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Littérature scientifique sur le sujet « Book editors – England – Fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Book editors – England – Fiction"

Willard, Thomas. "Juliana Cummings, Medicine in the Middle Ages: Surviving the Times, Yorkshire and Philadelphia: Pen & Sword Books, 2021, 197 pp., 16 pp. insert of b/w prints on glossy paper." Mediaevistik 35, no. 1 (2022): 347–48. http://dx.doi.org/10.3726/med.2022.01.41.

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Abstract This account of late medieval medicine is unusual in being the first non-fiction book by the author of several historical novels set in the period, most recently of “a historical romance of Vlad the Impaler” (2020). Juliana Cummings has a long-standing fascination with her family’s history back to the time of Henry VII of England (1457–1509), when male ancestors fought in the king’s army, and with the medical perils people faced even in times of relative peace and prosperity. Responding to her treatment of medicine and mortality in novels and short stories, an editor from Pen & Sw

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Wright, Joanne H. "Political Writings." Canadian Journal of Political Science 39, no. 3 (2006): 722–24. http://dx.doi.org/10.1017/s0008423906389974.

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Political Writings, Margaret Cavendish (Susan James, ed.), New York: Cambridge University Press, 2003, pp. xxxix, 298.The publication of Margaret Cavendish's Political Writings is part of a recent effort to make Cavendish's seventeenth-century works more accessible to students and scholars alike. Political Writings is a particularly significant addition to this effort in that it contains two of Cavendish's most explicitly political texts, A Description of a New World called the Blazing World (1666), Cavendish's best-known endeavour in utopian fiction, along with the first modern edition of Ora

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 69, no. 3-4 (1995): 315–410. http://dx.doi.org/10.1163/13822373-90002642.

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-Dennis Walder, Robert D. Hamner, Derek Walcott. New York: Twayne Publishers, 1993. xvi + 199 pp.''Critical perspectives on Derek Walcott. Washington DC: Three continents, 1993. xvii + 482 pp.-Yannick Tarrieu, Lilyan Kesteloot, Black writers in French: A literary history of Negritude. Translated by Ellen Conroy Kennedy. Washington DC: Howard University Press, 1991. xxxiii + 411 pp.-Renée Larrier, Carole Boyce Davies ,Out of the Kumbla: Caribbean women and literature. Trenton NJ: Africa World Press, 1990. xxiii + 399 pp., Elaine Savory Fido (eds)-Renée Larrier, Evelyn O'Callaghan, Woman version

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Ranhand, Jori. "Fiction Writers Guidelines: Over 200 Periodicals Editors' Instructions Reproduced (Book Review)." College & Research Libraries 51, no. 1 (1990): 81–82. http://dx.doi.org/10.5860/crl_51_01_81.

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Westfahl, Gary. "The Popular Tradition of Science Fiction Criticism, 1926-1980." Science Fiction Studies 26, Part 2 (1999): 187. https://doi.org/10.1525/sfs.26.2.0187.

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The extensive commentaries produced by members of the science fiction community, called here the popular tradition of science fiction criticism, were launched by the editorial pronouncements and theories of Hugo Gemsback, beginning in 1926 with the first issue of Amazing Stories. In the 1930s, new editorial voices added little to Gemsback’s ideas, though writers for the growing numbers of amateur magazines, called fanzines, were offering some distinctive contributions. In the 1940s, editor John W. Campbell, Jr. significantly expanded and deepened Gemsback’s theories to articulate a satisfying,

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Helmer, Dona J. "Book Review: Ghosts in Popular Culture and Legend." Reference & User Services Quarterly 56, no. 4 (2017): 303. http://dx.doi.org/10.5860/rusq.56.4.303b.

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The co-editors are June Pulliam, who teaches classes in horror literature, YA fiction, and film, and Anthony Fonesca, who has written about horror and also has a background in information literacy. They previously co-authored Hooked on Horror: A Guide to Reading Interests in the Genre, and have now applied their talents and expertise to create a work that contains accessible information about a popular topic.

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Svensson, Ragni. "Afrikansk skönlitteratur på svensk bokmarknad 1961–1981." Tidskrift för litteraturvetenskap 45, no. 2-3 (2015): 33–44. http://dx.doi.org/10.54797/tfl.v45i2-3.8977.

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African Fiction on the Swedish Market 1961–1981: Bo Cavefors Publishing Ltd. and the ”Afrika berättar” (”Africa Speaks”) Series This article examines the selection, marketing and reception of contemporary African fiction on the Swedish book market of the 1960s and 70s, through the case of a book series called ”Afrika berättar”, launched by Bo Cavefors Publishing, Ltd. Bo Cavefors was the Swedish publisher of writers such as Wole Soyinka, Ngu˜gı˜ wa Thiong’o and José Luandino Vieira. The article discusses the way in which these literary works were received from the perspective of current

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Mozūraitė, Vita. "Children's book publication in Lithuania in 1940-1955." Knygotyra 25, no. 18 (2024): 79–82. https://doi.org/10.15388/knygotyra.1992.36518.

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The State Publishing House of the Lithuanian SSR and some private publishing houses published children's books during the period from June 1940 until June 1941. They published 49 children’s books in 277,500 copies. During the German occupation, children's books were published in Moscow, where the State Publishing House operated, and some were published in Lithuania. After the end of the war in 1945, new publishing houses were established in Lithuania, and all of them published books for children. The majority of children's books were published by the State Publishing House of Fiction Literatur

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Clarke, Peter D., and Michael C. Questier. "EDITORS’ PREFACE." Camden Fifth Series 48 (September 4, 2015): vii—viii. http://dx.doi.org/10.1017/s0960116315000238.

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The current volume brings together contributions from two separate editors. The first is a collection of texts edited by Peter Clarke that evidence Cardinal Thomas Wolsey's legatine powers to grant dispensations and other papal graces and his exercise of these powers during the 1520s in Henry VIII's realm. The second is a text edited by Michael Questier. It takes the form of glosses on and suggested readings of the Elizabethan statute law which imposed treason penalties on Catholic clergy who exercised their office in reconciling to Rome (i.e. absolving from schism and heresy) and on those who

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Markova, M. V. "Georgette Heyer, history, and historical fiction." Voprosy literatury, no. 1 (February 5, 2024): 198–203. http://dx.doi.org/10.31425/0042-8795-2024-1-198-203.

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The review discusses a volume of scholarly articles edited by Samantha Rayner and Kim Wilkins that sets out to present a comprehensive body of research into the oeuvre of the English novelist Georgette Heyer. The book comprises several sections: gender, genre, sources, and circulation and reception. Heyer is the renowned founder of Regency romance, whose work is noted for exceptional attention to historical facts and reconstruction of the aristocratic slang of the period. Her novels, however, remained largely ignored by scholars. The volume’s editors succeed in producing an invaluable compilat

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Thèses sur le sujet "Book editors – England – Fiction"

Palmer, Beth Lilian. "Strategies of sensation and the transformation of the Press, 1860-1880 : Mary Braddon, Florence Marryat and Ellen Wood, female author-editors, and the sensation phenomenon in mid-Victorian magazine publishing." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:30a509c7-2ba3-4477-9d3e-801f61e1b8c1.

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This thesis examines the processes of writerly and editorial literary production undertaken by women sensation authors in the 1860s and 1870s. This focus represents a shift from the prevailing critical emphasis on the consumption of sensation fiction to the realm of production and therein allows the thesis to analyse the ways in which sensation operates as a set of rhetorical and linguistic strategies for women writers in the changing publishing conditions of mid-to-late Victorian society. I consider the ways in which sensation is an idiom that permeates all aspects of magazine publishing in t

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Livres sur le sujet "Book editors – England – Fiction"

Spark, Muriel. A far cry from Kensington. Houghton Mifflin, 1988.

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Spark, Muriel. A far cry from Kensington. New Directions, 2000.

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McEwan, Ian. Amsterdam. Thorndike Press, 1999.

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McEwan, Ian. Amsterdam. Nan A. Talese, 1999.

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McEwan, Ian. Amsterdam. RosettaBooks, 2003.

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McEwan, Ian. Amsterdam. A.A. Knopf Canada, 1998.

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McEwan, Ian. Amsterdam. Vintage Canada, 1999.

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McEwan, Ian. Amsterdam. Nan A. Talese/Doubleday, 1999.

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McEwan, Ian. Amsterdam. N.A. Talese, 1999.

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McEwan, Ian. Amsterdam. Anchor Books, 1999.

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Chapitres de livres sur le sujet "Book editors – England – Fiction"

Zhenchenko, Maryna. "Transformation of Public Policy in Ukrainian Book Publishing as a Basis for Resisting Russian Cultural Expansion During and After the War." In Contributions to Security and Defence Studies. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-66434-2_12.

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AbstractThis paper examines the transformation of public policy to strengthen Ukrainian book publishing and counter Russian cultural influence. Employing a mixed-methods approach, it combines analysis of legislative changes and industry reports with expert interviews involving key stakeholders such as publishers, editors, and government officials.The findings reveal a discernible trend that has intensified since the Russian invasion in 2014: a decrease in the presence of Russian books in the Ukrainian market and a simultaneous rise in support for Ukrainian publishing. Legislative alterations,

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Sillars, Stuart. "Book, Image, and Social Presence." In Picturing England between the Wars. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198828921.003.0009.

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In the early 1920s, the literary editor Sidney Clark wrote about English classic texts as moral guides for new readers. In 1932, Q. D. Leavis bemoaned the growth of popular fiction as simple escape. More positive overall was the growth of books as constructions of word and image, not just through illustrations but in all aspects of design, layout and increasingly through pictorial dust jackets in books of all kinds. Design of covers and binding revealed much about contents, with the Left Book Club and its rival Right Book Club the most extreme, declaring their content and political stance. In

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Keats, Jonathon. "Steampunk." In Virtual Words. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780195398540.003.0023.

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“I wish to God these calculations had been executed by steam,” exclaimed the British polymath Charles Babbage to his colleague John Herschel one day in 1821, as they worked together to correct a batch of mathematical tables riddled with errors. With that outburst, according to his memoirs, Babbage envisioned the first computer. The machine he conceived was colossal, a cogwheel behemoth comprising twenty-five thousand parts, planned to measure seven feet long and to weigh fifteen tons. The British government invested ￡17,500 in it—the cost of twenty-two new locomotives—yet after eleven years of

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"Agnes Strickland (1796-1874)." In A Century of Sonnets, edited by Paula R. Feldman and Daniel Robinson. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0069.

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Abstract After the death of their father in 1818, Agnes Strickland and her sister Elizabeth published historical fiction for children. Thomas Campbell, editor of the New Monthly Magazine, printed some of her translations of Petrarch’s son nets. She was a prolific contributor to the gift books and annuals, especially to the Keepsake, the Forget-Me-Not, and Friendship’s Offering. She brought out a metrical romance Worcester Field in 1826 and The Seven Ages ef Woman the following year. But she became most well known as a historian after publishing, from 1840 to 1848, with Elizabeth, the Lives ef

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Shippey, Tom. "Kingsley Amis’s Science Fiction and the Problems of Genre." In Hard Reading. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382615.003.0016.

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When Kingsley Amis’s first science fiction novel, The Alteration, was published in 1976, it created an immediate problem. Amis was by then a well-established author, and his book had to be reviewed. But though the editors of literary reviews demanded some sort of response from their reviewers, neither in that case nor in the case of Amis’s second science fiction novel, ...

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Howard, June. "Local Knowledge and Book-Learning." In The Center of the World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821397.003.0002.

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The second chapter of The Center of the World: Regional Writing and the Puzzles of Place-Time, titled “Local Knowledge and Book-Learning,” offers a revision of received American literary history. It argues that the figure of the schoolteacher personates the contested connection between the particular place and the world beyond. The one-room schoolhouse, in particular, is a site where provincial and metropolitan or cosmopolitan knowledges meet. These topoi play an important role in local color fiction in the nineteenth century, and persist into later periods. The chapter includes Southern, Midw

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Bowlby, Rachel. "Endings Plots Exile in England." In Émile Zola. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780198874126.003.0003.

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Abstract This chapter explores the contrasting stories that frame the last years of Zola’s life. In 1898–9 he was in exile in England, caught between the ongoing public events of the Dreyfus affair and the changeless isolation of his day-to-day existence. Letters home tell of his eventless domestic life of writing and routine, juxtaposed with developments for which endings and dénouements are always on the horizon. When will the book be done? And when can he go home? During this time he wrote Fécondité, in praise of procreation (and against the abuses of the contemporary fertility industry). T

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Coroneos, Con. "Flies and Violets in Katherine Mansfield." In Women’s Fiction and the Great War. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198182832.003.0010.

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Abstract Of the writers discussed in this book, Katherine Mansfield was one of the few who entered a militarized zone in the Great War, and perhaps the only one who entered it for the ‘wrong’ reason. She did not go to drive an ambulance, to report, to propagandize or to mourn. Instead, she went to pursue a love affair with Francis Carco, a French soldier who was stationed just east of Dijon. At Carco’s invitation, she left England on 15 February 1915 for the French town of Gray, located in a zone forbidden to women visitors. Mansfield’s first thought was to masquerade as a pregnant wife. She s

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Mittermeier, Sabrina, and Mareike Spychala. "Interview with Dr. Diana A. Mafe on ‘Normalizing Black Women as Heroes’." In Fighting for the Future. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621761.003.0011.

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In an interview with the editors, Dr. Diana Mafe discusses her book Where No Black Woman Has Gone Before: Subversive Portrayals in Speculative Film and TV (2018) on the role of black women in science fiction, and what Star Trek: Discovery’s lead character Michael Burnham means for the genre in general, as well as the Star Trek franchise in particular.

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Jay, Elisabeth. "Relating the Life." In Mrs Oliphant: Fiction to Herself’. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198128755.003.0002.

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Abstract ‘It’s not the facts, it’s the narrative they’re arranged to tell’, she reminded hcrself. Powerful writers lose none of their myth-making capacity when they turn their attention to the art of autobiography. Until very recently John Henry Newman’s Apologia, or Anthony Trollope’s An Autobiography provided the framework within which their lives were retold and interpreted by others. In their stories of their own lives they selected, created, and explored the events and emotions that they grew to believe had shaped their subsequent work. The correlation thus provided between the life and t

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