Bibliographies thématiques / Art market, contemporary art market, contemporary art production

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Littérature scientifique sur le sujet « Art market, contemporary art market, contemporary art production »

Auteur : Grafiati

Publié le 9 mars 2023

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Art market, contemporary art market, contemporary art production"

Enxuto, João, and Erica Love. "The Institute for Southern Contemporary Art (ISCA)." Finance and Society 2, no. 2 (2016): 173–74. http://dx.doi.org/10.2218/finsoc.v2i2.1730.

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The Institute for Southern Contemporary Art (ISCA) was founded in 2016 to advance a meaningful alternative to the problem of contemporary art production and its political economy. While technology is intensifying the soft power of speculation, reputation, and the hype of networks, recent changes in technical infrastructure have done very little to shake the narrowly-defined and limited objectives of contemporary art. Technological change alone hasn’t curtailed an art field defined by individualism and competition, despite counter-claims made by progressive artists and collectives. Following a

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Lopatkova, Alisa. "Evaluation of Contemporary Art in the Process of Production, Distribution and Consumption." Inter 16, no. 1 (2024): 16–30. http://dx.doi.org/10.19181/inter.2024.16.1.2.

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How does the art community evaluate contemporary art? This question is discussed based on 16 interviews with artists, gallery owners, curators, and collectors. The contemporary art market is conceptualized as a “creative industry that unites actors involved in the production, distribution, and consumption of art objects. The research methodology is based on the anthropological approach of Igor Kopytoff and the discursive psychology of Rom Harré, according to which the history of the movement of cultural objects through social space and the discourses accompanying them are sources of symbolic v

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Esposito, Claudia. "Traces of Souffles: on cultural production in contemporary Morocco." Contemporary French Civilization 45, no. 3-4 (2020): 305–15. http://dx.doi.org/10.3828/cfc.2020.18.

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This article examines contemporary cultural production in Morocco and focuses in particular on how poet-artist Abdellatif Laâbi, founder of the journal Souffles, and writer-artist Mahi Binebine display ties of filiation. Bringing to light the artistic and social collaborations that these two cultural actors nurture in Morocco, the article traces a filial genealogy between Laâbi and Binebine and examines the post-independence years to reveal the spirit of combat that lies at the origin of the current artistic scene in Morocco. Questioning the link between art and the public, the article conclud

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Skiba, Stefan. "Some Thoughts on Contemporary Graphic Print." Journal of Arts and Humanities 5, no. 9 (2016): 84. http://dx.doi.org/10.18533/journal.v5i9.1010.

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The production requirements of original graphic works of art have changed since 1980. The development of digital printing using lightfast colors now rivals traditional techniques such as wood cut, screen print, lithography, etching etc. Today, with respect to artistic legitimacy, original graphics using traditional printing techniques compete with original graphics produced by digital printing techniques on the art market. What criteria distinguish traditional printing techniques from those of digital printing in the production and acquisition of original graphics? What

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Dholakia, Ruby Roy, Jingyi Duan, and Nikhilesh Dholakia. "Production and marketing of art in China." Arts and the Market 5, no. 1 (2015): 25–44. http://dx.doi.org/10.1108/am-10-2013-0023.

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Purpose – The purpose of this paper is to explore how art production and marketing in China is attempting to move up the value chain as increasing number of Chinese replica-selling galleries seek to break free from the image of Chinese art towns as skilled but imitative centres of art production. Design/methodology/approach – In-depth interviews were conducted among seven gallery owners in Wushipu art village over three weeks to discover how art production in China has evolved and to chart its future growth. Findings – In the Chinese setting with its distinctive cultural patterns, tensions bet

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Chubarov, Igor M., and Elina V. Samokhvalova. "Art without an Artist: On the Question of the Criteria of Contemporary Art." Čelovek 34, no. 5 (2023): 130–48. http://dx.doi.org/10.31857/s023620070028506-3.

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The article raises the question of the authorship of works of contemporary art, the institutional nature and socio-economic conditions of its production, as well as the spatial and media-aesthetic mediations of its perception. The main research problem is formulated at the intersection of two questions: is everything that artists produce may be considered art? And: are artists the only authors of the works they signed? The problem is the appearance of a commodity form for works of contemporary art, which does not interfere with them, but, on the contrary, becomes a condition for their social a

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Negoiță, Ana. "Arta contemporană și granițele interdisciplinarității. Intersecționalitatea cu noile tehnologii și AI." Revista de filosofie 71, no. 6 (2024): 815–24. https://doi.org/10.59277/rf.2024.71.6.06.

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Contemporary art develops within an extremely rapidly evolving landscape, where paradigm and methodology changes are very dynamic. This is the context where technology plays an essential role, reshaping artistic practices, aesthetics and the relationship between the artist and the public, as well as the relationship with cultural institutions and museums, but also with the art market, in general. The study explores the interaction between contemporary art and new technologies, examining how new technological tools such as digital media, virtual reality, artificial intelligence and social media

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Kuleva, Margarita I. "Turning the Pushkin Museum into a ‘Russian Tate’: Informal creative labour in a transitional cultural economy (the case of privately funded Moscow art centres)." International Journal of Cultural Studies 22, no. 2 (2019): 281–97. http://dx.doi.org/10.1177/1367877918821236.

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This article investigates the creative work that is now taking place in newly established cultural institutions in Moscow, the non-governmental museums of contemporary art (MoCAs). The exploration of creative work in Russian art centres is of particular interest because it promises to record the transition of the contemporary art market from the Soviet-era cultural monopoly to the market economy, during the real-time formation of new, informal standards of cultural production. The present article evaluates what informality means within these new standards of the organization of creative work:

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Tam, Isabella. "Canton Express: Urbanization and contemporary Chinese art." Journal of Contemporary Chinese Art 7, no. 2-3 (2020): 241–60. http://dx.doi.org/10.1386/jcca_00028_1.

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Canton Express was a project situated within the larger exhibition Zone of Urgency in the Venice Biennale in 2003. It was the first comprehensive exhibition focusing on the relationship of urbanization and cultural landscape in the Pearl River Delta and presented on an international platform. Since the open-door policy in 1979, the Pearl River Delta played a pioneering role in China’s economic reform and urbanization throughout the 1980s and 1990s. This was resulted with unprecedent transformation of the cityscape and inhabitants’ lifestyle. More importantly, it defined the artistic context an

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Tagore-Erwin, Eimi. "Contemporary Japanese art: between globalization and localization." Arts and the Market 8, no. 2 (2018): 137–51. http://dx.doi.org/10.1108/aam-04-2017-0008.

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Purpose The purpose of this paper is to identify and analyze the influence that globalization has had on the development of the contemporary Japanese art production. The study also aims to expand the global narrative of Japanese art by introducing concepts behind festivals for revitalization that have been occurring in Japan in recent years. Design/methodology/approach Guided by Culture Theorist Nira Yuval-Davies’ approach to the politics of belonging, the paper is situated within cultural studies and considers the development of contemporary art in Japan in relation to the power structures pr

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Thèses sur le sujet "Art market, contemporary art market, contemporary art production"

Matsinhe, Sebastiao Filipe. "The production of local art for a global cultural market in contemporary Mozambique." Thesis, University of the Western Cape, 2012. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_4062_1363774738.

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This thesis examines the production of commercial art in contemporary Mozambique. It explores the power relationship between local artists &ndash painters and sculptors &ndash and their patrons and brokers in the art market. This means, on one hand, that it looks at the artworks that have been produced during the late colonial period (1962 &ndash 1974) and the post-colonial periods (June 1975 - 2010) and relates this to the changing political landscape in Mozambique. On the other hand, the aim is to explore the artists&rsquo life histories,&nbsp especially how their talent wa

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CODIGNOLA, FEDERICA. "Mercato dell'arte e prodotto artistico contemporaneo." Doctoral thesis, Università degli Studi di Milano - Bicocca, 2006. http://hdl.handle.net/10281/46013.

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The author agrees with the current hypothesis, namely, that the contemporary art market can be examined from an economic perspective, by using analytical instruments that are typical of the management and marketing sciences. It is a fact that the evolution of the artist-as-artisan towards the artist-as-creator is based upon the concept of the non-retribution of the creative act. (The latter is described as the artist's intimate expression.) This fact, however, does not prevent the result of such a creative act from becoming the object of a monetary exchange and being assigned a price tag. The

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Binder, Lisa M. "Contemporary African art in the London art market : 1995-2005." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500812.

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This thesis explores the market for contemporary African art in London from 1995 to 2005 using case examples of artists, museums, art festivals and fairs, auctions and galleries. The study is generally bracketed by two festivals, africa 95 and africa 05, touching also on events that transpired during the intervening decade. Many artists from Africa who were working, living or exhibiting in London during this time experienced degrees of marketable success as a result of their participation or relationship with actors involved in the marketplace and in private and public institutions. However, t

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Wang, Xuan. "Gallery's Role in Contemporary Chinese Art Market." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1258577100.

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Shojai, Kaveh Darya <1995&gt. "Contemporary Iranian Art: Emerging Interest in Iranian Art in the International Art Markets and the Reception, Production and Assessment of Iranian Contemporary Art in the International Sphere." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15423.

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Contemporary Iranian Art has recently become a new entry in International art markets, a condition possibly derived from the current political situation. Both Christie's and Sotheby's, two of the most important auction houses in the world, have introduced specialist departments dedicated to Iranian Contemporary Art, as early as 2007, within their Modern & Contemporary Middle Eastern Art departments. Increasing interest in contemporary Iranian art can be traced by its exponential economic growth in such markets. The aim of this thesis is to investigate and observe the changes in the reception o

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Kuizon, Jaclyn. "Fine Art and Clandestine Identity: American Indian Artists in the Contemporary Art Market." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626648.

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Riley, James Whitcomb. "Social exchange and valuations in the market for contemporary art." Thesis, Massachusetts Institute of Technology, 2020. https://hdl.handle.net/1721.1/126977.

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Thesis: Ph. D., Massachusetts Institute of Technology, Sloan School of Management, May, 2020 Page 115 blank. Cataloged from PDF version of thesis. Includes bibliographical references. The first essay draws on 18 months of ethnographic fieldwork to examine the puzzle of why galleries discipline collectors -- who provide much-needed financial capital - for appearing too motivated by profit. Whilst art worlds have strong norms that enjoin artists to avoid the naked pursuit of profit and instead affect an air of "disinterestedness" (that is, a concern only for universal virtues and aes

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Waelder, Laso Pau. "Selling and collecting art in the network society: Interactions among contemporary art new media and the art market." Doctoral thesis, Universitat Oberta de Catalunya, 2016. http://hdl.handle.net/10803/399029.

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Aquesta tesi explora i analitza les interaccions actuals entre art, nous mitjans i el mercat de l'art, i també les transformacions que es produeixen en el reconeixement de l'art digital, l'estructura del mercat de l'art i els rols de l'espectador i el col·leccionista. La tesi es divideix en tres parts. La primera part analitza les maneres en què l'art de nous mitjans s'ha definit ell mateix com un món de l'art específic, i les polèmiques que exemplifiquen la seva separació del món de l'art contemporani. La segona part analitza les motivacions i les expectatives dels artistes que treballen amb

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Ecevit, Emek Can. "A study on institutionalisation of contemporary art from Turkey." Thesis, Brunel University, 2016. http://bura.brunel.ac.uk/handle/2438/13247.

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This doctoral study is concerned with identifying the determinants of the institutionalisation of art (IoA) in general and institutionalisation of contemporary art (IoCA) in particular. It focuses on the influence of the state and the private sector on economics and politics of arts as artworld in Turkey. The proposed relational framework is based on the current controversial problematisation of social theory in terms of various understandings of modernity and post-modernity. Here, modern art is taken to be based on an orthodox (classical) modernity understanding. In contrast, contemporary art

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Stanford, Jon D. "An economic analysis of the contemporary visual art market in Australia, 1972-1989." Thesis, University of Leicester, 1996. http://hdl.handle.net/2381/35524.

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The analysis of the market is undertaken in both theoretical and empirical terms. The theoretical analysis finds that the dynamics of the art market are important but are difficult to formalise; the primary market is one where prices are set administratively; the secondary market, auction market, is the one where market-clearing occurs; success in the art market will come only to those artists whose works can command the same price in the secondary market as is set in the primary market; the overall market operates with considerable lags so that it may take many years before artists' work appe

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Livres sur le sujet "Art market, contemporary art market, contemporary art production"

Polsky, Richard. Art market guide: Contemporary American art. Marlit Press, 1998.

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Buck, Louisa. Market matters: The dynamics of the contemporary art market. Arts Council England, 2004.

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Rhetts, Paul Fisher, and Barbe Awalt. Contemporary Hispanic Market: 25 years. LPD Press, 2011.

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Museum of Contemporary Photography (Columbia College (Chicago, Ill.)). Photography's multiple roles: Art, document, market, science. Museum of Contemporary Photography, Columbia College, 1998.

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Velthuis, Olav. Talking prices: Symbolic meanings of prices on the market for contemporary art. Princeton University Press, 2005.

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Dossi, Pirschka. Arte, prezzo e valore: Arte contemporanea e mercato = Art, price and value : contemporary art and the market. Silvana, 2008.

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Division, Toronto (Ont ). Records &. Archives. Interiors, exteriors: Contemporary art from the City's collection, July 27 to October 20, 1985, the Market Gallery of the City of Toronto Archives. City Archives, 1985.

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Barysheva, Anastasii͡a. INART 2016: Analiticheskii obzor rynka rossiiskogo sovremennogo iskusstva = Analytical report of the Russian contemporary art market. INART 2016, 2016.

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Shākir, Vaḥīd. Muqaddamahʹī bar muṭālaʻah-ʼi bāzār-i mālī va iqtiṣādī-i hunarʹhā-yi tajassumī-i muʻāṣir-i Īrān dar sih dahah-ʼi akhīr: An introduction to the study of financial market and economic of Iran's contemporary visual arts in the past three decades. Mihr-i Nawrūz, 2017.

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Đorđević, Jovana Abramović. Savremeni tokovi umetničkog tržišta: Umetnici i nove kompetencije = Contemporary trends of art market : artists and new competencies. Zadužbina Andrejević, 2014.

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Chapitres de livres sur le sujet "Art market, contemporary art market, contemporary art production"

Hu, Yamin. "Literature and Capital in a Market Economy." In The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-2947-4_7.

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AbstractThe attributes of literature in the market economy are needed to be re-examined. Contemporary literary production has not only aesthetic and ideology but also commodity attributes. However, to propose and analyze the commodity attribute of literature is not to wave the flag and cheer for the commercialization of art. By acknowledging and understanding the commodity attribute of artistic production, we can effectively widen the living space of literary and artistic activities, and keep alert to the threat of capital to art, preventing it from killing the nature of art in the process of

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Cangiano, Serena, Davide Fornari, and Azalea Seratoni. "Re-search, Re-enactment, Re-design, Re-programmed Art." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_15.

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Kinetic and programmed art has been a trend of contemporary arts that flourished in the 1950s and 1960s. Kinetic artworks often incorporated technology, at that time still immature, and involved the audience in the production of visual, sound, and somatic effects. Gruppo T was the pioneering group at the forefront of this groundbreaking vision of art as reproducible, participatory, and interactive. Through an action research project and the methodological tool of reenactment, a group of researchers, designers, and artists has proposed an alternative way to conserve Gruppo T artworks. The proje

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Hagtvedt, Henrik. "The Contemporary Art Market." In Money and Marketing in the Art World. Routledge, 2024. http://dx.doi.org/10.4324/9781003531340-3.

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Santagata, Walter. "The Market in Contemporary Art." In The Culture Factory. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13358-9_10.

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Zorloni, Alessia, and Antonella Ardizzone. "Celebrity Effect in the Contemporary Art Market." In Art Wealth Management. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24241-5_4.

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de Cordova, Dayana Zdebsky. "Brazil’s Booming Art Market: Calculations, Images, and the Promotion of a Market of Contemporary Art." In An Anthropology of Contemporary Art. Routledge, 2020. http://dx.doi.org/10.4324/9781003084464-11.

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Solimano, Andrés. "Main features of the art market." In The Evolution of Contemporary Arts Markets. Routledge, 2021. http://dx.doi.org/10.4324/9781003215127-4.

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Solimano, Andrés. "The art market in historical perspective." In The Evolution of Contemporary Arts Markets. Routledge, 2021. http://dx.doi.org/10.4324/9781003215127-2.

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Adeyemi, Jonathan. "Evolution of the Market for Contemporary Art." In Sociology of the Arts. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-17534-3_6.

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Sagot-Duvaroux, D., S. Pflieger, and B. Rouget. "Factors Affecting Price on the Contemporary Art Market." In Cultural Economics. Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-77328-0_11.

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Actes de conférences sur le sujet "Art market, contemporary art market, contemporary art production"

Monteiro, Caique Cahon. "Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.

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Artistic institutions are traditionally places of cultural and social memory reverberation. Such spaces have a character of institutionalisation of the cultural market. Contemporary works of art and the exhibition format are factors that shape the possibilities of consumption and experience from visitors within these spaces. By taking advantage of the artifices of their time, art and artists appropriate new digital Technologies, digital culture contextualizes this movement, interweaving new paradigms in the exhibition spaces of museums, galleries and cultural centres. It is clear that the arti

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Pavlova, A. S. "PROMOTION OF CONTEMPORARY RUSSIAN ART ON THE ART MARKET OF FRANCE." In Художник и менеджер в пространстве современного арт-рынка. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_36.

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Sorokina, K. S., and A. V. Karpov. "CONTEMPORARY CHINESE ART ON THE GLOBAL ART MARKET: RANKING ANALYSIS OF LEADING CHINESE ARTISTS." In Художник и менеджер в пространстве современного арт-рынка. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_30.

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Пудова, П. А., and А. В. Карпов. "TRADITIONAL AFRICAN ART IN THE RUSSIAN CONTEMPORARY ART MARKET: PRICING ISSUES AND SALES METHODS." In ХУДОЖНИК И МЕНЕДЖЕР В ПРОСТРАНСТВЕ СОВРЕМЕННОГО АРТ-РЫНКА Материалы VII научно-практической конференции молодых ученых. Crossref, 2024. http://dx.doi.org/10.54874/9785605196556.2024.3.04.

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Традиционное африканское искусство как художественное явление с начала прошлого столетия выступает предметом коллекционирования, репрезентации, продажи. А способ реализации предметов на арт-рынке отличается разнообразием: от французских брокантов, нишевых интернетмагазинов до крупных галерейных и аукционных продаж. Рассмотрена специфика современного арт-рынка традиционного африканского искусства в России: цены, институции, ассортимент. Проведен анализ влияния факторов ценообразования в зависимости от типа, региона происхождения, принадлежности этнической группе. Приведена статистика рынка на о

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Lei, shijin. "The Innovation of Shoushan Stone Carving Under the Background of Contemporary Diversified Art Market." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.434.

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Li, Dongdong. "Cultivation of Ability of Talents in Textile Art Design Specialty from the Perspective of Market Situation." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.400.

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Jarry, Rémy. "The Factors of Market Success and Failure of Contemporary Artists from ASEAN countries | ปัจจัยทางการตลาด ที่ทำาให้ศิลปินร่วมสมัยจากประเทศอาเซียนประสบ ความสำาเร็จ หรือ ล้มเหลว". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-23.

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The market of contemporary art from Southeast Asia hasn’t been explored in-depth, despite its rise in sales and notoriety over the last two decades at national and international levels. Our aim is to identify the factors of success and failure of contemporary artists from ASEAN countries in the global art market. To do so, we map the trajectories of those artists and evaluate the role of the other stakeholders of the art world. Our methodology relies on a multidisciplinary approach, balancing quantitative and qualitative data. The period of study focuses on the art market data since 2000.

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Sheresheva, Marina, Ekaterina Kovalenko, and Daniel Pavlov. "Gallery brand impact on artist name recognition: Evidence from Russia." In XIX International May Conference on Strategic Management – IMCSM24 Proceedings. University of Belgrade, Technical Faculty in Bor, 2024. http://dx.doi.org/10.5937/imcsm24062s.

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This paper examines the influence of the gallery brand on artist name recognition in the contemporary art market in Russia. The authors first discuss theoretical approaches to understanding the phenomenon of branding in the art market, as well as private gallery brand formation, and offer a brief description of the art market structure, specifying the features of branding in this sphere. Then they present and discuss the empirical data obtained by means of semi-structured expert interviews and online survey conducted in 2024. The main findings from expert interviews show that gallery brand for

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Zagorova, Krasimira. "Contemporary Priorities in the Development of the General Agricultural Policy of the European Union." In 9th International Scientific Conference ERAZ - Knowledge Based Sustainable Development. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2023. http://dx.doi.org/10.31410/eraz.2023.89.

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This study contains a retrospective analysis of the development of the Common Agricultural Policy of the European Union in modern conditions, spanning the period 2007-2013 up to the present 2020-2025 programming period. In particular, the object of analysis are the priorities in the agricultural sector of the Community, known as “key areas”, defined in three main directions: (1) promotion of the competitiveness of farms in the agricultural and forestry sectors, (2) improvement of the environment and the natural assets in the agricultural regions, (3) improvement of the quality of life in r

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Niculescu, Olga, Carmen Gaidau, Elena Badea, Lucretia Miu, Dana Gurau, and Demetra Simion. "Special effect finish for bookbinding leather." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.ii.21.

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The art of bookbinding requires not only skills in the old craft of bookbinding but also materials that can transform a simple book into a high-quality artistic product. Due to its unique properties, leather still remains the first-choice material in the case of art and archival bindings. However, the long-term durability of modern leather is not known since there is little commercial interest in long periods of durability and the market of leather for art, design and archival purposes is very small. It is worth noting that deterioration is influenced by the manufacturing technology, and espec

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Rapports d'organisations sur le sujet "Art market, contemporary art market, contemporary art production"

Cahaner, Avigdor, Susan J. Lamont, E. Dan Heller, and Jossi Hillel. Molecular Genetic Dissection of Complex Immunocompetence Traits in Broilers. United States Department of Agriculture, 2003. http://dx.doi.org/10.32747/2003.7586461.bard.

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Objectives: (1) Evaluate Immunocompetence-OTL-containing Chromosomal Regions (ICRs), marked by microsatellites or candidate genes, for magnitude of direct effect and for contribution to relationships among multiple immunocompetence, disease-resistance, and growth traits, in order to estimate epistatic and pleiotropic effects and to predict the potential breeding applications of such markers. (2) Evaluate the interaction of the ICRs with genetic backgrounds from multiple sources and of multiple levels of genetic variation, in order to predict the general applicability of molecular genetic marke

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Öjendal, Joakim, Monin Nong, Chanmony Sean, Zoe Sidana Bunnath, and Chanrith Ngin. The Political Economy of Land-Water Resource Governance in the Context of Food Security in Cambodia. Cambodia Development Resource Institute, 2023. https://doi.org/10.64202/wp.142.202311.

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Water is central for a variety of livelihoods, development, economic growth, and food production. It is also very important in the large deltas of South and Southeast Asia. Yet, water is turning into a scare resource and global climate change is making its availability more unpredictable. Commercial interests and infrastructure development are also competing for water resources, sometimes at the expense of local smallholders. This report, which is a desk study combined with stakeholder interviews, aims to map out the issues and the previously unknown challenges to efficient water and land mana

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