republic. The cult of the bosom sought to shift the way in which the female body, and especially the bosom, was regarded and represented by identifying it as the locus of a number of positive qualities associated with women, including virtue, modesty, beauty, and grace. This shift constituted, in the minds of citizens, a significant way in which American culture honored and cel

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16

Mannering, Hildegard Kirsten. "European stylistic influence on early twentieth century South African painters." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002207.

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South African artists, d i ssatisfied with the staid environment in local circles, felt the need to travel abroad for fresh stimulation. This need allowed for a historical investigation into the results, beneficial or otherwise, of the influence of European modernism on early twentieth century South African painters. Because of the numerous practising artists in South Africa at the time, it was found necessary to give cohesion to the artists discussed and, therefore the most pertinent were grouped into artistic movements. Thus, H.Naude, R . G. Goodman and H.S. Caldecott are discussed in conjun

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17

Torres, Anita Jacinta. "The Flora and Fauna in Eighteenth-Century Colonial Mexican Casta Paintings." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5210/.

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The primary objective of this thesis is to identify patterns of appearance among the flora and fauna of selected eighteenth-century New Spanish casta paintings. The objectives of the thesis are to determine what types of flora and fauna are present within selected casta paintings, whether the flora and fauna's provenance is Spanish or Mexican and whether there are any potential associations of particular flora and fauna with the races being depicted in the same composition. I focus my flora and fauna research on three sets of casta paintings produced between 1750 and 1800: Miguel Cabrera's 17

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18

Fisher, Karen B. "Community in Gloucestertown, Virginia: The Context and Archaeology of Town Development in 17th and 18th Century Virginia." W&M ScholarWorks, 1986. https://scholarworks.wm.edu/etd/1539625335.

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19

Carter, Trevor Ryan. "The Beasley Wharf Complex: A Study of Frontier Interaction in the Lower Great Lakes in the Late 18th Century." W&M ScholarWorks, 1999. https://scholarworks.wm.edu/etd/1539626205.

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20

Vogt, Christy Cathleen. "A Toast to the Tavern: an Archaeological Study of a 17th and 18th Century Tavern in Charlestown, Massachusetts." W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539625863.

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21

LaBarge, Maria S. "Francois Valentijn's Oud En Nieuw Oost Indien and the Dutch Frontispiece in the 17th and 18th Centuries." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_theses/120.

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In this thesis I analyze the Dutch frontispiece to Francois Valentijn?s 1726 book Oud en Nieuw Oost Indien and demonstrate that it is a significant artistic statement, original in its rich and imaginative iconography and emblematic program. I describe and explain the image and its iconographic program and emblematic structure. I compare the frontispiece to many other Dutch frontispieces and artworks that likewise feature the four continent allegories and other iconographic elements. I demonstrate the ways in which the frontispiece superbly and comprehensively summarizes and visualizes the t

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Rojas, Ricardo. "“18th Century Gardening Tradition, and the Possibility of Pure Aesthetic Judgments on Artistic Objects”." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/119392.

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At the third section of the “Analytic of the Beautiful” of the Critique of Judgement, Kant establishes the difference between pure judgements of taste and judgements of adherent beauty. The Author contends that the definitions presented there are problematic when one attempts to reconcile them with judgements of artistic beauty. In principle, every work of art supposes certain concepts and contents that determine it as an artistic object, so it would not be possible to formulate pure judgements of taste in their regard. In order to overcome these difficulties, it becomes necessary to articulat

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23

Strickrodt, Silke. "Afro-European trade relations on the western slave coast, 16th to 19th centuries." Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/2616.

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This thesis deals with the Afro-European trade on the Western Slave Coast from about 1600 to the 1880s, mainly the slave trade but also the trade in ivory and agricultural produce. The Western Slave Coast comprises the coastal areas of modem Togo and parts of the coastal areas of Ghana and Benin. For much of the period under discussion, this region was dominated by two kingdoms, the kingdom of the Hula (or Pla), known to European traders as Great or Grand Popo, after its coastal port (in modern Benin), and the kingdom of the Ge (Gen/Guin/Genyi), known to European traders as Little Popo, after

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McHale, Katherine Jean. "Ingenious Italians : immigrant artists in eighteenth-century Britain." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13854.

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Italian artists working in eighteenth-century Britain played a significant role in the country's developing interest in the fine arts. The contributions of artists arriving before mid-century, including Pellegrini, Ricci, and Canaletto, have been noted, but the presence of a larger number of Italians from mid-century is seldom acknowledged. Increasing British wealth and attention to the arts meant more customers for immigrant Italian artists. Bringing with them the skills for which they were renowned throughout Europe, their talents were valued in Britain. Many stayed for prolonged periods, ra

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25

Fitzpatrick, Devin Marie. "The interrelation of art and space an investigation of late nineteenth and early twentieth century European painting and interior space /." Online access for everyone, 2004. http://www.dissertations.wsu.edu/Thesis/Spring2004/d%5Ffitzpatrick%5F043004.pdf.

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Zhu, Ying. "Evidence of existing knowledge of China and its influence on European art and architecture in the sixteenth and seventeenth centuries." Diss., Georgia Institute of Technology, 2009. http://hdl.handle.net/1853/37096.

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This dissertation investigates the extent of knowledge of China in Europe and, more particularly, Chinese influence on European art and architecture in the sixteenth and seventeenth centuries. It attempts to answer the following questions: 1. What visual and literature resources on China and Chinese art in Europe were available in the sixteenth and seventeenth centuries? 2. To which extent was there any understanding of Chinese art and architecture in Europe in the sixteenth and seventeenth centuries? 3. To which extent might this understanding have affected European a

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Gaughan, Evan M. "NATURALISTS, CONNOISSUERS AND CLASSICISTS: COLLECTING AND PATRONAGE AS FEMALE PRACTICE IN BRITAIN, 1715-1825." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2228.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 28, 2010). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jason M. Kelly, Melissa Bingmann, Eric L. Lindseth. Includes vitae. Includes bibliographical references (leaves 79-91).

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28

Bertram, Aldous Colin Ricardo. "Chinese influence on English garden design and architecture between 1700 and 1860." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610795.

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Nelson, Charmaine Andrea. "Narrating blackness : studies in femininity, sexuality and race in European and American art of the nineteenth-century." Thesis, University of Manchester, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540694.

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This dissertation is an exploration of the representation of black female subjects within American and European art of the nineteenth century. The popularity of Cleopatra among artists and specifically her nineteenth-century re-incarnation as a black woman, has been used as a starting point for an examination of abolitionist visual discourse and for the examination of the (im)possibility of the black female subject within western visual culture generally. The period of study includes a time of great change and upheaval in the social, symbolic and legal status of the black body, marking the shi

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Sandoval, Elizabeth Marie. "A Material Sign of Self: The Book as Metaphor and Representation in Fifteenth-Century Northern European Art." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1531875789992912.

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31

Maxson, Brian Jeffrey, and Stefano U. Baldassarri. "Giannozzo Manetti's Oratio in Funere Iannotii Pandolfini: Art, Humanism and Politics in Fifteenth-Century Florence." Digital Commons @ East Tennessee State University, 2016. https://doi.org/10.1400/249098.

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Ignatidou, Artemis. "Four short (hi)stories of a 19th century Greek-European musical interaction, and the cultural outcomes thereof." Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/16094.

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The thesis investigates the impact of western art music ('classical') upon the construction of Greek-European identity in the 19th century. Through the examination of institutions such as the Theatre of Athens that hosted the Italian opera for the better part of the 19th century, the Conservatory of Athens (1873), the Conservatory of Thessaloniki (1914), various 19th century literary societies, press content, scores, publications on music, and state regulations on education, the thesis utilizes both musical, as well as extra-musical material to construct a cultural and social history of Greece

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Pereira, André Luiz Tavares 1972. "A constituição do programa iconografico das irmandades de clerigos seculares no Brasil e em Portugal no seculo XVIII : estudos de caso." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280540.

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Orientador: Luciano Migliaccio<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-06T14:32:40Z (GMT). No. of bitstreams: 1 Pereira_AndreLuizTavares_D.pdf: 16783528 bytes, checksum: 4a2b9bca695a2de3258393c69e2d0701 (MD5) Previous issue date: 2006<br>Resumo: A presente tese analisa o papel das irmandades de clérigos seculares, na América portuguesa e em Portugal, como encomendadoras de obras artísticas ao longo do século XVIII. Procura-se demonstrar de que maneira organiza-se seu programa iconográfico até 17

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34

Grant, Sarah. "Representations of the princesse de Lamballe (1749-1792) : the portraiture, patronage and politics of a royal favourite at the court of Marie-Antoinette." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1797d7c6-5c22-44a9-8ab3-adfcddfd43fc.

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This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-Carignan, the princesse de Lamballe (1749-1792). It is the first comprehensive and detailed study to be undertaken of the princess's activities as patron. Lamballe was Marie-Antoinette's longest-serving confidante and Superintendent of the Queen's Household. Through close formal analysis of the portraits combined with careful consideration of the sitter's personal circumstances and the wider cultural and historical context, the thesis challenges scholarly assumptions that the princess had only negligible inf

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Loir, Christophe. "Les transformations artistiques en Belgique entre 1773 et 1835: institutions, hommes et oeuvres." Doctoral thesis, Universite Libre de Bruxelles, 2001. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211521.

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Silva, Maria do Carmo Couto da. "Rodolfo Bernardelli, escultor moderno = análise da produção artítica e de sua atuação entre a Monarquia e a República." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280542.

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Orientador: Luciano Migliaccio<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-17T13:16:17Z (GMT). No. of bitstreams: 1 Silva_MariadoCarmoCoutoda_D.pdf: 88905634 bytes, checksum: 83b1638fc2dd25fabb53042dce9158cb (MD5) Previous issue date: 2011<br>Resumo: Nossa tese de doutorado tem por objetivo contribuir para 0 conhecimento acerca da historia da arte brasileira do final do século XIX e começo do XX, por meio da analise de obras e dos momentos que marcaram a trajetória do escultor Rodolfo Bernardelli (1

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Ma, Li. "Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30062.

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Le dix-huitième siècle ouvre une nouvelle ère dans l’histoire des échanges culturels franco-chinois. La Chine apparaît non seulement comme un pays mystérieux, qui inspire les auteurs de fiction, mais encore, aux yeux des philosophes, comme une nation qui mérite d’être étudiée. Cette étude porte sur un domaine jusqu’à présent peu exploré dans les travaux sur les échanges culturels entre la France et la Chine, à savoir la presse. Notre enquête se propose d’étudier les représentations de l’art de gouverner chinois dans les périodiques de langue française dans la seconde moitié du XVIIIe siècle et

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Kennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.

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Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressioni

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Maxson, Brian. "Review of The Young Leonardo: Art and Life in Fifteenth-Century Florence by Larry J. Feinberg." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/6208.

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Holford, Stephen Charles John. "Cocteau in London: the Lady Chapel, Notre-Dame de France." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12327.

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The murals created by Jean Cocteau, for the walls of the Lady Chapel in London’s Notre-Dame de France (1959-60), are the only works of their kind outside of France. The visual art of Cocteau – better known for his poetic and filmic achievements – has suffered long-standing scholarly neglect. This dissertation seeks to redress this gap and to further our understanding of this renowned twentieth-century French multi-media artist. This study of Cocteau’s London murals demonstrates that they are informed by earlier artistic tradition, with which he was deeply engaged, as well as his own poetic and

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Kong, Elodie. "Les financiers et l'art en France dans la seconde moitié du XVIIIème siècle." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30015.

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Notre étude vise à interroger le goût artistique des financiers du xviiie siècle, à travers l'analyse de leurs comportements face aux différents acteurs du monde de l'art. qu'ils soient financiers collectionneurs, financiers amateurs, financiers artistes, ou encore financiers mécènes, ces manieurs d'argent, parfois jalousés, parfois adulés pour leur fortune, évoluent dans une sphère complexe, où rivalité et excentricité mondaine se mêlent aux codes de bienséance et de magnificence de la société nobiliaire. sévèrement critiqués au xviiie siècle, les financiers du siècle des lumières sont pleine

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Levin, Suzanne Michelle. "Shades of Cato and Brutus: Classical References in the Révolutions de Paris and the Rise of Republicanism, June-October 1791." Oberlin College Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1338322217.

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Hagglund, Sarah. "The Myth of Bologna? Women's Cultural Production during the Seventeenth Century." Kent State University Honors College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1620502410389001.

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LOCATELLI, STEFANO. "Edizioni teatrali nella Milano del Settecento. Per un dizionario bio-bibliografico dei librai e degli stampatori milanesi e annali tipografici dei testi drammatici pubblicati a Milano nel XVIII secolo." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/191.

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La tesi di dottorato si concentra sull'editoria teatrale milanese del Settecento. Tenuto conto della mancanza di un catalogo delle edizioni teatrali stampate a Milano nel Settecento, il dott. Locatelli ha provveduto ad effettuare uno spoglio complessivo del patrimonio librario delle principali biblioteche milanesi al fine di realizzare uno strumento di ricerca basilare. La mancanza altresì di un lavoro di insieme sugli stampatori e librai milanesi del XVIII secolo ha reso inoltre indispensabile l'effettuazione di ricerche mirate alla realizzazione di un dizionario bio-bibliografico degli stam

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LOCATELLI, STEFANO. "Edizioni teatrali nella Milano del Settecento. Per un dizionario bio-bibliografico dei librai e degli stampatori milanesi e annali tipografici dei testi drammatici pubblicati a Milano nel XVIII secolo." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/191.

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La tesi di dottorato si concentra sull'editoria teatrale milanese del Settecento. Tenuto conto della mancanza di un catalogo delle edizioni teatrali stampate a Milano nel Settecento, il dott. Locatelli ha provveduto ad effettuare uno spoglio complessivo del patrimonio librario delle principali biblioteche milanesi al fine di realizzare uno strumento di ricerca basilare. La mancanza altresì di un lavoro di insieme sugli stampatori e librai milanesi del XVIII secolo ha reso inoltre indispensabile l'effettuazione di ricerche mirate alla realizzazione di un dizionario bio-bibliografico degli stam

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Flynn, Jeremy Paul. "A consideration of the nature, methods and practices of fifteenth-century European warfare with particular reference to the Wars of the Roses." Thesis, University of Wales Trinity Saint David, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683280.

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Hilton, Austin W. B. "King Fred: How the British King Who Never Was Shaped the Modern Monarchy." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3064.

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This thesis examines the British monarchy in the eighteenth century and how the philosophy of Frederick, Prince of Wales, helped to shape that monarchy. The early Hanoverians were seen with contempt by many of their subjects, often being ridiculed as ignorant outsiders. They helped matters none by their indifference to Britain, its people, or its culture. Prince Frederick, George II’s eldest son, however, changed all of this. His philosophy on kingship, influenced by Henry, Viscount Bolingbroke’s work, The Patriot King, helped to change the perception of the Hanoverian dynasty. When Prince Fre

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Nicholls, Angus 1972. "The mantic art : an examination of the notion of the daemonic in the writings of Plato, Goethe and Goethe's contemporaries." Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9148.

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Whitehead, Eileen. "A Leap In The Dark: Identity, Culture And The Trauma Of War Mediated Thorough The Visual Arts Of North-East European Migrants And Émigrés To Australia After 1945." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1438.

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This thesis explores the contribution to the cultural life of post-war Australia by migrant artists from north-eastern Europe. It researches the lives and work not only of displaced artists arriving in the mass exodus from Europe after the Second World War, but also second and third generation artists descended from original migrant families, and much later émigré artists. Art histories written to date about the post-war period provide little coverage of the contributionto the art and culture of Australia by migrant artists from north-eastern Europe. The coverage in the literature written abou

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Godard, Desmarest Clarisse. "Expression artistique et conscience patrimoniale d’après les textes de l’Écosse des Lumières." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040138.

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Cette thèse étudie le rapport des élites du monde politique, économique et intellectuel à leur patrimoine en Ecosse. A la fin du XVIIe siècle, après la Restauration de 1660, la situation économique de l’Ecosse est encore morose et le contexte politique incertain. Pourtant un renouveau intellectuel s’exprime ouvrant la voie aux Lumières écossaises du XVIIIe siècle. Il transforme les Arts, domaine où les aristocrates vont jouer un rôle décisif. Non seulement ces derniers sont ouverts aux idées nouvelles du continent dont ils ont pu apprécier les richesses grâce au Grand Tour et aux échanges comm

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