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Articles de revues sur le sujet « Austrian literature – 20th century »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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1

Shastina, E. M., and Yu K. Kazakova. "Works of R. Edelbauer in Context of Contemporary Austrian Literature of Early 21st Century." Nauchnyi dialog 13, no. 3 (2024): 267–87. http://dx.doi.org/10.24224/2227-1295-2024-13-3-267-287.

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This study explores the novels of contemporary Austrian writer Raphaela Edelbauer (Raphaela Edelbauer, b. 1990) “The Fluid Land” (Das flüssige Land, 2019), “DAVE” (DAVE, 2021), “The Incommensurables” (Die Inkommensurablen, 2023) in the context of contemporary Austrian literature of the early third millennium. The relevance of the research is driven by the necessity to comprehend the trends in Austrian literature during an era of global changes. It is revealed that, on one hand, the author continues the traditions of Austrian literature of the second half of the 20th century, particularly on a

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გაგნიძე, ნუგეშა, та ნუგეშა გაგნიძე. "იოზეფ ვაინჰებერის ლექსების ქართული თარგმანები". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 250–60. https://doi.org/10.62119/cils.17.2024.8743.

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Josef Weinheber, a key figure in 20th-century Austrian literature, remains culturally relevant despite his controversial stance during his time. His poetry continues to inspire scholars and audiences worldwide, with Georgian readers first encountering his work in 2009 through Anthology of 20th-Century Austrian Lyric Poetry. This paper aims to analyze the Georgian translations of Weinheber's lyric poetry within the framework of Goethe's classification. Are they faithful to the original, or do they, in some cases, overlyadapt the text to the translator's vision? The study places particular empha

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Kachorovskaya, A. E. "On the Reception of the Myth of Prometheus in Austrian Literature of 19th-20th Centuries." Nauchnyi dialog, no. 3 (March 30, 2020): 221–35. http://dx.doi.org/10.24224/2227-1295-2020-3-221-235.

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This article focuses its attention on the motive of resistance characteristic of Austrian literature of the 19th - 20th centuries, which is considered from the point of view of the historical and literary relationship with the myth of Prometheus. The history of the issue is reviewed. A selective analysis of the versions of the Promethean myth in the Austrian historical and literary context of the 19th-20th centuries, which is part of the pan-European literary and philosophical heritage, is given. The stylistic and genre originality of Austrian interpretations of the myth of Prometheus is prove

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Kirsch, Otakar. "On the beginnings of the professional association of museums in Cisleithania : Association of Austrian Museums of Applied Arts and its development until 1918." Museologica Brunensia, no. 1 (2025): 15–28. https://doi.org/10.5817/mub2025-1-2.

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Professional associations in the sphere of museums have traditionally been perceived as an important element boosting the development of the field (e.g. International Council of Museums, Network of European Museum Organisations, the same applies to museum associations operating at national level). A similar view of them prevailed in the late 19th century and early 20th century, when the first organizations of this type were established on the European continent. One of their prominent representatives at that time was the Association of Austrian Museums of Applied Arts (later the Association of

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Shastina, E. M. "Narrative Strategy of Provocation in Novels of Clemens Setz." Nauchnyi dialog 14, no. 4 (2025): 349–66. https://doi.org/10.24224/2227-1295-2025-14-4-349-366.

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This study explores the works of contemporary Austrian author Clemens J. Setz (b. 1982). It provides a comprehensive overview of the most significant novels published by the author from 2007 to 2023. The relevance of this research is underscored by the necessity to conceptualize the phenomenon of “Austrian literature” in the early 21st century. It is revealed that, on one hand, Setz continues the traditions of Austrian literature from the second half of the 20th century, while on the other hand, he experiments with narrative organization, employing various narrative strategies. The concept of

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Seibel, N. E. "Children’s Games and Adult Repentance: Concept of Childhood in Literature of Early 20th Century." Nauchnyi dialog 12, no. 6 (2023): 267–84. http://dx.doi.org/10.24224/2227-1295-2023-12-6-267-284.

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This article describes the transformation of the image of the child in literature during the 10-30s of the 20th century. The stories of three contemporary authors are used as material, which are connected by motifs of enlightenment and repentance: “The Day of the Boy” by F. Verfel, “The Paper Kite” by Lu Xin, and “On Tenderness” by Nadezhda Teffi. The basis for comparative analysis is the biographical similarities, close circle of philosophical and aesthetic interests of Austrian, Chinese, and Russian authors, as well as the genre and thematic proximity of the texts. The researcher assumes tha

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Puff, Roman. "Scientists of the State, Science of the State, and the State: Austrian and German Public Lawyers in the Short 20th Century Part 1: The Age of Catastrophe, 1914-1945." Baltic Journal of Law & Politics 5, no. 2 (2012): 109–31. http://dx.doi.org/10.2478/v10076-012-0013-z.

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ABSTRACT Between the First World War and the end of the Cold War, Germany and Austria, whose legal cultures were highly interdependent in terms of persons, conceptions, and institutions, saw eleven or twelve fundamentally different regimes, depending on the interpretation of Austria’s status from 1938-45. Lawyers often ensured the legal functioning of these regimes and legitimized their existence. This again affected their notions of law, legality, and justice, and of the principles underlying these concepts, as well as their personal preferences and societal roles. Based on the analysis of ab

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Betz, Dorothy M. "Australian Divagations: Mallarme & the 20th Century (review)." Nineteenth Century French Studies 32, no. 3 (2004): 413–14. http://dx.doi.org/10.1353/ncf.2004.0004.

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Grubišić Pulišelić, Eldi. "WITCHES AND UNACCOMPLISHED MOTHERS: FEMALE OUTCASTS IN MELA HARTWIG’S THE WITCH." Folia linguistica et litteraria XII, no. 34 (2021): 41–57. http://dx.doi.org/10.31902/fll.34.2021.3.

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This paper deals with the construction of outcast identity in the novella The Witch (Die Hexe), which is one of the most radical literary works of the Austrian writer Mela Hartwig (1893-1967). The main character Rune is considered an outcast from birth, so her marginalized role in the intolerant and exclusionary society defines her character within her fundamentally tragic existence leading to her violent death. Her outcast position has two layers: one is societal, characterized by her belonging to the lowest societal class, whereas the second layer is gender-related, marked by female identity

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Cardoso, Eduardo Wright. "From Art as a Science to the Death of Poetry." Aletria: Revista de Estudos de Literatura 30, no. 2 (2020): 147–66. http://dx.doi.org/10.35699/2317-2096.2020.22090.

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This article reflects on the contacts and dialogues between literature and scientific thought in the works of Austrian writer Hermann Broch in the first half of the 20th century. His first novel, The Sleepwalkers [Die Schlafwandler] (1931-1932), points to certain interpretations, allusions and similarities in connection with thinkers such as Max Weber, Walter Benjamin and Hannah Arendt, which suggest the incorporation of literature to scientific and philosophical knowledge. Conversely, in his last fiction work, The Death of Virgil [Der Tod des Vergil] (1945), Broch seems to question and even t

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Cardoso, Eduardo Wright. "From Art as a Science to the Death of Poetry." Aletria: Revista de Estudos de Literatura 30, no. 2 (2020): 147–66. http://dx.doi.org/10.35699/2317-2096.2020.22090.

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This article reflects on the contacts and dialogues between literature and scientific thought in the works of Austrian writer Hermann Broch in the first half of the 20th century. His first novel, The Sleepwalkers [Die Schlafwandler] (1931-1932), points to certain interpretations, allusions and similarities in connection with thinkers such as Max Weber, Walter Benjamin and Hannah Arendt, which suggest the incorporation of literature to scientific and philosophical knowledge. Conversely, in his last fiction work, The Death of Virgil [Der Tod des Vergil] (1945), Broch seems to question and even t

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Kovtun, Natalya, and Maria Larina. "Rethinking of the Legacy of the Second World War in Austrian Literature of the End of the 20th Century." Humanitarian Vector 15, no. 1 (2020): 49–59. http://dx.doi.org/10.21209/1996-7853-2020-15-1-49-59.

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Głuszkowski, Piotr. "Recepcja twórczości literackiej Maksyma Gorkiego w Polsce." Studia Rossica Gedanensia, no. 6 (December 28, 2019): 83–96. http://dx.doi.org/10.26881/srg.2019.6.06.

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The paper explores the reception of Maxim Gorky’s literary works in Poland in 1900– 2018. At the beginning of the 20th century Gorky was among the most-translated Russian authors. Translations of his works were published in the former Polish territories under all partitions (Russian, Prussian and Austrian). In the years 1918–1939/1945, despite anti-Soviet attitudes of a significant part of Polish society, Gorky was still very popular. In the times of the Polish People’s Republic (1945–1989), the writer was characterized by the historians of Russian literature as a classic Soviet writer and the

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Hrynivskyi, Taras. "Ukrainian Book Publishing of Bukovyna Late 19th – Early 20th Century: the Organizational and Thematic Aspects." Ukrainian Information Space, no. 1(7) (May 20, 2021): 138–48. https://doi.org/10.31866/2616-7948.1(7).2021.233884.

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The article is based on an analysis of Ukrainian book publishing of the late 19th – early 20th centuries in the context of the national education associations activities of Bukovyna. The study determines the role of various public organizations and societies in the national printing formation and outlines the typical features of the region publishing business; general thematic, and species characteristics of that time press. The publishing inheritance of this period still remains poorly studied. Only a few studies of the multinational press are comprehensive. As for the Ukrainian pr

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Platelle, Fanny. "Le théâtre populaire viennois des XVIIIe et XIXe siècles, entre marges et centre(s)." Austriaca 81, no. 1 (2015): 17–35. http://dx.doi.org/10.3406/austr.2015.1193.

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The Viennese Folk Theatre in the 18th and 19th centuries : between periphery and centre For a long time, Viennese Folk Theatre was regarded as a regional and minor genre relegated to the margins of legitimate theatre. By underlying the many exchanges between Folk Theatre and European theatre (and literature in general) of the 18th and particularly 19th centuries, this paper demonstrates how the main suburban stages (the Leopoldstädter Theater, then the Carltheater, and the Theater an der Wien) made of Vienna in the 19th century an European centre for vaudeville and operetta, alongside Paris, L

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Artemova, E. Z. "Cultural Features of the Austrian Writer Peter Rosegger’s Perception in Russia in Late XIX – Early XX Centuries." Prepodavatel XXI vek, no. 1, 2020 (2020): 240–48. http://dx.doi.org/10.31862/2073-9613-2020-1-240-248.

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The article considers the sociocultural characteristics of the perception of the Austrian writer Peter Rosegger in Russia in the late XIX – early XX centuries. The study showed that the now little-known author at the turn of the century experienced a phenomenal rise in popularity in Russia. He was one of the most published German-speaking authors in Russia, the first two decades of the 20th century was the peak of his popularity among popular readers. Rosegger’s work was primarily addressed to in educational series or periodicals for the people and children. The success of his works is based n

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Sharma, Diksha. "Whispers of the Outback: Exploring the Australian Bush in Literature." International Journal of English Literature and Social Sciences 8, no. 3 (2023): 238–41. http://dx.doi.org/10.22161/ijels.83.39.

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The project provides an exploration of the ‘Australian Bush’ in literary work. The Australian bush, with its vast landscapes, unique flora and fauna, and distinctive cultural heritage, has played a pivotal role by demonstrating literary imagination and cultural identity. Figures, data, citations, and statements abound in this work, which is divided into four subtopics: ripping yarn, bush poetry, 20th-century Australian literature, and Aboriginal literature. In each part, it sheds light on the influence of the Australian bush on the writers, poets, and storytellers who highlight the relationshi

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Schoder, Angelika. "A History of Pebbles and Silt – Fluvial Sediment Transport, Hydropower and Technical Expertise at the Austrian Danube and its Tributaries." Transylvanian Review of Systematical and Ecological Research 18, no. 2 (2016): 1–18. http://dx.doi.org/10.1515/trser-2015-0083.

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Abstract The paper investigates experts’ perceptions of hydropower, sediment regime, and their interaction in the 20th century with an environmental historical approach, based on various case studies at both the Danube River and one of its tributaries, and on a review of contemporary literature authored by engineers. Results show that questions of sediment continuity have engaged planners of hydropower plants since the advent of this technology, and decisions were at any time influenced by multiple interests (navigation, electricity demand, nature conservation). In such an intricate fluvial la

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Szilágyi, Ana. "From ‘musique concrète’ and Acousmatic Art to the ‘New Music Theater’. The Austrian Composer Dieter Kaufmann." Studia Universitatis Babeş-Bolyai Musica 69, Sp.Issue 1 (2024): 133–43. http://dx.doi.org/10.24193/subbmusica.2024.spiss1.08.

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This article follows the way the Austrian composer Dieter Kaufmann has gone with his conceptions taken from musical and extra-musical domains, as literature, visual arts, religion and politics, describing some of his theatrical works. For him the function of music is to improve the society and therefore his works are a critic to politics or to religion. Having studied in Paris by Olivier Messiaen, Pierre Schaeffer, François Bayle and René Leibowitz, he contributed to the development of the electronic music in Austria with his creation and his teaching of electroacoustic composition at the Univ

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Sharapenkova, Natalia G. "Moscow by Andrei Bely in the dialogue with Austrian literature of the 20th century (a case study of Gustav Meyrink’s The Golem)." Imagologiya i komparativistika, no. 18 (2022): 137–53. http://dx.doi.org/10.17223/24099554/18/7.

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The article identifies typological parallels between Andrei Bely and G. Meyrink based on their similar worldviews: Bely, the ideologist of Russian Symbolism, was an adept of Rudolph Steiner’s anthroposophy; Gustav Meyrink, an outstanding representative of the Prague School, had an intense interest in occultism and mysticism. Both factors - the aesthetic representation of unconsciousness in fiction and the appellation to mystic and occult experience - bring together Bely’s novel Moscow (1926-1932) and Meyrink’s The Golem (1915). The interest to the oeuvre of both writers emerges in the period o

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Kastiņš, Juris Andrejs. "Hanss Magnuss Encensbergers – literāro vinješu meistars." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/1 (March 1, 2021): 261–66. http://dx.doi.org/10.37384/aplkp.2021.26-1.261.

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The article “Hans Magnus Enzensberger – Master of Literary Vignettes” is dedicated to the latest book of the outstanding German poet and publicist “Masters of Survival: 99 Literary Vignettes of the 20th Century”, published on the occasion of the author’s 90th anniversary. It presents 99 literary portraits in the characteristic style of Enzensberger – from critical attitude to admirable praise. The article first describes the vignette as a special genre of literature (miniature literature), its meaning, and history. Several examples from the history of German and Austrian literature are mention

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Dujic, Dejan. "A bonus ec diligens pater familias 20. századi alakulása a német családjogban." DÍKÉ 5, no. 1 (2021): 47–63. http://dx.doi.org/10.15170/dike.2021.05.01.04.

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The process of women’s emancipation in European legal culture can be divided into three major periods according to their defining issues and objectives. The findings of the following study refer to the period from the beginning of the 20th century to the present day, which is usually identified in the literature as the second wave, and then as the third wave from the 1990s onwards. The turning point between these two stages is the thirty years after 1950, when the social, personal and family legal status of women changed significantly in Europe. The demands of the third wave, the ’modern emanc

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Radaeva, E. A. "EXPRESSIONIST WORLDVIEW IN THE CONTEXT OF CULTURE OF THE 1960S. (BASED ON THE WORK OF T. BERNHARD)." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23, no. 81 (2021): 89–97. http://dx.doi.org/10.37313/2413-9645-2021-23-81-89-97.

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In this article, the author examines the features of the expressionist worldview in the context of the culture of the second half of the 20th century, specifically, the 1960s. And in this regard, it is most appropriate to turn first of all to the most prominent representative of the Austrian literature of those years (Austria, Germany - the historical birthplace of expressionism) - Thomas Bernhard. The author comes to the conclusion that despite the epoch-making discoveries of those years and scientific and technological progress, mostly positive changes in the world, there is always a place f

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Glebova, Natalia M., and Michael Klamer. "Evolution and modernism of church architecture in Vienna." Journal «Izvestiya vuzov. Investitsiyi. Stroyitelstvo. Nedvizhimost» 11, no. 2 (2021): 314–29. http://dx.doi.org/10.21285/2227-2917-2021-2-314-329.

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The study aims to perform an introductory historical insight into the architecture of the Roman Catholic churches in Vienna to follow the style evolution and form making during the change of epochs, particularly in the 20th century, and to reveal how architects interacted with their customers – churchmen. This article is an introduction to a series of articles revealing and illustrating the diversity of modern architecture in seemingly conservative and canon-bound religious architecture. We carried out field studies and photo fixation of over a hundred historical and modern churches in Vienna

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Kovalev, M. V., and V. S. Gruzdinskaya. "“It is necessary to put in order not ONLY the literature brought from Moscow, But also thoughts, impressions, incentives...”: from the correspondence of A.V. Isachenko with Soviet colleagues." Herald of Omsk University. Series: Historical studies 9, no. 3 (35) (2022): 279–90. http://dx.doi.org/10.24147/2312-1300.2022.9(3).279-290.

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In this paper the letters of A.V. Isachenko (1910-1978), the Czechoslovak-Slovenian-Austrian linguist of Russian origin, to ethnographer P.G. Bogatyrev and philologist A.V. Fedorov, his Soviet colleagues, was analyzed. At the same time these letters are published with scholarly commentaries. If Isachenko met Bogatyrev in interwar Czechoslovakia, then a personal meeting with Fedorov took place in 1958 in the USSR. These letters are in the Archive of the Russian Academy of Sciences and the Central State Archive of Literature and Art of St. Petersburg. They cover the period 1945-1965, reflecting

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Lőkös, István. "A zágrábi Tudományegyetem hungarológiai tanszékének története." Gerundium 9, no. 3 (2019): 66–81. http://dx.doi.org/10.29116/gerundium/2018/3/5.

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The author gives an overview on the history of a quarter of a century of the youngest foreign workshop of Hungarian studies, namely, Department of Hungarian Language and Literature of the Faculty of Humanities of the University of Zagreb. The education on Hungarian studies started in Zagreb in 1944 and was precedented. At the University of Zagreb the Hungarian Language Department was functioning as early as the second half of the 19th century. Form 1904 to 1918, for almost one and a half century at the same place Hungarian language and literature was educated with the direction of professor Dr

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Dodson, Giles. "REVIEW: 'Digger' media out-manoeuvred by military." Pacific Journalism Review 18, no. 1 (2012): 238. http://dx.doi.org/10.24135/pjr.v18i1.303.

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Review of: Witnesses to War: The History of Australian Conflict Reporting, by Fay Anderson and Richard Trembath. Melbourne: Melbourne University Press, 2011, 501 pp, ISBN 978-0522856446 (pbk)Witnesses to War: The History of Australian Conflict Reporting provides a thorough-going account of the developments and, importantly, of continuities which have characterised Australian reporting of foreign wars since the 19th century. It is a welcome addition to the growing body of conflict reporting literature, in particular to that which concerns the local experience. It is clear the forces which struc

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Fedorova, Oleksandra A., Svitlana M. Lutsak, and Iryna Y. Mykytyn. "The Hutsul Springtime of Nations by Kajetan Abgarowicz: the discourse of the borderland as a state of culture awareness." Rusin, no. 67 (2022): 269–88. http://dx.doi.org/10.17223/18572685/67/15.

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This literary study of the Carpathian manifestation of The Springtime of Nations (1848-1849) is based of the short story “At the Hunting Campfire” from the collection “Rusini” [The Rusins] by Kajetan Abgarowicz (Abgar-Soltan), a Polish writer of Armenian descent of the late 19th - early 20th century. The imagological reflection of public sentiments of the 19th century is analysed through the lens of the discourse of the borderland as a state of culture awareness: the Polish (“ours” from the perspective of the Polish author) and “theirs” (i.e. Hutsul). The authors determine the Carpathian socie

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Aleksandrova, V. A. "H.F. Redlich on M.P. Musorgsky’s Songs and Dances of Death: To the History of the International Music Publishing Contacts in the First Third of the 20th Century." Art & Culture Studies, no. 2 (June 2024): 340–77. http://dx.doi.org/10.51678/2226-0072-2024-2-340-377.

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This article is devoted to the work of the music critic, conductor, and composer Hans Ferdinand Redlich (1903–1968) in comparing the two versions of M.P. Musorgsky’s Songs and Dances of Death, namely, N.A. Rimsky‐Korsakov’s creative arrangement (1882) and P.A. Lamm’s academic edition (1928). The Austrian musician’s appeal to the artwork of the Russian composer is considered in the context of the public movement of the “restoration of the authentic Musorgsky” and the international music publishing relations of the late 1920s. The article is supplemented by the publication of an archival documen

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Banias, Volodymyr, Karon Simoni, and Nataliia Banias. "The fourth interpretation of the novel “The Trial” by Franz Kafka." Acta Academiae Beregsasiensis, Philologica III, no. 2 (2024): 170–77. http://dx.doi.org/10.58423/2786-6726/2024-2-170-177.

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The article examines one of the most famous novels of the 20th century — “The Trial” by the Austrian writer Franz Kafka. Published in 1925 after the death of the author, this book constantly continues to attract attention because of the multiple meanings that can be found in the text. Literary critics throughout the world have developed several interpretations of “The Trial”. The dominant idea is that this novel is a metaphor for the life of a modern person, who is a pawn in the hands of subhuman (albeit self-created) institutions. The article gives a brief overview of the novel’s main interpr

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Baydalova, Ekaterina. "Topos of the city in contemporary Ukrainian scholarship." Slavic Almanac, no. 3-4 (2023): 410–27. http://dx.doi.org/10.31168/2073-5731.2023.3-4.21.

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The article examines the history and current state of the study of the topos of the city in modern Ukrainian literary criticism (2000–2010s). The city and urban space entered Ukrainian literature relatively late (through the prose of I. Nechuy-Levitsky, P. Mirny, I. Franko, V. Vynnychenko). This happened under the influence of the industrialization of the state and society in the late 19th and early 20th centuries, but the “urban text” of Ukrainian culture continued to form throughout the last century. In the studies of Ukrainian scientists addressing urban topics, the main attention is paid t

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Petty, Simon. "The Jazz Diaspora: Challenging Perspectives for 21st-Century Jazz Education Methodologies." Jazz Education in Research and Practice 5, no. 1 (2024): 108–27. http://dx.doi.org/10.2979/jazzeducrese.5.1.08.

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Abstract: Until the late 20th century, global narratives of jazz were limited. However, more recently, as the field of New Jazz Studies has gained a strong foothold in academia, the need for a more critical understanding of diasporic jazz studies within the academy is now timely. This study examines the jazz diaspora and the growth of New Jazz Studies. A literature synopsis of jazz diaspora and New Jazz Studies scholarship serves as a reference for further investigation and practical application within jazz education settings that are discussed in the final sections of the article. As an examp

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Koval, Oxana A., and Ekaterina B. Kriukova. "Ludwig Wittgenstein As a Fictional Character. Part I." Voprosy Filosofii, no. 3 (2021): 196–207. http://dx.doi.org/10.21146/0042-8744-2021-3-196-207.

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In these latter days, there is a clear tendency towards convergence in the complex relationship between the two language practices – fiction and philosophy. On the one hand, philosophy increasingly turns to the interpretation of important literary texts. On the other hand, literature responds to the challenges of modern thought. This paper focuses on the creative heritage and personality of Ludwig Wittgenstein, the main initiator of “linguistic turn”, from the point of view not of philosophical, but of literary reception. The art of the word in the 20th century was strongly charged due to the

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НOLYK, Roman. "THE SYSTEM, MOSAIC OR KALEIDOSCOPE?: LINGUISTIC, LITERARY AND CULTURAL HISTORY OF LVIV AND HALYCHYNA AS AN INTELLECTUAL ISSUE." Ukraine: Cultural Heritage, National Identity, Statehood 36 (2022): 256–74. http://dx.doi.org/10.33402/ukr.2022-36-256-274.

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The question of methodological bases and synthesis of research around Lviv and Halychyna is raised. It is studied how Lviv studies and Halychyna studies developed at different stages, maps of research of Lviv and Halychyna are outlined: from the texts by the older generation of researchers of this problem of the 19th – middle of the 20th century to the works of scientists of the late 20th – early 21st century. Thematic niches of this research map are outlined: the studies on social history, language, literature, book culture, and other phenomena. Emphasis is placed on the institutional and pro

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Novikova, S. Yu. "Thomas Bernhard: a portrait of the artist in comics." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 8, no. 2 (2023): 53–67. http://dx.doi.org/10.18522/2415-8852-2023-2-53-67.

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The article offers an analysis of graphic books based on the works of Thomas Bernhard (1931−1989), the classic of Austrian literature of the 20th century. The material for the study consists of graphic novels, graphic memoirs, and biographical books created by two Austrian artists − Nicholas Maler and Lucas Kummer. The techniques used by the creators in their work with the “hypotext” (G. Genette) − Bernhard&#x27;s dramatic and narrative oeuvre: the play “The World-Fixer” (Der Weltverbesserer, 1978), the novel “Old Masters: A Comedy” (Alte Meister: Komödie, 1985), and the autobiographical n

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KONDRATIUK, Kostiantyn, and Oresta KOTSIUMBAS. "ACADEMIC GYMNASIUM IN LVIV: 1849-1914." Ukraine: Cultural Heritage, National Identity, Statehood 33 (2020): 50–68. http://dx.doi.org/10.33402/ukr.2020-33-50-68.

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Academic Gymnasium was found in October 1784 at the University of Lviv. This is a state secondary educational institution of the humanitarian direction. The graduates-maturists had the opportunity to continue their studies at the university after its completion. The Academic Gymnasium was the oldest gymnasium with the Ukrainian language of instruction. The information concerning the gymnasium's organization's functioning and principles till 1848 was lost due to revolutionary events. We can find the data about the organization of the institution's functioning, the number of teachers and student

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Stogov, Dmitrii I. "The Rusin agenda in the works of Russian Conservatives of the late 19th - early 20th century." Rusin, no. 67 (2022): 174–87. http://dx.doi.org/10.17223/18572685/67/10.

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The article analyses the statements of a number of right-wing conservative politicians, publicists, and thinkers concerning various aspects (socio-economic, political, religious, and cultural) of the life of the Rusinian population of the Austro-Hungarian Empire. Analyzing the socio-political life of the Austro-Hungarian Rusins, Conservatives drew attention to their difficult economic situation, criticized the Austro-Hungarian authorities and the Polish public and called for the development of possible ways to improve the situation. Russian Conservatives mostly focused on the spiritual and cul

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Darian-Smith, Kate, Catriona Elder, and Fiona Paisley. "“Are We Internationally Minded?” Everyday Cultures of Australian Internationalism in the mid-20th Century." Journal of Australian Studies 43, no. 4 (2019): 405–11. http://dx.doi.org/10.1080/14443058.2019.1704171.

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Farrukh, Gul, and Awais Ahmad Durrani. "Creating the Monster: Adolf Hitler's Foundational Influence on the Nazi Party." Winter 2023 4, no. 1 (2023): 6–11. http://dx.doi.org/10.55737/qjssh.978456442.

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This study examines Adolf Hitler's complex life and rise to power, a German politician and tyrant who changed 20th-century history. Hitler's rise from a failed artist in Austria in 1889 to a global political power is methodically analyzed, revealing his early military duty, political ambitions, and ideological development. The literature explains Hitler's use of democratic routes to construct an authoritarian dictatorship through careful historical analysis and scholarly research. It also examines Hitler's racism and anti-Semitism, propaganda, and Weimar Germany's complicated socio-political c

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Sidorova, O. "When the post-colonial transforms into the national (“The narrow road to the deep north” by R. Flanagan)." Philology and Culture, no. 3 (October 22, 2024): 269–74. http://dx.doi.org/10.26907/2782-4756-2024-77-3-269-274.

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Australian literature, which has long developed within the framework of the British literary tradition, is increasingly turning to (re)thinking the history of the continent, acquiring the features of a special type of postcolonial literature - the literature of settler communities. This is clearly manifested in the novels of contemporary Australian writers. The article examines how the contemporary Australian novel reflects the continent’s colonial history and the ambivalent role of the settlers who were both colonizers and were colonized. The novels by P. Carey, K. Grenville and R. Flanagan s

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Mehedinţi-Beiean, Mihaela. "Political instability and corruption. The Phanariot regime as seen by Russian and Nordic travellers." Romanian Journal for Baltic and Nordic Studies 8, no. 1 (2016): 21–44. http://dx.doi.org/10.53604/rjbns.v8i1_3.

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The history of the Romanian Principalities was particularly tumultuous during the modern period, given that they were situated in a geographical area of great interest for three large empires: the Ottoman Empire, the Austrian Monarchy and Russia. As a result, the political regime established in Moldavia and Wallachia in the 18th century and which lasted until 1821 bore all the hallmarks of Orientalism as expressed by rulers, namely the most profound corruption at all administrative levels, an utter lack of interest regarding the people’s welfare and the unremorseful pursuit of their own intere

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Semeniuk, Oksana. "Historical and literary sources of the libretto of A. Zahaikevych’s opera “Vyshyvanyi. The King of Ukraine”." Aspects of Historical Musicology 37, no. 37 (2024): 59–74. https://doi.org/10.34064/khnum2-37.04.

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Statement of the problem. Vasyl Vyshyvanyi, in reality, Wilhelm von Habsburg, who consciously embraced the Ukrainian identity and fought for Ukraine’s independence during the First and Second World Wars, captivates the attention of prominent scholars and Ukrainian artists since the final decades of the 20th century. The 2000s marked a real renaissance in interest toward this enigmatic Austrian by origin, yet Ukrainian by spirit, that is evidenced by numerous historical, literary, and music works created during the first two decades of the 21st century. Among the most significant are the study

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Hnatyuk, M. "VERB STRESS IN "THE FIRST READER FOR PUBLIC SCHOOLS" BY A. KRUSHELNYTSKYI, O. POPOVYCH, B. LEPKYI (1918)." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(102) (April 26, 2024): 72–81. http://dx.doi.org/10.35433/philology.1(102).2024.72-81.

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The article traces the peculiarities of verb stress in "The First Reader for Public Schools" authored by A. Krushelnytskyi, O. Popovych, and B. Lepkyi (1918), which was one of the official textbooks for Ukrainian-speaking schools during the time of Austria-Hungary. The proposed publication introduces the textbook by the mentioned authors into the scientific linguistic circulation in the accentological aspect. The article identifies historically formed accentuation models, analyses the degree of their compliance with the norms of the time recorded in Western Ukrainian dictionaries and grammars

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Kosior, Andrzej, Waldemar Celary, Paweł Olejniczak, et al. "The decline of the bumble bees and cuckoo bees (Hymenoptera: Apidae: Bombini) of Western and Central Europe." Oryx 41, no. 1 (2007): 79–88. http://dx.doi.org/10.1017/s0030605307001597.

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The bumble and cuckooo bees (Hymenoptera: Apidae: Bombini; Bombus spp. and Psithyrus spp., respectively) are important plant pollinators and any decline in numbers or species constitutes a significant threat both to biological diversity and to whole economies. The distribution, status and factors threatening all 60 known taxa (species and subspecies) of Bombini of 11 countries of Western and Central Europe (Belgium, the Netherlands, Luxembourg, Denmark, Germany, Switzerland, Austria, Czech Republic, Slovakia, Hungary, Poland) were assessed from the beginning of the 20th century. The analysis w

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Markov, Alexander. "Gustav Klimt and Egon Schiele in contemporary Russian Poetry." Philology & Human, no. 2 (July 21, 2021): 153–63. http://dx.doi.org/10.14258/filichel(2021)2-14.

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Leading Austrian artists of the first quarter of the 20th century, Gustav Klimt and Egon Schiele, did not attract the Russian writers attention until the 1990s, when the development of Russian postmodern literature was conductive to the attention to their experiments, polystylistics, cultural symbolism and aestheticism. It is stressed that although the heritage of these artists was adapted to the aesthetic project of Russian postmodernism, poetic statements about them revealed aspects of art that are not obvious to the common viewer. First of all, in the Russian poetry of the 1990s and the ear

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Santos, Thais Cozza dos, Eduarda Aléxia Nunes Louzada Dias Cavalcanti, Maria Eduarda Bicca Dode, Gustavo Antônio Boff, Guilherme Albuquerque de Oliveira Cavalcanti, and Fábio Raphael Pascoti Bruhn. "Radiographic findings in the coxofemoral joint of Australian Cattle Dogs." Brazilian Journal of Veterinary Research and Animal Science 60 (October 23, 2023): e208324. http://dx.doi.org/10.11606/issn.1678-4456.bjvras.2023.208324.

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Australian Cattle Dogs (ACD) are medium-sized animals widely used in fieldwork for managing cattle and sheep. There needs to be more information about the conditions these dogs can develop despite being well-characterized animals since the beginning of the 20th century. Hip dysplasia (HD) is a developmental abnormality between the femoral head and the acetabular fossa, which can be debilitating. However, the available literature has no studies on the prevalence of this condition in dogs of this breed. This study aimed to evaluate radiographs of ACD qualitatively and quantitatively. For this pu

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Colăcel, Onoriu. "Suceava On Camera: The County Council And Local Self-Identification In 21st Century Romania." Messages, Sages and Ages 2, no. 2 (2015): 19–32. http://dx.doi.org/10.1515/msas-2015-0008.

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Abstract In post-communist Romania, regional self-identification has undergone significant change. Particularly, a paradigm shift occurred in relation to 20th century Romanian historiography (I have in mind the national communist as well as inter-war historic narratives). The literature and the promotional films of Suceava County Council (i.e., the local government branch) are a case in point. They are designed to advertise tourism products in travel marts and various media outlets. Next to the story of a multi-faith/ethnic community, particular images and symbols are employed in order to craf

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ZAHARIA, Mihaela. "LITERATURE AND ANTHROPOLOGY (ON THE PRODUCTIONS OF ROBERT MÜLLER AND ERNST JÜNGER)." Ezikov Svyat (Orbis Linguarum) 17, no. 2 (2019): 120–32. http://dx.doi.org/10.37708/ezs.swu.v17.i2.14.

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e aim of the article is to examine some works of two authors from the first half of the 20th century, both native speakers of the German language in order to look for common mental constructs and symbols. Many literary critics comparing Robert Müller and Ernst Jünger emphasize the similar roles they played in the literatures of Austria and Germany, respectively. Robert Müller and Ernst Jünger leave the impression that they search for order in the contradictory universe and if they do not find it, they create it. They are both social analysts, they are multi-talented, both dreamers and traveler

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Mironov, V. V. "Mexico and Austria-Hungary: a difficult path to normalize relations." Tambov University Review. Series: Humanities 29, no. 1 (2024): 233–45. http://dx.doi.org/10.20310/1810-0201-2024-29-1-233-245.

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Importance. The reasons for the restoration of interstate contacts between Mexico and Austria- Hungary at the beginning of the 20th century are analyzed and their evolution during the “porphyriate”, the Mexican Revolution of 1910–1917 and the World War I is traced.Materials and Methods. Based on a critical analysis of domestic and foreign research literature using historical-genetic and historical-comparative methods, the course of resolving the longstanding interstate conflict and the evolution of military-political and trade relations between Mexico and Austria-Hungary in the last third of t

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Furaih, Ameer Chasib. "A Poetics of De-colonial Resistance: A Study in Selected Poems by Evelyn Araluen Cor." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, no. 02 (2022): 439–56. http://dx.doi.org/10.37648/ijrssh.v12i02.029.

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First Nations peoples in Australia, as in many other colonized countries, were forced to acquired English soon after the arrival of the colonists in their country during the second half of the 18th century. In response to their land dispossession, Indigenous Australian poets adopted and adapted the language and literary forms of colonists to write a politicized literature that tackles fundamental subjects such as land rights, civil, and human rights, to name but a few. Their literary response can be traced back to the early 1800s, and it had continued through the 20th century. One example is t

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