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1

Foor, Sheila Marie. « Dickens's \"walls of words\" in Bleak house / ». The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825078237.

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Nelms, Jeffrey Charles. « Orality, Literacy, and Character in Bleak House ». Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc500998/.

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This work argues that the dynamics of the oral and of the literate consciousness play a vital role in the characterization of Bleak House. Through an application of Walter Ong's synthesis of orality/literacy research, Krook's residual orality is seen to play a greater role in his characterization than his more frequently discussed spontaneous combustion. Also, the role orality and literacy plays in understanding Dickens's satire of "philanthropic shams" is analyzed. This study concludes that an awareness of orality and literacy gives the reader of Bleak House a consistent framework for evaluating the moral quality of its characters and for understanding the broader social message underlying Dickens's topical satire.
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Keffeler, Kristina Lee. « Truth and Justice in The Moonstone and Bleak House ». Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/244411.

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Truth and justice seem to have a natural connection, especially in novels where detectives investigate the mysteries behind a crime. The plot of a detective story is based on the assumption that once the facts are discovered, the truth will come out and justice will be served. This thesis explores the interaction between truth and justice in Wilkie Collins’s The Moonstone and Charles Dickens’s Bleak House. While investigations may reveal the truth, this does not always lead to justice. Authors can uphold or deviate from traditional norms to reinforce or undermine the expectation that justice will be served.
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Cash, Sarah E. « The Broken Mirror : Maternal Agency and Identity in Charles Dickens's Bleak House ». FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/828.

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This paper examined how Esther Summerson, Dickens’s ideal good mother, can be understood as a woman who has maternal agency and identity both as a character and as a narrator, and how she contrasts with other maternal characters in the novel, both major and minor. While more transgressive mothers, such as Lady Dedlock, Mrs. Jellyby and even Krook’s cat, are doomed to death, ineffectiveness and madness, Esther moves from a frozen, “unsexualized” state into a space of life and sexual possibility. In addition, Esther has agency and identity as a narrator since she shares the narration with a third-person male narrator. Esther becomes the one who speaks rather than the one who is spoken of, and her maternal, nurturing voice provides a balm for the often harsh, judgmental voice of the male narrator. As the narrator’s patriarchal voice dies away at the end, it is Esther’s maternal voice that survives.
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Foster, Jonathan. « The Non-World : Inaccessibility and Law in Charles Dickens' Bleak House ». Thesis, Stockholms universitet, Engelska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-126573.

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The representation of Chancery court in Charles Dickens’ Bleak House (1852-3) emphasises the inaccessibility of this institution to members of the laity. Dickens’ critique of Chancery chimes with Pierre Bourdieu’s sociological description of law as a formalistic social field defined by practices of exclusion. Dickens’ Chancery is however further inaccessible since it departs from Dickens’ laypeople’s horizons of expectation as a bureaucratic organisation characterised by its structural dispersion and the generation of great quantities of writing. This thesis therefore scrutinises Dickens’ treatment of Chancery in light of media-theoretical and geocritical, as well as sociological, frameworks and perspectives. This essay demonstrates that Dickens’ account of the institution of Chancery as conceptually inaccessible amounts to what I term a non-world heuristic. I contend that Dickens’ take on law anticipates what Fredric Jameson famously theorises as the dizzying “global world system” of late capitalism; the non-world heuristic of Bleak House—which combats disorientation in the social domain of law—may thus be understood as an early example of what Jameson terms an “aesthetic of cognitive mapping.” The non-world heuristic, this thesis proposes, likely has a role to play also in fictional attempts to cognitively map the global world system. I theorise the non-world heuristic in light of the discourse on accessibility in possible-worlds theory and the Kantian sublime, finding that the sublime non-world of Chancery is made accessible as inaccessible and that this dynamic is integral to Dickens’ aesthetic both as a maker of cognitive maps and as a realist novelist.
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Tadele, Getnet. « Bleak prospects : young men , sexuality and HIV/AIDS in an Ethiopian town ». [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2005. http://dare.uva.nl/document/78048.

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Rova, Carl. « Flipping the Pyramid : lessons from converting top-down management of bleak-roe fishing / ». Luleå, 2004. http://epubl.luth.se/1402-1544/2004/50/index.html.

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Verge, Carrie Ann. « Mr. Dickens's Book of Household Management:(Re)-Reading Bleak House as Domestic Literature ». Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1540210132173239.

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Alcalde, Joaquín. « The effects of endocrine disruptor cocktails on bleak (Alburnus alburnus) behavior, growth, and morphology ». Thesis, Uppsala universitet, Institutionen för biologisk grundutbildning, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-233397.

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Barker, Daniel K. « A justification of the narrative presence of Esther Summerson in Charles Dickens's Bleak house / ». Electronic version (PDF), 2004. http://dl.uncw.edu/etd/2004/barkerd/danielbarker.html.

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11

Fayemi-Wiesebron, Anne-Gaëlle Adetôla. « L'objet dickensien, entre profusion et vide : étude de l'objet dans David Copperfield, Bleak House et Great Expectations ». Phd thesis, Université Rennes 2, 2012. http://tel.archives-ouvertes.fr/tel-00753707.

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Pris dans les rouages de la révolution industrielle, l'objet dickensien est synonyme d'abondance. Cette profusion d'objets - qu'ils soient concrets ou diégétiques - permet au texte ses plus beaux excès et se prête à merveille au jeu de la collection et des listes, chères à Dickens. Les objets brillent de possibilités inouïes, bousculent l'ordre préétabli et en viennent à supplanter les personnages, souvent relégués au second plan. Le récit, réaliste, est incrusté de surnaturel et fait aussi bien allégeance à l'excès qu'à l'ordre qui en découlera. Les deux extrêmes oeuvrent donc à la réconciliation quand sonne le glas de la suprématie de l'objet et que s'opère la transition de l'euphorie du conte au fantastique dysphorique. Le texte normalise donc son rapport à l'objet et se déleste d'un trop-plein subversif. Pris dans la vague diluvienne balayant sur son passage cette surabondance trop peu conventionnelle, l'objet se délite. Ce travail se propose donc, au travers de trois romans de l'oeuvre dickensienne, d'étudier le passage subtil de l'abondance d'objets à la sublimation du vide
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Fayemi-Wiesebron, Anne-Gaëlle. « L'objet dickensien, entre profusion et vide : étude de l'objet dans David Copperfield, Bleak House et Great Expectations ». Thesis, Rennes 2, 2012. http://www.theses.fr/2012REN20039/document.

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Pris dans les rouages de la révolution industrielle, l'objet dickensien est synonyme d'abondance. Cette profusion d'objets – qu'ils soient concrets ou diégétiques – permet au texte ses plus beaux excès et se prête à merveille au jeu de la collection et des listes, chères à Dickens. Les objets brillent de possibilités inouïes, bousculent l'ordre préétabli et en viennent à supplanter les personnages, souvent relégués au second plan. Le récit, réaliste, est incrusté de surnaturel et fait aussi bien allégeance à l'excès qu'à l'ordre qui en découlera. Les deux extrêmes oeuvrent donc à la réconciliation quand sonne le glas de la suprématie de l'objet et que s'opère la transition de l'euphorie du conte au fantastique dysphorique. Le texte normalise donc son rapport à l'objet et se déleste d'un trop-plein subversif. Pris dans la vague diluvienne balayant sur son passage cette surabondance trop peu conventionnelle, l'objet se délite. Ce travail se propose donc, au travers de trois romans de l’oeuvre dickensienne, d’étudier le passage subtil de l’abondance d’objets à la sublimation du vide
Caught in the machinery of the Industrial Revolution, the Dickensian object is synonymous of abundance. This profusion of objects – be they tangible or diegetic – allows the text to give way to all excess, and lends itself to the play of collection and lists, both dearly appreciated by Dickens. The objects blaze with unthought-of possibilities, disrupt the pre-established order, and come to supersede the characters, themselves often relegated in the background. The narration, albeit realist, isinlaid with supernatural interpolations, thus making an oath of allegiance either to excess and order, the second deriving from the first. Both these extremes work towards reconciliation as tolls the bell of the object's pre-eminence, and as a transition takes place from the fairy-tale euphoria to the fantastic dysphoria. Therefore, the text brings its relation to the object back to normal and relieves itself from the weight of a subversive overflow. Enmeshed in the diluvian wave which sweeps aside this unconventional overabundance, the object disintegrates. This work on three Dickensian novels thus offers to study the subtle transition from the abundance of objects to the sublimation of the void
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Adams, Aaron. « Victorian representations and transformations : sacred place in Charles Dickens's Bleak House and Thomas Hardy's Jude the Obscure ». Thesis, University of Sussex, 2010. http://sro.sussex.ac.uk/id/eprint/2397/.

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Victorian literary criticism has within it a longstanding tradition of inquiring about the degree to which literature of the period reflects the realities of nineteenthcentury Christian faith. Many of these studies are admirable in the way that they demonstrate the challenges confronting religion in this period of dynamic social, cultural, economic, political, and scientific change and growth. Similarly, this study will examine the critical intersections between nineteenth-century Christianity and literature. However, this project is unique by virtue of the methodology used in order to access both the expressed and latent perspectives on Victorian faith at play within a given text. I propose that that a spatial, place-based reading has heretofore been largely ignored in critical explorations of nineteenth-century faith and literature. While, literary criticism utilising concepts related to spatiality, geography, topography, and place have increased within recent decades, these critical works are largely silent on the issue of the narrative representations of “place” and the expression and understanding of Victorian Christianity. This project suggests a model for just such a reading of nineteenth-century texts. More specifically, this thesis proposes that by reading for sacred place in the Victorian novel one is able to explore the issue of Christianity and literature from a unique and neglected point of narrative and critical reference. Using Charles Dickens's Bleak House and Thomas Hardy's Jude the Obscure as primary texts, this study demonstrates that a careful exploration of sacred place within a particular narrative reflects an author's and, more broadly, a culture's perceptions of a faith. Reading Victorian religion from the vantage point of place acknowledges that place is itself an inescapable and fundamental medium through which individuals and cultures mediate the most mundane and the most exhilarating of their personal and collective experiences and beliefs. Similarly, faith, especially in nineteenth-century England, is a dominant and pervasive metaphysical ideology that is connected to and possesses repercussions for virtually all aspects of individual and social life. A critical reading that unites place and faith – these two fundamental paradigms of human experience and understanding – will inevitably provide fertile soil for a productive reading of the texts under consideration.
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Seman, Taylor J. « Dickens against the Grain : Gendered Spheres and Their Transgressors in Bleak House, Hard Times, and Great Expectations ». Ohio University Honors Tutorial College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1307384151.

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15

Takai, Yuriko. « Formations of social concern in three novels of Dickens : a critical reading of Oliver Twist, Bleak House, and Little Dorrit ». Thesis, University of Essex, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.277697.

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16

Swifte, Yasmine Gai. « Charles Dickens and the Role of Legal Institutions in Social and Moral Reform : Oliver Twist, Bleak House, and Our Mutual Friend ». University of Sydney, English, 2000. http://hdl.handle.net/2123/409.

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The legal system of Victorian England is integral to Charles Dickens' novels and to their moral intent. Dickens was acutely conscious of the way in which the Victorian novel operated as a form of moral art. As a novelist he is concerned about the victims of his society and the way in which their lots can be improved. He therefore chooses to construct representative victims of legal institutions such as the Poor Law Amendment Act of 1834 and the Court of Chancery in his novels to highlight flaws in his world and the changes that might be made to improve social conditions. This thesis will examine the way in which Dickens' fictional enquiry into the social world his characters stand to inherit is focused on the legal system and its institutions, most particularly, the law of succession. By discussing three novels from different periods of his writing career, Oliver Twist (1837), Bleak House (1853) and Our Mutual Friend (1862-1865), I will suggest how his engineering of moral outcomes shows his development as a writer. The law of succession and related legal institutions such as the Court of Chancery, dealing with wills and inheritance, recurs in Dickens' novels, providing the novelist with social, moral and legal identities for his characters. These identities, as unveiled during the texts, propel the characters and plot development in particular directions in response to the novels' moral intent. The role of inheritance in Victorian society largely provides Dickens with a means to explore the adequacies of existing legal institutions, such as the means by which to prove and execute wills and the operation of the Court of Chancery. The role of inheritance also allows Dickens to examine the social condition of those who are deprived of an inheritance or who are unable to enforce their legal rights. In this respect Dickens concentrates on the appalling conditions of institutions such as workhouses and poorhouses in Victorian society and on resultant criminal activity and prostitution in the community as the disinherited struggle to survive. Dickens' study of crime in particular sheds invaluable light on the prevailing moral standards of, and difficulties with, his society. Dickens acknowledges his pedagogical role as an author, providing synopses of his lessons in the prefaces to his books and forewarning his audience of the literary devices (such as grotesquerie) that are necessary to communicate them effectively. This thesis will examine the way in which Dickens' engineering of moral outcomes through the convenient use of the law of succession becomes increasingly sophisticated as he develops as a writer. The stock plot device of the impoverished orphan child, a representative victim of such a Victorian legal institution as the Poor Laws who is morally saved when elevated into gentility by a secret inheritance, sustains the plot of Oliver Twist. The simplistic and somewhat improbable fortunes of Oliver, however, give way to the more probable moral and legal outcomes of characters such as Jo and Richard Carstone in Bleak House. In Bleak House Carstone, who is certainly a more interesting central protagonist than Esther Summerson in terms of Dickens' examination of legal institutions and their effect on moral and social outcomes in the novel, makes a ruinous attempt to manipulate the legal system and gain control over his fortune by joining the suit of Jarndyce v Jarndyce. In Our Mutual Friend, however, a complex and successful manipulation of the legal system is achieved by Harmon/Handford/Rokesmith, an adult and extremely resourceful character who, in conjunction with other characters such as Bella Wilfer and Mr Boffin, is testament to the inseparability of individual and legal identities as far as moral and social outcomes are concerned. Throughout the novels it can be seen that the abilities of Oliver Twist, Richard Carstone and John Rokesmith to manipulate the law of succession correlate directly to stages of Dickens' maturity as a writer and his increasing confidence about layering texts and developing more complex and sophisticated structures in his novels. Dickens' focus on the role of inheritance, however, entails the development of perspectives on the legal system in entirety. Oliver Twist as a novel drawing upon the traditions of sensation, and turning on events such as 'legacies, birthrights, thefts and deeds of violence', focuses intensely on the criminal justice system and establishes Dickens' famous attraction to repulsion and use of grotesquerie and popular entertainment. Oliver Twist also develops analogies between law and drama, establishing the foundation from which Dickens can employ legal metaphors to great effect in his quest for reforms of the legal system and society at large in Bleak House and Our Mutual Friend. Oliver Twist further establishes the milieu of a stratified society in which finances govern social behaviour and in which the class system is reflected in the legal system through the denial of access to justice to those who are unable to afford it, or suffer gender inequality. Bleak House builds upon the problems outlined in Oliver Twist. It explores the criminal system, particularly the defeminisation of the law and access to justice issues, including the problem of delay in litigation. Specific legal institutions such as the jury system and, most notably, the civil branch of the Victorian legal system with a particular focus on the equitable procedures in the Court of Chancery are examined. Jo is a transmutation of Oliver as representative victim of the Poor Laws, and his fate as such appears more probable. Richard Carstone is, however, the central character in the novel in terms of his construction as the representative victim of the civil system and of the law of succession. In Our Mutual Friend Dickens refines his use of the law of succession and other legal institutions to propel characters into directions suited to his own agendas. The entire plot is constructed from the premise of the execution of a will arising out of the death of John Harmon whose murder is a crime that has never, in fact, been committed. The ramifications of the execution of this will and subsequent codicils are extremely interesting. The novel further examines problems of access to justice and gender inequality under the prevailing legal system, particularly through Bella Wilfer. As part of the development of Dickens' use of the legal system there is a perceptible development of his powers of characterisation. Richard Carstone is a more substantial and believable character than Oliver; John Harmon offers the opportunity for Dickens to experiment with a chameleon identity. This aspect of Dickens' development, however, has received substantial attention already, particularly by Arnold Kettle, Barbara Hardy, Monroe Engel and Grahame Smith. There has been, to the best of my knowledge, little work done on his use of the law of succession, and it is here that I wish to concentrate my argument. Much of Dickens' interest in the law appears to stem from his early career as a legal clerk in Lincoln's Inn and Doctors' Commons. His first job, as a writing clerk in the office of Ellis and Blackmore, a small set of chambers in Holborn Court, involved duties such as copying documents, administering the registration of wills and running errands to other legal offices and law courts. Public offices with which Dickens came into contact in the course of this job were the Alienation Office, the Sixpenny Receivers Office, the Prothonotaries Office, the Clerk of the Escheats, the Dispensation Office, the Affidavit Office, the Filazer's, Exigenter's and Clerk of the Outlawry's Office, the Hanaper Office and the Six-Clerk's office . This employment gave Dickens an exposure to a wide range of jurisdictions and legal precedents. Through this contact with a variety of legal practices, Dickens experienced a broad range of litigation which enabled him to develop opinions on the contemporary operation of the law and its efficacy in the administration of justice. Such experience almost certainly sowed the seeds for much of the critique of the legal system found in his novels. In 1829 when he joined Doctors Commons, Dickens was exposed to ecclesiastical and naval jurisdictions including a Consistory Court, A Court of Arches, the Prerogative Court, the Delegates Court and the Admiralty Court. In this role Dickens was employed by a firm of proctors to take notes on evidence and judgments. This job as a shorthand reporter granted Dickens the opportunity to observe at close range members of the legal profession such as clerks, proctors, secretaries and Doctors. Probably as much through a process of osmosis as anything else, Dickens gained an understanding of the mechanics of basic legal procedures through this type of employment. In order to work as a court reporter, Dickens was required to use shorthand, a method of taking notes that perhaps allowed Dickens to develop the skill to think and write quickly. It was probably at this early stage in his career that the duality of law and literature began to come together for Dickens, developing at a later stage into his volumes of legal fiction. The anonymity of the law writer's existence, as captured later in Dickens' description of Nemo the law-writer in Bleak House, who either lived or did not live by law-writing according to Krook, also may have prompted Dickens to begin writing original works with legal themes.
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Welch, Brenda Jean Losey Jay Brian. « Charles Dickens's Bleak house Benthamite jurisprudence and the law, or what the law is and what the law ought to be / ». Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5158.

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Swifte, Yasmin. « Charles Dickens and the role of legal institutions in moral and social reform Oliver Twist, Bleak House, and Our mutual friend / ». Connect to full text, 1999. http://hdl.handle.net/2123/409.

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Thesis (M.A.)--University of Sydney, 2000.
Title from title screen (viewed Apr. 21, 2008). Submitted in fulfilment of the requirements for the degree of Master of Arts to the Dept. of English, Faculty of Arts. Degree awarded 2000; thesis submitted 1999. Includes bibliography. Also available in print form.
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Jäckle, Maja [Verfasser], Doris [Akademischer Betreuer] Feldmann, Doris [Gutachter] Feldmann et Simone [Gutachter] Broders. « Material Culture and Identity in the Mid-Victorian Novel : Mayhew's 1851, Dickens's Bleak House and Gaskell's Cranford / Maja Jäckle ; Gutachter : Doris Feldmann, Simone Broders ; Betreuer : Doris Feldmann ». Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1211179125/34.

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20

Moon, Sangwha. « Dickens in the Context of Victorian Culture : an Interpretation of Three of Dickens's Novels from the Viewpoint of Darwinian Nature ». Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279322/.

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The worlds of Dickens's novels and of Darwin's science reveal striking similarity in spite of their involvement in different areas. The similarity comes from the fact that they shared the ethos of Victorian society: laissez-faire capitalism. In The Origin of Species, which was published on 1859, Charles Darwin theorizes that nature has evolved through the rules of natural selection, survival of the fittest, and the struggle for existence. Although his conclusion comes from the scientific evidence that was acquired from his five-year voyage, it is clear that Dawinian nature is reflected in cruel Victorian capitalism. Three novels of Charles Dickens which were published around 1859, Bleak House, Hard Times, and Our Mutual Friend, share Darwinian aspects in their fictional worlds. In Bleak House, the central image, the Court of Chancery as the background of the novel, resembles Darwinian nature which is anti-Platonic in essence. The characters in Hard Times are divided into two groups: the winners and the losers in the arena of survival. The winners survive in Coketown, and the losers disappear from the city. The rules controlling the fates of Coketown people are the same as the rules of Darwinian nature. Our Mutual Friend can be interpreted as a matter of money. In the novel, everything is connected with money, and the relationship among people is predation to get money. Money is the central metaphor of the novel and around the money, the characters kill and are killed like the nature of Darwin in which animals kill each other. When a dominant ideology of a particular period permeates ingredients of the society, nobody can escape the controlling power of the ideology. Darwin and Dickens, although they worked in different areas, give evidence that their works are products of the ethos of Victorian England.
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Hladíková, Klára. « Marketingová strategie značky BLESK ». Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-76442.

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The thesis deals with marketing strategy of Blesk daily in economically difficult year 2009. Presents main marketing activities, market of the daily newspaper and the competitors in this area. The main goal is to analyze marketing strategy of Blesk brand and to determine the main targets of the marketing activities.It contains an evaluation of these activities in terms of effectiveness and recommendations for improving the marketing work in the company using SWOT analysis and proposed changes in marketing activities for the following year.
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22

Kichner, Heather J. « Cemetery Plots from Victoria to Verdun : Literary Representations of Epitaph and Burial from the Nineteenth Century through the Great War ». online version, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=case1212645077.

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Bentley, Colene. « Constituting political interest : community, citizenship, and the British novel, 1832-1867 ». Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36875.

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This dissertation asserts a strong connection between democratic culture and the novel form in the period 1832--1867. As England debated constitutional reform and the extension of the franchise, novelists Charles Dickens, Elizabeth Gaskell, and George Eliot endeavoured to define human communities on democratic terms. Drawing on work of contemporary political philosopher John Rawls to develop a methodology that considers constitutions and novelistic representations as analogous contexts for reasoning about shared political values and citizenship, this study provides readings of Bleak House, North and South, and Felix Holt that emphasize each novel's contribution to the period's ongoing deliberations about pluralism, justice, and the meaning of membership in democratic life. When read alongside Bentham's work on legislative reform, Bleak House offers a parallel model of social interaction that weighs the values of diversity of thought, security from coercion, and the nature of harmful actions. Felix Holt and North and South are novelistic contributions to defining and contesting the attributes of the new liberal citizen. Through their central characters, as well as in their respective novelistic practices, Eliot and Gaskell highlight the difficulty of uniting autonomous individuals with collective social groups, and this was as much a problem for literary practice in the period as it was for constitutional reform.
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Bleek, Wolf-Gideon [Verfasser]. « Software-Infrastruktur : von analytischer Perspektive zu konstruktiver Orientierung / Wolf-Gideon Bleek ». Hamburg : Hamburg Univ. Press, 2004. http://d-nb.info/971692599/34.

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Middleton, Michelle L. « "In widewes habit blak" : Chaucer's Criseyde and late Medieval widows / ». Abstract Full Text (HTML) Full Text (PDF), 2005. http://eprints.ccsu.edu/archive/00000557/02/1786FT.htm.

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Thesis (M.A.) -- Central Connecticut State University, 2005.
Thesis advisor: Candace Barrington. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 57-60). Also available via the World Wide Web.
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Bleck, Daniela [Verfasser]. « Compliance bei händehygienischen Maßnahmen auf Intensivstationen : Ergebnisse einer kontrollierten Interventionsstudie / Daniela Bleck ». Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2012. http://d-nb.info/1026694418/34.

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Fernandes, Nikki D. « Relocations of the 'Outraged Slave' : Transatlantic Reform Conversations through Douglass's Periodical Fiction ». VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4825.

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Through their editorial arrangements of African-American, Euro-American and European poetry, fiction and news, Frederick Douglass’s anti-slavery periodicals (The North Star and Frederick Douglass’ Paper) imagine a cosmopolitan discourse that predates the segregated realities of the antebellum United States. In spite of Southern blockades against the infiltration of Northern texts, Douglass’s material space uniquely capitalized on the limited restrictions of his reprinting culture to relocate the voice of the ‘outraged slave’ onto a global stage. From the poems of Phillis Wheatley and William Cowper to Charles Dickens’s Bleak House and Douglass’s own novella “The Heroic Slave,” this project considers how Douglass’s literary inclusions—and exclusions—complicate our static considerations of the historicized Douglass and exhibit his savvy insertions of black print into an exclusive, transatlantic nineteenth-century print culture.
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Fischer, Martin Verfasser], Wolfgang [Akademischer Betreuer] [Bleck et Franz [Akademischer Betreuer] Hoffmann. « Quantitative Analyse feinkörniger, komplexer und mehrphasiger Mikrostrukturen / Martin Fischer ; Wolfgang Bleck, Franz Hoffmann ». Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://d-nb.info/1130151565/34.

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Munyaradzi, Ngoni. « Transcription of the Bleek and Lloyd Collection using the Bossa Volunteer Thinking Framework ». Thesis, University of Cape Town, 2013. http://pubs.cs.uct.ac.za/archive/00000913/.

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The digital Bleek and Lloyd Collection is a rare collection that contains artwork, notebooks and dictionaries of the earliest habitants of Southern Africa. Previous attempts have been made to recognize the complex text in the notebooks using machine learning techniques, but due to the complexity of the manuscripts the recognition accuracy was low. In this research, a crowdsourcing based method is proposed to transcribe the historical handwritten manuscripts, where volunteers transcribe the notebooks online. An online crowdsourcing transcription tool was developed and deployed. Experiments were conducted to determine the quality of transcriptions and accuracy of the volunteers compared with a gold standard. The results show that volunteers are able to produce reliable transcriptions of high quality. The inter-transcriber agreement is 80% for |Xam text and 95% for English text. When the |Xam text transcriptions produced by the volunteers are compared with the gold standard, the volunteers achieve an average accuracy of 69.69%. Findings show that there exists a positive linear correlation between the inter-transcriber agreement and the accuracy of transcriptions. The user survey revealed that volunteers found the transcription process enjoyable, though it was difficult. Results indicate that volunteer thinking can be used to crowdsource intellectually-intensive tasks in digital libraries like transcription of handwritten manuscripts. Volunteer thinking outperforms machine learning techniques at the task of transcribing notebooks from the Bleek and Lloyd Collection.
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Menzel, Max Verfasser], Wolfgang [Akademischer Betreuer] [Bleck et Ulrich [Akademischer Betreuer] Prahl. « Anwendungsspezifische Gefügeentwicklung in mikrolegiertem bainitischem Warmband / Max Menzel ; Wolfgang Peter Bleck, Ulrich Prahl ». Aachen : Universitätsbibliothek der RWTH Aachen, 2019. http://d-nb.info/1192375513/34.

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Schmidt-Bleek, Katharina [Verfasser]. « Der Einfluss des Immunsystems auf die regenerativen Vorgänge der Knochenheilung / Katharina Schmidt-Bleek ». Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2019. http://d-nb.info/1202044093/34.

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Könemann, Markus Josef [Verfasser], Sebastian Akademischer Betreuer] Münstermann, Wolfgang [Akademischer Betreuer] [Bleck et Markus [Akademischer Betreuer] Feldmann. « Zähigkeit von kaltumformbarem Stahlfeinblech / Markus Josef Könemann ; Sebastian Münstermann, Wolfgang Bleck, Markus Feldmann ». Aachen : Universitätsbibliothek der RWTH Aachen, 2020. http://d-nb.info/1227527640/34.

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Weintroub, Jill. « From tin trunk to world-wide memory : the making of the Bleek collection ». Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/3565.

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Includes bibliographical references (leaves 107-115).
This research sketches the history of the Bleek-L1oyd collection by documenting the cataloguing and archiving of material which has occurred in the years subsequent to the recording of the original manuscripts and certain related material during the closing decades of the nineteenth century. It attempts to track the processes by which material elements (notebooks, manuscripts, printed documents, artefacts, objects and original artworks, correspondence, newspaper clippings, pamphlets, books, photographs, paintings) became consolidated - or separated - as part of the making of what is now known as the Bleek-L1oyd archive. In addition, this research examinesthe various projects of knowledge production and writing which have emanated from the archive in the 80 years since a small part of the notebook texts, edited by Lucy Lloyd, was published in 1911. In particular, I examine ways in which the notebook texts have been deployed in the service of emerging and established academic disciplines including philology, "native studies", folklore and anthropology, archaeology and rock art interpretation. In more recent times, the Bleek collection provides a case study of the archive reconstituted for the new nation, serving not only as a site for the recovery of lost or hidden histories, but also as location for an international, redemptive celebration of indigenous identities
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Fischer, Martin Dieter [Verfasser], Wolfgang [Akademischer Betreuer] Bleck et Franz [Akademischer Betreuer] Hoffmann. « Quantitative Analyse feinkörniger, komplexer und mehrphasiger Mikrostrukturen / Martin Fischer ; Wolfgang Bleck, Franz Hoffmann ». Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://d-nb.info/1130151565/34.

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Menzel, Max [Verfasser], Wolfgang [Akademischer Betreuer] Bleck et Ulrich [Akademischer Betreuer] Prahl. « Anwendungsspezifische Gefügeentwicklung in mikrolegiertem bainitischem Warmband / Max Menzel ; Wolfgang Peter Bleck, Ulrich Prahl ». Aachen : Universitätsbibliothek der RWTH Aachen, 2019. http://d-nb.info/1192375513/34.

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Müller, André Verfasser], Alexander [Akademischer Betreuer] [Markschies et Jennifer [Akademischer Betreuer] Bleek. « Dieter Rübsaamen : Visuelle Erfahrbarkeit unsichtbarer zu verortender Prozesse / André Müller ; Alexander Markschies, Jennifer Bleek ». Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1130327345/34.

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Wirths, Vera [Verfasser], Wolfgang [Akademischer Betreuer] Bleck et Tobias [Akademischer Betreuer] Melz. « Prozessführung und zyklisches Werkstoffverhalten von karbidfreien bainitischen Stählen / Vera Wirths ; Wolfgang Bleck, Tobias Melz ». Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1130327167/34.

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Gerhardt, Kai Verfasser], Gerhard [Akademischer Betreuer] [Hirt et Wolfgang [Akademischer Betreuer] Bleck. « Untersuchungen zur konduktiven Erwärmung für Warmzugversuche an Blechen / Kai Gerhardt ; Gerhard Hirt, Wolfgang Bleck ». Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://d-nb.info/1130589927/34.

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Kuzmina, Margarita Verfasser], Dierk [Akademischer Betreuer] [Raabe et Wolfgang [Akademischer Betreuer] Bleck. « Segregation driven phase transformation in medium Mn steel / Margarita Kuzmina ; Dierk Raabe, Wolfgang Bleck ». Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1130589900/34.

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Gerhardt, Kai W. [Verfasser], Gerhard [Akademischer Betreuer] Hirt et Wolfgang [Akademischer Betreuer] Bleck. « Untersuchungen zur konduktiven Erwärmung für Warmzugversuche an Blechen / Kai Gerhardt ; Gerhard Hirt, Wolfgang Bleck ». Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://nbn-resolving.de/urn:nbn:de:hbz:82-rwth-2015-054225.

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Kuzmina, Margarita [Verfasser], Dierk [Akademischer Betreuer] Raabe et Wolfgang [Akademischer Betreuer] Bleck. « Segregation driven phase transformation in medium Mn steel / Margarita Kuzmina ; Dierk Raabe, Wolfgang Bleck ». Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1130589900/34.

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Müller, André [Verfasser], Alexander [Akademischer Betreuer] Markschies et Jennifer [Akademischer Betreuer] Bleek. « Dieter Rübsaamen : Visuelle Erfahrbarkeit unsichtbarer zu verortender Prozesse / André Müller ; Alexander Markschies, Jennifer Bleek ». Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1130327345/34.

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Allam, Tarek [Verfasser], Wolfgang [Akademischer Betreuer] Bleck et Brita Daniela [Akademischer Betreuer] Zander. « Direct hot rolled dual phase weathering steel / Tarek Allam ; Wolfgang Bleck, Brita Daniela Zander ». Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1127051385/34.

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Mesa, González Raúl Jesús. « Estudi de les (beta)-lactamases plasmídiques d'espectre ampliat, cefamicinases i carbapenemases en diferents ecosistemes. Anàlisi del seu entorn genètic ». Doctoral thesis, Universitat Autònoma de Barcelona, 2007. http://hdl.handle.net/10803/3900.

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La Tesi descriu la prevalença de les soques portadores de betalactamases d'espectre ampliat (BLEA), cefamicinases i carbapenemases, principals mecanismes de resistència als antibiòtics betalactàmics, no només en l'àmbit clínic [mostres clíniques i malalts atesos al Servei d'Urgències (portadors fecals)] sinó en altres ecosistemes com en els subsòls de granges d'animals (aus, porcs i conills), en aigües residuals humanes, en aliments, i en portadors fecals afectats per un brot alimentari. A més a més s'han caracteritzat aquests enzims per tal de determinar la freqüència de cadascun dels tipus de betalactamases presents: tipus TEM, SHV i CTX-M com a BLEA, CMY, DHA o ACC com a cefamicinases, o VIM, IMP i altres com a carbapenemases. La conclusió del treball mostra com aquests enzims es poden trobar en tots els ecosistemes avaluats i, per tant, com la selecció de soques portadores d'aquests no es dóna només en l'àmbit clínic sinó que roman en tot l'entorn humà. Per altra banda, arran d'aquest treball s'han descrit dues noves betalactamases, la CTX-M-14b, i la CTX-M-51, ambdues derivades de la CTX-M-9.
El fet que les soques portadores d'aquests enzims s'hagin trobat en tots els àmbits és causa de greu preocupació. Cal, doncs, intentar evitar la selecció d'aquestes soques, així com esbrinar quin o quins són els mecanismes que han permès aquesta expansió. L'estudi epidemiològic dels mecanismes de resistència, és de gran interès, no només en l'àmbit clínic sinó també veterinari, perquè coneixent la prevalença i el tipus d'enzims implicats es pot actuar oportunament dissenyant polítiques d'antibiòtics correctes.
This thesis describes the prevalence of strains carrying extended spectrum betalactamase (ESBL), plasmid-mediated AmpC and carbapenemase. There are the main mechanism of betalactam resistance, not only in clinic environment [clinical samples and patients attending the emergency room (faecal carriers)] also in others environments such as the floor of animal farms (poultry, pig and rabbit), the urban sewage, food, and human faecal carriers in the context of food-borne disease outbreaks. We have characterized these enzymes to know the frequency of each type of betalactamase: TEM, SHV and CTX-M type as ESBL, CMY, DHA and ACC as plasmid-mediated AmpC, or VIM, IMP and others as carbapenemase. The work's conclusion show's that these enzymes can be found in all environments evaluated. Then the selection of strains carrying this kind of enzymes is due not only to clinic environments otherwise to all human environments. In the other hand, we have described two new betalactamase, CTX-M-14b and CTX-M-51, both deriving from CTX-M-9.
The finding of strains carrying these enzymes in all the environments is of great concerning. We need not to select these strains, and to know what are the mechanisms of expansion of these enzymes. The epidemiologic study of the resistance mechanism is of great interest, not only in hospitals also in veterinarian environment, because knowing the prevalence and the type of enzymes, we can design specific antibiotic policy.
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Berker, Ralf Erich Verfasser], Ulrich [Akademischer Betreuer] Brill et Wolfgang [Akademischer Betreuer] [Bleck. « Die Wirtschaftlichkeit des Einsatzes hochlegierter Werkstoffe im Kraftwerksbau / Ralf Erich Berker ; Ulrich Brill, Wolfgang Bleck ». Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://d-nb.info/1126971618/34.

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Blenk, Stefan [Verfasser]. « Die Mitgliedschaft in der Investmentaktiengesellschaft : Kritische Würdigung und Ausstrahlwirkung auf das allgemeine Aktienrecht / Stefan Blenk ». Baden-Baden : Nomos Verlagsgesellschaft mbH & ; Co. KG, 2018. http://d-nb.info/1160311889/34.

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Wang, Meimei Verfasser], Dierk [Akademischer Betreuer] [Raabe et Wolfgang [Akademischer Betreuer] Bleck. « Nanolaminate TRIP-TWIP martensitic matrix steels : design and characterization / Meimei Wang ; Dierk Raabe, Wolfgang Bleck ». Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://d-nb.info/1130589994/34.

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Van, Blerk Elsabè Johanna. « Employee commitment and its impact on process quality in a manufacturing concern / Elsabè van Blerk ». Thesis, North-West University, 2012. http://hdl.handle.net/10394/9222.

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The aim of this study was to evaluate employee commitment to achieve the primary objective, which was to evaluate employee commitment towards product and process quality. Employees who are engaged in their work and committed to their organisations give companies crucial competitive advantages – including higher productivity, better quality products and lower employee turnover. A thorough literature study was conducted by using the views of different authors and combining them. The concept of quality was defined by making use of the five quality gurus; Deming, Juran, Feigenbaum, Crosby and Ishikawa. The fourteen principles of quality, developed by Deming, were presented in Table 2.1. These principles had the goal of increased productivity, with less rework, less waste of manpower and material resources, resulting in a reduction of costs, to in turn give the organisation greater market share and ultimately better competitive position, by improving the overall quality of an organisation’s work processes. The concept of employee and organisational commitment was defined, and from this study it is evident that employee commitment towards the company is positive and therefore should have a positive effect on their operating environment. The product process flow for this manufacturing concern were discussed to give an overall view of the production processes used in this organisation. An empirical study was completed using a questionnaire survey to determine employee commitment at a manufacturing concern in Gauteng. The questionnaire used for this study was designed to focus on commitment towards internal quality only, to specifically evaluate employee perspective towards product quality, as well as the commitment towards the organisation. Analysis of the responses showed the questionnaire to be reliable and valid. Respondents indicated that they are committed towards the organisation in general across all constructs, but a lack in management trust was a predominant sentiment. The quantitative analysis showed that after a factor analysis was done on the two sections of the questionnaire, four factors for each section were considered as meaningful. These factors were: Affinity, quality awareness, autonomy and corporate image (employee commitment - section B) and employee commitment, task performance, job satisfaction and contextual performance (company relationship – section C). This indicated strong employee commitment towards the organisation. The qualitative results had four areas that all respondents felt needed some attention, and loaded negative towards the organisation. These were HR (trust in management, competency, communication and company culture), skills development, employee development and BBBEE. Thus, drawing conclusions from quantitative results alone could give a company a false sense of employee commitment towards the company and therefore overlook the importance of the roles that employees play in executing strategic plans. Conclusions regarding the findings of the research study were presented and recommendations for this organisation were made. These recommendations are merely a guideline that correlates directly to the empirical analysis made. The research study was evaluated against the primary and secondary objectives with the conclusion that both were achieved.
Thesis (MBA)--North-West University, Potchefstroom Campus, 2013.
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Berker, Ralf [Verfasser], Ulrich Akademischer Betreuer] Brill et Wolfgang [Akademischer Betreuer] [Bleck. « Die Wirtschaftlichkeit des Einsatzes hochlegierter Werkstoffe im Kraftwerksbau / Ralf Erich Berker ; Ulrich Brill, Wolfgang Bleck ». Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://nbn-resolving.de/urn:nbn:de:hbz:82-rwth-2015-015963.

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Wang, Meimei [Verfasser], Dierk [Akademischer Betreuer] Raabe et Wolfgang [Akademischer Betreuer] Bleck. « Nanolaminate TRIP-TWIP martensitic matrix steels : design and characterization / Meimei Wang ; Dierk Raabe, Wolfgang Bleck ». Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://d-nb.info/1130589994/34.

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