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Littérature scientifique sur le sujet « Art – Italy – Florence »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Art – Italy – Florence"

Kim, Grace. "Cigarettes, Saliva, Art: Laboratory Expertise in Florence, Italy." Journal of Modern Craft 11, no. 1 (2018): 55–66. http://dx.doi.org/10.1080/17496772.2018.1440811.

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Burlakova, I. I. "Dostoevsky’s Italy." Язык и текст 6, no. 2 (2019): 10–16. http://dx.doi.org/10.17759/langt.2019060202.

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The theme “Dostoevsky and Italy” is extensive and diverse due to the fact that a number of researchers constantly turn to it, opening new pages in the life of the great writer. It includes the following areas of research: Dostoevsky's journey through Italy, the images of Italy in the pages of Dostoevsky's works, the reception of the writer's creativity in journalism, cinema and art, the problems of translating Dostoevsky's works into Italian. A special appeal to this topic shows that these four areas of research are connected in the works of Dostoevsky with such Italian cities as Rome, Florenc

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Musatova, Tatyana. "Nicholas I in Florence (1845). The Artistic Aspect of the Visit." Stephanos Peer reviewed multilanguage scientific journal 53, no. 3 (2022): 64–86. http://dx.doi.org/10.24249/2309-9917-2022-53-3-64-86.

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The article analyzes the previously insufficiently researched art program of Nicholas I in Florence. That is – the study of the museum fund of Italian and European paintings, orders of art copies within the framework of the general state policy of copying similar to the policy of France and Italy, replenishment of the museum fund of St. Petersburg and Russia. Based on documents kept in domestic and foreign archives, modern literature of art historians in Russia and Italy, the author draws attention to the “pitfalls” of the classical art market in Italy, which the Russian monarch faced. His art

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Mieli, Anna, and Margaret D’Ambrosio. "IRIS: Consortium of Art History and Humanities Libraries in Florence." Art Libraries Journal 30, no. 4 (2005): 26–31. http://dx.doi.org/10.1017/s0307472200014218.

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Florence in Italy, a renowned centre for art and culture, has been called a ‘living museum’ of the Italian Renaissance. Today it is also the site of a co-operative international project bringing the world’s scholarly community access to the bibliographic patrimonies of a group of special art and humanities libraries. The IRIS consortium is a unique resource for art historians, but it is also of value and use for anyone interested in the many aspects of this rich artistic period.

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Etro, Federico. "The Economics of Renaissance Art." Journal of Economic History 78, no. 2 (2018): 500–538. http://dx.doi.org/10.1017/s0022050718000244.

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I analyzed the market of paintings in Florence and Italy (1285–1550). Hedonic regressions on real prices allowed me to advance evidence that the market was competitive and that an important determinant of artistic innovation was driven by economic incentives. Price differentials reflected quality differentials between painters as perceived at the time (whose proxy is the length of the biography of Vasari) and did not depend on regional destinations, as expected under monopolistic competition with free entry. An inverse-U relation between prices and age of execution is consistent with reputatio

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Alexander, David. "Newspaper Reporting of the May 1993 Florence Bomb." International Journal of Mass Emergencies & Disasters 13, no. 1 (1995): 45–65. http://dx.doi.org/10.1177/028072709501300104.

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On 27 May 1993 a powerful bomb exploded in the center of Florence, Italy, killing five people and doing severe damage to art and architectural treasures, including the Uffizi Gallery and Accademia dei Georgofili. It was the first disaster since the floods of 1966 simultaneously to cause victims and damage the city's cultural heritage. In this study local and international newspaper coverage of the bomb outrage is analyzed and compared with reporting on the 1966 floods. Once again, questions of artistic damage and the safety of tourists occupied the foreign papers while human interest stories d

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Carrasco, Isabel. "Aroldo Marinai´s Frogmen project." Street Art & Urban Creativity 6, no. 1 (2020): 96–107. https://doi.org/10.25765/sauc.v6i1.334.

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Aroldo Marinai´s (Florence, Italy, 1941) first – and, in relative terms, quite late - experience of the art world came through a street art project. Inspired by a recent work stay in New York, at the end of 1979 he decided to enact a creative intervention in his own city through a stencil image of a scuba diver. This act was subsequently followed by a gallery exhibition and the production of a book, entitled Frogmen: Un segno sui muri come per caso (1980), in which he collated all available documents related to the piece: a diary, photographs, newspaper clippings and a police report. As early

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Hoysted, Elaine. "The art of death and childbirth in Renaissance Italy." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2011 (January 1, 2011): 93–98. http://dx.doi.org/10.33178/boolean.2011.21.

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Pregnancy was a dangerous event in the life of a fifteenth-century Florentine patrician woman. One-fifth of all deaths among females that occurred in Florence during this period were in fact related to complications in childbirth or ensuing post-partum infections. In the years 1424-25 and 1430, the Books of the Dead recorded the deaths of fifty-two women as a result of labour. As conditions for pregnant women did not improve in the ensuing half a century, childbirth remained a dangerous event for women to endure. Husbands took many precautions to ensure a successful birth as can be seen in the

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Arrighi, C., M. Brugioni, F. Castelli, S. Franceschini, and B. Mazzanti. "Flood risk assessment in art cities: the exemplary case of Florence (Italy)." Journal of Flood Risk Management 11 (January 19, 2016): S616—S631. http://dx.doi.org/10.1111/jfr3.12226.

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Bravo, Luisa. "The urban lounge and a green view. A temporary art installation in Bologna during the Art City White Night." Journal of Public Space, Vol. 3 n. 2 | 2018 | FULL ISSUE (August 31, 2018): 173–78. http://dx.doi.org/10.32891/jps.v3i2.1115.

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‘The urban lounge and a green view’ was a temporary art installation promoted by City Space Architecture in collaboration with bAQ, Bottega Azioni Quotidiane, a young group of Architecture students from the University of Florence. It was part of the ‘Arte Fiera. International Fair of Modern and Contemporary Art’ in Bologna, Italy, and took place during the ‘Art City White Night’ on January 25, 2014. It was intended to transform two parking spots in the core of the historic city of Bologna into places of social interaction. It was inspired by the worldwide famous Park(ing) Day, started in 2005

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Thèses sur le sujet "Art – Italy – Florence"

Mariani, Irene. "Vespucci family in context : art patrons in late fifteenth-century Florence." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15740.

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The study of Florentine artistic patronage has attracted several approaches over the last three decades, including the exploration of patron-‐client structures and how the use of art in private and public spheres contributed to shape families’s identity. Building on past research, this work focuses on the art patronage of a prominent, yet overlooked, family, the Vespucci, to whom Amerigo, the navigator who reached the coasts of America in the late fifteenth century, belonged. Although the family’s importance was achieved through a synergy of political, religious and intellectual forces, atten

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Gatti, Luca. "The art of freedom : meaning, civic identity and devotion in Early Renaissance Florence." Thesis, Birkbeck (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283367.

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Nuttall, Paula. "Early Netherlandish painting in Florence : acquisition, ownership and influence c.1435-1500." Thesis, University of London, 1989. http://books.google.com/books?id=AurVAAAAMAAJ.

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Frangenberg, Thomas. "Der Betrachter Studien zur florentinischen Kunstliteratur des 16. Jahrhunderts /." Berlin : Gebr. Mann, 1990. http://catalog.hathitrust.org/api/volumes/oclc/23070909.html.

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Allan, Judith Rachel. "Simonetta Cattaneo Vespucci : beauty, politics, literature and art in early Renaissance Florence." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5616/.

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My thesis offers the first full exploration of the literature and art associated with the Genoese noblewoman Simonetta Cattaneo Vespucci (1453-1476). Simonetta has gone down in legend as a model of Sandro Botticelli, and most scholarly discussions of her significance are principally concerned with either proving or disproving this theory. My point of departure, rather, is the series of vernacular poems that were written about Simonetta just before and shortly after her early death. I use them to tell a new story, that of the transformation of the historical manna Simonetta into a cultural icon

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Bailie, Lindsey Leigh. "Staging Privacy: Art and Architecture of the Palazzo Medici." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11049.

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xii, 112 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>The Palazzo Medici was a site of significant social and political representation for the Medici. Access to much of the interior was limited, ostensibly, to the family. In republican Florence, however, visitors were a crucial component in the maintenance of a political faction. Consequently, the "private" spaces of the Palazzo Medici were designed and decorated with guests in mind. Visitor accounts reveal that the path and destina

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Simons, Patricia. "Portraiture and patronage in quattrocento Florence with special reference to the Tornaquinci and their chapel in S. Maria Novella /." Connect to thesis, 1985. http://eprints.unimelb.edu.au/archive/00000836.

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Emery, Beth A. "Lorenzo Monaco's Man of sorrows." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33283.

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This thesis examines Lorenzo Monaco's altarpiece the Man of Sorrows with the Virgin, St. John the Evangelist, with the Emblems and Episodes of the Passion, (c. 1404) under historical, religious, political, and liturgical rubrics. While comparing various depictions of the Man of Sorrows, this project places Lorenzo Monaco's unique interpretation within the context of events surrounding the painting's conception and realization. With particular attention to Lorenzo's distinctive composition, techniques and juxtaposition of imagery, this study shows that his Man of Sorrows in fact conveys a compl

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Maldon, Justine Antonia. "Escaping 'the fetters of custom' : Victorian women in Florence 1825-1875 /." Connect to this title, 2005. http://theses.library.uwa.edu.au/adt-WU2006.0071.

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Hamilton, Desirae. "The Captain of the People in Renaissance Florence." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804880/.

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The Renaissance Florentine Captain of the People began as a court, which defended the common people or popolo from the magnates and tried crimes such as assault, murder and fraud. This study reveals how factionalism, economic stress and the rise of citizen magistrate courts eroded the jurisdiction and ended the Court of the Captain. The creation of the Captain in 1250 occurred during the external fight for dominance between the Holy Roman Emperor and the Pope and the struggle between the Guelfs and Ghibellines within the city of Florence. The rise of the Ciompi in 1379, worried the Florentine

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Livres sur le sujet "Art – Italy – Florence"

Clemente, Manenti, ed. Art & architecture Florence. Könemann, 2000.

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1950-, Kahn Robert, ed. Florence, Venice & the towns of Italy. Little Bookroom, 2001.

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Scott, Rupert. Florence explored. New Amsterdam, 1988.

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Trinchieri, Camiz Franca, Verdon Timothy, Rockwell Peter, and Amendola Aurelio, eds. Michelangelo's Florence Pietà. Princeton University Press, 2003.

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Michael, Levey. Florence: A portrait. Harvard University Press, 1996.

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Mary, McCarthy. The stones of Florence. Harcourt Brace Jovanovich, 1987.

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1343-1368, Orcagna fl, and Finn David 1921-, eds. Orcagna's tabernacle in Orsanmichele, Florence. H.N. Abrams, 1994.

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Italy), Museo Horne (Florence, ed. Museo Horne: Guida alla visita del museo. Edizioni Polistampa, 2011.

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Ugo, Baldassarri Stefano, and Saiber Arielle, eds. Images of quattrocento Florence: Selected writings in literature, history, and art. Yale University Press, 2000.

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Pansu, Françoise. A lire de Venise à Florence: Venise, aquarelles et poèmes de Françoise-Solal Pansu. F.-S. Pansu, 1988.

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Chapitres de livres sur le sujet "Art – Italy – Florence"

Plattner, Stuart. "Contemporary Art in a Renaissance Setting: The Local Art System in Florence, Italy." In An Anthropology of Contemporary Art. Routledge, 2020. http://dx.doi.org/10.4324/9781003084464-10.

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Caciagli, Carlotta, and Donatella della Porta. "Solidarity as Care: Multidimensional Inequalities and Narratives in Italian Cities." In Palgrave Studies in European Political Sociology. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-82563-7_2.

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Abstract Solidarity was a central concern for progressive movement organizations during the pandemic. This chapter explores the narratives of urban movements in Italy in three fields in which solidarity initiatives are widespread: migration, housing and care. In particular, through frame-analysis it aims to shed light on how solidarity and contentious actions are entwined in the strategies of collective actors dealing with contemporary urban transformation. The chapter is based on the analysis of 25 self-produced documents that have been published on blogs, social media webpages and in journal

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Boffo, Vanna, and Dino Mancarella. "The Link between Universities and the Labour Market: Perceiving the Building of Employability Processes in Higher Education." In Re-thinking Adult Education Research. Beyond the Pandemic. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0151-3.13.

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The topic that we will deal with in this essay is central for the development of higher education in Italy, Europe and the world. Universities as academic and educational institutions have changed radically over the last 50 years. At present, their task is to educate and train new brackets of the population for a future in which competencies and learning will be the points of reference for an ever more rapidly and intensely evolving and developing world. To this end, it becomes important to reflect on the topic of building university curricula in the educational sector and on the competencies

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Buffoli, Maddalena, and Andrea Rebecchi. "The Proximity of Urban Green Spaces as Urban Health Strategy to Promote Active, Inclusive and Salutogenic Cities." In The Urban Book Series. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-29515-7_90.

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AbstractUrban Green Spaces (UGS) have several positive effects on Public Health, environmental quality, and cities’ resilience to climate change; UGS are crucial in urban regeneration actions and urban health purposes. Moreover, to better define the UGS’ health impacts, it is important to define and guarantee UGS’ proximity, accessibility, and quality. Aim of the research is a quali-quantitative assessment of the UGS in Italian metropolitan cities, taking Milan, Turin, Florence, and Bologna as preliminary case studies. One of the 1st phases was to draw up dynamic and descriptive GIS-based maps

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"A Pontormo Legacy in Florence?" In Pontormo and the Art of Devotion in Renaissance Italy. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781009037952.005.

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"Drawing Devotion, Imitating Nature in Cinquecento Florence." In Pontormo and the Art of Devotion in Renaissance Italy. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781009037952.001.

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Walker, Alan. "Bülow in Florence." In Hans von Bülow. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195368680.003.0009.

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Abstract Bülow’s first sight of Florence left him spellbound. He likened the old city to an incomparable dream of wonder. The houses, the streets, the churches, and the art galleries entranced him. And he rhapsodized about the weather—the warmth, the cloudless skies, the heavenly air. Italy, in a memorable phrase, he called a land above all enchantments. He was now dead to his homeland, he declared. Henceforth, he told his mother, he would live as a foreigner.

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Bell, Peter Jonathan. "Donatello, Alberti, and the Freestanding Statue in Fifteenth-Century Florence." In The Art of Sculpture in Fifteenth-Century Italy. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108579322.007.

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Elet, Yvonne. "Stucco as Substrate and Surface in Quattrocento Florence (and Beyond)." In The Art of Sculpture in Fifteenth-Century Italy. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108579322.019.

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Plattner, Stuart. "Contemporary Art in a Renaissance Setting: The Local Art System in Florence, Italy." In An Anthropology of Contemporary Art. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781350016439.0016.

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Actes de conférences sur le sujet "Art – Italy – Florence"

Formica, G., G. Somma, F. Ducci, et al. "P-21 Efficacy and safety of switching to co-formulated DOR/TDF/3TC in HIV-1-infected, ART experienced adults: data from a single Italian Center in Florence, Italy." In Abstracts from the 16° Italian Conference on AIDS and Antiviral Research. BMJ Publishing Group Ltd, 2024. http://dx.doi.org/10.1136/sextrans-icar-2024.145.

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Formica, G., G. Somma, J. Mencarini, et al. "P85 Causes of discontinuation of co-formulated DOR/TDF/3TC in ART-experienced adults with HIV-1 after three years of follow-up: real-world data from a single center in Florence, Italy." In Abstracts from the 17° Italian Conference on AIDS and Antiviral Research. BMJ Publishing Group Ltd, 2025. https://doi.org/10.1136/sextrans-icar-2025.149.

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Iblova, Radmila. "LANDSCAPE OF HUMANISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. http://dx.doi.org/10.35603/sws.iscah.2024/fs06.16.

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The place to live and the living space fundamentally shape each person and the possibilities of their own existence. The landscape of humanism defines an environment where the unique local landscape and architecture inspire people to free their minds from the principles and rules that protect the supremacy of the powerful in a way that invites new exploration. The landscape of humanism, as conceived in my work, begins to be born during the early 13th century in central Italy. The progenitor who initiated this transformation by his life example is Saint Francis of Assisi. The life of this man s

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Cubeda, S., L. Andrei, L. Innocenti, et al. "Flow Check and Adiabatic Effectiveness Measurements on Traditionally Versus Additively Manufactured Film-Cooling Holes." In ASME Turbo Expo 2021: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/gt2021-59638.

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Abstract In the recent years Additive Manufacturing (AM) methods, such as the Direct Metal Laser Melting (DMLM) technology, are getting more and more attractive and feasible for the realization of components and subcomponents of gas turbines. In particular, they are receiving much attention since, on one hand, the manufacturing of complex 3D geometries is allowed and, on the other, manufacturing and delivery times can be cut down. At the current state of the art, although AM is entering and spreading within modern gas turbines at fast pace, to the authors’ knowledge only few applications have

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Ruiz-Irastorza, Guillermo. "01 Glucocorticoids for SLE: what are the current questions and issues?" In 11th Annual Meeting of the Lupus Academy, Hybrid meeting held 8–10th April 2022 in Florence, Italy. Lupus Foundation of America, 2022. http://dx.doi.org/10.1136/lupus-2022-la.1.

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Isenberg, David. "08 Are DOACs dead? Or do they still have a role in SLE/APS?" In 11th Annual Meeting of the Lupus Academy, Hybrid meeting held 8–10th April 2022 in Florence, Italy. Lupus Foundation of America, 2022. http://dx.doi.org/10.1136/lupus-2022-la.8.

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Dörner, Thomas. "07 B cells as a therapeutic target in SLE: where we are today and where we may be tomorrow." In 11th Annual Meeting of the Lupus Academy, Hybrid meeting held 8–10th April 2022 in Florence, Italy. Lupus Foundation of America, 2022. http://dx.doi.org/10.1136/lupus-2022-la.7.

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LICO, Alessia. "Seismic Vulnerability Assessment of a Building Aggregate in the Historical Centre of Florence." In Mediterranean Architectural Heritage. Materials Research Forum LLC, 2024. http://dx.doi.org/10.21741/9781644903117-8.

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Abstract. Safeguarding the built heritage represents an urgent challenge for the culture and identity of each country. In Italy, past seismic events have highlighted the vulnerability of historic urban centres, as aggregates of historic masonry buildings. In this work, the seismic vulnerability of the historic centre of Florence, a UNESCO heritage site since 1982, will be investigated in the context of the Vulnerability Index Method, an empirical approach for the vulnerability assessment at the territorial level, proposed by Benedetti and Petrini in 1984, adopted by the Italian Group of Defens

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Fiaschi, Daniele, Giampaolo Manfrida, and Libero Tapinassi. "Improving the Accuracy of Tests for Centrifugal Compressor Stage Performance Prediction." In ASME 8th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2006. http://dx.doi.org/10.1115/esda2006-95070.

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A design of experiment approach was used to solve problems on the new centrifugal compressor stage development test beds at the Nuovo Pignone – GE Oil&Gas premises in Florence, Italy. The company is able to provide centrifugal compressor equipment tailored to the user’s requests, with special reference to the oil & gas market. In order to provide this service, an archive of designs is available which can be adapted to different requirements: CFD is widely used to improve the turbomachinery performance, and on each new stage design extensive fluid dynamics test campaigns are routinely r

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Tosi, Francesca, Mattia Pistolesi, and Claudia Becchimanzi. "Elderly and digital health technologies: the relationship between Gerontechnology and Design for active and healthy ageing." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004893.

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The rise of new interactive, digital and connected objects is bringing about significant transformations in our world, generating new ways of living and new channels of access to communication. The healthcare sector is one of the sectors most affected by this digital revolution.Gerontechnology, a relatively recent field of research, studies the interaction between increasing longevity combined with a decreasing birth rate and the development of emerging healthcare technologies (Bouma et al., 2007; Chen, 2020).Therefore, from a theoretical point of view, digital health technologies (wearable de

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