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Littérature scientifique sur le sujet « Bloom, molly (fictional character) »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Bloom, molly (fictional character)"

Gast, Volker, Christian Wehmeier, and Dirk Vanderbeke. "A Register-Based Study of Interior Monologue in James Joyce’s Ulysses." Literature 3, no. 1 (2023): 42–65. http://dx.doi.org/10.3390/literature3010004.

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While fictional orality (spoken language in fictional texts) has received some attention in the context of quantitative register studies at the interface of linguistics and literature, only a few attempts have been made so far to apply the quantitative methods of register studies to interior monologues (and other forms of inner speech or thought representation). This article presents a case study of the three main characters of James Joyce’s Ulysses whose thoughts are presented extensively in the novel, i.e., Leopold and Molly Bloom and Stephen Dedalus. Making use of quantitative, corpus-based

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Sekh, Md Sujan. "Evaluate that Consciousness is the Controller of the Lives of the Characters in James Joyce’s Novels." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 15. http://dx.doi.org/10.24113/ijellh.v7i11.10095.

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Consciousness refers to the continuous flow of thoughts, memories and awareness in the human mind. It covers a larger area of unrestricted mental activities. There are layers within layers in the human consciousness. This paper tends to show that there is no other controller of an individual but his or her own consciousness. The paper has been undertaken in hopes that the study would lead to a new knowledge and provide foundations or approaches to James Joyce, which would make his novels more understandable. It also examines how consciousness affects the characters’ participation in various ac

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O’Brien, Dan. "‘Why will you Jews not accept our culture, our religion and our language?’: James Joyce’s Jew through the Eyes of Jewish America." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2014 (January 1, 2014): 119–22. http://dx.doi.org/10.33178/boolean.2014.23.

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Just as James Joyce is the most important writer since Shakespeare, his Jewish-Irish character, Ulysses’ Leopold Bloom, is the most fascinating fictional Jew since Shylock. All authors must struggle with Joyce’s overwhelming legacy, but what of writers who are themselves Jewish? How do they envisage Bloom and relate to his complex sense of identity—as a Jew, as an Irishman, but most fundamentally as a human being? The three greatest Jewish American writers of the twentieth century, Philip Roth, Bernard Malamud, and Saul Bellow, were all deeply influenced by Joyce. Each of them responded to Joy

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Jones, David. "A Rhapsody in Pink: Reflections on Seducing Nature through World Philosophies by way of James Joyce’s Ulysses." Interlitteraria 26, no. 1 (2021): 249–64. http://dx.doi.org/10.12697/il.2021.26.1.17.

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Through a reflection on color in the natural world by way of James Joyce’s Ulysses, this paper is an ebullient, rhapsodic, and free-flowing associative meditation on the embodied place of humans in nature. Various sources are employed through a variety of philosophic literature: ancient Western, such as Heraclitus, Parmenides, Anaximander, and Plato; the Continental philosophical tradition, such as Nietzsche, Heidegger, Husserl, and Merleau-Ponty; and Asian sources, especially Buddhism (Dōgen and Thich Nat Hanh) and Daoism (Laozi and Zhuangzi). The meditation metaphorically opens with an encou

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Patron, Sylvie. "Narratives of excision: master- and counter-narrative in Ahmadou Kourouma’s The Suns of Independence." Frontiers of Narrative Studies 11, no. 1 (2025): 122–42. https://doi.org/10.1515/fns-2025-2015.

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Abstract This article examines the forms taken by master- and counter-narratives in fiction through a case study of Ahmadou Kourouma’s first novel, Les soleils des indépendances (1968), published in English as The Suns of Independence in 1981. It focuses specifically on the third chapter, which contains the narrative of the genital excision and rape of Salimata, the main protagonist’s wife and second protagonist of the novel. As Michael Bamberg and Molly Andrews remind us, “[c]ounter-narratives only make sense in relation to something else, that which they are countering” (2004: x). First, I s

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Anisimova, E. E. "“Tolstoys are Totally Different Matter...” A. K. Tolstoy in Bunin’s Experience of Historical Reflection: B. Genre Aspect of the Theme of Memory." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 371–84. http://dx.doi.org/10.25205/2410-7883-2020-2-371-384.

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The article deals with I. A. Bunin’s perception of the personality and works by A. K. Tolstoy. The key components of this reception are the system of philosophy of history views formulated by A. K. Tolstoy and his concept of historical memory. The belonging of the 19 th century poet to the large Tolstoy family was mythologized by Bunin and became a reason for understanding and determining the young writer’s own position in relation to each of the three writers: L. N. Tolstoy, A. K. Tolstoy and Bunin’s contemporary A. N. Tolstoy. The paper draws upon fictional and nonfictional documents by I. A

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Stevens, Cristina. "Aracnologias - As tecituras de Penélope." Aletria: Revista de Estudos de Literatura, December 31, 2009, 97–108. http://dx.doi.org/10.17851/2317-2096...97-108.

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Resumo: Análise da personagem Penélope, de Homero, e a transformação ousada de Joyce dessa representação clássica da fidelidade feminina em Molly Bloom, a esposa infiel, sexualizada, trivial, lírica. Essas duas personagens são comparadas com sua mais recente recriação em The Penelopiad (2005), da escritora canadense Margaret Atwood. Uma importante categoria analítica dos estudos feministas e de gênero, a questão da voz é enfatizada na presente análise; essa personagem feminina é objeto da narrativa masculina (A Odisseia e Ulisses), mas no romance de Atwood essa personagem é sujeito de sua narr

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Emerick-Brown, Dylan. "Love as Nepenthe: Displacing Homer with Shelley in Joyce's Ulysses." Language, Literature, and Interdisciplinary Studies 3, no. 2 (2020). https://doi.org/10.71106/goeo4914.

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One of the least explored muses for James Joyce’s Ulysses was Percy Bysshe Shelley’s Prometheus Unbound which left its mark on Joyce’s protagonists, Leopold and Molly Bloom. Joyce quoted Aristotle in his notes in the spring of 1903, “It is harder to endure pain than to abstain from pleasure” and it is this exact sentiment that brings together the similarities between Shelley and Joyce, highlighting the Blooms’ yearning to banish grief from their minds regarding their deceased son, Rudy, and avoid the pain of loss, plaguing their marriage. One subtle Homeric seed from Prometheus Unbound—the wor

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Bender, Stuart Marshall. "You Are Not Expected to Survive: Affective Friction in the Combat Shooter Game Battlefield 1." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1207.

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IntroductionI stumble to my feet breathing heavily and, over the roar of a tank, a nearby soldier yells right into my face: “We’re surrounded! We have to hold this line!” I follow him, moving past burning debris and wounded men being helped walk back in the opposite direction. Shells explode around me, a whistle sounds, and then the Hun attack; shadowy figures that I fire upon as they approach through the battlefield fog and smoke. I shoot some. I take cover behind walls as others fire back. I reload the weapon. I am hit by incoming fire, and a red damage indicator appears onscreen, so I move

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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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Livres sur le sujet "Bloom, molly (fictional character)"

Ángeles, Conde Parrilla Ma. Los pasajes obscenos de Molly Bloom en español: De Ulysses, de James Joyce. Ediciones de la Diputación de Albacete, 1994.

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Sherry, Vincent B. James Joyce's Ulysses. 2nd ed. Cambridge University Press, 2004.

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James, Joyce. Ulysses. Secker & Warburg, 1994.

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James, Joyce. Ulysses. Modern Library, 1992.

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James, Joyce. Ulises. 3rd ed. Lumen, 1991.

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James, Joyce. Ulysses. Penguin, 2000.

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James, Joyce. Ulysses. Music Ireland Publications, c2012., 2012.

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James, Joyce. Uiliséas. Foillseacháin Inis Gleoire, 1991.

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James, Joyce. Ulysses. Random House Publishing Group, 2000.

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James, Joyce. Ulysses. Garland Pub., 1986.

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Chapitres de livres sur le sujet "Bloom, molly (fictional character)"

Kitcher, Philip. "Introduction." In Joyce's Ulysses. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190842260.003.0001.

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The Introduction explores the philosophical significance of Ulysses. Despite the relative neglect of the novel by Anglophone philosophers who have discussed literary modernism, it argues that Joyce’s fiction takes up the oldest questions of philosophy, those revolving around the qualities of the good life. In particular, Ulysses focuses on the middle years, when the “straight way” has been lost. Through its explorations of the thoughts and feelings of the central characters – Bloom, Stephen, and Molly – Joyce brings about a revaluation of everyday values, and an elevation of the commonplace. H

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Horsnell, Linda. "Character Traits and Individual Expressions of Grief: Stephen Dedalus, Leopold Bloom, and Molly Bloom." In Attachment and Loss in the Works of James Joyce. Lexington Books, 2021. http://dx.doi.org/10.5771/9781793635624-91.

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