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Thèses sur le sujet « Arts and society »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 29 juillet 2024

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1

Tingvall, Josefin. "Soft Society." Thesis, Konstfack, Textil, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5853.

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Illustrated exam paper for Josefin Tingvalls project Soft Society. Which is about investigating through cloth and textile our urban surrounding. The core question ; if I go out in an urban area and use textile as a recordmaterial, what traces and stories will I bring back? By looking at textileas a matter, craft and as a philosophical starting point in urban areas, what can it tell about our surrounding and our society? In the three mainchapters of the paper, Tingvall reflects upon important themes such as wandering and spectating, also exhibiting of process based craft, textilein urban areas

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2

Lafferty, Sue Anne. "Adult arts education : a Delphi study forecasting the arts in a lifeling learning society." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1302028410.

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Ely, Joshua J. "Society and Science: Ancient Astronomy." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/31.

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Astronomy is the oldest scientific field in human history. As such, it is linked heavily with Ancient History as a central part of understanding, scientific development and cultural appreciation in the world of antiquity. The goal of this thesis will be to investigate the importance of the ancient astronomers, their discoveries, the differences in cultural understandings of the universe due to environmental and political reasons, planets and the cosmos, and the impacts their discoveries had on the ancient world. Primary sources will be various writings and documents by ancient astronomers and

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Weaver, Kimberly. "International Society Cosmopolitan Politics and World Society." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3701.

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How does the international system move from an anarchic system driven by power to a global community driven by the needs/wants of the community at large? Jürgen Habermas utilizes the tenets of his Communicative Action Theory to underline the importance of communicatively based repertoire in the international system between and among states and non-state actors and the citizens themselves. How does arguing and reasoning among states and international institutions bring together legitimization and order? My research aims to analyze the movement of the international system from anarchy towards a

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Zamora, Soledad. "The Role of Arts in Nordic Society: Health and Lifestyle." Thesis, Högskolan i Halmstad, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-39035.

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The role of arts in both formal and non-formal education has been scientifically demonstrated to create positive outcomes in people to deal with all kinds of social problems in daily life. At present, there are international public and private institutions that support this view, such as the International Arts Education Week, celebrated for the first time by UNESCO on 21-27 May 2012 when not only artists participated, but also educators, researchers, NGO actors, and international associations. This provides us with a wider perspective on how arts and education can play an interdisciplinary rol

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Boggs, James G. "Social application of the arts : making a difference through art /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/6177.

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Diamant, Hirsh. "Burning in the light art in education and human development /." Full text available online (restricted access), 1998. http://images.lib.monash.edu.au/ts/theses/Diamant.pdf.

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Lafferty, Sue Anne. "Adult arts education : a Delphi study forecasting the role of the arts in a lifelong learning society /." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486462067842723.

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9

Feeney, Warren, and n/a. "The Canterbury Society of Arts 1880-1996 : conformity and dissension revisited." University of Otago. Department of History, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090226.135746.

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Established in 1880 the Canterbury Society of Arts (CSA) dominated the arts in Canterbury for nearly a century and was the most significant art society in New Zealand. This thesis examines the CSA�s history from 1880 to its change in trading name to the Centre of Contemporary Art (COCA) in 1996 when the Society sought to redefine its role. Chapter One considers its origins, comprising a discussion of the period from 1850 to 1880 in which it was founded as part of an educational complex that reflected Edward Gibbon Wakefield�s ideal for the systematic settlement of Canterbury. A discussion of t

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10

Laycock, Jolyon. "A changing role for the composer in society." Thesis, University of York, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274517.

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Jelsma, Johan. "A bed of ochre : mortuary practices and social structure of a maritime archaic Indian society at Port au Choix, Newfoundland /." Groningen : Rijksuniversiteit Groningen, 2000. http://dissertations.ub.rug.nl/faculties/arts/2000/j.jelsma/.

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Knight, Helena. "Collaborative value creation : how arts and business organisations create value for society." Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/83021/.

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Since its instigation by patrons supporting struggling artists centuries ago, the relationship between arts and business has been marked by dilemmas of who benefits from the value created. The perceived self-interested regard that blighted the magnanimous acts of the pioneers of arts philanthropy has transformed into outright scepticism with the move towards "selfish capitalism" in the 1970s. Despite the financial assistance, ubiquitous in society is the perception that business exploits the arts for window dressing purposes. The thesis studies value creation through transactional collaboratio

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13

Lash, Sarah. "Singing the dream the bardic arts of the Society for Creative Anachronism /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3358930.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2009.<br>Title from PDF t.p. (viewed on Feb. 8, 2010). Source: Dissertation Abstracts International, Volume: 70-05, Section: A, page: 1745. Adviser: Henry Glassie.

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Moreno, Thobo-Carlsen Greta Daniela. "Malta: A Functional Bilingual Society. An analysis of societal and individual bilingualism." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21664.

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With the rich history of territorial conquest on the island of Malta, each regime has left its mark on the small archipelago, especially with each linguistic conquest, a new language was formed, influenced and fortified to what we know now as Maltese. Within this thesis we will identify the factors of these regimes which have led Malta to become a bilingual nation. This thesis investigates the Maltese language situation along with the status of the social and individual characteristics the theories of bilingualism adhere. In order to address how Malta has become a functional bilingual society,

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15

Mallison, Theodore R. "Summit County Historical Society: A Membership Program Case Study." University of Akron / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=akron1460121253.

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Edgar, Robert Charles. "The schlemiel and anomie : the fool in society." Thesis, University of Hull, 2001. http://hydra.hull.ac.uk/resources/hull:3533.

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This thesis examines the character of the schlemiel in comparative Jewish and Gentile American literature and cinema. It is the central claim that whilst the schlemiel is a strong Jewish character type this figure also appears in the texts of other socio-cultural groupings to an ever increasingly degree. With this is mind the character is examined in relation to the contemporary Western world, or Postmodern society.To achieve this aim the study is divided into three sections. The first deals with traditional perspectives on the schlemiel, examining prior definitions and gives a brief historica

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17

Carlson, Heidi. "Dandyism: Creating a Tradition for Consumption in London Society." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/319.

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Bojinov, Jivco. "Democracy in Eastern Europe: society, government, and economy." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1361.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Sciences<br>Political Science

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19

Spławski, Piotr. "Japonisme in Polish pictorial arts (1885-1939)." Thesis, University of the Arts London, 2013. http://ualresearchonline.arts.ac.uk/6205/.

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This thesis chronicles the development of Polish Japonisme between 1885 and 1939. It focuses mainly on painting and graphic arts, and selected aspects of photography, design and architecture. Appropriation from Japanese sources triggered the articulation of new visual and conceptual languages which helped forge new art and art educational paradigms that would define the modern age. Starting with Polish fin-de-siècle Japonisme, it examines the role of Western European artistic centres, mainly Paris, in the initial dissemination of Japonisme in Poland, and considers the exceptional case of Julia

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20

Esporrín, Pons Maria Montserrat. "Societat i espectacles musicals a Barcelona (1881-1936)." Doctoral thesis, Universitat Rovira i Virgili, 2016. http://hdl.handle.net/10803/399567.

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En aquest estudi, emmarcat entre finals del s. XIX fins abans de la Guerra Civil, volem analitzar la relació que hi ha entre la societat barcelonina i els espectacles musicals als quals assistirà. Partim de la base que ens trobem dins d’un període convuls pel replantejament de les idees i els valors, fet que no solament trasbalsarà la vida quotidiana d’aquesta societat, sinó que també es farà patent un canvi que desembocarà en la creació de nous locals d’oci i diversió, els quals oferiran espectacles més d’acord amb la nova forma de pensar i viure i també més adients als gustos musicals i, en

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21

Tanner, Jeremy James. "The invention of art history : religion, society and artistic differentiation in ancient Greece." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296707.

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22

Armfield, Maris Margaret Doris. "Art and society in Ulm 1377-1530." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3669/.

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The imperial city of Ulm in southwest Germany was one of the largest in the country during the Middle Ages, and one of four important centres in the Swabian region. In the fourteenth and fifteenth centuries the region was characterised by a large number of towns and cities, especially imperial cities, most of which lay south of the Swabian Alps, in Upper Swabia. For their protection the towns formed into the Swabian League of which Ulm had leadership until the latter part of the fifteenth century. The League restrained the ambitions of emperor and the princes, and effectively maintained relati

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23

Matias, J. Nathan (Jorge Nathan). "Governing human and machine behavior in an experimenting society." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/112527.

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Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2017.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references.<br>We live in a culture that depends on technologies to record our behavior and coordinate our actions with billions of other connected people. In this computational culture, humans and machines continue to perpetuate deep-seated injustices. Our abilities to observe and intervene in other people's lives also allow us to govern, forcing us to ask how to govern wisely and who should b

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24

Kinsella, Sharon. "Editors, artists and the changing status of manga in Japanese society, 1986-1995." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:4c437028-f0e3-4c00-915a-1e151d7e89db.

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The contemporary Japanese manga industry began in 1959 when the first weekly manga magazines were published. Throughout the 1960s publishing companies attracted a large adult readership by incorporating radical political themes and realistic drawing styles in manga magazines. The readership continued to expand throughout the 1970s and 1980s and manga became a mass medium on a similar scale to television or pop-music. This thesis identifies two distinct trends in the cultural status of manga which were developing from the mid-1980s onwards. On the one hand, what had previously been seen as 'com

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25

Smith, John Arthur. "An analytic sociology of art : art and society and the origins of modernist painting." Thesis, Goldsmiths College (University of London), 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286130.

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26

Batchelder, Xela. "The world's largest arts festival, The Edinburgh Festival Fringe: mechanics, myth and management." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1149104422.

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27

Staples, Adam. "A visual arts transformative learning practice in the aesthetic re-imagining of contemporary society." Thesis, Australian Catholic University, 2016. https://acuresearchbank.acu.edu.au/download/e39eefa0ec5ac33f1d8289d1fd5b64815c4089635bbabd866ac3bb57c2d04973/16546900/Staples_2016_A_visual_arts_transformative_learning_practice.pdf.

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This thesis is located in the areas of arts education, visual arts learning and society formation. The aims of the study were to undertake an analytical, empirical and conceptual study of the relationship between learning in the visual arts and contemporary society formation; to clarify the conceptual, policy, professional and practical issues relevant to the role of learning in the visual arts in stimulating learning and promoting contemporary society formation in a time of societal transition and change; and to generate theory and develop recommendations for theory, research, policy and prac

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28

McEwan, Celina. "Investing in play expectations, dependencies and power in Australian practices of community cultural development /." Connect to full text, 2008. http://hdl.handle.net/2123/3680.

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Thesis (Ph. D.)--University of Sydney, 2008.<br>Title from title screen (viewed Apr. 9, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Performance Studies, Faculty of Arts. Includes bibliographical references. Also available in print form.

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29

Shin, Hyesun. "Promoting Trust Building in a Unified Korean Society: The Arts-based Policy Strategy for Social Cohesion." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1420676940.

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30

Chen, Marilyn. "Searching for a Place to Belong: Androgyny in a Gender Binary Society." Honors in the Major Thesis, University of Central Florida, 2005. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/746.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf<br>Bachelors<br>Arts and Sciences<br>Psychology

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31

Richards, Michael John. "Arts Facilitation and Creative Community Culture: A Study of Queensland Arts Council." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16036/1/Michael_Richards_Thesis.pdf.

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This thesis adopts a Cultural Industries framework to examine how Queensland's arts council network has, through the provision of arts products and services, contributed to the vitality, health and sustainability of Queensland's regional communities. It charts the history of the network, its configuration and impact since 1961, with particular focus on the years 2001 - 2004, envisages future trends, and provides an analysis of key issues which may be used to guide future policies and programs. Analysis is guided by a Cultural Industries understanding of the arts embedded in everyday l

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Richards, Michael John. "Arts Facilitation and Creative Community Culture: A Study of Queensland Arts Council." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16036/.

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This thesis adopts a Cultural Industries framework to examine how Queensland's arts council network has, through the provision of arts products and services, contributed to the vitality, health and sustainability of Queensland's regional communities. It charts the history of the network, its configuration and impact since 1961, with particular focus on the years 2001 - 2004, envisages future trends, and provides an analysis of key issues which may be used to guide future policies and programs. Analysis is guided by a Cultural Industries understanding of the arts embedded in everyday l

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33

Paskins, M. "Sentimental industry : the Society of Arts and the encouragement of public useful knowledge, 1754-1848." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1449256/.

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This thesis offers a reinterpretation of the activities of the Society for the Encouragement of Arts, Manufactures and Commerce, an economic society founded in London in 1754. Previous histories of the Society have attempted to accommodate it within normative accounts of industrial development; or have celebrated its philanthropic intentions; or have focused on one aspect of its multifarious activities. I argue that the Society should be interpreted as a place where a wide-ranging public ethos and the promotion of public knowledge were meant to coexist. This meant a collision between an ethos

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34

Sin, Song-Chiew James, University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Arts, culture and museum development in Singapore." THESIS_FPFAD_XXX_SinSongChiew_ J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/240.

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This thesis discusses some aspects of the exhibition designer's role in state museums and galleries. It draws on the author's experiences in Singapore and his observations as a student living in Sydney. Museum exhibition designers are servants of the state. They help create public culture and promote a version of history. But if one is to understand the ways in which designers create meaning (and serve their employer's interests) we need to identify the 'vocabulary' and 'grammar' that they have at their disposal. To this end, the thesis outlines the variables that they work with and argues tha

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35

Cooper, Craig. "The interrelationship and inscription in the experience of place in Hong Kong: art, bodies and architectures." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/749.

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This thesis acknowledges the current situation of political unrest in Hong Kong and examines the volatile horizons that began to emerge from late 2014, while also understanding those that came before. The thesis unpacks the relationships between art, architecture and society and their significance in relation to Hong Kong. Through highlighting and identifying the potential restrictions and examining and responding to the legacy and logic of Occupy Central, this thesis proposes an expansion of the space of possibilities for art in Hong Kong.The interweaving of diverse subjects are part of an in

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36

Rowley, Ben. "Festival or carnival? : the 2002 Adelaide Festival of the Arts and cultural activism /." Title page/ table of contents only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arr8838.pdf.

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37

Stone, Mitzi R. "Beyond misogyny : Penelope and Clytaemnestra as paradigms for society." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/305.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Humanities

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38

Snowball, Jen. "Towards more accurate measurement of the value of the arts to society: economic impact and willingness to pay studies at the Standard Bank National Arts Festival." Thesis, Rhodes University, 2001. http://hdl.handle.net/10962/d1002672.

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The accurate measurement of the value of the arts to society is becoming increasingly important in developing countries, like South Africa, where the arts must compete with housing, health, education and the like for public funds. Motivation for the public funding of arts events, like the Standard Bank National Arts Festival in Grahamstown, is usually based on the economic impact, that is, the financial benefits to the region, of such events. The argument is problematic, however, because the primary recipients of such economic benefits are often middle to upper income groups who also attend mo

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39

Crumb, Linda White. "A study of the projected functioning of students in society from an interdisciplinary liberal arts program /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1986.

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40

Drege, Lance M. "The University of Oklahoma Percussion Ensemble Commissioning Series and Percussion Press, 1978-1999 : an examination of its history /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 2000.

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41

Wood, Derek. "“Art had almost left them:” Les Cenelles Society of Arts and Letters, The Dillard Project, and the Legacy of Afro-Creole Arts in New Orleans." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2202.

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In 1942, in New Orleans a group of intellectual and artistic African-Americans, led by Marcus B. Christian, formed an art club named Les Cenelles Society of Arts and Letters. Les Cenelles members both looked to New Orleans’s Afro-Creole population as the pinnacle of African American artistic achievements and used their example as a model for artists who sought to effect social change. Many of the members of Les Cenelles wrote for the Louisiana Federal Writers’ Program (FWP). A key strategy the members of Les Cenelles used to accomplish their goals was gaining the support of white civic leaders

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42

Landis, Tamra R. "How a Successful Collecting Society Can Transform an Art Museum: A History of The Georgia Welles Apollo Society at the Toledo Museum of Art." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522759729069838.

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43

Scammell, Jennifer F. "Domesticating the Virgin : vernacular depictions of Mary and their reception in late medieval society." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/1894/.

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This thesis is concerned with the didactic function of fourteenth- and fifteenth-century vernacular religious literature and art in contemporary medieval English society, and particularly the ways in which texts and images participate in emergent lay religious culture and inform social practices of the time. The focus is on apocryphal and legendary depictions of episodes in the Life of the Virgin Mary in vernacular works of the later Middle Ages and special consideration is given to the ways in which certain female audiences in England may have received and responded to Mary narratives. An int

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Merz, Alissa. "BigPharmaSlut Using Social Media to Encourage Vulnerability & Positive Behavioral Health Changes in Society." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1266.

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My original, web-based, digital media project is an Instagram account that offers an honest dialogue about personal experiences with mental health, recovery, and pharmaceuticals. The account @bigpharmaslut provides a first hand account of my journey through the process of finding an anti-anxiety/anti-depression medication that works for me. I use the word slut ironically to describe my dependent relationship with pharmaceuticals and highlight the fact that both the concept of sluts and the insidious mechanisms of pharmaceutical industry have been constructed by society. @bigpharmaslut does not

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45

Rodriguez-Remedi, Alejandra. "The arts as a means of cultural integration : a Chilean case study." Thesis, Robert Gordon University, 2007. http://hdl.handle.net/10059/231.

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How might the arts help to unveil and integrate realities so as to facilitate shared meanings and understandings between peoples and thus generate the conditions for the participatory, creative cultural diversity which may contribute to the construction of more democratic societies? Taking contemporary Chile as its case study, this research delves into the potential of the arts to mirror and integrate fragmented sectors in a society’s drive towards human development. To this end, it uses an interdisciplinary methodology comprising complementary empirical and theoretical approaches so as to inv

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Ford, Norman Jackson. "Traversing Hong Kong strategies of representation and resistance in lens-based media /." Thesis, Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B35807398.

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47

Anderson, Patrick Martin Luther Jr. "Quarter life crisis or how to get over college and become a functioning member of society." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4839.

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As a writer, I feel like dealing with conflict in real life is the best way to deal with conflict in my fiction. Quarter-Life Crisis or How to Get Over College and Become a Functioning Member of Society, while a fictional novel, is very much about many of the conflicts I've experienced over the past few years. Sean Easton is a twenty-five year old college graduate living in Miami, trying to balance out his life in a world that doesn't make as much sense to him as it did when he first graduated college, happy and looking forward to the future. Suffering through the aftermath of a major breakup

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48

Scholtz, Brink. "'The Most Amazing Show': performative interactions with postelection South African society and culture." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/57527.

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This research investigates contemporary South African performance within the context of prominent social and cultural change following the political transition from an apartheid state to democracy. Specifically, it looks at the relationship between a popular comic variety show The Most Amazing Show (TMAS), and aspects of contemporary South African society and culture, particularly relating to prominent efforts to affect post-election transformation of South African society and culture through the construction of a South African 'rainbow nation'. By analysing TMAS in terms of broader historical

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Gates, Jillian Marie. "Aesthetics for Visual Arts in Hospitals." Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/7354.

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The impetus for Aesthetics for Art in Hospitals emerged from my first waiting experiences in hospitals whilst being well, from my first pregnancy check ups ten years ago, accompanying my children to our doctor’s surgery, and later, sitting with my mother in palliative care; I was acutely aware of the lack of thought and organisation behind the display of visual imagery and signage in hospital waiting rooms. As an artist, I wondered who decides what images will be displayed in waiting areas of health clinics and hospitals. This idea gradually developed from 2005 when I attended the Arts Health

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Boorsma, Miranda. "Kunstmarketing : hoe marketing kan bijdragen aan het maatschappelijk functioneren van kunst, in het bijzonder van toneelkunst in Nederland /." Groningen : Rijksuniversiteit Groningen, 1998. http://bibpurl.oclc.org/web/31615.

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