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Livres sur le sujet « Arts of the Pre-Inca Period »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Mariam, Didebulidze, Tumanishvili D. G, and Mataraże Nino, eds. Ancient Georgian art: From the pre-Christian period throught [sic] the eighteenth century. Ministry of Culture, Monument Protection and Sport, 2008.

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2

W, Ball Joseph, and Duke University. Museum of Art., eds. Painting the Maya universe: Royal ceramics of the classic period. Duke University Press in association with Duke University Museum of Art, 1994.

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3

1819-1900, Ruskin John, Turner, J. M. W. 1775-1851., Warrell Ian, Wildman Stephen, and Tate Britain (Gallery), eds. Ruskin, Turner, and the pre-Raphaelites. Tate Gallery, 2000.

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4

Hellēnoserviko, Symposio (5th 1987 Thessalonikē and Volos Greece). Proceedings of the fifth Greek-Serbian Symposium: 1. Serbia and Greece during the first World War. 2. The ideas of the French Revolution, the Enlightenment and the pre-Romantic period in the Balkans, 1780-1830 : organized by the Institute for Balkan Studies and the Serbian Academy of Sciences and Arts in Thessaloniki and Volos, 9-12 October 1987. The Institute, 1991.

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5

Babović, Ljubinka. Tajna Lepenskog vira: Lik boga Sunca : iz VII milenijuma pre Hrista = The mystery of Lepenski Vir : the image of the Sun Deity : from the 7th millenium B.C. Narodni muzej u Beogradu, 2008.

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6

Babović, Ljubinka. Tajna Lepenskog vira: Lik boga Sunca : iz VII milenijuma pre Hrista = The mystery of Lepenski Vir : the image of the Sun Deity : from the 7th millenium B.C. Narodni muzej u Beogradu, 2008.

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7

Babović, Ljubinka. Tajna Lepenskog vira: Lik boga Sunca : iz VII milenijuma pre Hrista = The mystery of Lepenski Vir : the image of the Sun Deity : from the 7th millenium B.C. Narodni muzej u Beogradu, 2008.

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8

Babović, Ljubinka. Tajna Lepenskog vira: Lik boga Sunca : iz VII milenijuma pre Hrista = The mystery of Lepenski Vir : the image of the Sun Deity : from the 7th millenium B.C. Narodni muzej u Beogradu, 2008.

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9

Kalas, Gregor, and Ann Dijk, eds. Urban Developments in Late Antique and Medieval Rome. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462989085.

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A narrative of decline punctuated by periods of renewal has long structured perceptions of Rome’s late antique and medieval history. In their probing contributions to this volume, a multi-disciplinary group of scholars provides alternative approaches to understanding the period. Addressing developments in governance, ceremony, literature, art, music, clerical education and the construction of the city’s identity, the essays examine how a variety of actors, from poets to popes, productively addressed the intermittent crises and shifting dynamics of these centuries in ways that bolstered the cit

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10

Robertson, Donald. Mexican manuscript painting of the early colonial period: The metropolitan schools. University of Oklahoma Press, 1994.

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11

(Korea), Kungnip Chungang Pangmulgwan, and Kokusai Kōryū Kikin, eds. Chōsen tsūshinshi: Kinsei 200-nen no Nikkan bunka kōryū : tokubetsu tenkan = Envoys from Korea : Japan-Korean cultural exchange for 200 years in pre-modern period. Tōkyō Kokuritsu Hakubutsukan Unʼei Kyōryokukai, 1985.

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12

Balanzategui, Jessica, and Allison Craven. Monstrous Beings and Media Cultures. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463726344.

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Monstrous Beings of Media Cultures examines the monsters and sinister creatures that spawn from folk horror, Gothic fiction, and from various sectors of media cultures. The collection illuminates how folk monsters form across different art and media traditions, and interrogates the 21C revitalization of “folk” as both a cultural formation and aesthetic mode. The essays explore how combinations of vernacular and institutional creative processes shape the folkloric and/or folkoresque attributes of monstrous beings, their popularity, and the contexts in which they are received. While it focuses o

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13

Hakubutsukan, Tōkyō Kokuritsu. Chōsen tsūshinshi: Kinsei 200-nen no Nikkan bunka kōryū : tokubetsu tenkan : Shōwa 60-nen 10-gatsu 29-nichi--12-gatsu 1-nichi, Tōkyō Kokuritsu Hakubutukan = Envoys from Korea : Japan-Korean cultural exchange for 200 years in pre-modern period. Kokusai Kōryū Kikin, 1985.

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14

(Korea), Kungnip Chungang Pangmulgwan, and Kokusai Kōryū Kikin, eds. Chōsen tsūshin-shi: Kinsei 200-nen no Nikkan bunka kōryū : tokubetsu tenkan, Tōkyō Kokuritsu Hakubutsukan, Shōwa 60-nen 10-gatsu 29-nichi - 12-gatsu 1-nichi = Envoys from Korea : Japan-Korean cultural exchange for 200 years in pre-modern period. Kokusai Kōryū Kikin, 1985.

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15

Maarten E. R. G. N. Jansen. Codex Bodley. Bodleian Library, 2005.

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16

Bessolicyn, Aleksandr. Cinema of the Modern Era (Joint-stock cinematographic companies in Russia at the beginning of the twentieth century). INFRA-M Academic Publishing LLC., 2024. http://dx.doi.org/10.12737/2145830.

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Based on a wide range of sources, the monograph shows the activities of the main officially registered joint-stock cinematographic companies operating in Russia at the beginning of the twentieth century. Economic modernization, which flourished in Russia at the turn of the XIX – XX centuries, accelerated the process of formation of joint-stock cinematographic companies. This period turned out to be bright for Russia, but chronologically short. Having turned into a mass spectacle, cinema developed along the path of transformation into an art form that was technological in nature and focused lar

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17

Strindberg, August. Selected Plays: The Pre-Inferno Period. Univ of Minnesota Pr, 1986.

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18

Strindberg, August. Selected Plays: The Pre-Inferno Period, the Post-Inferno Period. Univ of Minnesota Pr (Trd), 1986.

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19

Troncoso, Andrés. Inca Landscapes of Domination. Edited by Sonia Alconini and Alan Covey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219352.013.42.

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In many provinces of the Tahuantinsuyu, the understanding of Inca domination has been focused on the political strategies implemented by the state. However, the political landscape developed during this time required an engagement with dynamic local communities. By studying the visual and spatial distribution of rock art in North-Central Chile, we discuss how traditional community practices were transformed during the Inca era. We propose that in the Late Intermediate Period rock art was key in the production of a corporate community, whereas in the Inca period it promoted the construction of

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20

Sculptural art of Bangladesh: Pre-Muslim period. Dept. of Archaeology and Museums, 1985.

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21

Figueredo, D. H., Luis Martínez-Fernández, Louis A. Pérez Jr., and Luis González, eds. Encyclopedia of Cuba. Greenwood, 2003. http://dx.doi.org/10.5040/9798216189930.

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Presenting an objective, balanced view of Cuba, 82 distinguished scholars and researchers survey the country's tempestuous history from past to present. This wonderfully comprehensive two-volume set also tells the stories of Cuban exiles in the United States and other countries. Over 700 entries are presented in 12 topical chapters: • National Symbols • Geography, the Environment, and Urbanization • History: The Colonial Period (Pre-Columbian Era to 1901) • History: The Republican Period (1902-1958) • History and Government: The Revolutionary Period (1959-) • Contemporary Economy and Society •

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22

Pre-Raphaelite women: Images of femininity in pre-Raphaelite art. Weidenfeld & Nicolson, 1987.

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23

Pre-Raphaelite women: Images of femininity in Pre-Raphaelite art. Phoenix Illustrated, 1998.

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24

History, Captivating. History of Argentina: A Captivating Guide to Argentine History, Starting from the Pre-Columbian Period Through the Inca Empire and Spanish Colonization to the Present. Captivating History, 2021.

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25

History, Captivating. History of Argentina: A Captivating Guide to Argentine History, Starting from the Pre-Columbian Period Through the Inca Empire and Spanish Colonization to the Present. Vicelane, 2021.

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26

PRE-RAPHAELITE WOMEN. GUILD PUBLISHING, 1987.

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27

Wright, Kenneth R., Ruth M. Wright, Ph D. Mcewan Gordon, and Alfredo Valencia Zegarra. Machu Picchu: A Civil Engineering Marvel. American Society of Civil Engineers, 2000.

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28

Claes, Koenraad. The Late-Victorian Little Magazine. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474426213.001.0001.

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Fed up with the commercial and moral restrictions of the mainstream press of the late Victorian era, the diverse avant-garde groups of authors and artists of the Aesthetic Movement developed a new genre of periodicals in which to propagate their principles and circulate their work. Such periodicals are known as ‘little magazines’ for their small-scale production and their circulation among limited audiences, and during the late Victorian period they were often conceptualized as integrated design project or ‘Total Works of Art’ in order to visually and materially represent the ideals of their p

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29

Douglas, Eduardo de J. In the Palace of Nezahualcoyotl: Painting Manuscripts, Writing the Pre-Hispanic Past in Early Colonial Period Tetzcoco, Mexico. de Gruyter GmbH, Walter, 2010.

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30

Mason, Emma. Kinship and Creation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198723691.003.0003.

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Rossetti’s involvement with the Pre-Raphaelites transformed her perception of the visible and invisible world, shaping her Christological and ecological reading of all things as part of one body. While critics have acknowledged her relationship with Pre-Raphaelitism, its influence has often been separated from her faith. This chapter suggests, however, that Rossetti’s reading of an early Pre-Raphaelite affinity with what Dante Gabriel Rossetti called an ‘art-Catholic’ helped found her nondual understanding of creation as embracing both the material and the divine, and that her vision of an int

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31

Ekelund, Robert B., John D. Jackson, and Robert D. Tollison. Dimensions of the American Art Market. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190657895.003.0002.

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Chapter 2 discusses the long evolution of the market for American art in a brief synopsis of key developments along the way. It explains the early marketing of American art, the romance of collectors with Old Masters, the shift in art education of Americans to Europe (especially Paris and Munich) and the ultimate development of a “unique” American art at the turn of the nineteenth century—involving the mix of European modernism with American influences of the “ashcan” artists and the American modernism sponsored by Alfred Stieglitz. Finally, the shift from pre–World War II art to abstract expr

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32

Carlson, Roy L. Figurines and Figural Art of the Northwest Coast. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.017.

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Similarities between the earliest Northwest Coast art and ethnographic art are traced regionally from 2000 bc into the late nineteenth century. The earliest known figural art is in the Fraser River–Gulf Islands region and consists of human and animal images with ribs and backbones, joint marks, and protruding tongues, and masks. These motifs are present on ritual spoons used for feeding the dead, probably as part of an early form of the memorial potlatch, and are related to beliefs in human–animal transformation, regeneration from bone, spirit power, and shamanism. These same motifs are found

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33

Graves, Margaret S. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190695910.003.0007.

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The conclusion places the art of the object into an expanded field, where it is shown to be contiguous with other visual and verbal artforms including architecture, painting, poetry, and rhetoric. It locates the peak of the allusive object in the pre-Mongol Middle East and speculates about its decline in the later medieval and early modern periods. It also considers the change in meaning that the subjects of the book have undergone as they transition from being objects of use to objects of display. The conclusion ends with final consideration of the nature of allusion and its implications for

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34

Palmer, Allison Lee. Historical Dictionary of Romantic Art and Architecture. 2nd ed. Rowman & Littlefield, 2019. https://doi.org/10.5040/9798881822392.

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Romanticism is multifaceted, and a wide range of nostalgic, emotional, and exotic concerns were expressed in such styles and movements as the Gothic Revival, Classical Revival, Orientalism, and the Pre-Raphaelite Brotherhood. Some movements were regional and subject-specific, such as the Hudson River School of landscape painting in the United States and the German Nazarene movement, which focused primarily on religious art in Rome. The movements range across Western Europe and include the United States. This dictionary will provide a fuller historical context for Romanticism and enable the rea

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35

Pre-Islamic ceramics in Saudi Arabia: The chronological and typological study of the ceramics, technology and craft production discovered in Saudi Arabia, from the Neolithic period until the Dawn of Islam. Ministry of Education, Deputy Ministry of Antiquities and Museums, 2007.

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36

Loney, Alexander C., and Stephen Scully, eds. The Oxford Handbook of Hesiod. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190209032.001.0001.

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This volume brings together twenty-nine junior and senior scholars to discuss aspects of Hesiod’s poetry and its milieu and to explore questions of reception over two and half millennia, from shortly after the poems’ conception to Twitter hashtags. Rather than an exhaustive survey of Hesiodic themes, the Handbook is conceived as a guide through terrain, some familiar, other less charted, examining both Hesiodic craft and later engagements with Hesiod’s stories of the gods and moralizing proscriptions of just human behavior. The volume is divided into four sections: “Hesiod in Context,” “Hesiod

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37

Muthesius, Stefan. Postwar Art, Architecture, and Design. Edited by Dan Stone. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560981.013.0031.

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There is no doubt that planners, architects, and designers, or anybody involved with creating works addressed to the public, would have testified to the overwhelming importance of a comprehensive sense of a new postwar world, most definitely for the first twenty years after 1945. It was a period that followed what appeared as the ‘zero hour’, marking the end of the most terrible war in history. There was a sense of a new beginning that aimed at ‘making good’ what the war had destroyed and pacifying the evils of dictatorship. But not only that; the ‘reformers’ aimed higher, at creating a world

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38

Lozada, María Cecilia, ed. Andean Ontologies. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056371.001.0001.

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Andean Ontologies is a fascinating interdisciplinary investigation of how ancient Andean people understood their world and the nature of being. Exploring pre-Hispanic ideas of time, space, and the human body, these essays highlight a range of beliefs across the region’s different cultures, emphasizing the relational aspects of identity in Andean worldviews. Studies included here show that Andeans physically interacted with their pasts through recurring ceremonies in their ritual calendar and that Andean bodies were believed to be changeable entities with the ability to interact with nonhuman a

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39

Moore, Jerry. Andean Statecraft before the Incas. Edited by Sonia Alconini and Alan Covey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219352.013.32.

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This chapter presents an overview of pre-Inca states in the Andes, describing patterns of statecraft that came before the Inca Empire. The earliest evidence for Andean urbanism and statecraft appeared on the north coast of Peru, where Mochica polities built on earlier processes. A period of local development followed the disintegration of Mochica states, and the Chimú Empire spread across parts of the region in the centuries before Inca incorporation. In the Andean highlands, the Wari and Tiwanaku empires developed their own urban centers and extended administrative centers and enclaves into o

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40

Koontz, Rex, and James Farmer. Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder. Edited by James Farmer and Rex Koontz. University of Houston Open Educational Resources, 2022.

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41

Taiz, Lincoln, and Lee Taiz. The Discovery of Sex. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190490263.003.0002.

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“The Discovery of Sex,” discusses the discovery of the role of the male in reproduction and the association of women with plants in the Ice Age. In the Upper Paleolithic many barriers could have combined to obscure the connection between sexual intercourse and childbirth. Examples include pre-puberty sexual activity, prolonged breast-feeding, and the alignment of cycles in the birthrate with periods of relative leisure and abundance. Numeracy is also relevant, as explored in relation to the Gravettian sculpture, the “Lady of Laussel.” The early association of plants and women is suggested by t

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42

Dunkley, D. A., ed. Readings in Caribbean History and Culture. The Rowman & Littlefield Publishing Group, 2011. https://doi.org/10.5040/9781978726383.

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This collection of eleven essays is designed to highlight some important new voices who have been doing research on the general subject areas of the history and culture of the Caribbean. The essays in this volume also address a number of themes which are critical to developing an understanding of current scholarly work on the two broad subject areas. Among the themes examined are colonialism, slavery, and the involvement of the Christian Church in both colonial rule and enslavement. The essays also analyze the pre-independence and post-independence periods of the twentieth century, with examin

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43

Telotte, J. P. Movies, Modernism, and the Science Fiction Pulps. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190949655.001.0001.

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This book considers the impact that the new art of film had on the development of the emerging science fiction (SF) genre during the pre- and early post-World War II era, during the time that the genre was trying to locate an identity, develop its key themes, and even settle on a name. Focusing on the primary venue for early SF literature, the popular pulp magazines such as Amazing Stories, Wonder Stories, and Astounding Stories, it traces this early film/literature relationship by examining four common features of the pulps: stories that involve film or the film industry; film-related adverti

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44

Dino, Nelson, Baharudin Arus, Lokman Abdul Samad, and Jul-Amin Ampang. Suluk Ukkil on the Barong Expressions, motifs and meanings. UMS Press, 2022. http://dx.doi.org/10.51200/sulukukkilnelsonums2021.

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With its origin dating back to as early as the 500 BC, the ukkil forms part of a centuries-old woodcarving art and tradition of the Suluk, one of the many indigenous ethnic groups of Nusantara (Southeast Asia). Suluk ukkil bears striking resemblance to the Malay ukir, both featuring similar patterns and motifs. The ukkil is often used to decorate jewellery, boats, houses, grave markers, and mosques. It is also used to decorate the hilts and sheaths of bladed weapons such as the barung. The barung refers to the thick, leaf-shaped sword of the Suluk. A barung with beautifully carved hilt and she

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45

Christian, Kathleen, and Bianca de Divitiis, eds. Local antiquities, local identities. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526117045.001.0001.

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This book brings together essays on the burgeoning array of local antiquarian practices developed across Europe in the early modern era (c. 1400-1700). Adopting an interdisciplinary and comparative method it investigates how individuals, communities and regions invented their own ancient pasts according to concerns they faced in the present. A wide range of 'antiquities' -- real or fictive, Roman, or pre-Roman, unintentionally confused or deliberately forged -- emerged through archaeological investigations, new works of art and architecture, collections, history-writing and literature. This bo

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Downes, Stephanie, Sally Holloway, and Sarah Randles, eds. Feeling Things. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198802648.001.0001.

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This volume investigates the various interactions of people, feelings, and things throughout pre-modern Europe. The subject of materiality has been gaining interest in recent historical inquiry, alongside growing emphasis on the relationships between objects, emotions, and affect in archaeological and sociological research. The historical intersections between materiality and emotions, however, have remained under-theorized, particularly with respect to objects which have continuing resonance over extended periods of time, or across cultural and geographical space. The book addresses this need

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47

Jansen, Maarten, and Gabina Aurora Perez Jimenez. Codex Bodley: A Painted Chronicle from the Mixtec Highlands, Mexico (Bl - Treasures from the Bodleian Library). Bodleian Library, University of Oxford, 2005.

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48

Sandrock, Kirsten. Scottish Colonial Literature. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474464000.001.0001.

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Scottish Colonial Literature is a comprehensive study of Scottish colonial writing before 1707. It brings together previously dispersed sources to argue for a tradition of Scottish colonial literature before the Union of Parliaments. It introduces the term colonial utopian literature to frame the intricate relationship between colonialism and utopianism in the seventeenth century. Offering case studies relating to colonial undertakings at Nova Scotia (1620s), East New Jersey (1680s) and at the Isthmus of Panama, then known as Darien (1690s), Scottish Colonial Literature explores how literature

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49

Kia, Mehrdad. The Persian Empire. ABC-CLIO, 2016. http://dx.doi.org/10.5040/9798216980629.

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This well-balanced reference on ancient Persia demonstrates the region's contributions to the growth and development of human civilization from the 7th century BCE through the fall of the Persian Sasanian Empire in 651CE. Knowledge of ancient Persia is often gleaned from the writings of the ancient Greeks and Romans—two civilizations that viewed the Persians as enemies. This one-of-a-kind reference provides unbiased coverage of the cultural history of the Persian Empire, examining the Median, Achaemenid, Parthian, Kushan, and Sasanian dynasties and tracing the development and maturation of Ira

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Kia, Mehrdad. Persian Empire. ABC-CLIO, 2016. http://dx.doi.org/10.5040/9798216980636.

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This well-balanced reference on ancient Persia demonstrates the region's contributions to the growth and development of human civilization from the 7th century BCE through the fall of the Persian Sasanian Empire in 651CE. Knowledge of ancient Persia is often gleaned from the writings of the ancient Greeks and Romans—two civilizations that viewed the Persians as enemies. This one-of-a-kind reference provides unbiased coverage of the cultural history of the Persian Empire, examining the Median, Achaemenid, Parthian, Kushan, and Sasanian dynasties and tracing the development and maturation of Ira

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