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Articles de revues sur le sujet « Bolivian Folklore »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 28 juillet 2025

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1

Coloma Porcari, César. "Una tradición perdida de don Ricardo Palma." Aula Palma, no. 18 (December 30, 2019): 81–96. http://dx.doi.org/10.31381/ap.v0i18.2596.

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ResumenTrabajo de investigación referente a una olvidada tradición de don Ricardo Palma narrada personalmente por él a don José Carrasco Torrico, político, escritor y periodista boliviano, en Lima, el año 1907. Publicada por el Dr. Carrasco Torrico ese año, ha permanecido en el más completo olvido durante ciento doce años. Esta tradición fue redescubierta por el autor de este texto el año 2019 y se reproduce al final del mismo.Palabras clave: Ricardo Palma, tradiciones, folclore, relaciones entre elPerú y Bolivia. AbstractThis is research work concerning a forgotten Tradition of Ricardo

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Calvimontes Díaz, Vanessa. "Desdibujando fronteras. Narrativas migratorias de Renacer y Jallalla en la comunidad boliviana." RIHC. Revista Internacional de Historia de la Comunicación, no. 22 (2024): 39–61. http://dx.doi.org/10.12795/rihc.2024.i22.02.

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Durante la década de los 90, el periódico Renacer surgió en Argentina como resultado del impulso de la comunidad boliviana residente en dicho país, con mayor concentración en Buenos Aires. Según el Censo Nacional de Población argentino (INDEC, 2022), en la actualidad, aproximadamente 338.299 individuos conforman la comunidad boliviana migrante, de los cuales una gran proporción se nutre de las noticias periódicas producidas por este diario, estableciendo así un diálogo e interacción constante entre Bolivia y Argentina. A lo largo de sus 25 años de existencia, el periódico se ha consolidado com

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Osmushina, Anastasia. "Justice Model in Latin American Folklore." Fabula 62, no. 3-4 (2021): 367–81. http://dx.doi.org/10.1515/fabula-2021-0022.

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Abstract The present epoch is the time of intense international communication. Effective interaction of ethnicities demands, however, to construct the dialogue of cultures on the basis of justice. Moreover, we argue that local justice models need to take priority over the international justice model. Local justice models are reflected in folklore. In this article, we analyze Colombian, Peruvian, Venezuelan, and Bolivian ethnic tales of justice. The purpose of our research is to reveal and systematize justice models in Latin American folklore including contextual, general, private, evolutionary

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Albro, Robert. "As Witness to Literary Spectacle: The Personality of Folklore in Provincial Bolivian Politics." Journal of Latin American Cultural Studies 9, no. 3 (2000): 305–32. http://dx.doi.org/10.1080/13569320020010747.

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Filatova, Tetiana. "Bolivian “Music of the Wind” in guitar works: aspects of artistic implementation." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 136 (March 28, 2023): 179–97. http://dx.doi.org/10.31318/2522-4190.2023.136.276574.

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The relevance of the article is to consider Bolivian guitar music as an important component of the modern South American repertoire. On the example of the works of famous composers and performers Alfredo Domínguez, Fernando Arduz, and Jilberto Rojas, connections with the folklore traditions of the country, the poetics of Bolivian "wind music", and its timbre specificity have been revealed. Main objective of the study is to reveal aspects of the artistic embodiment of Bolivian «music of the wind» in academic guitar work. The scientific novelty of the article lies in the introduction of ma

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Filatova, Tetiana. "Guitar duets by Jaime Zenamon: the sound-image resources of the instrument." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 138 (December 22, 2023): 103–15. http://dx.doi.org/10.31318/2522-4190.2023.138.294795.

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The relevance of the article is to consider guitar music of Bolivian guitarist and composer Jaime Zenamon in the context of the development of the modern academic repertoire of classical guitar. The connections of his music with South American folklore traditions, the poetics of the Andean sound, and its timbre specificity were revealed in comparison with the works of famous Bolivian composers and performers Alfredo Domínguez, Fernando Arduz, and Jilberto Rojas. Main objective of the study is to reveal the specific sound-image resources of the guitar in the duets of Jaime Zenamon in the

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Serrudo Terrazas, Jhoselin. "Uso, promoción y difusión del derecho de autor de música folclórica." Revista Lex 3, no. 7 (2020): 26–40. http://dx.doi.org/10.33996/revistalex.v3i7.43.

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La investigación tuvo como objetivo principal analizar el uso, promoción y difusión del derecho de autor de música folclórica en Bolivia. Por lo que se usó una metodología de tipo descriptivo, con un diseño documental de campo, a su vez se usó un enfoque cualitativo y cualitativo, se utilizó los métodos histórico-lógico y análisis-síntesis. Por otro lado, la técnica e instrumentos que se usaron fueron el estudio documental, encuesta, y consultas a expertos. Además la investigación contó con una población de 200 personas relacionadas con derecho de autor. A su vez, se asumió como muestra la tot

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Klich, Lynda. "Flatness, Fabric, and Folklore." Latin American and Latinx Visual Culture 6, no. 1 (2024): 83–87. http://dx.doi.org/10.1525/lavc.2024.6.1.83.

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During the first half of the twentieth century, representing the body was a pivotal means to reimagine national and regional identities at a moment when the legacies of colonial power structures were coming under increasing scrutiny. The body became a vehicle through which artists could envision new, expanded, and intersecting notions of race, gender, class, nation, and region. Through close readings of single images created in eight different countries—Guatemala, Bolivia, Brazil, Uruguay, Mexico, Venezuela, Colombia, and Cuba—this Dialogues contains essays by scholars from South America, Euro

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Bigenho, Michelle, and Henry Stobart. "The Devil in Nationalism: Indigenous Heritage and the Challenges of Decolonization." International Journal of Cultural Property 23, no. 2 (2016): 141–66. http://dx.doi.org/10.1017/s0940739116000114.

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Abstract:In 2006, Bolivians began living under their first indigenous president and undergoing an explicitly pro-indigenous “process of change,” alongside much rhetoric of indigenous autonomy and state “decolonization.” However, this article suggests that this same government’s twenty-first century policies regarding intangible heritage and “culture” hardly mark a departure from mid-twentieth-century mestizo-dominated liberal nationalist projects. Through the ethnography of disputed cultural claims to folklore, such as those with Peru involving the devil dance, this article examines how propri

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Rockefeller, Stuart Alexander. ""There is a Culture Here": Spectacle and the Inculcation of Folklore in Highland Bolivia." Journal of Latin American Anthropology 3, no. 2 (1998): 118–49. http://dx.doi.org/10.1525/jlat.1998.3.2.118.

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Rockefeller, Stuart Alexander. "“There is a Culture Here”: Spectacle and the Inculcation of Folklore in Highland Bolivia." Journal of Latin American Anthropology 3, no. 2 (2008): 118–49. http://dx.doi.org/10.1525/jlca.1998.3.2.118.

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Melquiades, Fábio Luiz, Juan Villanueva, Fábio Lopes, Jorge Lisme, Eduardo Inocente Jussiani, and Carlos Roberto Appoloni. "Non-destructive analysis of a pre-hispanic basketry collection from La Paz, Bolivia." Semina: Ciências Exatas e Tecnológicas 41, no. 2 (2020): 195. http://dx.doi.org/10.5433/1679-0375.2020v41n2p195.

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Pre-Hispanic basketry is scarce and at present, there are few analytical studies on these objects. This study presents an analytical investigation of a collection of ancient baskets from Museo Nacional de Etnografía y Folklore (MUSEF), La Paz, Bolivia employing portable X-ray Fluorescence and portable Raman Spectroscopy. The analyses were performed in situ with non-invasive and non-destructive methods. The chemical elements K, Ca, Ti, Mn, Fe, Zn, and Sr were identified in all the samples. The principal component analysis tends to separate the basket pieces in two groups: one of them is related

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Mollericona Alfaro, Danny Daniel. "The Folkloric-Festive continuum of an Emerging Elite in La Paz." Bolivian Studies Journal 28 (December 2, 2022): 34–65. http://dx.doi.org/10.5195/bsj.2022.238.

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This article presents the results of the ethnographic research conducted in the period 2015-2017 with the Fraternidad Verdaderos Intocables for the purpose of analyzing reciprocal exchanges through drinking and their impact on the collective sense of community in an urban context. It is proposed that social interactions mediated by alcohol at the space-time of the fiesta signal/impulse chains of reciprocity in present/future overlapping space-time interactions resulting in a folkloric-festive continuum that reinforces the bonds of participants as compadres. This article intends to contribute t

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Romero Flores, Javier Reynaldo. "Aquello que llamamos danza: Danza-ritual y “danza artística” en Oruro, Bolivia." CALLE14: revista de investigación en el campo del arte 10, no. 16 (2015): 14. http://dx.doi.org/10.14483/10.14483/udistrital.jour.c14.2015.2.a02.

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<p>Resumen</p><p>En el presente ensayo se enuncia y des-encubre a la danza como experiencia colectiva, conectada con el éxtasis celebratorio de la vida y alejada de las voces de los “especialistas”. Además, se la problematiza como creación artística, resultado de la relación entre “sujeto creador” y “objeto de arte”, y se pone en evidencia su sentido colonial y eurocéntrico. También se relata su proceso de cosificación con la llegada de la economía capitalista, la imposición del modelo neoliberal y la obsesión desbordada de este por las ganancias. Con ello se hace notar que l

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Bouchabki Neto, Tanous Melhem, Fabio Robson Casara Cavalcante, Carlos Alberto Paraguassú-Chaves, et al. "Cultural and tourist perception index (IPCT) of the folklore bois bumbás from Guajará-Mirim, Rondônia." International Journal for Innovation Education and Research 10, no. 11 (2022): 17–39. http://dx.doi.org/10.31686/ijier.vol10.iss11.3982.

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The objective of this study was to analyze the cultural and tourist perception index (IPCT) of the boi “Flor do Campo” and boi “Malhadinho” associations, participants of the Folkloric Festival of Guajará-Mirim, on the border with Bolivia. As a basis for theoretical support, the theory of endogenous development was used. To determine the indicators, questionnaires were applied to the associations, which were submitted to the SPSS statistical tool (Statistical Package for the Social Sciences), version 17, as described in Cavalcante [4]; Santana [42] and [43]. The results showed that the trust an

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Villanueva Criales, Juan. "DE LO PRECOLOMBINO A LAS CADENAS OPERATORIAS. EL MUSEO NACIONAL DE ETNOGRAFÍA Y FOLKLORE (MUSEF) DE BOLIVIA EN PERSPECTIVA HISTÓRICA." Chungará (Arica), ahead (2019): 0. http://dx.doi.org/10.4067/s0717-73562019005001403.

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Rios, Fernando. "Las Kantutas and Música Oriental: Folkloric Music, Mass Media, and State Politics in 1940s Bolivia." Resonancias: Revista de investigación musical, no. 41 (November 2017): 57–85. http://dx.doi.org/10.7764/res.2017.41.4.

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Díaz, Vanessa Calvimontes, and Juan Eduardo Villanueva Criales. "Verdades mínimas. Relatos pandémicos expresados en los periódicos miniaturas de la Fiesta de Alasitas de La Paz Bolivia." Revista Latinoamericana de Ciencias de la Comunicación 20, no. 38 (2022). http://dx.doi.org/10.55738/alaic.v20i38.760.

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La fiesta de Alasitas forma parte importante del folklore de Bolivia. Esta celebración, basada enla compra y venta de miniaturas, posee una característica particular, periódicos en miniaturaque con humor y sátira gráfica y textual develan problemas de la sociedad boliviana. Duranteel 2021, debido a la pandemia, la tradicional fiesta de Alasitas tuvo que ser postergada, sinembargo, los periodiquitos estuvieron presentes en la fecha acostumbrada (24 de enero) y consu característico humor, retrataron lo acontecido en Bolivia durante el 2020, un año que nosolo fue marcado por el COVID-19, sino tam

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Wahren, Cecilia. "La creación de la Semana indianista. Indianidad, Folklore y Nación en Bolivia." Universitas Humanística 77, no. 77 (2014). http://dx.doi.org/10.11144/javeriana.uh77.cdsi.

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20

Masoga, Mogomme A. "Folklorisation in the Current Emerging Global Space: Quo Vadis?" Southern African Journal for Folklore Studies 28, no. 1 (2018). http://dx.doi.org/10.25159/1016-8427/4688.

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The 2016 Southern African Folklore Society Conference was held from 24–28 October at the Bolivia Lodge in Polokwane. The conference was co-hosted by the School of Human and Social Sciences of the University of Venda, and the Faculty of Humanities of the University of Limpopo. The purpose of the conference was to attract scholars and researchers from various disciplines, and to bring together a cohort of established and emerging researchers in one assembly to deliberate on topics related to the theme and sub-themes of the conference. The theme of the conference was Folklorisation in the Current

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Espejo, Elvira, and Juan Fabbri. "Tejiendo entre diversos territorios." post(s) 6 (December 2, 2020). http://dx.doi.org/10.18272/post(s).v6i1.2107.

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Elvira Espejo es una destacada artista, gestora cultural e investigadora indígena. Nacida en el ayllu Qaqachaka (provincia Abaroa, Oruro, Bolivia), su práctica se encuentra vinculada al textil, la tradición oral y la poesía. Fue directora del Museo Nacional de Etnografía y Folklore (MUSEF), en La Paz, durante los años 2013 al 2020. Recibió la medalla Goethe 2020, condecoración oficial de la República Federal de Alemania por su labor y compromiso con el intercambio cultural. La importancia de su labor se vincula al diálogo entre la práctica y el conocimiento de las comunidades indígenas y el cr

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Emily, Pitek. "Siriono." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12572518.

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The Siriono are a seminomadic indigenous people who occupy an area of about 200 square miles in Northeastern Bolivia (Holmberg, 1960:4). This entry focuses on the Siriono living in the vicinity of the Rio Blanco around the time of 1942. At this time, the Siriono had very limited contact with outsiders. The Siriono lived in seminomadic bands led by chiefs. The position of chief was held on the basis of prestige, and was more about social status than actual authority. The Siriono did not have an official political leadership position, and the nuclear family was the main social and economic unity

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Cortés-Rojas, Ignacia. "The tinku dance as “choreopolitical” action in street protests in Santiago de Chile." Filigrane 28 (2023). http://dx.doi.org/10.4000/12i98.

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This article discusses the musical-choreographic phenomenon of the “tinku” within the context of recent social demonstrations in Santiago de Chile. My hypothesis is that the tinku, a folkloric dance of Bolivian origin, takes on new meaning as it becomes part of the protest repertoire in the Chilean capital. In the early 2000s, a collective of dancers identified that the body movements in this performative genre, characterized by the simulation of kicks and punches, empower those who practice it. From this perspective, I seek to demonstrate how this dance operates within the protest repertoire

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ÖZER, Yerke. "POPÜLER KÜLTÜR VE FOLKLORUN KORUNMASI TAVSİYE KARARI: HAZIRLIK SÜRECİ VE METNİ." Milli Folklor, December 5, 2023. http://dx.doi.org/10.58242/millifolklor.1279655.

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UNESCO’nun somut olmayan kültürel miras alanındaki çalışmaları 1972 yılında kabul ettiği “Doğal ve Kültürel Miras Sözleşmesi”nin ardından Bolivya hükümetinin Evrensel Telif Hakları Sözleşmesine geleneksel kültürel mirasının korunmasına yönelik bir madde eklemesi önerisi ile hız kazanmıştır. Folklorun korunması için bir belgenin oluşturulmasına yönelik bu uzun sürecin sonunda 1989 yılında UNESCO “Popüler Kültür ve Folklorun Korunmasına Yönelik Tavsiye Kararı”nı kabul etmiştir. Bu Tavsiye Kararı, folklorun korunmasına yönelik ilk uluslararası belge olmakla birlikte, somut olmayan kültürel

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