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Littérature scientifique sur le sujet « Bisexual women – Fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Bisexual women – Fiction"

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Doan, Laura. "Lesbian Panic: Homoeroticism in Modern British Women's Fiction. Patricia Juliana SmithOther Women: Lesbian/Bisexual Experience and Psychoanalytic Views of Women. Beverly Burch." Signs: Journal of Women in Culture and Society 25, no. 1 (1999): 297–301. http://dx.doi.org/10.1086/495438.

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Totter, Eileen. "Star Trek: Lower Decks and utopian queer intimacy." Queer Studies in Media & Popular Culture 7, no. 1-2 (2022): 55–67. http://dx.doi.org/10.1386/qsmpc_00068_1.

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While the Star Trek franchise is synonymous with diversity, queerness has been unfortunately interpreted more as a tragic plot device rather than presenting fully realized queer characters in series such as Star Trek: The Next Generation and Star Trek: Deep Space Nine. However, the more recent programme Star Trek: Lower Decks appears to embrace Gene Roddenberry’s utopian ethos in that diversity is default in the future through multiple queer and queer-coded women. This article analyses how bisexual protagonist Ensign Beckett Mariner eventually finds support over the course of the series throug

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Rush, Josie. "Going online to be a lesbian: AfterEllen, Vice Versa, The Ladder and queer (?) theorizing in discursive spaces." Queer Studies in Media & Popular Culture 4, no. 2 (2019): 139–54. http://dx.doi.org/10.1386/qsmpc_00002_1.

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By constructing a lineage of mediated discourse in which queer women theorize their spaces and identities, this article argues for the significant place of communication technologies as venues for queer women’s theoretical discussions. Specifically, it analyses content from AfterEllen, a website devoted to popular culture and media for lesbian and bisexual women, connecting the site to two twentieth-century lesbian periodicals, Vice Versa and The Ladder, ultimately arguing for a conception of the discourse produced in these spaces as a type of proto-queer theory. In each space, queer women rej

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Rush, Josie. "Going online to be a lesbian: AfterEllen, Vice Versa, The Ladder and queer (?) theorizing in discursive spaces." Queer Studies in Media & Popular Culture 4, no. 2 (2019): 139–54. http://dx.doi.org/10.1386/qsmpc_00018_1.

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By constructing a lineage of mediated discourse in which queer women theorize their spaces and identities, this article argues for the significant place of communication technologies as venues for queer women’s theoretical discussions. Specifically, it analyses content from AfterEllen, a website devoted to popular culture and media for lesbian and bisexual women, connecting the site to two twentieth-century lesbian periodicals, Vice Versa and The Ladder, ultimately arguing for a conception of the discourse produced in these spaces as a type of proto-queer theory. In each space, queer women rej

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Nastikaputri, Nadhila Hibatul, and Sudibyo Prawiroatmodjo. "TRANSFORMASI DIMENSI KEHIDUPAN SRIKANDI DALAM NOVEL KEKASIH MUSIM GUGUR KARYA LAKSMI PAMUNTJAK." SUSASTRA: Jurnal Ilmu Susastra dan Budaya 11, no. 2 (2023): 76–86. http://dx.doi.org/10.51817/susastra.v11i2.124.

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Kekasih Musim Gugur is a contemporary Indonesian fiction work that contains elements of traditional literary stories in the form of wayang (Indonesian shadow puppetry) tales. Based on the initial reading of the novel Kekasih Musim Gugur, several similarities in the portrayal of the main character, Srikandi Eilers, in the novel with the character of Srikandi in Javanese wayang were found. This research aims to describe the forms of transformation of wayang story elements in various dimensions of the life of the character Srikandi Eilers in the novel Kekasih Musim Gugur using the concept of inte

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Chui, Don Lok Tung, and Lik Sam Chan. "Boys’ Love as Conditional Resilience: How Gay and Bisexual Men from Hong Kong Consume Boys’ Love." Sexuality & Culture, January 4, 2025. https://doi.org/10.1007/s12119-024-10309-w.

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AbstractBoys’ Love (BL) is a fictional genre that depicts homoerotic relationships between two men. As it is often regarded as created by women and for women, most BL-related studies have focused on its female participants. In recent decades, the BL subculture has transformed into a transnational cultural phenomenon. Although such popularity may suggest that more homoerotic media products are available to gay/bisexual men, the heteronormative nature of BL may drive away gay/bisexual audiences. This study investigates the experiences of consuming BL among gay/bisexual men in Hong Kong. The find

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Knopp-Schwyn, Collin, and Michael Fracentese. "Ayo, Bisexual Check." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2967.

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Introduction A 2021 listicle pronouncing “10 Things That Are Bisexual Culture” concludes that “claiming that random things are ‘bi culture’ is the most bi-culture thing of all” (Wilber n.p.). While posed as tongue-in-cheek, the assignment of status as a signifier of bisexuality to seemingly arbitrary actions and items reinforces the notion that bi people seek a distinct visual and cultural identity and struggle to make one. We consider how creators on the algorithmically driven social media platform TikTok responded to an open-ended 2019 prompt (“ayo, bisexual check”) to show off styles and ac

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Green, Lelia, Kelly Jaunzems, and Harrison See. "Porno." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3092.

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Is what constitutes pornography in the mind of the beholder? This issue of M/C Journal sought articles on “porno”: a deliberately informal, almost friendly, playful term for a content category which evokes many complex responses. Indeed, the categories of materials deemed to be “pornographic” offer rich insights into the cultures that classify, create, and circulate the materials that key publics consume, overtly or – more commonly – covertly. The clandestine dynamic is further heightened when the people consuming and discussing such content include those who are deemed too young to do so. The

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Joseph, Kaela, and Ruby McCoy. "Personalised Progressive Porno." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3075.

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Introduction The year 2018 saw drastic shifts in fan spaces where fan works, such as art, fiction, and videos, were once widely, openly shared, including those containing sexually explicit content, a.k.a. porno. Major catalysts were the highly contested United States legislations Stop Enabling Sex Traffickers Act (SESTA) and Fight Online Sex Trafficking Act (FOSTA), which addressed the liability of host sites for content shared by users. Shortly after, similar legislation appeared around the world, including Australia’s Online Safety Act 2021. In response, Websites once popular with adolescent

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Rintoul, Suzanne. "Loving the Alien." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2408.

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In a 2003 Rolling Stone review of David Bowie’s 1972 concept album The Rise and Fall of Ziggy Stardust and the Spiders From Mars, one critic looks back and argues that “[the creation of] Ziggy was a shrewd move because it presented Bowie, the fledgling artiste, as an established rock star.” Bowie’s shrewdness, the author muses, lies in the fact that he created in Ziggy “rock’s first completely prepackaged persona,” and inscribed it over his own. Whether or not Ziggy was indeed the first such persona (one asks oneself if all celebrities are not, to a degree, prepackaged personae), Bowie’s self-

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Livres sur le sujet "Bisexual women – Fiction"

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Wood, Elizabeth. Mothers and lovers. F. Watts, 1987.

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Osborne, Richard. Basic instinct: A novel. Signet, 1992.

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Osborne, Richard. Basic instinct: A novel. Signet, 1992.

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Osborne, Richard. Bản năng gốc. 2-ге вид. NXB Văn hóa Sài Gòn, 2009.

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Osborne, Richard. Basic instinct: A novel. Penguin Books, 1992.

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Bradley, Marion Zimmer. Gefährtinnen der Liebe: Roman. Wilhelm Heyne Verlag, 1986.

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Cliff, Michelle. Into the interior. University of Minnesota Press, 2010.

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Queen, Carol. The leather daddy and the femme: An erotic novel. Cleis Press, 1998.

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Marcus, Jamina. Time will tell. Humming Words Press, 1996.

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Lopez, Erika. They call me Mad Dog!: A story for bitter, lonely people. Simon & Schuster Editions, 1998.

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Plus de sources

Chapitres de livres sur le sujet "Bisexual women – Fiction"

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Reid, Robin Anne. "17. LOST IN SPACE BETWEEN "CENTER" AND "MARGIN": SOME THOUGHTS ON LESBIAN-FEMINIST DISCOURSE, BISEXUAL WOMEN , AND SPECULATIVE FICTION." In Feminist Nightmares: Women At Odds. New York University Press, 2020. http://dx.doi.org/10.18574/nyu/9780814784945.003.0021.

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